스크랩 소프라노 리세떼 오로페사 Lisette Oropesa sings "Sempre libera" La traviata

[유근창시몬(따모)]

새로운 프리마돈나의 출현! 이라고 해도 되지 않을까 싶다. (물론 4년 전에 발견한 일이지만... 우연히 사랑하는 우리 딸과 이야기 하다가 오랜만에 이 친구를 떠올렸고...)

괜찮은 실력과 미모를 갖춘 21세기형 소프라노.

멀리서 보면 예전 소피 마르소를 좀 닮았다. 어설픈 소피~ 아마도 그래서 인기가 더 있는 걸지도. ㅎ

아무튼 상당한 실력과 끼와 깡(여유와 자신감), 상당히 영리해 보이며 거기에 학구적인 모습과 어느정도 분석적이고 기획적인 모습 등이 보인다. 상당히 많은 장점을 가지고 있어 앞으로 매우 장래가 촉망되는 아니 이미 전세계에 알려진 소프라노다. 

다만 현재 소리의 포지션이 대가의 포지션보다는 상당히 낮은 편이라(지극히 평범한 포지션의 높이), 이 점을 개선하지 않고서는 매우 고급적인 사운드는 기대하기 어렵고, 대가 대열에서 비교하기는 아직 민망한 수준이다. 

좋은 선생님을 만나거나 똑똑하고 욕심이 있어 보이니 본인이 해결해서 또 한명의 인류 최고의 소프라노가 되길 바란다. 

장점을 극대화한다면 충분히 그럴 수 있는 자질을 많이 가지고 있다. 

더욱 맘에 든 것은 정말 열심히 공부하고 영상으로 그 노하우를 나누려고 한다는 것이다. 

물론 유명 유튜버가 되고 싶어서일 수도 있지만...

이 정도 급의 사람과 발성과 음악에 대해 이야기할 수 있는 기회는 흔치 않다. 아니 과거에는 거의 불가능이었다.  TV 방송에서 기획해야만 볼 수 있었던 것이 아닌가. 그런데 이제는 본인이 올리고 또 열심히 찾아서 공부하는 사람들은 쉽게 배울 수 있다. 

요즘 시대는 독학 전성시대라 무엇이든 알고자 하고 배우고자 하면 길이 열리기도 하는 세상이다. 

https://youtu.be/s4L-sKy_0PU?t=60 

Lisette Oropesa sings "Sempre libera" (La traviata)

조회수 236,903회

2017. 11. 26.

4천싫어요공유저장

Bocca Baciata

구독자 900명

구독

Music starts → 1:00 Lisette Oropesa sings "Sempre libera" from Verdi's La traviata at the Deutsche Oper AIDS Gala November 4th 2017 #LaTraviata

요게 그 발성 강의

Q&A

https://youtu.be/nozLKA1M4MU?list=PLB-5OOUMPBji1-E9pF3uhbHyFDf3Nvw8G 

Tips

https://youtu.be/hHbPfRyxeyA?list=PLB-5OOUMPBji_1RdIXiMVNwWXo8wWobCm 

https://youtu.be/b5zxbFIZHUU

Q&A Part 1 - Singing Technique

조회수 91,786회

2019. 2. 12.

2.8천싫어요공유저장

Lisette Oropesa

구독자 1.65만명

구독

Hey guys, thanks for sending me your numerous questions! Since I got over 100 questions in one day, I decided to break up this series into a set of 4 videos, in which every video has a different subject. Technique, Fitness and Health, The Business, Personal Questions about Me. Since half the questions I got were about vocal technique, this first video will probably be the longest! I have broken up the video into time-stamped separate sections so that you can skip to what suits you, and hear my general thoughts on that. Since it’s best to work with a singer individually, I can’t give personalized advice to everyone that messages me online. However, I have given a mix of general and specific advice that has helped me, along with examples from my own particular routine. Everything I preach, I practice, and my singing is a result of my approach. If this advice works for you, great! But take what you can and dismiss the rest. Always talk to your teacher about any ideas or questions you might have, and let them guide you. But if something feels wrong it probably is. BREATHING AND SUPPORT: 1:30 Here I go through my general breathing technique and alignment, focusing the energy in the torso and the sensation I have while singing that helps me feel supported and free. FATIGUE: 10:45 Avoid fatigue by supporting from the core COLORATURA: 12:45 I share some tips on how to approach runs, and demonstrate a warm up excercise. Avoid the aspirated H. PREPARING A ROLE: 17:03 Tips on how to learn a role for the first time, and how long it takes, working through music backwards, starting with the most difficult part first, recording yourself; do’s and don’ts when listening to recordings. PRACTICING: 22:30 Breaking the part down into manageable chunks; memorizing and drilling, working on a part by yourself; Best times to practice and how long PHRASING AND INTERPRETATION: 27:52 Following your musical instincts, but also being open to input; selling your ideas to directors; feeling stuck in one way PASSAGGIO: 30:28 General tips for how to work on the mix; narrowing the vowel and singing less open; tackling the break head on and not avoiding it; changing vowels to find what works in your registers; covering the sound; lifting the soft palate EXTENSIONS 35:00 Building an extension, working with what you naturally have; avoid manufacturing, avoid forcing your voice to its extremes VOCAL SIZE: 37:38 Aim for good vocal production, not heaviness; let your voice grow naturally; trust your gut when it comes to your rep PIANISSIMO: 39:38 Major support and efficiency; A well produced healthy voice travels; focusing on building your vocal color; the healthy spin; Don’t put the sound into the nose; find an [u] vowel with a dome-y position; don’t swallow the sound; mouth position TONGUE: 42:56 Where the tongue should be most of the time; What to do when the tongue is moving too much; lifting the soft palate; why you shouldn't curl up the tongue VIBRATO: 45:30 Working with your natural vibrato and avoiding a wobble; finding the tension that causes your vibrato to be unstable; check in with your support to put the effort there and not in the throat; Embrace your natural vibrato and don’t try to imitate someone else’s Chapters: 00:00 Q&A Part 1 - Singing Technique 01:30 Breathing And Support 10:45 Fatigue 12:45 Coloratura 17:03 Preparing A Role 22:30 Practicing 27:52 Phrasing And Interpretation 30:28 Passaggio 35:00 Extensions 37:38 Vocal Size 39:38 Pianissimo 42:56 Tongue 45:30 Vibrato -------------- 🌵Aux filles du désert https://lisetteoropesa.com/aux-filles... ------ 💲Buy the Album on iTunes! http://bit.ly/aux-filles-du-desert-it... ------ 🎧Listen on Spotify! http://bit.ly/aux-filles-du-desert-sp... ------ 🎧Listen on Bandcamp! http://bit.ly/aux-filles-du-desert-ba... ➠ FOLLOW ME ☟ Instagram → https://www.instagram.com/lisetteoropesa Twitter → https://twitter.com/lisette_oropesa Facebook → https://www.facebook.com/lisetteoropesa Website → https://lisetteoropesa.com

와우 젊은 나이에 벌써 마스터클래스~

https://youtu.be/9SFUeOpfSNE

How to sing opera with Lisette Oropesa - Royal Opera Masterclass

조회수 53,542회

실시간 스트리밍 시작일: 2021. 10. 15.

1.9천싫어요공유저장

Royal Opera House

구독자 109만명

구독

Join internationally-renowned soprano Lisette Oropesa for a Royal Opera Masterclass featuring her coaching members of the Company's Jette Parker Young Artist Programme. Subscribe to our channel to watch more Masterclass sessions with some of the world's top singers. Oropesa grew up in Baton Rouge, Louisiana, and initially trained as a flautist before studying voice at Louisiana State University. She was a winner of the Metropolitan Opera’s National Council Auditions grand finals and subsequently became a member of the Lindemann Young Artist Development Program. Since leaving the Program in 2008 she has returned to the Metropolitan Opera in roles including Nannetta (Falstaff), Sophie (Werther), Susanna (Le nozze di Figaro) and Gilda (Rigoletto). Engagements elsewhere include Konstanze (Die Entführung aus dem Serail) for Bavarian State Opera and Paris Opéra, Norina (Don Pasquale) for Glyndebourne Festival, Ophélie (Hamlet) in Lausanne, Susanna and Marie (La Fille du régiment) for Washington National Opera, Romilda (Serse) and Susanna for San Francisco Opera, Gilda for Rome Opera, Grand Théâtre de Genève, Dutch National Opera, Teatro Real, Madrid, and at the Amsterdam Concertgebouw, Violetta (La traviata) for Opera Philadelphia and Rosalba (Catán’s Florencia en el Amazonas) for Los Angeles Opera. Oropesa’s concert appearances include Carmina Burana with Chicago Symphony Orchestra and Riccardo Muti, Pittsburgh Symphony Orchestra and Cleveland Orchestra, performances with the Orchestra dell’Accademia Nazionale di Santa Cecilia and the Philadelphia Orchestra and Brahms’s Liebeslieder Walzer at Weill Hall with James Levine and Daniel Barenboim. This event is generously supported by Rolex

[황연주 로살리아]

성가대를 한참동안 안했더내 노래 부르는 방법을 다 까먹은것 같아요.. ㅠㅠ
꼼꼼히 챙겨봐야겠어요~ 좋은 자료 감사합니다😄

[유근창시몬(따모)]

샘은 하느님께서 주신 커다란 장점이 있으니 장수하실 겁니다. ㅎ
저는 샘의 그 달란트가 부럽네요. 화이팅요~~

[유근창시몬(따모)]

요즘 제 머릿 속엔 온통 앰프로 가득차서... 이 친구에 관한 중요한 영상들이 더 있는데... 해서 제 카페에 있는 원본 글에는 지속적으로 업데이트됩니다. 특히 아래의 영상은 꼭 보세요. 현재 최고의 소프라노 2명의 2중창

[유근창시몬(따모)]

https://youtu.be/iN9zDBKswB4