셀마 마우스 피스의 모든겄.

[vintage]

Selmer Saxophone Mouthpieces

H 셀마

아래의 것들은 1920대에 제작된 초기의 셀마 피스이며 H selmer Made in france라고 쓰여져 있고  테이블에는 둥근 금박의 로고가 있다 (오발) 이것들은 매우 넓은 챔버를 가지고 있다.
H. Selmer
These were the first of the Selmer mouthpieces produced in the early 1920s. They had the name "H. Selmer Made in France" inside an oval on the back of the mouthpiece. They had a very large chamber.

이시대의  셀마 레가쳐와 캡은 역시 H selmer가 얇은 놋쇠에 찍혀 있다.

대개 금이나 은도금이다.

The Selmer ligatures and caps at this time also had H. Selmer written on them. They were stamped from a very thick brass. Most were silver and gold plated.

에어 플로어.

첫번째 에어 플로어 모델은 생크부분에 쇠로된 링이 씌여져 있고 대단히 넓은 챔버를 가지고 있다. 이겄들은 클래식연주자 들에게 많이 쓰이기도 했지만 때로는 너무 어둡다는 의견들이 있기도.. 초기모델은 쇠로된 둥근 로고가 등부분에 있기도 했지만 곧 셀마는 간단한 쇠링과

등부분의 각인 글씨로 바뀐다.  

"Air Flow"
The first Air Flow mouthpieces had a metal ring around the shank, a very big chamber, and small tip openings. These are popular among classical players but are often considered too 'dark' by others. The very first version had a fancy banded shank and a metal logo on the back. This only lasted a year or two though. Selmer soon switched to a simple metal band and scribed writing on the back.

1920년대 말 셀마 마우스피 스 에는 SSS 가 등부분에 쓰이는데 이것은 셀마 수퍼 색스라는 뜻이며 악기의 가격과 피스는 1921년부터 올려졌다. (신문등에..)

In the later 1920s the mouthpieces had SSS marked on the back, which indicated they were made during the time of the "Selmer Super Sax". The below horns and price list are from 1921.

In the mid1920s the mouthpieces had SSS marked on the back. This indicated they were made during the time of the Selmer Super Sax. The below horns and price list are from 1921.

1920년 후반에 이모델들은 메탈밴드들을 없애고 스콜(꼬은 실과같은 문양)이 생크부분에

적용된다. 이것들은 여전히 넓은 챔버를 가지고 잇으며 첫해의 모델들은 시리얼넘버들을

몸통옆에 , 페이싱을 테이블에 표시하고 있다.
In the late 1920s these models lost the metal band and moved to a scroll work band around the shank. The floor became a little higher. They still maintained a very large chamber. The first year of production mouthpieces had a serial number on the side. These all had the tip opening marked on the table. For example: table C.

The metal version of this mouthpiece had deep fluted sides and a medium round chamber. These were the first metal mouthpiece Selmer made which started in the late 40's. They all had the facing stamped on the table.

메탈버젼의 이들 모델들은 몸통옆에 깊게파이고 중간크기의 둥근 챔버를 가진다.

이들은 셀머의 첫번째 메탈모델이며 1940 년까지 만들어 졌다

이들은 페이싱이 테이블에 각인되어 있다.  

At this time the all the rubber mouthpieces chambers became small round chambers as well. The first of these had the name AIR FLOW stamped on the table. Later AIR FLOW was removed and the tip opening was placed on the table in an oval. All of these had a scroll-work shank similar to the later Soloist models, however, the very end of the shank was shorter, or stubbier. These are very good mouthpieces and the alto model is in particular demand by classical musicians.

이때의 모든 셀머피스는 작은 둥근형태의 챔버를 가지기 시작한다.

첫번째 모델은 AIR FLOW 각인이 테이블에 있으며 나중의 AIR FLOW는

테이블의 타원형에 오프닝이 고쳐져 새겨진다.

모든모델들은 스콜무뉘가 (솔리스트 모델비슷하게) 있고, 어쨋든 생크 끝부분은 매우 짧다.

이들 모델들은 매우좋은 피스이며 특히 알토가 좋다.

The metal version of this mouthpiece looked very similar internally to the rubber version. While not as pronounced, it also maintained the fluted exterior of its previous metal model. This metal mouthpiece was called the Classic model. The Jazz model was also introduced at this time. It had a horse-shoe shaped chamber with a high floor. These mouthpieces were brighter than the Classic model and did not have a scroll-work shank. They had Jazz written on the table, though. All the metal mouthpieces were only made in facings: C, C*, D and E. Below is the Classic model.

Here is a Selmer mouthpieces add from 1955 showing the AIRFLOW models. This was just a year prior to the famous Short Shank Soloist models released in 1956. All the rubber mouthpieces had the small round chamber at this time.

In 1956 Selmer came out with a budget line of rubber mouthpieces called the Selmer ELKHART, and a student line of plastic mouthpieces very similar in sound and style to the Brilhart Ebolin and Tonalin mouthpieces called the Goldentone. The CLARION line of crystal clarinet and tenor saxophone mouthpieces was also released.

During this time, Selmer made some rare mouthpieces for Stentor . These had a taper finished shank, the tip opening in an oval on the table and a small round (actually almost oval) chamber, and are very good playing mouthpieces.

Short Shank Soloist
These are the classic Selmer mouthpiece of the 1950s. They had a short, almost stubby, shank and the name Soloist engraved on the table. The first of these had an almost oval chamber, much like the Brilhart Ebolin and Tonalin Great Neck NY mouthpieces. There was a small flat at the back of the floor (front of the chamber) in their molds. This flat was enlarged by hand to make it more oval. Later, the hand work to oval this section was not done. Finally the chamber became truly horse-shoe (or dome) shaped.

The later horse shoe shaped chamber mouthpieces are what is commonly referred to as the Selmer Short Shank mouthpieces. The two previous versions of this chamber were only made for a few years. All of these mouthpieces are enjoyed by the Jazz and Classical players alike. Please see below for pictures of these three chamber shapes.

From this point on all mouthpieces with the smaller round chamber are called Larry Teal models, and are distinguished by an LT on the table.

The Selmer "Soloist" short shank hard rubber models came in sizes from B* to H. For reference an "E" is equivalent to an Otto Link 5, and an H is equivalent to an Otto Link 7*. The Selmer mouthpieces from B* to E all came with a medium length lay (the distance from the tip of the mouthpiece to the point where the reed meets the facing). The larger sizes F, G, and H only came with a SHORT length lay. Hence all the larger tip openings had a shorter lay than the smaller tip openings. This was an attempt to make them easier to play. However, the bottom end of the horn suffered tremendously because of this.

숏 생크 솔리스트
이들 클래식 셀마 마우스피스는 1950년에 만들어 졌다.
이들은 짧은 생크를가지고 soloist 이름이 테이블에 쓰여져 있다.첫번째 모델들은 거의
타원형의 챔버를 가진다  거의 부릴하트의 에볼린,그리고 토날린의 그래이트넥과 흡사하다.
작은 평평한 플래이트를 챔버앞에 가지며 이 플래이트에는 손으로 새긴 좀더 타원형의
무뉘가 새겨졌다.  이 오발 은 손으로 새겨지지 않았으며 마지막으로 챔버는
말발굽의 형태를 가진다.
.
후기의 말발굽형태는 숏생크마우스피스에 공통적인 영향을 미치는데
두가지의 챔버는 불과 몇년간에 걸쳐서 만들어 졌다.
모든 이들피스는 재즈나 클래식에 즐겨 사용되었다
사진의 말발굽형태의 챔버를 보시기 바랍니다.

이시점 부터 모든 셀머의 피스는 적은 둥근형태의 챔버를 가지는데 레리 틸 모델이라 부른다.

셀마 솔리스트 숏생크 모델은 사이즈가 B 부터 H 까지가 있다,
보통의 E 는 오토링크의 5호와 같다. 그리고 H는 오토링크의 7*와 비슷하다.
셀마피스는 B부터 E 까지 중간정도의 레이 (팁으로부터 테이블의 리드가 만나는 지점까지의 거리)  큰 사이즈의 F,G는 그리고 H는 짧은 레이를 가진다. 이유는 좀더 편한 플래이를 위해서다.
어쨋든 악기의 맨저음에서 충분한 경험을 이들로 인해 할수 있다.

Here is a Selmer mouthpiece ad from their 1956 Band Instrument Catalog showing the very first Soloist mouthpieces:

The Jazz model remained the same basic design; however the shank of the mouthpiece got a band like look to it.

Selmer issued several different ligatures in the 1950s. The adjustable slide-on ligature fit everything from a clarinet to a tenor saxophone mouthpiece. The screw-down ligature was released in 1958. It had a very thick reed-plate giving it a dark sound. Their standard band ligature had very fat screws at first. Over time the screws got thinner..

The first caps just had the Selmer name on them. They also had and a pointing tip. Later, MADE IN FRANCE was added along with their famous logo. The tip of the cap was also flattened. In the 1960's the lacquer got lighter.

Long Shank Soloist
These mouthpieces were identical to the later short shank models, though with a longer shank. The C* model was included with all the French (Paris) Selmer Mark VI saxophones made in the 1960s. Like their Short Shank brothers, they were made in sizes from a B* (smallest) to an H (largest) which is equivalent to an Otto Link 7* tip opening.

The Long Shank Larry Teal model looked identical on the outside to the Long Shank Soloist but had a round chamber and LT stamped on the table.

Long Shank - Soloist Style
These mouthpieces look identical to the long shank Soloists, but did not have Soloist engraved on the table. The tip opening was also stamped on the back. They still had the horse-shoe shaped chamber.

They had less roll-over baffle than their Soloist brothers though, so were darker sounding.

The Soloist Style mouthpieces were produced primarily in the 1970s. Because they look like the Soloist mouthpieces, but are not marked Soloist, they are called Soloist Style.

The metal mouthpieces had an elongated shank and the tip opening stamped on the back, just like their rubber counterparts. The long shank Selmer Classic metal mouthpiece has not changed to present.

S80 Mouthpieces
These mouthpieces were produced in the 1980s to present. They have a bit higher floor giving them more projection and have a square chamber.

The metal mouthpieces have remained pretty much the same from the 1980s to present. The Jazz model's shank became more streamlined looking.

S90 Mouthpieces
These mouthpieces were produced in the 1990s to present. They are identical to the S80 mouthpieces except with a slightly larger square chamber.

[vintage]

앞 부분에 얍샵하게 해석 제가 해서 올렸는데 마음에 드시면 계속 해 볼게요.