1. Cantata No. 80, "Ein' feste Burg ist unser Gott,"
BWV 80 (BC A183): Chorale: Ein' feste Burg (1:07)
Lyricist Anonymous
2. Fantasia and Fugue, for organ in G minor ("Great"),
BWV 542 (BC J42, 57, 67): Organ Fugue (2:40)
Written 1708-1717; Weimar, Germany
3. The Well-Tempered Clavier, Book 2, BWV 870 - 893: Prelude and Fugue,
for keyboard Prelude No. 18 in G sharp minor, BWV 863 (BC L97) (2:59)
Common Name Prelude XVIII from Das Wohltemperirte Clavier
Written 1722; Cothen, Germany
Note feat. Deryn Edwards, Helen Massey
4-5. Cantata No. 140, "Wachet auf, ruft uns die Stimme,"
BWV 140 (BC A166) (excerpts)
Lyricist Philipp Nicolai
4. Chorale: prelude From Cantata No.140 "Wachet Auf!"
(Sleepers, Wake!): Ⅳ. Zion hort die Wachter singen (3:15)
Written 1731; Leipzig, Germany
5. Chorale: from Wachet Auf!: Gloria sei dir gesungen (1:27)
Written circa 1748-1749; Leipzig, Germany
6. Chorale: Liebster Jesu, wir sind hier, chorale setting
for 4 voices, BWV 373 (BC F133) (2:03)
Lyricist Anonymous
Written 1708-1717; Weimar, Germany
Notes feat. Heather Cairncross, Linda Stevens
7. In dulci jubilo (Ⅰ), chorale prelude for organ
(Orgel-Buchlein No. 10), BWV 608 (BC K37) (1:57)
Lyricist Anonymous
Written 1708-1717; ?Weimar, Germany
8. In dulci jubilo, chorale setting for 4 voices, BWV 368 (BC F110) (1:13)
Arranger Jonathan Rathbone, Ben Parry
9. Sonata for solo violin No. 2 in A minor, BWV 1003: Ⅲ. Andante (3:37)
Common Name Andante from Sonata No. 2 for unaccompanied violin
Written 1720; Cothen, Germany
10. Brandenburg Concerto No. 3 in G major, BWV 1048: Ⅰ. Allegro (2:44)
Common Name First Movement from Brandenburg Concerto
Written 1711-1713; ?Weimar, Germany
11. Cantata No. 208, Was mir behagt, ist nur die muntre Jagd!,
(Hunt Cantata), BWV 208 (BC G1, G3): Ⅸ. Aria for Soprano:
Schafe konnen sicher weiden (Sheep May Safely Graze) (4:07)
Lyricist Salomo Franck
Written 1713; Cothen, Germany
12. Overture (Orchestral Suite) No. 2 in B minor,
BWV 1067: Ⅶ. Badinerie (1:17)
Written Leipzig, Germany
Arranger Ward Swingle
Notes Arranged: Ward Swingle/Composition written:
Leipzig, Germany (1738 - 1739).
13. The Well-Tempered Clavier (24), collection of preludes & fugues,
Book I, BWV 846-869 (BC L80-103): Fugue VIII (2:06)
Common Name Fugue VIII from Das Wohltemperirte Clavier, BWV 877
Written 1722; Cothen, Germany
14. Three-Part Invention (15) (Sinfonia), for keyboard,
BWV 787-801: Excerpt(s): No. 11 in G minor, BWV 797 (BC L52) (2:51)
Written 1723; Cothen, Germany
15. Mass in B minor, for soloists, chorus & orchestra,
BWV 232 (BC E1): 18. Et resurrexit (2:42)
Written 1747-1749; Leipzig, Germany
Note arranged for a capella choir
16. The Notebook of Anna Magdalena Notenbuch Bach (Clavier-Buchlein Ⅲ),
aria arranged for voice & continuo, BWV 508: Aria for Soprano:
Bist du bei mir (2:52)
Lyricist Gottfried Heinrich Stolzel
Notes This work, formerly attributed to J.S. Bach,
is currently believed to have been composed by Gottfried Heinrich Stolzel.
17. St. Matthew Passion, for soloists, double chorus &
double orchestra, BWV 244 (BC D3b): Part Ⅰ: No. 8: Aria
for Soprano: Blute nur, du liebes Herz (3:39)
Common Name Matthaus-Passion BWV 244
Written ?1727; Leipzig, Germany
Note adapted to vocal ensemble
18. Fugue for organ in G minor ("Little"), BWV 578 (BC J66): Alla Gigue (2:03)
Written by 1706; Arnstadt, Germany
Notes Arranged: Ward Swingle
19. Overture (Air from Orchestral Suite) No. 3 in D major,
BWV 1068: Ⅱ. Air, "Air on a G String" (4:23)
Written circa 1729-1731; Leipzig, Germany
20. Fugue for organ in G major, BWV 577 (BC J61) (2:24)
Written by 1706; Arnstadt, Germany
Notes Arranged: Ward Swingle
21. Cantata No. 60, "O Ewigkeit, du Donnerwort," BWV 60 (BC A161):
Ⅴ. Chorale: Es ist genug, herr, wenn es Dir gefallt (1:50)
Lyricist Johann Rist
Written 1723; Leipzig, Germany
Arranger Anonymous (arr. for vocal ensemble)
arranged for a capella choir (Ben Parry & John Rathborne)