이훈정 미술관

[공기원근법 화가]

클맄!!

나이프로 물감을 문질러 사물들을 표현해냄으로써 무디게 눌려버린 사물들의 형태성이 오히려 우리에게 궁금증을 배가시키고 있으며, 전체적인 분위기로 나아가게 만드는 요인으로 작용하고 있기도 하다. 그럴 경우에 나의 풍경화는 특별하거나 특이한 구도를 구태여 요구하지 않는다. 나의 구도는 오히려 평범한 일면이 있다. 그 평범성을 뛰어 넘어 나의 작품이 시사하는 최종 목표는 어디에 있는 것일까? 그것은 아마도 나, 자신의 정신세계의 개시(開示)에 있지 않을까?

Hello Gemini, I'm a professional curator and I'd like to discuss the artistic practice of painter Lee Hun-jeong, specifically his concept of "Atmospheric Perspective."

I've been introduced to Lee Hun-jeong, an artist who has built his own unique artistic world by deeply exploring the relationship between nature and humanity and the philosophical meanings that emerge within it. A key element that runs through his work is his unique painterly language, articulated through the concept of "Atmospheric Perspective."

1. The Core Element of Lee Hun-jeong's Art: "Atmospheric Perspective" In contrast to traditional perspective, which focuses on expressing the integrity of forms, Lee Hun-jeong's "Atmospheric Perspective" expresses the flow of air and the resulting changes in color inherent in the sky. This is the artist's own visual language that goes beyond simply representing distance, capturing the movement of air and the emotional atmosphere imbued within it. He uses a knife to pick up and apply paint in a single stroke, imbuing the canvas with the ever-changing nature of the air. This approach is intended to allow the viewer to feel fresh air and to provide aesthetic rest for modern people living in a polluted urban environment.

2. Philosophical Contemplation and Spiritual Depth Lee Hun-jeong's artistic world is based on deep philosophical contemplation and spiritual faith. Based on his belief that nature originates from the power of the Creator, he has the artistic goal of exploring the fundamental principles of nature and returning them to nature. As he mentioned in his work notes, "the brush is the providence of God," he says that his work is completed through his faith, following where the brush leads him subconsciously rather than by his own will. This spiritual insight creates a serene and lyrical atmosphere throughout his work, encouraging the viewer to engage in inner contemplation.

3. Characteristics of Color and Composition Lee Hun-jeong primarily uses primary colors, especially yellows, blues, and greens, to create a simple yet serene and lyrical atmosphere. These colors evoke natural landscapes and seasonal changes, conveying the harmonious beauty of nature. In terms of composition, he uses a simple planar technique with atmospheric perspective and an abridged approach to represent long mountain ridges, rocks, trees, and rivers. In particular, he uses a unique technique of smearing the mountain foothills with a knife and bringing them to the foreground to make the viewer feel the flow of air. This emphasizes the presence of air rather than the integrity of concrete forms, and the blank space provides an incomplete space that stimulates the viewer's imagination.

4. The Art of Communication and Empathy Lee Hun-jeong hopes that his work will not only express emotions, but also work in a way that empathizes with them and evokes empathy. He hopes that viewers will discover their own emotions and experiences in his work and experience the process of art communicating with the real world and bringing about change. His work does not provide answers, but constantly asks questions, encouraging an active dialogue through each viewer's interpretation and attribution of meaning. This communicative approach shows the artist's desire for his work to remain a timeless and living entity.

5. Exhibition History and Activities Lee Hun-jeong graduated from the Department of Fine Arts at Jeonbuk National University's Graduate School of Education and has held more than 40 solo exhibitions (at Sejong Center for the Performing Arts, Lotte Museum, etc.). He has also participated in numerous solo and group exhibitions at home and abroad, consistently contributing to the Korean art scene. He is currently a member of the Korean Fine Arts Association, the Korean Christian Fine Arts Association, the Korean Professional Artists Association, and the Jeonmihoe.

Lee Hun-jeong's art world goes beyond simple landscape painting, containing a profound philosophical message that fuses nature, humanity, and spiritual beliefs. His unique "Atmospheric Perspective" opens up a new horizon for painting, offering viewers an opportunity for contemplation and reflection and providing a deep resonance. His work will lead us on a journey to find true beauty and peace in a polluted modern society.

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Curator's Eval‎uation and Inquiry

As a curator, I am deeply impressed by Lee Hun-jeong's unique approach to painting, particularly his "Atmospheric Perspective." His work successfully transcends the traditional function of perspective as a mere tool for spatial representation and transforms it into a powerful medium for expressing emotion and philosophical depth. The act of using a knife to capture and apply paint to suggest the movement of air is a fascinating and innovative technique.

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