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Self-Portrait
Pieter de Hooch (1629 - 1684)
Dutch Baroque Era Painter
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1. Musical Party in a Courtyard
1677
Oil on canvas, 83.5 x 68.5 cm
National Gallery, London
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2. Card Players at a Table
1670-74
Oil on canvas, 107 x 93 cm
Private collection
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3. A Couple Playing Cards, with a Serving Woman
c. 1670
Oil on canvas, 69 x 58 cm
Metropolitan Museum of Art, New York
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4. Suckling Mother and Maid
1670-75
Oil on canvas, 64 x 76 cm
Kunsthistorisches Museum, Vienna
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5. The Council Chamber in Amsterdam Town Hall
1661-70
Oil on canvas, 113 x 99 cm
Museo Thyssen-Bornemisza, Madrid
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6. Company Making Music
Oil on canvas
Museum der Bildenden K?nste, Leipzig
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7. At the Linen Closet
1665
Oil on canvas, 72 x 77,5 cm
Rijksmuseum, Amsterdam
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8. Couple with Parrot
1668
Oil on canvas, 73 x 62 cm
Wallraf-Richartz-Museum, Cologne
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9. Woman with a Water Pitcher, and a Man by a Bed
1667-70
Oil on canvas, 62 x 52 cm
Metropolitan Museum of Art, New York
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10. Paying the Hostess
c. 1670
Oil on canvas, 95 x 111 cm
Metropolitan Museum of Art, New York
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11. Woman Peeling Apples
c. 1663
Oil on canvas, 71 x 54 cm
Wallace Collection, London
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12. Interior with Figures
1663-65
Oil on canvas, 58 x 69 cm
Metropolitan Museum of Art, New York
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13. The Card-Players
1663-65
Oil on canvas, 67 x 77 cm
Mus?e du Louvre, Paris
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14.Woman Reading a Letter
1664
Oil on canvas, 55 x 55 cm
Sz?pm?v?szeti M?zeum, Budapest
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15. Interior with a Young Couple
1662-66
Oil on canvas, 55 x 63 cm
Metropolitan Museum of Art, New York
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16. Village House
c. 1665
Oil on canvas, 61 x 47 cm
Rijksmuseum, Amsterdam
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17.Going for the Walk
Style: Baroque
Technique: oil
Material: canvas
Dimensions: 85 x 72 cm
Gallery: Musee des Beaux Arts, Strasbourg, France
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18. Man Offering a Glass of Wine to a Woman
c. 1653
Oil on panel, 53 x 42 cm
The Hermitage, St. Petersburg
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19. Mother Lacing Her Bodice beside a Cradle
1659-60
Oil on canvas, 92 x 100 cm
Staatliche Museen, Berlin
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20. A Dutch Courtyard
1659-60
Oil on canvas, 70 x 60 cm
National Gallery of Art, Washington
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21. The Morning of a Young Man
Oil on wood, 40 x 53 cm
Pushkin Museum, Moscow
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22. The Mother
c. 1660
Oil on canvas, 53 x 61 cm
Rijksmuseum, Amsterdam
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23. Woman and Maid in a Courtyard
c. 1660
Oil on canvas, 73,7 x 62,6 cm
National Gallery, London
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24. The Bedroom
1658-60
Oil on canvas, 50,8 x 61 cm
Staatliche Kunsthalle, Karlsruhe
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25. Portrait of a Family in a Courrtyard in Delft
1658-60
Oil on canvas, 113 x 97 cm
Akademie der bildenden K?nste, Vienna
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26. Portrait of a Family in a Courrtyard in Delft (detail)
1658-60
Oil on canvas
Akademie der bildenden K?nste, Vienna
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27. A Woman Nursing an Infant with a Child and a Dog
1558-60
Oil on canvas, 68 x 56 cm
Fine Arts Museums of San Francisco, San Francisco
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28. Paying the Hostess
1658
Oil on canvas, 71 x 64 cm
Private collection
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29. Cardplayers in a Sunlit Room
1658
Oil on canvas, 76,2 x 66,1 cm
Royal Collection, Windsor
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30. Young Woman Drinking
1658
Oil on canvas, 69 x 60 cm
Mus?e du Louvre, Paris
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31. A Woman with a Baby in Her Lap, and a Small Child
1658
Oil on panel, 60 x 47 cm
Private collection
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32. A Woman Drinking with Two Men
c. 1658
Oil on canvas, 73,7 x 64,6
National Gallery, London
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33. The Courtyard of a House in Delft
1658
Oil on canvas, 73 x 60 cm
National Gallery, London
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34. Figures Drinking in a Courtyard
1658
Oil on canvas, 68 x 58 cm
National Gallery of Scotland, Edinburgh
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35. Woman Peeling Vegetables in the Back Room of a Dutch House
c. 1657
Oil on canvas, 60 x 49 cm
Mus?e du Louvre, Paris
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36. The Visit
c. 1657
Oil on wood, 68 x 58 cm
Metropolitan Museum of Art, New York
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37. Soldiers Playing Cards
1657-58
Oil on panel, 51 x 46 cm
Private collection
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38. A Woman and Two Men in an Arbour
1657-58
Oil on wood, 44 x 38 cm
Metropolitan Museum of Art, New York
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39. Woman and Her Maid
c. 1657
Oil on canvas, 53 x 42 cm
The Hermitage, St. Petersburg
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피터 데 호흐 / Pieter de Hooch (1629 - 1684)
17세기 네델란드 로테르담 출생의 풍속화가로 하를렘에서
N.베르헴에게 그림을 배우고 그 뒤 델프트로 가서 그곳의 화
가모임에도 참여했다.
얀 페르메이르와 함께 델프트 화파 (Delft School)를 대표
하며, 중산층 가정의 고요한 실내와 정원 풍경을 평온하고 정갈
하게 그렸다.
처음에는 선술집 등 정경을 그리다가 뒤에 친구 얀 페르메
이르와 함께 중류가정의 아담한 분위기, 정원의 풍경 등을 주제
로 한 새로운 경향의 우아한 풍속화를 발표하기 시작했다.
소박한 그의 그림 속에는 일상이 가진 꾸밈없는 진정성을 느
끼게 해준다.
그의 그림은 교묘한 원근법과 환상적인 색채의 구사로 그때
까지의 풍속화에서는 찾아볼 수 없는 새로운 공간감을 느끼게
한다. 그러나 1660년대 암스테르담으로 자리를 옮긴 뒤부터
의 작품은 점차 소박한 친밀감을 잃고 유행에 따른 화려하고
환상적인 풍속화 쪽으로 기울었다.
대표작으로 중간 뜰, 시골집 앞에서의 작별, 선술집 등이있다.
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