스크랩 List of Tandas 및 땅고 음악 분류

[ㅈ ㅏ 두-♥]

땅고 음악의 분류

땅고 음악의 분류_2002.hwp

땅고 음악의 분류_2002.hwp

땅고 음악의 분류.hwp

리듬 vs 가사 vs 2. 에너지(Fast) vs 멜랑꼴리(Slow) 매트릭스 분류

                                                  Tango 딴다에서의 비중

	energetic	melancholy
rhythmical	54%	4%
lyrical	11%	31%

주: rhythmical – lyrical and energetic -melancholy, you will find that 54% is rhythmical and energetical, 31% is lyrical and melancholy, 11% is lyrical and energetical and 4% is rhythmical and melancholy.

On deciding whether music is rhythmical or lyrical, just ask yourself
if the melody or the rhythm is dominant. If the melody is dominant, a song is lyrical.

On deciding whether music is energetic or melancholy, just ask
yourself: does it give me energy or does it consume my energy?

The tango cluster are grouped around one or more of the greatest tago
orchestras of the golden age of tango. In doing so I (arbitrarily)
distinguish eight clusters:
1) The Senor cluster 세뇨르: Carlos di Sarli, Osvaldo Manzi, Osvaldo
Fresedo (later period), Jose Basso, Angel D'Agostino, Florindo
Sassone, Mariano Morres.
2) The Yumba cluster 숨바: Osvaldo Pugliese, Color Tango, Sexteto
Mayor.
3) The Laurenz cluster 라우렌스: Pedro Laurenz, Manuel Buzon, Jose
Garcia (y los Zorro Grises), Ricardo Malerba, Antonio Rodio,
Ricardo Tanturi.
4) The Pirincho cluster 삐린초: Francisco Canaro, Orquesta Tipica Don
Pancho, Quinteto Pirincho, the other Canaro brothers, Roberto
Firpo.
5) The Rey del Compas cluster 레이 델 꼼빠스: Juan D'Arienzo, Rodolfo Biagi,
Los Reyes del Tango.
6) The tango milonga cluster 땅고 밀롱가: Roberto Firpo, Miguel Villasboas,
Juan Cambareri, Francisco Canaro, Quinteto Pirincho.
7) The orquesta tipica cluster 오께스따 띠삐까: Eduardo Bianco, Bachicha,
Esposito, Juan Maglio, Manuel Pizzaro, Julio Polero, Edgardo Donato
(older period), Sexteto Tipica Carlos Di Sarli (thirties), Adolfo
Carabelli, Orquesta Tipica Victor, Juan Bautista Guido
8) The neutral cluster 뉴트랄: Alfredo De Angelis, Miguel Calo, Anibal
Troilo, Lucio Demare.

자료원: DJ Manual El Corte 2010

 I use four criteria for assessing whether a track will make my playlist: musicality (whether I like it as music), sound quality (as judged in a variety of equipment), danceability (as tested by dancing), and suitability for use in a tanda.
...................................

"Unlike pressed original CDs, burned CDs have a relatively short life span of between two to five years, depending on the quality of the CD," Gerecke said in an interview this week. "There are a few things you can do to extend the life of a burned CD, like keeping the disc in a cool, dark space, but not a whole lot more."

The problem is material degradation. Optical discs commonly used for burning, such as CD-R and CD-RW, have a recording surface consisting of a layer of dye that can be modified by heat to store data. The degradation process can result in the data "shifting" on the surface and thus becoming unreadable to the laser beam.

"Many of the cheap burnable CDs available at discount stores have a life span of around two years," Gerecke said. "Some of the better-quality discs offer a longer life span, of a maximum of five years."

Distinguishing high-quality burnable CDs from low-quality discs is difficult, he said, because few vendors use life span as a selling point.

Hard-drive disks also have their limitations, according to Gerecke. 

An Annotated List of Tandas

by Stephen Brown

http://www.tejastango.com/tandas.html

I have recorded the more than 100 preset tandas listed below—each on compact disc with a cortina at the end.  In making these tandas my objective was to create coherent sounding tandas that capture the best recordings of each tango orchestra.  My Old Annotated List of Tandas presents less coherent tandas but may still be a useful reference.

(Organized by Epoch and Style)

Old Guard — Orquesta Tipica Victor, Carabelli,  Lomuto
Early Golden Age — De Caro, Fresedo, Canaro
Golden Age Harder Rhythmic — D'Arienzo, Biagi, Rodriquez
Golden Age Softer Rhythmic — Tanturi, Caló, Laurenz, D'Agostino, Troilo, Di Sarli
Golden Age Smooth — Di Sarli, Canaro, Fresedo, Troilo
Golden Age Lyrical — Caló, Toilo, Di Sarli, Canaro, Fresedo, Tanturi, Demare, De Angelis
Golden Age Dramatic — De Angelis, Pugliese
Transitional and New Tangos
Modern Dance Orquestas
Neo-Tango Music
Milongas
Valses
La Cumparsita — The Finale

Old Guard — Orquesta Tipica Victor, Carabelli, Lomuto

The tangos of the old guard generally had less complex arrangements and simpler rhythms in comparison to tangos played during golden age and later eras.  These tandas can be used sparingly in early in the evening when simple rhythms will help the dancers find the beat of the music.  They can also be used in the morning—as a postscript or cup of coffee after to a full evening of dancing.

Los Tubatango
(Los Tubatango is a modern era orchestra that plays in old-guard style with unique instrumentation—flute, guitar, bandoneon and tuba—tha is fun when used sparingly.)
    Rodriguez Peña
    Una Noche de Garufa
    Almagro
    Zorro Gris
    – all from Una Noche de Garufa  (Music Hall  10044-2)

Orquesta Tipica Victor – Che Papusa Oi
(On the newer versions of this CD, the tracks are mislabeled.  The tangos below are found on tracks 1, 3, 8 and 14)
    Negro
    Pato
    Re Fa Si
    Che Papusa Oi
    – all from 1926-1940  (El Bandoneon  EBCD 85)

Orquesta Tipica Victor – Adios Buenos Aires
    Niño Bien
    El Porteñito
    Ventarron
    Adios Buenos Aires
    – all from RCA Victor 100 Años

Adolfo Carabelli
    Felicia
    Mi Refugio
    El Cabure
    Cuatro Palabras
    – all from Cuatro Palabras  (El Bandoneon EBCD 87)

Early Golden Age — De Caro, Fresedo, Canaro

Tangos from the early golden age represent a transition from the old guard to the golden age of tango.  They have clear, simple rhythms but show signs of the stronger orchestration that characterizes golden age tangos.  When the sound reproduction is of sufficient quality, these tandas can be used early in the evening to help educate the dancers to the beat.

Julio De Caro – Golden Age
    El Monito
    Colombina
    Derecho Viejo
    Boedo
    – all from Instrumental Tangos of the Golden Age  (Harlequin compilation HQCD 45)

Osvaldo Fresedo – Tigre Viejo
    Tigre Viejo
    Poliya
    Pimienta
    Arrabalero
    – all from Susana Miller CD #3

Francisco Canaro y su Quinteto Pirincho
    Viento en Popa
    Don Esteban
    Champagne Tango
    – all from Nobleza de Arrabal  (El Bandoneon EBCD 90)

Francisco Canaro – La Melodia de Nuestro Adios
(This tanda is a classic set of tracks to help dancers find the beat of tango music.)
    La Melodia de Nuestro Adios
    Pampa
    Retintin
    – all from La Melodia de Nuestro Adios  (El Bandoneon EBCD 30)

Francisco Canaro – Poema
(The music in this tanda has both a early golden-age and lyrical sound.  It ends with the truly sublime "Poema.")
    Viejo Tiempo
    Mala Suerte
    Cuartito Azul
    Poema
    – all from Susana Miller compilation CD (#1)

Mixed Tanda
(Although some purists would object to this mix of orchestras, dancers seem to enjoy it.  It works well early in the evening.)
    La Melodia de Nuestra Adios – Francisco Canaro,
    – from La Melodia de Nuestra Adios  (El Bandoneon EBCD 30)
    Yo Soy El Tango – Miguel Caló,
    – from Yo Soy el Tango  (El Bandoneon EBCD 34)
    El Once – Osvaldo Fresedo,
    – from El Pibe de la Paternal  (El Bandoneon  EBCD 48)
    Mano a Mano – Francisco Lomuto
    – from Great Bands of Tango’s "Golden Age" 1936-47  (Harlequin HQCD 89)

Golden Age Harder Rhythmic — D'Arienzo, Biagi, Rodriguez

In the 1930s, Juan D'Arienzo and Rodolfo Biagi joined together to revolutionize tango by returning to strong staccato rhythms in 2x4 time while using more modern arrangements and instrumentation.  After leaving D'Arienzo's orchestra, Biagi formed his own orchestra and added more striking and challenging rhythmic elements to the music.  For the tangos in this style that have vocals, the singer stayed relatively close to the orchestra's rhythm, and an occasional mixing of vocals with instrumentals in the same tanda is possible (if not advised).  The strong ric-tic-tic rhythms of the music played by either orchestra seems to insist on milonguero- or club-style dancing.  The simpler rhythms of D'Arienzo's music helps the dancers find the rhythm for milonguero-style dancing.  Once the dancers find the rhythm for milonguero-style dancing, Biagi's music is a wonderful challenge.

Juan D'Arienzo – El Rey del Compas
    Retintin
    Don Esteban
    El Irresistible
    La Morocha
    – all from El Rey del Compas  (El Bandoneon EBCD 43)

Juan D'Arienzo – El Flete
    Union Civica
    – from El Rey del Compas  (El Bandoneon)
    Canaro en Paris
    – from La Puñalada  (Blue Moon)
    Pensalo Bien
    – from The Tango Lesson  (Sony movie soundtrack)
    El Flete
    – from The Tango Lesson  (Sony  movie soundtrack)

Juan D'Arienzo – El Africano/El Flete
    El Cencerro
    – from El Gran D'Arienzo, Vol. 1, 1937 (Fueye)
    El Africano
    – from El Gran D'Arienzo, Vol. 1, 1937 (Fueye)
    Pensalo Bien
    – from The Tango Lesson  (Sony movie soundtrack)
    El Flete
    – from The Tango Lesson  (Sony  movie soundtrack)

Juan D'Arienzo – Felicia
    El Internado
    – from La Puñalada  (Blue Moon BMT 011)
    Jueves
    – from La Puñalada  (Blue Moon BMT 011)
    Pampa
    – from Cambalache  (El Bandoneon)
    Felicia
    – from La Puñalada  (Blue Moon BMT 011)

Juan D'Arienzo – 9 de Julio
    9 de Julio
    – from Sus Primeros Exitos, Vol. 1  (Tango Argentino BMG RCA)
    La Viruta
    – from Sus Primeros Exitos, Vol. 1  (Tango Argentino BMG RCA)
    El Porteñito
    – from Sus Primeros Exitos, Vol. 2  (Tango Argentino BMG RCA)
    Derecho Viejo
    – from Sus Primeros Exitos, Vol. 1  (Tango Argentino BMG RCA)

Juan D'Arienzo con Alberto Echague
    Paciencia
    – from La Cumparsita (El Bandoneon)
    Cambalache
    – from Cambalache  (El Bandoneon)
    No Va Mas
    – from Cambalache  (El Bandoneon)
    Che Negrito
    – from Vol. 21  (Club Tango Argentino CTA 321)

Juan D'Arienzo con Hector Maure
    Ya Lo Ves
    Mirame en la Cara
    Enamorado (Metido)
    Ammaras
    – all from D'Arienzo/Maure  (Solo Tango)

Juan D'Arienzo con Mario Bustos
    Justo El 31
    Si Soy Asi
    No Te Quiero Mas
    Susanita
    – all from Tangos Orilleros  (Tango Argentino BMG-RCA)

Juan D'Arienzo – Para el Mundo
The music in this tanda was recorded in stereo during the concert era.  The playing seems to combine the smoother, powerful sensibilities of Di Sarli with the rhythms of D'Arienzo.)
    La Morocha
    Germaine
    Inspiracion
    Criolla Linda
    – all from Tangos Para el Mundo, vol. 2  (Tango Argentino BMG-RCA)

Orquesta Juan D'Arienzo
(Juan D'Arienzo recorded the third track, A Media Luz.  The other three tracks are newer recordings made by Orquesta Juan D'Arienzo, which was led by a former D'Arienzo sideman and played in classic D'Arienzo style.)
    Pampa
    – from La Cumparsita  (Phillips)
    Derecho Viejo
    – from La Cumparsita  (Phillips)
    A Media Luz
    – from Tangos Para el Mundo, vol. 2  (Tango Argentino BMG-RCA)
    Don Juan
    – from La Cumparsita  (Phillips)

Rodolfo Biagi con Alberto Amor
(The music in this tanda is played relatively close to the softer rhythmic style and has a wonderful romantic feel.)
    Nada
    Si La Llegaran A Ver
    Tus Labios Me Diran
    Seamos Amigos
    – all from Sus Exitos con Alberto Amor  (EMI Reliquias)

Rodolfo Biagi – Instrumentals
    Pura Clase
    – from Solos de la Orquesta  (EMI Reliquias)
     Racing Club
    – from Solos de la Orquesta  (EMI Reliquias)
    Union Civica
    – from Sus Exitos con Andres Falgas and Teofilo Ibanez  (EMI Reliquias)
    El Recodo
    – from Solos de la Orquesta  (EMI Reliquias)

Rodolfo Biagi – Racing Club
    Union Civica
    – from Sus Exitos con Andres Falgas and Teofilo Ibanez  (EMI Reliquias)
    Son Cosas de Bandoneon
    – from Sus Exitos con Andres Falgas and Teofilo Ibanez  (EMI Reliquias)
    Pura Clase
    – from Solos de la Orquesta  (EMI Reliquias)
    Racing Club
    – from Solos de la Orquesta  (EMI Reliquias)

Rodolfo Biagi – Instrumentals (2)
    El Incendio
    – from Pura Clase  (El Bandoneon)
    Pura Clase
    – from Pura Clase  (El Bandoneon)
    Di Di
    – from Pura Clase  (El Bandoneon)
    La  Maleva
    – from Campo Afuera  (El Bandoneon)

Rodolfo Biagi con Jorge Ortiz
(The fourth track, Racing Club, is an instrumental.)
    Humillacion
    – from Sus Exitos con Jorge Ortiz  (EMI, Reliquias)
    Señor, Señor
    – from Sus Exitos con Jorge Ortiz  (EMI, Reliquias)
    Pajaro Ciego
    – from Sus Exitos con Jorge Ortiz  (EMI, Reliquias)
    Racing Club
    – from Sus Exitos con Jorge Ortiz vol. 2  (EMI, Reliquias)

Rodolfo Biagi con Andres Falgas
(The fourth track, Union Civica, is an instrumental.)
    Cicatrices
    Son Cosas del Bandoneon
    A Mi No Me Interesa
    Union Civica
    – all from Sus Exitos con Andres Falgas and Teofilo Ibanez  (EMI Reliquias)

Enrique Rodriquez con Roberto Flores y Armando Moreno
    Son Cosas del Bandoneon
    A Media Luz
    Como Se Pianta la Vida
    En la Buena y en la Mala
    – all from 27 Tangos 1939-1952  (EMI)

Golden Age Softer Rhythmic — Troilo, Tanturi, Caló, Laurenz, D'Agostino, Troilo, Di Sarli

Pedro Laurenz, Ricardo Tanturi, Anibal Troilo, Miguel Caló, and Angel D'Agostino played with softer rhythmic accents than typified the music of Juan D'Arienzo and Rodolfo Biagi.  The softer rhythmic accents give the music a more romantic feel and the music supports dancing of either salon- or milonguero-style tango.  For the tangos in this style that have vocals, the singer stayed relatively close to the orchestra's rhythm, and an occasional mixing of vocals with instrumentals in the same tanda is possible (if not advised).  These tandas are useful throughout the evening, and some of the music—particularly that recorded by Miguel Caló—is quite romantic.

Anibal Troilo – Pichuco
(I have listed these instrumental tangos as played in the softer rhythmic style, but some are close to the harder rhythmic style.)
    Cachirulo
    Milongueando en el 40
    Guapeando
    Cordon de Oro
    – all from Instrumental  (Tango Argentino BMG RCA)

Anibal Troilo con Francisco Fiorentino – Tinta Roja
(Francisco Fiorentino with the Anibal Troilo Orquesta is one of the classic matches of singer with a tango orchestra.  They recorded in both a softer rhythmic style and a lyrical style.  I have listed these tangos as softer rhythmic, but some have elements of the lyrical style.)
    Tinta Roja
    El Bulin de la Calle Ayacucho
    Tabernero
    Toda Mi Vida
    – all from Troilo/Fiorentino  (Solo Tango BMG RCA)

Ricardo Tanturi con Alberto Castillo – Noches de Colon
    Noches de Colon
    – from Tanturi/Castillo  (Solo Tango)
    Al Compas de un Tango
    – from Tanturi/Castillo  (Solo Tango)
    Pocas Palabras
    – from Tangos di mi Ciudad  (Tango Argentino BMG-RCA)
    El Tango Es el Tango
    – from Tanturi/Castillo  (Solo Tango)

Ricardo Tanturi con Alberto Castillo – Cuatro Compases
    Ese Sos Vos
    – from Tangos di mi Ciudad  (Tango Argentino BMG-RCA)
    Asi Se Baila El Tango
    – from El Tango...Es el Tango  (Tango Argentino BMG-RCA)
    Recuerdo Malevo
     – from El Tango...Es el Tango  (Tango Argentino BMG-RCA)
    Cuatro Compases
    – from El Tango...Es el Tango  (Tango Argentino BMG-RCA)

Miguel Caló – Yo Soy el Tango
    Yo Soy el Tango
    – from Sus Exitos con Podesta, Ortiz y Beron  (EMI Reliquias)
    La Cantina
    – from Sus Exitos con Podesta, Ortiz y Beron  (EMI Reliquias)
    La Maleva
    – from Compilation, Pa' Que Bailen Los Muchachos  (Blue Moon)
    Lejos de Buenos Aires
    – from Al Compás del Corazón  (EMI Reliquias)

Miguel Caló – Stock Privado
    San Souci
    – from Stock Privado  (EMI)
    Tedio
    – from Stock Privado  (EMI)
    Tarde Gris
    – from Stock Privado  (EMI)
    Saludos
    – from Sus Exitos con Podesta, Ortiz y Beron  (EMI Reliquias)

Pedro Laurenz
    Arrabal
    Amurado
    De Puro Guapo
    Nunca Tuvo Novio
    –  all from Milonga de Mis Amores  (El Bandoneon)

Angel D'Agostino y Angel Vargas – A Pan y Agua
(The fourth track is the playful A Pan y Agua, but its opening will remind many of Cafe Dominguez.)
    Pero Yo Se
    – from Tangos de Los Angeles, Vol. 1  (Tango Argentino BMG RCA)
    Una Pena
    – from Tangos de Los Angeles, Vol. 1  (Tango Argentino BMG RCA)
    Tres Esquinas
    – from Tangos de Los Angeles, Vol. 1  (Tango Argentino BMG RCA)
    A Pan y Agua
    – from Tangos de Los Angeles, Vol. 2  (Tango Argentino BMG RCA)

Angel D'Agostino y Angel Vargas – Hotel Victoria
    El Aristocrata
    – from Tangos de Los Angeles, Vol. 3  (Tango Argentino BMG RCA)
    Mano Blanca
    – from Tangos de Los Angeles, Vol. 2  (Tango Argentino BMG RCA)
    Esta Noche en Buenos Aires
    – from Tangos de Los Angeles, Vol. 2  (Tango Argentino BMG RCA)
    Hotel Victoria
    – from Tangos de Los Angeles, Vol. 2  (Tango Argentino BMG RCA)

Angel D'Agostino y Angel Vargas – Cafe Dominguez
(This tanda closes with the classic Cafe Dominguez.)
    Me Llaman Tango
    Caricias
    Mi Viejo Barrio
    Cafe Dominguez
    – all from Tangos de Los Angeles, Vol. 4  (Tango Argentino BMG RCA)

Carlos Di Sarli – Shusheta
(Although Di Sarli is most associated with the smooth style, the music in this tanda was recorded early in Di Sarli's career when he played in the softer rhythmic style.  It is suitable for dancing milonguero- or salon-style tango.)
    El Recodo
    La Torcacita
    La Cachila
    Shusheta
    – all from Instrumental, vol. 2  (BMG-RCA Tango Argentino)

Golden Age Smooth — Di Sarli, Canaro, Fresedo, Troilo

Carlos Di Sarli, Francisco Canaro, Osvaldo Fresedo and Anibal Troilo all recorded smooth-sounding music during the golden age of tango.  The music in this category generally lacks the rhythmic accents that help support milonguero-style dancing, but salon-style dancers find it quite enjoyable for dancing.

Carlos Di Sarli developed clean sounding arrangements, and his orchestra played the walking beat of salon tango that epitomizes golden age smooth.  His music helps educate dancers to the rhythm of salon-style tango and is useful early in the evening or whenever the DJ thinks the dancers need a refreshing change of pace or help in finding the rhythm.  It is also useful in the resolution to the evening's dancing.  Other than tracks found on Instrumental, vol. 2, most of DiSarli's music lacks the rhythmic accents used to support milonguero-style dancing.

Francisco Canaro contributed many recordings during the golden age of tango, but only a few are enjoyable to modern ears.  His lyrical recordings with singers wear much better.  Osvaldo Fresedo is associated with the early golden age, but he also contributed a smooth-sounding and lyrical recordings during the golden age.  Some of Fresedo's golden-age recordings have the rhythmic elements that help support milonguero-style dancing, but most dancers tend to treat the music as smooth.

Over his career, Troilo gradually made a shift from a softer rhythmic sound to a concert sound.  In the process of the transition,  he recorded many well-regarded tangos with a smooth sound.

Carlos Di Sarli – Comme Il Faut
    Don Juan
    Tinta Verde
    El Once
    Comme Il Faut
    – all from Solo Tango, Instrumental vol 1  (Solo Tango BMG-RCA)

Carlos Di Sarli – Milonguero Viejo
(A great tanda with a classic set of tracks.)
    A La Gran Muñeca
    El Cabure
    Mi Refugio
    Milonguero Viejo
    – all from Milonguero Viejo  (Music Hall 10018-2)

Carlos Di Sarli – El Ingeniero
    Champagne Tango
    – from Instrumental  (Tango Argentino BMG-RCA)
    Organito de la Tarde
    – from Solo Tango, Instrumental vol 1  (Solo Tango BMG-RCA)
    Cara Sucia
    – from Solo Tango, Instrumental vol 1  (Solo Tango BMG-RCA)
    El Ingeniero
     – from Solo Tango, Instrumental vol 1  (Solo Tango BMG-RCA)

Carlos Di Sarli – Bahia Blanca
    El Abrojo
    – from Susana Miller compilation CD (#1)
    Una Fija
    – from Susana Miller compilation CD (#1)
    Indio Manso
    – from Susana Miller compilation CD (#1)
    Bahia Blanca
    – from Solo Tango, Instrumental vol 1  (Solo Tango BMG-RCA)

Anibal Troilo – Quejas de Bandoneon
    Quejas de Bandoneon
    El Marne
    Don Juan
    El Pollo Ricardo
    – all from Su Mejores Momentos  (Music Hall)

Golden Age Lyrical — Caló, Troilo, Di Sarli, Canaro, Fresedo, Tanturi, Demare, De Angelis

During the golden age, sometimes the singer sang with orchestra, sometimes the orchestra played for the singer.  Many of the major orchestras that played in the softer rhythmic or smooth styles also recorded music in which they played for the singer.  Done right, the result was a compelling, lyrical sound.  These tandas have a wonderfully romantic and seductive feel that can help build the mood of the evening.

Miguel Caló con Raul Beron
(This tanda has wonderfully romantic tangos for dancing with that special someone late in the evening.)
    Al Compas del Corazon
    Trasnochando
    Que Te Importa Que Te Llore
    Tristezas de le Calle Corrientes
    – all from Al Compás del Corazón  (EMI Reliquias)

Miguel Caló con Raul Beron (alternate)
(This tanda has a little more rhythmic feel.)
    Que Te Importa Que Te Llore
    Tarareando
    Lejos de Buenos Aires
    Tristezas de le Calle Corrientes
    – all from Al Compás del Corazón  (EMI Reliquias)

Anibal Troilo con Francisco Fiorentino – Malena
(Francisco Fiorentino with the Anibal Troilo Orquesta is one of the classic matches of a singer with a tango orchestra.  They recorded in both a softer rhythmic style and a lyrical style.  This tanda has lyrical tangos and ends with the classic Malena.)
    Pajaro Ciego
    En Esta Tarde Gris
    Sencillo y Compadre
    Malena
     – all from Troilo/Fiorentino, vol. 1  (Solo Tango BMG RCA)

Anibal Troilo con Francisco Fiorentino – Gricel
(This tanda has lyrical tangos and opens with the wonderful Barrio de Tango and closes with the sublime Gricel.)
    Barrio de Tango
     – from Troilo/Fiorentino, vol. 2 (Solo Tango BMG RCA)
    Maragata
     – from Troilo/Fiorentino, vol. 1 (Solo Tango BMG RCA)
    Suerte Loca
     – from Troilo/Fiorentino, vol. 1 (Solo Tango BMG RCA)
    Gricel
     – from Troilo/Fiorentino, vol. 2 (Solo Tango BMG RCA)

Carlos Di Sarli con Roberto Rufino
    Verdemar
    Tristeza Marina
    Cascabelito
    Charlemos
    – all from Sus Primeros Exitos vol. 1  (Tango Argentino  BMG-RCA)

Carlos Di Sarli con Jorge Duran
    Porteño y Bailarin
    Un Tango y Nada Mas
    Duelo Criollo
    Vieja Luna
    – all from Porteño y Bailarin  (Tango Argentino  BMG-RCA)

Francisco Canaro – Uno
(This tanda consists of wonderfully romantic tangos for dancing with that special someone.)
    Uno
    –  from Desde el Alma (EMI Reliquias)
    Nido Gaucho
    – from Desde el Alma (EMI Reliquias)
    Como Dos Extraños
    – from Tangos Inolvidables del ‘40 (EMI Reliquias)
    Cada Vez Que Me Recuerdes
    – from Desde el Alma (EMI Reliquias)

Francisco Canaro – Poema
(The music in this tanda has both a lyrical and early golden-age sound.  It ends with the truly sublime "Poema.")
    Viejo Tiempo
    Mala Suerte
    Cuartito Azul
    Poema
    – all from Susana Miller compilation CD (#1)

Osvaldo Fresedo con Roberto Ray – Vida Mia
(This tanda has wonderfully romantic tangos for dancing with that special someone either late in the evening as the drama builds or during the resolution or denouement of the evening's dancing.  The rhythmic accents that support milonguero-style dancing are present in the music to some extent, but the overall impression is smooth, and most dancers respond that way.)
    Vida Mia
    Niebla del Riachuelo
    Pampero
    Sollozos
    – all from Tangos de Salon  (BMG-RCA Tango Argentino)

Ricardo Tanturi con Enrique Campos – Domingo a la Noche
    Muchachos Comienza la Ronda
    Oigo Tu Voz
    Malvon
    Domingo a la Noche
    – all from Una Emoción  (Tango Argentino BMG-RCA)

Ricardo Tanturi con Enrique Campos – Una Emocion
(The second track, Raza Criolla, is an instrumental.)
    Que Nunca Me Falte
    – from Una Emoción  (Tango Argentino BMG-RCA)
    Raza Criolla
    – from Noches de Tango  (Tango Argentino BMG-RCA)
    Asi Se Canta
    – from Una Emoción  (Tango Argentino BMG-RCA)
    Una Emoción
    – from Una Emoción  (Tango Argentino BMG-RCA)

Lucio Demare – Tango Guapo
    Al Compas de un Tango
    Cancion de Rango
    Tango Guapo
    Malena
    – all from Tango Guapo  (El Bandoneon)

 Lucio Demare con Raul Beron
    Una  Emoción
    Y Siempre Igual
    Tal Vez Sera un Voz
    Oigo Tu Voz
    – all from Sus Exitos con Raul Beron

Alfredo De Angelis – Adios Marinero
(From an orchestra that is better known for its dramatic tangos and lyrical valses, this tanda opens and closes with lyrical tangos and has two smooth instrumentals in the middle.)
    Adiós Marinero
    Pura Maña
    El Entrerriano
    Compadrón
    – all from Adiós Marinero  (El Bandoneon)

Golden Age Dramatic — De Angelis, Pugliese

Alfredo De Angelis and Osvaldo Pugliese played dramatic music that is best used to increase tension and build to the height of the evening.  As the evening builds to a climax, more Pugliese and De Angelis is included in the mix.  The music on the De Angelis tanda and the first three Pugliese tandas have simpler rhythms and might be earlier in the evening than the next two Pugliese tandas.  Of the tandas in this section, only the Pugliese tanda that I have called "De Caro por Pugliese" is suitable for early evening play.

Alfredo De Angelis – Pavadita
(This dramatic tanda closes with the must-be-played classic Pavadita.  The wonderful "Mi Dolor" replaces "Guardia Vieja" quite readily.)
    El Tango Club
    – from Instrumentales Inolvidables  (EMI Reliquias)
    Guardia Vieja
    – from From Argentina to the World  (EMI)
    El Pial
    – from From Argentina to the World  (EMI)
    Pavadita
    – from From Argentina to the World  (EMI)

Osvaldo Pugliese – De Caro por Pugliese
(This tanda is of early Pugliese music which is wonderful for dancing but does not have the heavy thumping "La Yumba" beat that people associate with Pugliese.  I put this tanda together from the now out of print CD, De Caro por Pugliese).
    Tierra Querida
    – from Instrumentales Inolvidables  (EMI Reliquias)
    Mala Junta
    – from Instrumentales Inolvidables  (EMI Reliquias)
    Orgullo Criollo
    – from Sus Grandes Exitos  (EMI Reliquias)
    Boedo
    – from Instrumentales Inolvidables vol 2  (EMI Reliquias)

Osvaldo Pugliese – Corrientes y Esmeralda
(This tanda is primarily of early Pugliese music which is wonderful for dancing but does not have the heavy thumping "La Yumba" beat that people associate with Pugliese.  The first tango is a vocal.)
    Corrientes y Esmeralda
    – from Sus Exitos con Roberto Chanel  (EMI Reliquias)
    Mala Estampa
    – from Instrumentales Inolvidables  (EMI Reliquias)
    Tiny
    – from Instrumentales Inolvidables  (EMI Reliquias)
    El Remate
    – from Instrumentales Inolvidables  (EMI Reliquias)

Osvaldo Pugliese – Recuerdo/Fuimos
(This tanda is of music in which Pugliese made during his transistion to the heavy thumping "La Yumba" beat.  The last two tangos are vocals.)
    Recuerdo
    – from Instrumentales Inolvidables  (EMI Reliquias)
    El Arranque
    – from Instrumentales Inolvidables  (EMI Reliquias)
    Farol
    – from Ausencia  (EMI Odeon)
    Fuimos
    – from Ausencia  (EMI Odeon)

Osvaldo Pugliese – Remembranza
(This tanda contains three incredibly passionate vocals and the classic instrumental "Chique.")
    Pasional
    Chique
    Cascabelito
    Remembranza
    – all from Ausencia  (EMI Odeon)

Osvaldo Pugliese – La Yumba/La Tupungatina
(I have made four tandas that open with the must-be-played "La Yumba" and close with the wonderful "Gallo Ciego."  The bittersweet "La Rayuela" and the sublime "La Tupungantina" are what make this tanda my favorite.)
    La Yumba
    – from The Tango Lesson  (Sony movie soundtrack)
    La Rayuela
     – from Instrumentales Inolvidables, vol. 3 (EMI Reliquias)
    La Tupungatina
    – from Cantan Alberto Moran y Roberto Chanel (EMI Reliquias)
   Gallo Ciego
    – from From Argentina to the World  (EMI)

Osvaldo Pugliese – La Yumba/Yunta de Oro
(This tanda of classics opens with the must-be-played "La Yumba" and continues with the rhythmic "Yunta de Oro" and sublime "La Tupungatina" before closing with the wonderful "Gallo Ciego.")
    La Yumba
    – from The Tango Lesson  (Sony movie soundtrack)
    Yunta de Oro
     – from Instrumentales Inolvidables, vol. 3 (EMI Reliquias)
    La Tupungatina
    – from Cantan Alberto Moran y Roberto Chanel (EMI Reliquias)
   Gallo Ciego
    – from From Argentina to the World  (EMI)

Osvaldo Pugliese – La Yumba
(This tanda of classics opens with the must-be-played "La Yumba" and continues with great intensity through "Nochero Soy" and "La Mariposa" to close with the wonderful "Gallo Ciego.")
    La Yumba
    – from The Tango Lesson  (Sony movie soundtrack)
    Nochero Soy
    – from Ausencia  (EMI Odeon)
    La Mariposa
    – from Ausencia  (EMI Odeon)
    Gallo Ciego
    – from From Argentina to the World  (EMI)

Osvaldo Pugliese – La Yumba (alternate)
(This tanda of classics opens with the must-be-played "La Yumba" and continues through the somewhat lighter 'Raza Criolla" and "Pelele" before closing with the intense "Gallo Ciego.")
    La Yumba
    – from The Tango Lesson  (Sony movie soundtrack)
    Raza Criolla
    – from Instrumentales Inolvidables  (EMI Reliquias)
    Pelele
    – from Instrumentales Inolvidables  (EMI Reliquias)
    Gallo Ciego
    – from From Argentina to the World  (EMI)

Osvaldo Pugliese – La Tupungatina
(This tanda illustrates my philsophy in constructing a tanda.  Susana Miller's DJ organized the songs to build intensity within the tanda.  His ordering — La Tupungatina, El Embrollo, La Rayuela, Gallo Ciego — starts with sweet subtlety and gradually builds with bitterness through the next two tangos before culminating in intensity.  My ordering starts with a dramatic bittnerness that pulls dancers onto the floor but then softens to sweetness through the next two tangos before culminating in intensity.  The effect is more like a hammock, and I find the contribution to the evening's intensity is stronger.)
    La Rayuela
     – from Instrumentales Inolvidables, vol. 3 (EMI Reliquias)
    El Embrollo
    – from Instrumentales Inolvidables, vol. 3 (EMI Reliquias)
    La Tupungatina
    – from Cantan Alberto Moran y Roberto Chanel (EMI Reliquias)
    Gallo Ciego
    – from From Argentina to the World  (EMI)

Osvaldo Pugliese – Nochero Soy/La Mariposa
(This tanda of classics opens with instense classic Nochero Soy and closes with the floating but intense "La Mariposa."  All these tangos have the classic "La Yumba" beat, but they also have lengthy departures in which the beat is submerged.  The sound borders on the transitional era when the Pugliese orchestra played dramatic concert music.)
    Nochero Soy
    – from Ausencia  (EMI Odeon)
    A Mis Compañeros
    – from Instrumentales Inolvidables, vol. 2 (EMI Reliquias)
    El Embrollo
    – from Instrumentales Inolvidables, vol. 3 (EMI Reliquias)
    La Mariposa
    – from Ausencia  (EMI Odeon)

Osvaldo Pugliese – Tinta Roja
(The music in this tanda is from the transitional era when the Pugliese orchestra played dramatic concert music. It can be used for social dancing, but do not be surprised if some dancers engage in theatrics.)
    Tinta Roja
    Arrabal
    A Los Amigos
    El Andariego
    – all from From Argentina to the World  (EMI)

Osvaldo Pugliese – A Evaristo Carriego
(The truly stunning music in this tanda is from the transitional era when the Pugliese orchestra played dramatic concert music.  It can be used for social dancing, but do not be surprised if some dancers engage in theatrics.)
    Emancipacion
    – from From Argentina to the World  (EMI)
    Pata Ancha
    – from From Argentina to the World  (EMI)
    La Bordona
    – from From Argentina to the World  (EMI)
    A Evaristo Carriego
    – from Nostalgico  (DBN Polydor)

Transitional and New Tangos

In the late 1940s and early 1950s, tango orchestras began to shift away from dance music toward a concert sound that culminated in the new tango of Astor Piazzolla.  The music from these eras is well recorded but is generally less well suited for social dancing than music from the golden age.  I have pulled together a few tandas of music that are played with a dance beat and have the dramatic and lyrical qualities of tangos from the transitional and new-tango eras.  Tandas from these eras should be used sparingly, and care should be used in selecting music for the tandas and in positioning them during the evening's mix of music.

Alfredo Gobbi
    La Viruta
    Orlando Goñi
    Puro Apronte
    Racing Club
    – all from Instrumentales Inolvidables

Florindo Sassone
(Some dancers may have difficulty connecting with complex rhythms of this music.  Others will be exhilirated by it.)
   La Viruta
    – Bien Milonguero Vol. 2  (EMI Reliquias)
    Rawson
    – Bien Milonguero Vol. 1  (EMI Reliquias)
    Bar Exposicion
    – Bien Milonguero Vol. 1  (EMI Reliquias)
    Rodriguez Peña
    – Bien Milonguero Vol. 1  (EMI Reliquias)

Mixed Tanda – Verano Porteño
(Dancers seem to enjoy this tanda of dramatic and lyrical tangos which can be used to help build toward the climax of the evening, but do not be surprised if some dancers engage in theatrics.)
    Franicini/Pontier – A Media Luz
    – from Tango I  (JVC)
    Tango Bar (Raul Juarena) – Nostalgico
    – from Tango Bar (Chesky)
    Carlos Garcia and Tango All Stars – Adios Nonino
    – from Tango II  (JVC)
    Raul Garello – Verano Porteño
    – from Compilation, Buenos Aires by Night  (EMI)

New York Tango Trio
(This is a tanda of dramatic music that stirs fond memories for those who have seen the New York Tango Trio live.)
    El Entrerriano
    Yuyito
    9 de Julio
    – all from Cabarute  (Lyrichord 7428)

Litto Nebia Quinteto
(This tanda of lyrical music can be used during the resolution or denouement of the evening's dancing.  It can also be used to refresh the dancers as the drama is building toward the height of the evening.  Although the music has a simple, clear beat, it does not seem to inspire dancers when it is played early in the evening.)
    Malandra
    Tango Canyengue
    Cabaret
    Nostalgias
    – all from Tangos Argentinos de Enrique Cadicamo  (Iris 980)

Mixed Tanda – Oblivion
(Ruddy Zelaya, my favorite DJ, mixes music so well that he has successfully included Gidon Kremer's recording of Astor Piazzolla's "Oblivion" in his evening mix of music for a milonga.  His example inspired to put together this tanda.  The tanda is only useful during the denouement of the evening's dancing, when the dancers are contemplating oblivion themselves.  Use at any other time could send the DJ to oblivion in short order.)
    Trio Pantango – Silbando
    – from Tango Argentino  (ARC  EUCD 1257)
    Hugo Diaz (harmonica) – Milonga Triste
    – from The Tango Lesson  (Sony movie soundtrack)
    Daniel Barenboim –  Mi Buenos Aires Querido
    – from Tangos Among Friends
    Gidon Kremer – Oblivion
    – from Hommage à Piazzolla

Modern Dance Orquestas

Some modern tango orchestras, most notably Orquesta Color Tango, have returned to the dance beat that characterized the golden era of tango dance music. The recordings made by modern dance orchestras typically have more intricate arrangements with a little more of a dramatic concert feel than those made during the golden era, but the dance beat is prominent and the fidelity is much better than on the old recordings.

Orquesta Color Tango – Emancipacion
(This contemporary orchestra now sounds similar to that of the Pugliese orchestra during the transitional era.  It first recorede with a Pugliese concert sound.)
    Emancipacion
    – from Con Estilo para Bailar, vol. 2 (Techno disc)
    Recuerdo
    – from Con Estilo para Bailar, vol. 2 (Techno disc)
    Festejando
    – from Con Estilo para Bailar (Techno disc)
    A Evaristo Carriego
    – from Con Estilo para Bailar, vol. 2 (Techno disc)

El Arranque
(The last track is actually concert-era Troilo, but it has a dance beat and fits well with the other three by Orquesta El Arranque.)
    El Arranque
    – from Tango (Vaiven)
    El Abrojito
    – from Tango (Vaiven)
    Zorro Gris
    – from Tango (Vaiven)
    Don Juan (Anibal Troilo)
    – from RCA 100 Años  (BMG RCA)

Mixed Tanda – Color Tango, Cadicamo, Varela
    Color Tango – Union Civica
    – from Con Estilo para Bailar, vol. 3
    Enrique Cadicamo – Bar Nocturno
    – from Dance to Cadicamo's Music  (Melopea)
    Adriana Varela – Como Dos Extraños
    – from Maquillaje  (Melopea)
    Color Tango – Yunta de Oro
    – from Con Estilo para Bailar, vol. 3

Mixed Tanda – Oblivion (2)
(Mae West once said, "Too much of a good thing can be wonderful."  Hence a second tanda ending in "Oblivion."  On this tanda, most of the tracks are played by modern era orchestras.  Some dancers may find the rhythms of the third track, "Zum," to be a little challenging.)
    Anibal Troilo – Don Juan
    – from RCA 100 Años  (BMG RCA)
    Sexteto Sur – Tanguera
    – from Libertango  (Victor Japan)
    Orquesta Color Tango – Zum
    – from Con Estilo para Bailar (Techno disc)
    Quartango – Oblivion
    – from Esprit (Justin Time)

Neo-Tango Music

Neo-tango consists is two genres of music: tango-fusion and "alternative tango" music.  Tango fusion integerates tango rhythms with those of other musical traditions to create a modern and culturally relevant world tango music with a dance-club sound.  Alternative tango music is tango music from other traditions or non-tango music that some dancers find interesting for dancing Argentine tango steps.  At its best, neo-tango music adds variety and fidelity to an evening.  At its worst, neo-tango is simply a music to which tango steps can be executed.  Use of neo-tango music depends critically upon who is at the milonga.  Some dancers love neo-tango music and expect to hear it at the milongas they attend.  Dancers who are steeped in tango traditions often dislike it.  Consequently, the use of neo-tango music requires considerable judgement from the DJ.

Gotan Project
(A French/Argentine group helped create the tango-fusion sound by layering Argentine tango with other dance rhythms.  Many still consider Gotan Project to offer the best tango-fusion music.)
    Queremos Paz
    Una Musica Brutal
    Epoca
    Santa Maria (del Buen Ayre)
    – all from La Revancha del Tango (discgraph)

Neo Tango – Perfume
(This tanda contains a mixture of tango-fusion music that adheres reasonably closely to a tango sound.)
    Bajofondo TangoClub – Perfume
    – from Supervielle
    Tanghetto – Una Llamada
    – from Emigrante
    Tanghetto – Inmigrante
    – from Emigrante
    Bajofondo TangoClub – Pulso
    – from Supervielle

Neo Tango – En Mi/Soledad
(This tanda contains a mixture of tango-fusion music that adheres reasonably closely to a tango sound.)
    Bajofondo TangoClub – En Mi/Soledad
    – from Bajofondo TangoClub
    Hi Perspective – El Tango
    – from Leçons de Tango
    Carlos Libedinsky – Plano Sequencia
    – from Narcotango
    Tango Project – Sentimientos
    – Vol II New Tango

Neo Tango de Roxanne
(This tanda opens with two pieces with a deeply emotional and relatively strong tango sound.  "Naranjo en Flor" has stronger dance-club feel, which helps create a transition to the dramatic "El Tango de Roxanne.").
    Ultratango – CiteTango
    – from Astornauta
    Carlos Libedinsky – Vi Luz y Subi
    – from Narcotango (Tademus)
    Campo – Naranjo en Flor
    – from Leçons de Tango
    Ewan McGregor, Jose Feliciano and Jacek Koman – El Tango de Roxanne
    – from Moulin Rouge soundtrack (Interscope)

Neo Tango – Otra Luna
(This tanda lacks the heavy electronica found in much tango-fusion music.  It shows the softer, more languid side of neo-tango music, but still has a propulsive beat.  It works best after several more dramatic tandas.)
    Carlos Libedinsky – Otra Luna
    – from Narcotango (Tademus)
    Carla Pugliese – Ostinato
    – from Ojos Verdes Cerrados
    Mizrahi-Longhi – Youkali
    – from Carne Argenta
    Mizrahi-Longhi – Praga
    – from Carne Argenta

Tango-Fusion Tanda
(This tanda contains a mixture of tango-fusion music that adheres reasonably closely to a tango sound.  For tango-fusion, the first three tracks have a languid and deeply emotional sound.  The layers are bit deeper on the fourth track.)
    Bajofondo – En Mi/Soledad
    – from Bajofondo Tango Club (Universal)
    Carlos Libedinsky – Vi Luz y Subi
    – from Narcotango (Tademus)
    Carlos Libedinsky – Otra Luna
    – from Narcotango (Tademus)
    Hi Perspective – El Tango
    – from Leçons de Tango

Mixed Tanda – Tango-Fusion
(This tanda contains a mixture of tango-fusion music that adheres reasonably close to a tango sound.  In comparison to some tango-fusion recordings, these pieces have subtantially fewer dance-club layers to obscure the tango rhythms.)
    Gotan Project – Una Musica Brutal
    – from La Revancha del Tango (discgraph)
    Gotan Project – Queremos Paz
    – from La Revancha del Tango (discgraph)
    Carlos Libedinsky – Vi Luz y Subi
    – from Narcotango (Tademus)
    Bajofondo – En Mi/Soledad
    – from Bajofondo Tango Club (Universal)

Mixed Tanda – Neo Tango de Roxanne
(The tanda opens with two tangos that have a languid and deeply emotional sound.  "Naranjo en Flor" has stronger dance-club feel, which helps create a transition to the dramatic "El Tango de Roxanne."
    Bajofondo – En Mi/Soledad
    – from Bajofondo Tango Club (Universal)
    Carlos Libedinsky – Vi Luz y Subi
    – from Narcotango (Tademus)
    Campo – Naranjo en Flor
    – from Leçons de Tango
    Ewan McGregor, Jose Feliciano and Jacek Koman – El Tango de Roxanne
    – from Moulin Rouge soundtrack (Interscope)

Milongas 밀롱가 딴다 리스트

The fast pace of milonga music can help give a lift to everyone's energy.  It can also be used to exhaust the dancers and send them off the dance floor for a break.

Francisco Canaro – Slow Milongas
(This tanda consists of relatively slow but frequently played milongas.  Some dancers may have difficulty with the slow rhythms.)
    Milonga Sentimental
    – from La Melodia de Nuestro Adios (El Bandoneon)
    Milonga del 900
    – from Todo Milonga (Club Tango Argentino 1051)
    Silueta Porteña
    – from La Melodia de Nuestro Adios (El Bandoneon)

Francisco Canaro – Milongas
(Although Canaro's orchestra recorded many slow milongas, this tanda has moderately paced milongas that can be used for a variety of milonga dance styles.)
    Reliquias Porteñas
    No Hay Tierra Como La Mia
    Milonga Brava
    – all from Las Grandes Orquestas del Tango (Blue Moon)

Francisco Canaro – Milongas (2)
    Cuando Un Viejo Se Enamora
    – from Milongueando Con Canaro
    La Milonga de Buenos Aires
    – from Grandes Exitos (EMI)
    Milongon
    – from Bailando Tangos, Valses y Milongas (EMI Reliquias)

Juan D'Arienzo – La Puñalada (Milongas)
(This tanda opens with the stereo recording of the great D'Arienzo milonga La Puñalada.)
    La Puñalada
    – from Tangos Para el Mundo, vol 2  (Tango Argentino BMG RCA)
    Candombe Oriental
    – from Cambalache
    La Espuela
    – from Mario CD #8

Juan D'Arienzo – Milongas
    El Temblor
    – from El Rey del Compas  (El Bandoneon)
    Milonga Querida
    – from El Rey del Compas  (El Bandoneon)
    Milonga del Corazon
    – from La Cumparsita  (El Bandoneon)

Juan D'Arienzo – Milongas 2
    El Esquinazo
    – from Sus Primeros Exitos, Vol. 2  (BMG-RCA Tango Argentino)
    Milonga Vieja Milonga
    – from Sus Primeros Exitos, Vol. 1  (Tango Argentino BMG RCA)
    De Pura Cepa
    – from Sus Primeros Exitos, Vol. 2  (Tango Argentino BMG RCA)

Juan D'Arienzo – Milongas 3
(These milongas may give some dancers the impression of being faster than they are.)
    Estampa de Varon
    – from El Rey del Compas  (El Bandoneon)
    El Comandante
    – from Vol. 21  (CTA-321)
    Milonga Que Peina Canas
    – from La Puñalada  (Blue Moon)

Juan D'Arienzo – Milongas 4
(These delightful milongas are at a somewhat slower pace than is typical of D'Arienzo.)
    El Potro
    – from Cambalache
    La Cicatriz
    – from Milongueando (RCA)
    Me Gusta Bailar Milonga
    – from Cambalache

Rodolfo Biagi – Milongas
(Biagi's milongas are fast-paced with demanding rhythms.)
    Campo Afuera
    – from Campo Afuera  (El Bandoneon EBCD 40)
    Picante
    – from Campo Afuera  (El Bandoneon EBCD 40)
    Flor de Montserrat
    – from Sus Exitos con Alberto Amor  (EMI Reliquias)

Ricardo Tanturi con Alberto Castillo – Milongas
(There may be no better singer of milongas and candombes than Alberto Castillo.)
    Mozo Guapo
    Asi Es la Milonga
    Mi Morocha
    – all from Tangos de Mi Ciudad  (BMG-RCA Tango Argentino)

Alberto Castillo – Candombes y Milongas
(There may be no better singer of milongas and candombes than Alberto Castillo.)
    Vestido Punzo
    Bronce
    Cafe
    – all from Candombes y Milongas (EMI Reliquias)

Anibal Troilo/Francisco Fiorentino – Milongas
    Mano Brava
     – from Troilo/Fiorentino  (Solo Tango BMG RCA)
    Ficha de Oro
    – from Del Tiempo Guapo  (El Bandoneon)
    Del Tiempo Guapo
    – from Troilo/Fiorentino Vol. 2  (Solo Tango BMG RCA)

Pedro Laurenz – Milongas
    Milonga Compadre
    Yo Soy de San Telmo
    Milonga de Mis Amores
    – all from Milonga de Mis Amores  (El Bandoneon)

Miguel Caló – Milongas
(This sophisticated tanda closes with the great candombe, Azabache.)
    Milonga Antigua
    – from Al Compás del Corazón  (EMI Reliquias)
    Milonga Que Peina Canas
    – from Sus Exitos con Podetsa, Ortiz y Beron  (EMI Reliquias)
    Azabache
    – from Al Compás del Corazón (EMI Reliquias)

Carlos Di Sarli – Milongas
(A tanda of playful, lyrical, relatively light and delightfully danceable milongas.)
    Rosa Morena
    – from Sus Primeros Exitos, Vol 3.  (Tango Argentino BMG-RCA)
    Zorzal
    – from Sus Primeros Exitos, Vol 3.  (Tango Argentino BMG-RCA)
    La Mulateada
    – from Sus Primeros Exitos, Vol 3.  (Tango Argentino BMG-RCA)
    Pena Mulata
    – from Sus Primeros Exitos, Vol 1.  (Tango Argentino BMG-RCA)

Osvaldo Pugliese – Milongas
(This tanda opens and closes with classic milongas that are the among the favorites of many dancers.)
    Tortazos
    – from Cantan Alberto Moran y Roberto Chanel  (EMI Reliquias)
    Anda Que Te Cure Loca
    – from Cantan Alberto Moran y Roberto Chanel  (EMI Reliquias)
    Un Baile A Beneficio
    – La Yumba  (EMI Odeon)

Mixed Tanda – Milongas
(A contemporary mix that opens with two milongas and closes with two explosive candombes.  Although the second milonga is relatively short, this tanda may be a little too long for many dancers.  Consider ending after the third.)
    Miguel Villasboas – La Mulita
    – from Tango Rioplatense  (StarMusic)
    Dan Diaz and the Tango Camerata – Milonga del 900
    – from Live at Stanford  (Rio Plata Institute)
    Juan Carlos Caceres – Tango Negro
    – from Toca Tango  (Discos CNR de Argentina)
    Juan Carlos Caceres – Toca Tango
    – from Toca Tango  (Discos CNR de Argentina)

Mixed Tanda – Candombes
(A mix of classic and contemporary candombes that may be a little too long for many dancers.  Consider ending after the third.)
    Miguel Caló – Azabache
    – from Al Compás del Corazón  (EMI Reliquias)
    Alberto Castillo – Cafe
    – from Candombes y Milongas (EMI Reliquias)
    Juan Carlos Caceres – Tango Negro
    – from Toca Tango  (Discos CNR de Argentina)
    Juan Carlos Caceres – Toca Tango
    – from Toca Tango  (Discos CNR de Argentina)

Neo Milongas
(The first track is not a milonga, but it works for dancing milonga.  The second and third tracks are milongas with an alternative sound that is similar to samba.)
    Esteban Morgado – Morena
    – Cuesta Arriba
    La Chicana – Sopapa
    – Tango Agazapado
    La Chicana – Milonga de los Perros
    – Tango Agazapado

Valses 발스 딴다 리스트

Tango waltz music is delightfully lyrical and romantic.  Playing it usually lifts everyone's spirits.

Los Tubatango
    Francia
    Vibraciones del Alma
    Ilusion de Mi Vida
    – all from Una Noche de Garufa

Francisco Canaro – Valses 1
    Ronda del Querer
    Adios Juventud
    Para ti Madre
    – all from La Melodia de Nuestro Adios  (El Bandoneon)

Francisco Canaro – Valses 2
    Bajo el Cielo Azul
    – Desde El Alma  (EMI Reliquias)
    Muchacha
    – Tangos Inolvidables del '40  (EMI Reliquias)
    Yo No Se Que Han Hecho Tus Ojos
    – Tiempos Viejos  (Blue Moon)

Francisco Canaro con Nelly Omar – Valses
(The wonderful Nelly Omar sings the first and last valses.  Francisco Canaro's Quinteto Pirincho plays the instrumental in the middle.)
    Rosa de Otoño
    – Los 100 Mejores Tangos, Milongas y Valses del Milenio, vol. 4  (El Bandoneon)
    Vibraciones del Alma
    – Tangos del Tiempo Viejo  (EMI Reliquias)
    Desde el Alma
    – Desde El Alma  (EMI Reliquias)

Francisco Canaro – Instrumental Valses
    El Trovero
    Francia
    Maria Esther
    – all from Susana Miller Compilation #3

Juan D'Arienzo – Amor y Celos (Valses)
(This tanda closes with the classic Amor y Celos.)
    Valsecito Criollo
    – Sus Primeros Exitos vol. 2  (Tango Argentino BMG-RCA)
    Mentías
    – Sus Primeros Exitos vol. 2  (Tango Argentino BMG-RCA)
    Amor y Celos
    – The Tango Lesson  (Sony movie soundtrack)

Juan D'Arienzo – Valses 1
    Valsecito Criollo
    – Sus Primeros Exitos vol. 2  (Tango Argentino BMG-RCA)
    Cabeza de Novia
    – El Rey del Compas  (El Bandoneon)
    Mentia
    – Sus Primeros Exitos vol. 2  (Tango Argentino BMG-RCA)

Juan D'Arienzo – Valses 2
    No Llores Madre
    – La Cumparsita  (El Bandoneon)
    Inolvidable
    – La Cumparsita  (El Bandoneon)
    Valsecito de Antes
    – Los 100 Mejores Tangos, Milongas y Valses del Milenio, vol. 4  (El Bandoneon)

Rodolfo Biagi – Valses
(This tanda closes with Biagi's incredible instrumental rendition of "Lagrimas y Sonrisas.")
    Paloma
    – from Sus Exitos con Alberto Amor  (EMI Reliquias)
    Por Un Beso de Amor
    – from Sus Exitos con Jorge Ortiz, Vol. 2  (EMI Reliquias)
    Cuatro Palabras
    – from Sus Exitos con Jorge Ortiz, Vol. 2  (EMI Reliquias)
    Lagrimas y Sonrisas
    – from Sus Exitos con Jorge Ortiz  (EMI Reliquias)

Rodolfo Biagi – Amor y Vals (Valses)
(This tanda opens with the sublime "Amor y Vals" and closes with Biagi's incredible rendition of "Lagrimas y Sonrisas.")
    Amor y Vals
    – from Valses Inolvidables  (EMI Reliquias compilation)
    Paloma
    – from Sus Exitos con Alberto Amor  (EMI Reliquias)
    Lagrimas y Sonrisas
    – from Sus Exitos con Jorge Ortiz  (EMI Reliquias)

Ricardo Tanturi con Alberto Castillo – Valses
    Mi Romance
    Con Los Amigos
    La Serenata
    Recuerdo
    – all from Tangos de Mi Ciudad  (BMG-RCA Tango Argentino)

Pedro Laurenz – Valses
(Pedro Laurenz played unbeatable vals music.)
    Mascarita
    Paisaje
    Mendocina
    – all from Milonga de Mis Amores  (El Bandoneon)

Anibal Troilo and Floreal Ruiz – Valses
(This tanda opens with a definitive rendition of "Romance de Barrio" and closes with the wonderful "Flor de Lino.")
    Romance de Barrio
    – from Obra Completa En Rca Vol.7  (RCA)
    Lloraras Lloraras
    – from Amor y Tango  (Tango Argentino DBN-RCA)
    Palomita Blanca
    – from RCA Victor 100 Años - Sus Cantores  (RCA)
    Flor de Lino
    – from Amor y Tango  (Tango Argentino DBN-RCA)

Miguel Caló – Valses
(Miguel Caló played incredibly romantic vals music.)
    Bajo un Cielo de Estrellas
    – from Valses Inolvidables  (EMI Reliquias compilation)
    Pedacito de Cielo
    – from Valses Inolvidables  (EMI Reliquias compilation)
    El Vals Soñador
    – from Al Compás del Corazón  (EMI Reliquias)

Carlos Di Sarli – Valses
    Cortando Camino (1941 w/ Rufino)
    – Sus Primeros Exitos vol 3  (Tango Argentino DBN-RCA)
    Rosamel (1940 w/ Rufino)
    – Sus Primeros Exitos vol 1  (Tango Argentino DBN-RCA)
    Ausencia (1940 w/ Volpe)
    – Anthologies Valses et Milongas du Carlos Di Sarli  (Privately Released by SCAQC)

Carlos Di Sarli – Valses 2
    De Vuelta (1947 w/ Podesta)
    Estampa Federal (1942 w/ Podesta)
    Acuerdate de Mi (1946 w/ Duran)
    – all from Anthologies Valses et Milongas du Carlos Di Sarli  (Privately Released by SCAQC)

Alfredo De Angelis – Valses
(All of these valses are absolutely delightful.  A four vals tanda may seem a little long, but it is common in Buenos Aires.)
    Flores del Alma
    A Magaldi
    Pobre Flor
    Soñar Y Nada Mas
    – all from Adios Marinero  (El Bandoneon)

Miguel Villasboas – Valses
(A contemporary orchestra with a vintage sound that is great for valses.)
    Luna de Arrabal
    Angustias del Corazon
    Desde el Alma
    – all from Tango Rioplatense (StarMusic)

Mixed Tanda – Valses
(This tanda closes with the the incredible and dramatic Desde el Alma.)
    Orquesta Color Tango – Ilusion de Mi Vida
    – from Con Estilo Para Bailar  (Techno Disc)
    Hector Varela – Palomita Blanca
    – from Buenos Aires de Noche  (EMI compilation)
    Lalo Schifrin Orquesta – Corazon de Oro
    – from Tango, movie soundtrack
    Osvaldo Pugliese – Desde el Alma
    – from Ausencia  (EMI)

La Cumparsita — The Finale (밀롱가의) 마지막 딴다 리스트

When the DJ plays the classic "La Cumparsita," dancers know the milonga is ending and the evening is coming to a close.  At milongas in Buenos Aires, DJs typically play at least two versions of "La Cumparsita" to end the evening.  Dancers often dance the first version with whoever is nearby and reserve the second for someone special.  Sometimes DJs will play more than two versions of "La Cumparsita."

La Cumparsita with a Rhythmic Sound
(The following recordings have a rhythmic sound that is preferred by those who dance milonguero and club-style tango.)
    Roberto Firpo – De La Guardia Vieja  (EMI Reliquias)
    Los Tubatango – Una Noche de Garufa  (Music Hall)
    Francisco Lomuto – Great Orchestras of Tango’s Golden Age  (Harlequin)
    Francisco Canaro – Las Grandes Orquestas del Tango  (Blue Moon)
    Juan D'Arienzo – Sus Primeros Exitos  (Tango Argentino BMG RCA)
    Juan D'Arienzo – Tangos Para El Mundo  (Tango Argentino BMG RCA)
    Angel D'Agostino y Angel Vargas – from Tangos de Los Angeles, Vol. 2  (Tango Argentino BMG RCA)
    Rodolfo Biagi con Jorge Ortiz, Vol. 2  (EMI Reliquias)

La Cumparsita with a Smooth or Dramatic Sound
(The following recordings have a smooth or dramatic sound that is preferred by those who dance salon-style tango.)
    Carlos Di Sarli – Instrumental  (Tango Argentino BMG RCA)
    Anibal Troilo – Instrumental  (Tango Argentino BMG RCA)
    Los Porteños – Tangos de Siempre  (Seyer)
    Alfredo De Angelis – From Argentina to the World  (EMI)
    Orquesta Francini Pontier – Tangos I  (JVC)
    Florindo Sassone – Bien Milonguero, vol. 2  (EMI Reliquias)
    Carlos Garcia – Tangos II  (JVC)
    Dan Diaz and the Tango Camerata – Live at Stanford
    Tango X 2 Orquesta – Una Noche de Tango
    Anibal Troilo – RCA Victor 100 Años

La Cumparsita with Progressive Sound
(The following recordings are of jazz tango and may be appreciated by those who favor a progressive sound in their tango music.)
    New York Buenos Aires Connection – The New Tango  (VAI Audio)
    Quinteto Francisco Canaro – self titled  (Melopea Discos)

La Cumparsita with a Neo-Tango Sound
    Buenos Aires Ensemble – Tango Chill Out

------------------------

     OLD GUARD

      1)  Julio De Caro
        El Monito
        Colombina
        Derecho Viejo
        Boedo
        - all from Compilation, Instrumental Tangos of the Golden Age
          (Harlequin  HQCD 45)

      2)  Orquesta Tipica Victor
        Negro
        Pato
        Re Fa Si
        Che Papusa Oi
        - all from 1926-40 (El Bandoneon  EBCD 88)

      3)  Adolfo Carabelli
        Felicia
        Mi Refugio
        El Cabure
        Cuatro Palabras
        - all from Cuatro Palabras (El Bandoneon EBCD 87)

      4)  Osvaldo Fresedo
        Derecho Viejo
        Arrabalero
        Poliya
        Tigre Viejo
        - all from Tigre Viejo (CD-R available from Alberto Paz)

      5)  Francisco Canaro y Quinteto Pirincho
        Viento en Popa
        Don Esteban
        Champagne Tango
        - all from Nobleza de Arrabal  (El Bandoneon EBCD 90)

      6)  Francisco Canaro
        La Melodia de Nuestro Adios
        El Pescante
        Pampa
        Retintin
        - all from La Melodia de Nuestro Adios (El Bandoneon EBCD 30)

      7)  Francisco Canaro
        Uno
        - from Desde el Alma (EMI)
        Cada Vez Que Me Recuerdes
        - from Desde el Alma (EMI)
        Yira, Yira
        - from Tangos (EPM Musique)
        Derecho Viejo
        - from Tangos (EPM Musique)

      8)  Los Tubatangos
        Caminito
        Rodriguez Pena
        Zorro Gris
        - all from Una Noche de Garufa  (Music Hall  10044-2)

      9)  Mixed Tanda
        Orquesta Tipica Victor - Domino
        - from 1926-1940 (El Bandoneon EBCD 88)
        Adolfo Carabelli - Alma
        - from Cuatro Palabras (El Bandoneon EBCD 87)
        Pedro Laurenz - Nunca Tuvo Novio
        - from Milonga de Mis Amores (El Bandoneon EBCD 82
        Pedro Laurenz - Mala Junta
        - from Compilation, Instrumental Tangos of the Golden Age
          (Harlequin  HQCD 45)

     10)  Mixed Tanda
        La Nuestra de Adios -- Francisco Canaro,
        - from La Melodia de Nuestra Adios (El Bandoneon EBCD 30)
        Yo Soy El Tango -- Miguel Calo,
        - from Yo Soy el Tango  (El Bandoneon EBCD 34)
        El Once -- Osvaldo Fresedo,
        - from El Pibe de la Paternal  (El Bandoneon  EBCD 48)
        Mano a Mano - Francisco Lomuto,
        - from Great Bands of Tango's "Golden Age" 1936-47
          (Harlequin HQCD 89)

     FOUR GIANTS OF THE GOLDEN AGE-D'ARIENZO, DI SARLI, PUGLIESE, TROILO

     11)  Juan D'Arienzo
        El Flete
        - from The Tango Lesson (Movie Soundtrack)  (Sony)
        Pensalo Bien
        - from The Tango Lesson (Movie Soundtrack)  (Sony)
        Union Civica
        - from El Rey del Compas (El Bandoneon)
        Canaro en Paris
        - from El Rey del Compas (El Bandoneon)

     12)  Juan D'Arienzo
        Che Negrito
        Una Alma Buena
        El Tigre Millan
        El Pollo Ricardo
        - all from Vol. 21 (Club Tango Argentino CTA 321)

     13)  Juan D'Arienzo
        Retintin
        Don Esteban
        El Irresistable
        La Marocha
        - all from El Rey del Compas  (El Bandoneon EBCD 43)

     14)  Juan D'Arienzo
        Felicia
        Pacienda
        Viejo Smoking
        Independencia
        - all from La Punalada (Blue Moon BMT 011)

     15)  Juan D'Arienzo
        El Internado
        Jueves
        Tucuman
        El Purrete
        - all from La Punalada (Blue Moon BMT 011)

     16)  Orquesta Juan D'Arienzo
        Derecho Viejo
        Organito de la Tarde
        Don Juan
        Pampa
        - all from La Cumparsita (Phillips)

     17)  Carlos Di Sarli
        Porteno y Bailarin
        Un Tango y Nada Mas
        Vieja Luna
        Duello Criollo
        - all from El Senor del Tango (El Bandoneon EBCD 38)

     18)  Carlos Di Sarli
        A La Gran Muneca
        El Cabure
        Verdemar
        Milonguero Viejo
        - all from Milonguero Viejo  (Music Hall 10018-2)

     19)  Carlos Di Sarli
        La Marocha
        Duello Criollo
        El Choclo
        Mi Refugio
        - all from Milonguero Viejo  (Music Hall 10018-2)

     20)  Carlos Di Sarli
        Don Juan
        Tinta Verde
        Germaine
        Comme Il Faut
        - all from Instrumental (BMG RCA)

     21)  Carlos Di Sarli
        Bahia Blanca
        - from The Tango Lesson (Movie Soundtrack)  (Sony)
        El Pollito
        - from Instrumental (BMG RCA)
        El Amanecer
        - from Instrumental (BMG RCA)
        El Once
        - from Instrumental (BMG RCA)

     22)  Carlos DiSarli
        Organito de la Tarde
        Champagne Tango
        El Pollo Ricardo
        El Inginerro
        - all from Instrumental (BMG RCA)

     23)  Anibal Troilo
        Quejas de Bandoneon
        - from Su Mejores Momentos (Music Hall)
        El Marne
        - from Su Mejores Momentos (Music Hall)
        El Pollo Ricardo
        - from Su Mejores Momentos (Music Hall)
        Malena
        - from Del Tiempo Guapo (El Bandoneon EBCD 47)

     24)  Anibal Troilo
        Milongueando en el 40
        Ojos Negros
        La Maleva
        El Enterriano
        - all from Quejas de Bandoneon (El Bandoneon EBCD 67)

     25)  Anibal Troilo
        Fuegos Artificiales
        Don Juan
        El Cantor de Buenos Aires
        Chique
        - all from Quejas de Bandoneon (Music Hall)

     26)  Anibal Troilo
        Gaupeando
        Cordon de Oro
        Toda Mi Vida
        Cachirulo
        - all from El Inmortal Pichuco (El Bandoneon EBCD 1)

     27)  Osvaldo Pugliese
        Tierra Querida
        Mala Junta
        Orgullo Criollo
        Boedo
        - all from DeCaro por Pugliese  (EMI)

     28)  Osvaldo Pugliese
        Galleguita
        Las Marionetas
        Dandy
        Tiny
        - all from La Yumba (Blue Moon BMT 010)

      29)  Osvaldo Pugliese
        La Yumba
        - from The Tango Lesson (Movie Soundtrack)  (Sony)
        Gallo Ciego
        - from The Tango Lesson (Movie Soundtrack)  (Sony)
        Corientes y Esmeralda
        - from Recuerdo  (El Bandoneon EBCD 71)
        Recuerdo
        - from Recuerdo  (El Bandoneon EBCD 71)

     30)  Osvaldo Pugliese
        Pasional
        Chique
        Cascabelito
        Rembranzas
        - all from Ausencia (EMI Odeon # 8 35886 2)

     31)  Osvaldo Pugliese
        Farol
        Fuimos
        Emancipacion
        La Mariposa
        - all from Ausencia (EMI Odeon # 8 35886 2)

     32)  Osvaldo Pugliese
        Emancipacion
        A los Amigos
        El Andariego
        Tinta Rosa
        - all from Argentina to the World (EMI)

     OTHER GREAT ORCHESTRAS OF THE GOLDEN AGE

     33)  Miguel Calo
        Sans Souci
        - from  Compilation, Pa' Que Bailen Los Muchachos  (Blue Moon)
        La Cantina
        - from Yo Soy el Tango  (El Bandoneon EBCD 34)
        Lejos de Buenos Aires
        - from Yo Soy el Tango  (El Bandoneon EBCD 34)
        Yo Soy el Tango
        - from Yo Soy el Tango  (El Bandoneon EBCD 34)

      34)  Miguel Calo
         Tedio
         - from Stock Privado (EMI)
         Tarde Gris
         - from Stock Privado (EMI)
         La Maleva
         - from Compilation, Pa' Que Bailen Los Muchachos  (Blue Moon)
         Saludos
         - from Compilation, Pa' Que Bailen Los Muchachos  (Blue Moon)

     35)  Rodolfo Biagi
        La  Maleva
        Union Civica
        A Mi No Me Interesa
        Zaraza
        - all from Campo Afuera  (El Bandoneon EBCD 40)

     36)  Pedro Laurenz
        Arrabal
        De Puro Guapo
        Amurando
        Orgullo Criollo
        -  all from Milonga de Mis Amores (El Bandoneon EBCD 82)

     37)  Ricardo Tanturi con Alberto Castillo
        Pocas Palabras
        Ese Sos Vos
        Cuatro Compases
        Asi Se Baila el Tango
        - all from Cuatro Compases (El Bandoneon EBCD 48)

     38)  Ricardo Tanturi con Enrique Campos
        Muchachos Comienza la Ronda
        Asi Se Canta
        Una Emocion
        Malvon
        - all from Una Emocion (El Bandoneon EBCD 81)

     39)  Alfredo DeAngelis
        Pura Mana
        Compradon
        El Entrerriano
        Adios Marinero
        - all from Adios Marinero (El Bandoneon EBCD )

     TRANSITION TO NEW TANGO

     40)  Mixed Tanda
        Orquesta Francini Pontier - A Media Luz
        - from Tango I (JVC)
        Orquesta Francini Pontier - Quejas de Bandoneon
        - from Tango I (JVC)
        Osvaldo Pugliese - A Orlando Goni
        - from El Gran en FM Tango
        Verano Porteno
        - from El Gran en FM Tango

     41)  Mixed Tanda
        Carlos Garcia and Tango All Stars - La Cumparsita
        - from Tango II  (JVC)
        Carlos Garcia and Tango All Stars - Adios Nonino
        - from Tango II  (JVC)
        Raul Garello - Verano Porteno
        - from Compilation, Buenos Aires by Night  (EMI)
        Los Portenos - A Media Luz
        - from Tangos de Siempre  (Seyer  SCD-1120)

     42)  Mixed Tanda
        Las Solistas - Canaro en Paris
        - from Grandes del Tango Instrumental, vol. 2  (Music Hall)
        Angel D'Agostino - El Choclo
        - from Grandes del Tango Instrumental, vol. 2  (Music Hall)
        Fulvio Salamanca - Copacabana
        - from Grandes del Tango Instrumental, vol. 1 (Music Hall)
        Juan Cambareri - Sentimiento Gaucho
        - from Grandes del Tango Instrumental, vol. 1 (Music Hall)

     NEW TANGO

     43)  New York Tango Trio
        El Enterreano
        Yuyito
        9 de Julio
        - all from Cabarute  (Lyrichord 7428)

     44)  Litto Nebia Quinteto
        Tango Canyengue
        Maladandra
        Nostalgias
        - all from Tangos Argentinos de Enrique Cadicamo  (Iris 980)

     45)  Mixed Tanda
        Trio Pantango - Silbando
        - from Tango Argentino  (ARC  EUCD 1257)
        Hugo Diaz (harmonica) - Milonga Triste
        - from The Tango Lesson (Movie Soundtrack)  (Sony)
        New York Tango Trio - Don Juan
        - from Cabarute  (Lyrichord 7428)
        Francini Pontier Orquesta - El Amanecer
        - from Tango I (JVC)

     LA CUMPARSITA

     46)  La Cumparsita - Finale
        Juan D'Arienzo - La Cumparsita
        - from Compilation, 16 Grandes Tangos (RCA)
        Tango X 2 - La Cumparsita
        - from Una Noche de Tango

     MILONGAS

     47)  Mixed Milonga
        Juan D'Arienzo - La Punalada
        - from Compilation, 16 Grandes Tangos (RCA)
        Rodolfo Biagi - Campo Afuero
        - from  Campo Afuera (El Bandoneon EBCD 40)
        Pedro Laurenz - Milonga de Mis Amores
        - from Milonga de Mis Amores (El Bandoneon EBCD)

     48)  Mixed Milonga
        Juan D'Arienzo - El Temblor
        - from El Rey del Compas  (El Bandoneon EBCD 43)
        Rodolfo Biagi - Picante
        - from  Campo Afuera (El Bandoneon EBCD 40)
        Carlos Di Sarli - Con Alma y Vida
        - from El Senor del Tango (El Bandoneon EBCD 38)

     49)  Mixed Milonga
        Francisco Canaro - Reliquias Portenas
        - from La Melodia de Nuestro Adios (El Bandoneon EBCD 30)
        Juan D'Arienzo - Milonga Que Peina Canas
        - from La Punalada (Blue Moon BMT 011)
        Juan D'Arienzo - Milonga Querida
        - from El Rey del Compas  (El Bandoneon EBCD 43)

     50)  Mixed Milonga
        Orquesta Juan D'Arienzo - El Esquinazo
        - from La Cumparsita (Phillips)
        Miguel Calo - Milonga Antigua
        - from El Compas de Corazon (EMI)
        Pedro Laurenz - Yo Soy de San Telmo
        - from Milonga de Mis Amores (El Bandoneon EBCD 82)

     51)  Mixed Milonga
        Los Portenos - Silueta Portena
        - from Tangos de Siempre  (Seyer  SCD-1120)
        Trio Pantango - La Trampera
        - from Tango Argentino Popular (ARC Music)
        Tango X 2 - Corrales Viejos
        - from Una Noche de Tango

     VALSES

     52)  Mixed Vals
        Francisco Canaro - Ronda del Querer
        - from La Melodia de Nuestro Adios (El Bandoneon EBCD 30)
        Alfredo DeAngelis - Pobre Flor
        - from Adios Marinero (El Bandoneon)
        Osvaldo Pugliese - Desde el Alma
        - from Ausencia (EMI Odeon)

     53)  Mixed Vals
        Alfredo DeAngelis - Flores de Alma
        - from Adios Marinero (El Bandoneon)
        Miguel Calo - Bajo  un Cielo de Estrellas
        - from Yo Soy el Tango (El Bandoneon EBCD 34)
        Tish Hinojosa - Farolito
        - from Frontejas (Rounder)

     54)  Mixed Vals
        Carlos Di Sarli - Acuerdate de Mi
        - from El Senor del Tango (El Bandoneon EBCD 38)
        Francisco Canaro - Yo No Se Que Me Han Hecho Tus Ojos
        - from Tiempos Viejos  (Blue Moon BMT 018)
        Miguel Calo - El Sonadar
        - from El Compas de Corazon (EMI)
-----------------------

Tanda Playlists

http://wiki.tango.info/mul/playlist_publishing

http://www.tangoplaylist.com/

Chris sample DJ sets:http://chrisjj.com/tango/cjjsets/

2009-09-04 Wolfson milonga, Cambridge	→
2009-09-18 Wolfson milonga, Cambridge	→
2009-11-25 Wolfson milonga, Cambridge	→
2010-01-29 Carablanca, London	→
2010-02-20 Wolfson milonga, Cambridge	→
2010-03-07 El Amateur, Stuttgart	→
2010-03-15 Volkspark Friedrichshain Pavillon milonga, Berlin	→
2010-03-20 Wolfson milonga, Cambridge	→
2010-04-23 Carablanca, London	→
2010-05-08 Wolfson milonga, Cambridge	→
2010-05-22 Salon Perdu, Norwich	→
2010-05-31 Volkspark Friedrichshain Pavillon milonga, Berlin	→
2010-06-25 Carablanca, London	→
2010-06-26 Wolfson milonga, Cambridge	→
2010-07-04 El Amateur, Stuttgart	→

http://blog.cu-tango.com/tango/archives/playlists/index.html

Tanda list_blog.cu-tango.com.pdf

http://blog.cu-tango.com/tango/archives/files/alternative.pdf

alternative tanda list_blog.cu-tango.com.pdf

http://www.learningtango.com/BerkoTango.html

https://sites.google.com/site/stuff4melikeytango/Home/another-april-alternative-tango-playlist
-------------

The database is titled Tanda Playlists

http://groups.yahoo.com/group/TangoDJ/database

---------------------

Tipo Tango in Eindhoven invited me to come and DJ on sunday April 26.

The milonga in Scala (Eindhoven) started at 17:00 and ended well after 22:00.

1. Miguel Calo: 5 tangos (17:00-17:14)
De 6 A 7, QueTe Importa Que Te Llore, Sans Souci, Trenzas, La
Guitarrita I started .....

31. Cooling down (22:10-22:24)
Decara A La Pared (Lhasa De Sela), Disamistade (Fabrizio De
Andre), Via Con Me and Boogie (both Paolo Conte)
After Poema

자료원: DJ Manual El Corte 2010 pp. 38~49

--------------------------------------

Tanda list of Thiemepark milonga on August 22 during Summerdazer  2010
15:06:33 Nostalgias (Calo, Miguel)
15:09:36 Sans Souci (Calo, Miguel)
15:12:39 Dulce Amargura (Calo, Miguel)
15:15:18 Que falta me haces (Calo, Miguel)

15:18:34 La Tapera (Donato, Edgardo)
15:21:27 Que sera (Donato, Edgardo)
15:23:55 Noches correntinas (Donato, Edgardo)

15:26:13 Con El Hornero (Laurenz, Pedro)
15:29:03 Llueve Otra Vez (Laurenz, Pedro)
15:31:58 Magdalena (Laurenz, Pedro)
15:34:58 Esta Noche Al Pasar (Laurenz, Pedro)
15:37:56 Recien (Laurenz, Pedro)

15:40:39 La Milonga De Mis Perros (Canaro, Francisco)
15:43:40 Milongon (Canaro, Francisco)
15:46:25 Milonga para as missoes (Renato Borghetti)

15:50:18 L'ete Indien (Quadro Nuevo)

15:55:11 Cara Sucia (Di Sarli, Carlos)
15:58:00 Nido Gaucho (Di Sarli, Carlos)
16:01:53 La Morocha (Di Sarli, Carlos)
16:04:35 Buenos Aires (Di Sarli, Carlos)

16:07:16 Luna Del Plata (Calo, Miguel)
16:09:52 El Mismo Dolor (Calo, Miguel)
16:12:32 Pobre Gallo Bataraz (Quinteto Zarate)

16:15:29 La Galarcita (D'Arienzo, Juan)
16:18:02 El Africano (D'Arienzo, Juan)
16:21:00 Indiferencia (D'Arienzo, Juan)
16:23:31 El Romantico (D'Arienzo, Juan)

16:26:37 Sacale Punta (Donato, Edgardo)
16:28:58 Que Tiempo Aquel (Lomuto, Francisco)
16:31:31 De Pura Cepa (D'Arienzo, Juan)

16:34:12 Sat (Boban Markovic Orkestar)

16:38:39 Farol (Pugliese, Osvaldo)
16:42:01 Yuyo Verde (Pugliese, Osvaldo)
16:44:46 Patetico (Pugliese, Osvaldo)
16:47:26 Flor De Tango (Pugliese, Osvaldo)

16:49:55 Isabelita (Rodriguez, Enrique)
16:52:51 Los Piconeros (Rodriguez, Enrique)
16:55:38 Salud, dinero y amor (Canaro, Francisco)

16:58:45 Poema (Bianco, Eduardo)
17:01:49 Al Subir, Al Bajar (Canaro, Francisco)
17:04:54 Lo Pasao (Canaro, Francisco)
17:07:34 El rey del bosque (Canaro, Francisco)

17:11:13 ? (Castillo, Alberto)
17:14:13 Candombe criollo (Roldan, Carlos)
17:17:03 Carnavalito (Demare, Lucio)

17:20:20 Fever (Presley, Elvis)
17:23:54 Hit the Road Jack (Horn, Shirley)

17:27:03 El Once (Garcia, Jose)
17:29:45 Esta Noche De Luna (Garcia, Jose)
17:33:03 No Estamos Solos (Garcia, Jose)
17:36:06 Lloran Las Campanas (Garcia, Jose)

17:38:55 La Tapera (Donato, Edgardo)
17:41:49 Quien Sera (Donato, Edgardo)
17:44:04 Con tus besos (Donato, Edgardo)

17:48:22 Pavadita (De Angelis, Alfredo)
17:51:15 Jiron Porteno (De Angelis, Alfredo)
17:54:07 Pregonera (De Angelis, Alfredo)
17:56:55 El Pial (De Angelis, Alfredo)

17:59:39 Milonga Querida (Villasboas, Miguel)
18:02:22 El Torito (Villasboas, Miguel)

18:04:46 Disamistade (De Andre, Fabrizio)
18:10:00 Valse de l'Eden (D'Alessio, Carlos)
18:13:07 Tivoli (Auvray, Lydie)

18:15:59 Oigo Tu Voz (Tanturi, Ricardo)
18:19:07 Asi Se Canta (Tanturi, Ricardo)
18:22:17 La Abandon√ Y No Sabia (Tanturi, Ricardo)
18:25:06 Recien (Tanturi, Ricardo)

18:27:50 El Criollito Oriental (Laurenz, Pedro)
18:30:19 Milonga Compadre (Laurenz, Pedro)
18:33:00 Yo Soy De San Telmo (Laurenz, Pedro)

18:35:32 Cafe de Los Angelitos (Troilo, Anibal)
18:38:11 En Esta Tarde Gris (Troilo, Anibal)
18:41:25 Tabernero (Troilo, Anibal)
18:44:40 Tinta Roja (Troilo, Anibal)

18:47:40 Dulce Perdon (Firpo, Roberto)
18:50:20 El Resplandor (Firpo, Roberto)
18:53:21 Olga (Firpo, Roberto)

18:55:33 A Media Luz (Rodriguez, Enrique)
18:57:43 Alma En Pena (Rodriguez, Enrique)
19:00:45 Adios Muchachos (Rodriguez, Enrique)
19:03:30 La Casita Esta Triste (Rodriguez, Enrique)

19:06:09 Noches De Hungria (Rodriguez, Enrique )
19:09:02 Suavemente (Rodriguez, Enrique)
19:12:06 Besame Mucho (Aleman, Oscar)

19:14:43 Roda Vida (Chantre, Teofilo)
19:20:42 A Rainy Night In Paris (Ebeling, Arthur)

19:23:29 Esta Noche En Buenos Aires (D'Agostino, Angel)
19:26:14 A Quien Le Puede Importar (D'Agostino, Angel)
19:29:25 Ninguna (D'Agostino, Angel)
19:32:22 Hotel Victoria (D'Agostino, Angel)

19:35:01 Embruja (Diaz, Porfirio)
19:37:57 Dos Corazones (Diaz, Porfirio)
19:41:06 Incomprension (Diaz, Porfirio)

19:44:31 Malena (Demare, Lucio)
19:47:28 Manana zarpa un barco (Demare, Lucio)
19:50:50 Al Compas De Un Tango (Demare, Lucio)
19:54:03 El Baile De Los Domingos (Demare, Lucio)

19:56:55 Usual Happiness (Kroke)

20:02:41 Remembranza (Canaro, Francisco)
20:05:57 Sollozo (Malerba, Ricardo)
20:08:38 Enbrujamiento (Malerba, Ricardo)
20:11:30 Gitana Rusa (Malerba, Ricardo)

20:14:17 El Torito (Quinteto Pirincho)
20:16:36 La Calesita Se Destrozo (Rodriguez, Enrique )
20:19:22 Ungarwein (Von Geczy, Barnabas)

20:22:22 Decara A La Pared (Lhasa De Sela)
20:26:31 Moje Pa Fidje (Chantre, Teofilo)
20:30:33 To Tango Tis Nefelis (Alexiou, Haris)

20:34:40 Todo (Laurenz, Pedro)
20:37:18 Esta Noche Al Pasar (Laurenz, Pedro)
20:40:16 Trenzas (Laurenz, Pedro)
20:43:04 Magdalena (Laurenz, Pedro)
20:46:05 La Cumparsita (Laurenz, Pedro)

20:49:58 Middle of the moment (Frith, Fred)
20:54:31 Golden Brown (The Stranglers)
20:57:59 La Cumparsita (The Tango Group)

21:03:24 Time 4 Time (Kroke)
DJ: "Arnoud" <arnouddegraaff@yahoo.com>

-----------

The last tanda in Red House on Friday, Taipei TF 2010(DJ Mercury from Seoul, Korea)
1. Tu Corazon - A. De Angelis - Carlos Dante
2. Gloria - Donato Racciati - Nina Miranda
3. Volvamos A Empezar - A. De Angelis - Oscar Larroa
4. Cafe Dominguez - A. D'Agostino

--------------------

Tanda

http://chrisjj.com/tango/cjjsets/2011-05-08_Tango_de_Salon.html

2011-05-08 Tango de Salon, Letchmore Heath    •    Music - DJ Chris    •    www.tangodesalonuk.blogspot.com

others

14:50

tango

Carlos Di Sarli, singer Ernesto Famá

Chau pinela

1930

info

clip *

14:52

tango

Carlos Di Sarli

Añorándote

1930

info

clip *

14:55

tango

Carlos Di Sarli

No cantes victoria

1930

info

clip

14:57

tango

Carlos Di Sarli, singer Ernesto Famá

Flora

1930

info

clip

15:00

curtain

Savage Garden

Truly Madly Deeply

clip *

15:00

tango

Pedro Laurenz

Arrabal

1937

info

clip

15:03

tango

Pedro Laurenz

Orgullo criollo

1941

info

clip

15:06

tango

Pedro Laurenz, singer Juan Carlos Casas

De puro guapo

1940

info

clip

15:09

tango

Pedro Laurenz, singer Juan Carlos Casas

Desconsuelo

1940

info

clip

15:11

curtain

Savage Garden

Truly Madly Deeply

15:12

vals

Francisco Canaro (Quinteto Pirincho)

Vibraciones del alma

1956

info

15:15

vals

Francisco Canaro (Quinteto Pirincho)

Con los amigos // A mi madre

1943

info

clip

15:17

vals

Francisco Canaro (Quinteto Pirincho)

Yo te quiero mi bien

1941

info

clip

15:20

curtain

Savage Garden

Truly Madly Deeply

15:21

tango

Edgardo Donato, singer Felix Gutierrez

El huracán

1932

clip *

15:24

tango

Edgardo Donato

La tablada

1936

info

clip

15:26

tango

Edgardo Donato

Pasión criolla

1939

info

clip

15:29

tango

Edgardo Donato

El estagiario

1938

info

clip

15:31

curtain

Savage Garden

Truly Madly Deeply

15:32

tango

Francisco Lomuto, singer Fernando Díaz

Copa de ajenjo

1941

info

15:34

tango

Francisco Lomuto, singer Jorge Omar

Gólgota

1938

info

15:37

tango

Francisco Lomuto, singer Fernando Díaz

La gayola

1941

info

15:40

curtain

Savage Garden

Truly Madly Deeply

15:41

milonga

Francisco Canaro, singer Carlos Galán

Negrito

1934

15:43

milonga

Francisco Canaro, singer Roberto Maida

Larga las penas

1935

15:46

milonga

Francisco Canaro, singer Roberto Maida

Milonga criolla

1936

15:49

curtain

Savage Garden

Truly Madly Deeply

15:50

tango

Enrique Rodríguez, singer Armando Moreno

Yo también tuvé un cariño

1942

info

clip

15:53

tango

Enrique Rodríguez, singer Armando Moreno

Tú... el cielo y tú

1944

info

clip

15:56

tango

Enrique Rodríguez, singer Armando Moreno

Yo no sé por que razón

1942

info

15:58

tango

Enrique Rodríguez, singer Armando Moreno

Mirame de frente

1942

info

clip

16:01

curtain

Savage Garden

Truly Madly Deeply

16:02

tango

Orquesta Típica Victor, singer Charlo

Llamale hache

1932

info

clip

16:04

tango

Orquesta Típica Victor, singer Alberto Gómez

El mortero del globito

1933

info

16:07

tango

Orquesta Típica Victor, singer Alberto Gómez

Quiero papita

1932

info

16:10

tango

Orquesta Típica Victor, singer Ángel Vargas

Adiós Buenos Aires

1938

info

clip

16:12

curtain

Savage Garden

Truly Madly Deeply

16:13

live music

16:53

tango

Juan D'Arienzo

El flete

1936

info

clip *

16:56

tango

Juan D'Arienzo

El pollito

1938

info

16:59

tango

Juan D'Arienzo

Joaquina

1935

info

clip

17:02

tango

Juan D'Arienzo

Retintín

1936

info

17:04

curtain

Savage Garden

Truly Madly Deeply

17:05

vals

Edgardo Donato, singer Felix Gutierrez

La tapera

1936

info

clip

17:08

vals

Edgardo Donato, singer Horacio Lagos

Quién será

1941

info

clip

17:10

vals

Edgardo Donato, singer Horacio Lagos

Con tus besos

1938

info

clip

17:12

curtain

Savage Garden

Truly Madly Deeply

17:13

tango

Osvaldo Fresedo, singer Roberto Ray

Canto de amor

1934

info

clip

17:16

tango

Osvaldo Fresedo, singer Roberto Ray

Cordobesita

1933

info

17:19

tango

Osvaldo Fresedo, singer Roberto Ray

Isla de Capri

1935

info

clip

17:22

tango

Osvaldo Fresedo, singer Roberto Ray

Como aquella princesa

1937

info

clip

17:25

curtain

Savage Garden

Truly Madly Deeply

17:26

tango

Aníbal Troilo

Milongueando en el  cuarenta

1941

info

clip

17:28

tango

Aníbal Troilo

Cachirulo

1941

info

clip

17:31

tango

Aníbal Troilo

Guapeando

1941

info

clip

17:34

tango

Aníbal Troilo

Cordón de oro

1941

info

clip

17:36

curtain

Savage Garden

Truly Madly Deeply

17:37

vals

Osvaldo Pugliese

Desde el alma (live)

17:40

milonga

Ángel D'Agostino, singer Ángel Vargas

El porteñito

1943

info

clip

17:42

milonga

Eduardo Del Piano, singer Ángel Vargas

Milonga para Gardel

1947

info

clip *

17:45

milonga

Ángel D'Agostino, singer Ángel Vargas

El morocho y el oriental

1946

info

clip

17:48

curtain

Savage Garden

Truly Madly Deeply

17:48

tango

Miguel Caló, singer Jorge Ortiz

Ya sale el tren

1943

info

clip

17:52

tango

Miguel Caló, singer Jorge Ortiz

Pa' que seguir

1943

info

clip

17:54

tango

Miguel Caló, singer Jorge Ortiz

A las siete en el café

1943

info

clip

17:57

tango

Miguel Caló, singer Jorge Ortiz

Barrio de tango

1943

info

clip

18:00

curtain

Savage Garden

Truly Madly Deeply

18:01

tango

Ricardo Malerba, singer Orlando Medina

Remembranza

1943

info

clip

18:03

tango

Ricardo Malerba, singer Orlando Medina

Embrujamiento

1943

info

clip

18:06

tango

Ricardo Malerba, singer Orlando Medina

La piba de los jazmines

1943

info

clip

18:09

tango

Ricardo Malerba, singer Orlando Medina

Gitana rusa

1942

info

clip

18:12

tango

Ricardo Tanturi

La cumparsita

1940

info

clip

18:15

end

* The precise track played has no available clip, so this clip is from a near-matching track of the same performance.

[kire]

이 글 정리하신 분.. 참 대단한것같음..

[마르스]

어렵다. 하나도 모르겠다. 친절한 강사님만 믿는다.

[ㅈ ㅏ 두-♥]

나도 모름. 스크랩만 함ㅋㅋㅋ