Art contemporain et Design [3] Critique artistique et design d'artistes

[최관우]

Art contemporain et Design [3] Critique artistique et design d'artistes contemporains et de concepts contemporains / Critique artistique abstraite contemporaine et design de l'artiste contemporain Louis Choi Chul-joo est une critique et un dessin artistique abstrait basé sur le concept du désir, dans lequel les traces des désirs et de la réalité des autres sont des nuances réversibles de lumière. C'est un dessin qui résume le retour à la peinture comme art conceptuel précoce, c'est-à-dire la critique de l'art abstrait conceptuel et le désir des autres de représenter la réalité réaliste. / Critiques d'art et œuvres de design d'artistes contemporains et de peintres abstraits de concepts modernes: Louis Choi Chul-joo, Rendering the intersection of desire outside the window,  

Louis Chul-joo Choi, Rendering the intersection of desire outside the window, 140X186cm, acrylic and composite materials on cloth, 2024

Rendre l'intersection du désir à l'extérieur de la fenêtre

Les fenêtres réversibles traversées de lumière qui forment la structure du désir peuvent faire face à de multiples intersections de désirs selon leur temporalité.

À travers la fenêtre à l'intersection du désir, le sélectionneur de désir crée une double place comme concept de désir et dépasse le sens linguistique du concept de désir, et l'image réelle apparaît comme la substance de la structure abstraite du désir désiré par le sélectionneur de désir comme sujet.

La valeur esthétique d'une image réelle en tant qu'être sémantique du désir est possible en tant qu'être réel formé dans le concept du désir en rendant l'image comme si c'était une chose réelle de former une forme virtuelle. Ici, rendre dans l'état d'une œuvre esthétique exprime la matérialité en faisant une structure plate composée de nuances réversibles de lumière, le concept de désir devient une image réelle pour exprimer l'image en nuances réversibles, et applique la formule du désir Choi Chul-joo comme processus de conception mathématique pour réaliser l'existence d'une image à l'intersection du désir à l'extérieur de la fenêtre.

Le désir créé en tant que sujet à l'extérieur de la fenêtre est le sens linguistique du concept de désir abstrait, et le désir insuffisant domine le désir du sujet, perd le sujet de ce désir, et le désir réduit par la division est identifié au désir déficient qui domine le désir. 

L'objet du désir est rendu comme une image déformée contenant le désir de l'autre personne, difficile de reproduire la même image que le sens linguistique.

Ici, l'image déformée est une image réelle comme l'existence du désir comme une autre réalité séparée de l'image entière de l'objet du désir.

Les images réelles révèlent les désirs comme des images réelles existantes en transformant les concepts abstraits du désir en réalité par la structure du sens linguistique de l'inconscient selon le sens d'action différée de l'inconscient vécu dans le passé.

Dans la structure du désir, le désir inconscient à travers les expériences visuelles passées devient un sens verbal selon le désir retardé, et l'objet de la même expérience visuelle apparaît comme l'objet du désir dans le présent. Il s'agit d'une intersection où le concept de désir inconscient et l'image de la réalité consciente se chevauchent en saisissant la réalité de la structure du désir vécue par le passé dans la fenêtre au-delà de la temporalité et en interprétant le concept de désir abstrait dans la fenêtre comme le sens du désir retardé.

L'ombre réversible de la lumière à cette intersection forme une image réelle qui croise le présent dans un autre espace vide sans contact avec l'espace objet du désir. À cette intersection, la structure du désir cachée par le concept de désir ex post dans l'image réelle actuelle rencontre une lumière réversible.

Le concept de désir inconscient et l'objet du désir conscient se croisent lorsque le désir insuffisant rencontre plusieurs objets comme sujet du désir d'être l'objet d'un désir ex post. Et à cette intersection, le concept de désir inconscient est transféré à une image réelle conçue pour s'identifier au concept de désir conscient comme une fonction sémantique et un sujet divisé.

Ici, le design inconscient du désir a une signification artistique comme créativité autonome en transformant l'inconscience réprimée de l'autre en une image esthétique adaptée à l'actualité réversible de la lumière afin d'acquérir de l'art au-delà de la généralité.

Le désir, qui semble être la lumière de la temporalité, montre l'image comme une différence de distance, comme une fenêtre, et la forme actuelle qui distingue la direction et la taille de l'image se croise à l'extérieur de la fenêtre.

En conséquence, un objet qui semble avoir fixé l'intersection du désir à l'extérieur de la fenêtre se révèle comme l'intersection de la lumière qui se reflète dans les yeux de l'autre, le sujet. Il ne s'agit pas d'une image irréaliste vue du point de vue du désir du point de vue de l'inconscient, mais d'une image réelle vue du système de regard du désir du point de vue de l'inconscient réprimé.

Il s'agit d'un concept de désir abstrait, comme une image miroir, et pour identifier d'autres objets de désir reflétés dans l'étang, une image consciente qui génère une image expressive générée par le désir comme sujet peut être conçue avec la formule du désir Choi Chul-joo.

Par conséquent, le désir, qui se distingue par la temporalité, est un concept de désir conscient dans lequel différentes formes de désir se croisent pour réaliser un changement graduel de désir, et le désir apparaît comme une image de la réalité dans une ombre réversible de lumière. C'est l'intersection du désir qui rencontre la réalité entre le désir d'autrui d'examiner l'objet du désir et l'espace culturel qui diffère selon la temporalité.

Le manque de désir qui se rencontre à l'intersection du désir échange des images à un endroit spécifié par la structure de l'objet comme une nuance réversible de lumière.

De plus, le désir en tant que sujet structure la structure de la réalité qui interprète le sens linguistique comme une image du désir, et l'événement ou l'image de performance comme une opportunité de désir en raison d'autres désirs, et le désir structure le sens linguistique parlé par l'inconscient.

La structure interprète le sens linguistique comme une image, mais résume le sens linguistique en l'objet spécifique inévitable que l'autre personne désire, l'équivaut à une image réelle.

Ici, en tant que sujet de désir abstrait, la fenêtre limite le désir à une image réelle comme illusion empirique, et sélectionne l'un des désirs de l'autre de révéler l'image réelle.

Dans le concept du désir, le sélecteur en tant que sujet divisé force un objet spécifique dans une image réelle reflétée dans l'étang par le désir de l'autre, une ombre réversible de lumière avec temporalité crée une fenêtre comme un cadre virtuel abstrait, et le vecteur qui forme la direction de l'image réelle au-delà de la fenêtre à l'intersection du désir à l'extérieur de la fenêtre relie le concept du désir au vecteur image, et crée une image qui manque au sélecteur dans le concept du désir.

De plus, bien que le désir de l'autre ne puisse être transformé en image numérique d'un vecteur à l'intersection du désir, il réalise le désir de l'autre abstrait comme image réelle en limitant l'image à une structure de désir déficiente et en l'équivrant d'un sens linguistique aliéné.

Dans une image réelle, un objet spécifique composé d'un vecteur psychologique du concept de désir inconscient et d'un vecteur d'instruction dans lequel les désirs sont opposés au regard de l'autre crée un manque de désir. Lors d'une conférence de 1971, Jacques Marie ́mile Lacan a exprimé le désir en tant que signe mathématique, expliquant le manque de désir perçu comme un regard en tant que signe mathématique. 

En tant que proposition axiomatique, les énoncés mathématiques contiennent des significations linguistiques qui, logiquement, jugent le désir. Cela le détermine comme une image réelle avec la même structure de désir que la notion de désir sans distinction de l'image réelle en définissant un sens linguistique de sorte qu'un désir insuffisant puisse déterminer un objet spécifique.

Ainsi, les énoncés mathématiques souhaitent comme axiome de logique dans le concept de désir se traduisent en réalité par un phénomène concret plutôt que par une structure externe du sens linguistique par un design abstrait.

Ainsi, le désir mathématique en tant qu'axiome de logique dans le concept de désir se traduit par la réalité comme un phénomène concret plutôt que basé sur la structure externe du sens linguistique par la conception abstraite. 

Ainsi, le rendu de la structure du désir révélé par une rencontre abstraite avec la réalité à l'intersection du désir à l'extérieur de la fenêtre applique le concept mathématique du désir abstrait, ou l'image du concept du désir, à la formule du désir Choi Chul-joo, et le 1er mars 2022, "morning glory" apparaît comme une image réelle plate comme le sujet du désir comme une ombre réversible de lumière dans l'exposition Flushing Town Hall (New York).

Le rendu de l'image réelle résultant de l'intersection du concept de désir et de la structure abstraite chevauche l'image réelle dans la même position que l'esquisse du sens abstrait par le concept de désir avec une nuance de lumière réversible, résultant de l'intersection du concept de désir et la structure abstraite, créer une image plane en ombrageant la forme tridimensionnelle dans laquelle l'ombre de la lumière réversible chevauche l'image réelle dans la même position que l'esquisse du sens abstraite par le concept de désir.

L'abstraction de la notion de désir inconscient, fond de désir manquant, sens du désir inconscient à l'image de la réalité d'un lieu donné, incarnant le rendu au croisement des désirs extérieurs que crée la "morning glory", est illustrée par la formule du désir Choi Chul-joo.

La formule du désir de Chul-joo Choi est une formule multiplicative qui utilise I/I (image) et D/D (design) comme symboles pour créer l'image désirée d'un objet polynôme en reliant le nombre d'images de design au sens linguistique du concept du désir.

La signification linguistique de l'image en tant que symbole est l'image (I/I) de la notion de désir pour saisir le concept abstrait du désir. Cette image crée une fenêtre dans un cadre architectural réel pour que le sujet de la frustration du désir puisse représenter le concept du désir caché par l'ombre réversible de la lumière sous une image réelle. Le concept spécifique du désir constitue l'espace du désir en tant qu'être qui peut être vu comme une image réelle comme un symbole abstrait.

Le design du désir crée une esthétique de l'objet du désir en nivelant le concept du désir comme un symbole abstrait. Ici, le symbole abstrait est la structure sémantique expressive du désir d'être. L'architecture se transforme en abstraction à travers la notion d'abstrait, qui lie le sens inconscient de la notion de désir et l'équilibre de la conception à une image consciente réelle comme symbole abstrait.

En tant que processus de conception avec une formule mathématique de désir structurel, le dessin est répété jusqu'à ce que le concept de désir métaphysique soit identifié par une image esthétique symbolique.

Par conséquent, la notion de désir est interprétée comme une abstraction esthétique.

Le concept de désir qui peut répondre avec exactitude à l'esthétique formelle est interprété comme une abstraction esthétique, et c'est un nouvel art moderne qui applique l'image du concept du désir à la formule du désir Choi Chul-joo sans se conformer à la tendance à souligner le plaisir esthétique de l'art contemporain comme esthétique sentimentale, formant l'histoire du mouvement artistique abstrait avec des images réelles.

Par conséquent, l'abstraction de la notion de désir envisage la notion de désir linguistique qui reproduit le vrai sujet. Il s'agit d'un travail conceptuel stéréoscopique qui visualise la réalité qui divise les structures abstraites en nuances réversibles de lumière.

La structure du désir, qui reprend la conception qui simplifie la structure réelle à plat afin que l'image réelle au sens linguistique puisse être observée en chevauchant l'ombre réversible de la lumière et la formabilité de la réalité selon la temporalité, constitue une réalité identifiée à l'image entière du lieu de création en tissant le sens linguistique inhérent à la notion de désir inconscient.

De plus, en tant que cadre de la structure réelle, les structures de désir de plusieurs pièces à l'extérieur de la fenêtre diffèrent dans la direction de la lumière réversible, et les pièces éclairées alternent les unes avec les autres pour former une intersection. Ceci n'est pas absorbé par l'ombre réversible de la lumière, mais est capté par une intersection blanche qui éclaire le lieu de la réalité comme un être comme une étoile selon la temporalité.

La structure réelle de la temporalité est interprétée comme une image significative au moment de l'existence. Par conséquent, selon la temporalité, l'image de réalité existentielle est abstraite comme une inexistence réversible du temps. La structure du désir est constituée d'une image réelle générale, en commençant par l'image existante comme signification linguistique qui unit le passé et le futur au présent.

Il s'agit d'une structure comme objet causal de la notion de désir en invoquant l'image réelle transférée de la relation symbolique existante à l'intersection du désir à l'extérieur de la fenêtre afin que les images abstraites passées et futures ne puissent pas revenir à leur état initial, / L'auteur. Choi Chul-joo, ancien conservateur du musée d'art de Busan (artiste d'art moderne et docteur en design culturel)

Conceptualization of Desire: Conceptualization of Desire Art is a visualization of progress and results as objects of imagination and existence, facing artistic ideas and portraying the desires of others as objects of imagination and existence. Louis Choi Chuljoo's Conceptual Abstract Art faces artistic ideas and visualizes progressive phenomena and consequences as objects of Desire's imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 Louis Choi Chul-joo' theory of abstract art) 

Contemporary art abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as treacherous conceptual art through the series of "Morning glory", "Bamboo Forest." and "Disappeared pond" / Contemporary artist Louis Choi Chul-joo's realistic abstraction of treacherous conceptual art and abstraction of modern art based on the concept of the desires of others:  

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light. 

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same. 

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest 222-Tyson totally gave in to the boxing match, but I'm happy, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest i222-Tyson totally gave in to the boxing match, but I'm happy, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest i222-Tyson totally gave in to the boxing match, but I'm happy-pond: Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i) / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Choi Chul-joo, Tyson totally gave in to the boxing match, but I'm happy, a hand-painted picture on a computer

 Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p129-1-Rendering the intersection of desire outside the window: Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 222, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest i222, a hand-painted picture on a computer

Final image superimposed on the artist's work: Louis Choi Chul-joo, pond s3, a hand-painted picture on a computer

The figurative meaning of the conceptual abstract 'morning glory window' is that the color of meaning decorates the reality of customary universality facing the object with the color of light. The dark blank space is a shadow created in the area of the subject, which contrasts with the light of a decorated shape. Here, as a real object, color is a single-phase image of the desire custom seen through the gaze. This is a symbolic linguistic image of the background of desire, which symbolizes the concept of desire with imitated flowers. Here, the morning glory image is a piece as a meaning of desire symbolized in real space as a result of the desire image.

"morning glory window" expresses the lack of the concept of desire that exists in reversible temporality as a phenomenal image, and expresses the structure of desire obscured by the shade of reversible light in the intermediate stage, which represents the existence of various desires beyond the current abstract structure of color and plane.

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p129=3, a hand-painted picture on a computer

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News 

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design 

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light. 

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Choi Chul-joo's concept of desire Abstract design concept is a new abstract art methodology that embodies modern abstract concepts transformed from Romanticism to Abstract as real images, starting from the modern art movement.

One conceptual art creates a dual place with the concept of the selector's desire rather than abstract, overtakes abstract conceptual art in the dual place, and repeatedly designs a reality image as a semantic entity with the abstractly deficient desire structure desired by the selector as the subject.

The conceptual aesthetics of figures that design the reality of desire are the result of designing a lack of empirical desire to abstract aesthetic experience into objective reality as a value of life, and formative value is obtained from real images by satisfying the lack of necessary objects.

Here, the object of desire is insufficient and follows the other's concept of desire to obtain semantic correlation through empirical consciousness movements.

Therefore, the actual image as a structure of desire has an aesthetic value that conforms to the conventional practice by omitting shadow images from the real world and placing them in the range of light due to the concept of desire, and settles in the structure of the real subject and the essence of reality. By inductively illuminating the concept in the reversible shadow of light, it clearly embodies the linguistic meaning of the image and the real phenomenon. 

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News 

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design 

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light. 

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Conceptual Artwork Criticism: Korean news cartoon review-A line News of Chul-joo Choi's Korean Pop Star [3], Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 6, Cartoon art work designed by Louis Choi Chul-joo.

Conceptual semantic structure Abstraction of modern art converts images of the desires of others designed as pop art sketches into abstraction through cartoon criticism. This abstractly illuminates the desire to reconstruct the external phenomena of socio-cultural objects of contemporary art into photographs of events and to express the specific validity of others through the objective perspective of images, the subject of desire. This effect is an easy example of modern art abstraction by abstracting the desires of others into cartoons from the objects in which the event occurred, and interpreting cartoon analysis as a cultural form of modern art to eval‎uate the value of life. It's a treacherous conceptual art called realistic abstraction, the cartoon news of modern realistic abstraction. 

- Conceptual artist, contemporary artist, abstract painter, media artist, pop artist, cartoonist & cartoon critic Choi Chul-joo cartoonist, pop artist, contemporary art work, pop artist who draws webtoon news, contemporary artist, concept artist, cartoon critic Choi Chul-joo.

- Choi Chul-joo, contemporary cartoon art historical painting & contemporary concept image installation artist's work

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon review images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon review image as an image.

 Conceptual Artwork Criticism: Korean news cartoon review-A line News of Chul-joo Choi's Korean Pop Star [3], Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’, (2019-8-3)/ Reporter Choi Chul-joo’s Cartoon Review

. Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’

. Yoona du groupe K-pop Girls' Generation a commencé comme la principale actrice du film 'Exit'

Abstraction concept art works of Contemporary Abstract Artist Louis Choi Chul-joo's Artwork with Other's Desire Abstract Concept: Louis Chul-joo Choi, morning glory p129-3-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’, a hand-painted picture on a computer, 2024

■ Choi Chul-joo's concept of desire design process "morning glory" by Choi Chul-joo is a reconstruction of the imagination of desire that is recognized as a structure of desire and the reality reflected in the mirror as a background of desire established as a visual structure. "Bamboo Forest" is the shadow that hides the reality in the shadow of reversible light in his desire concept design process. And "The Missing Pond" is an abstract language image that reflects the reality of the concept of unconscious desire as a linguistic structure.

Therefore, Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic representation of the "disappeared pond" structure of symbolic reality, reducing the concept of abstract desire to a real image in the category of modern art's ideal Logos expression‎. 

The progress of this symbolizes the object of desire as a conceptual subject as a design process of the conceptual subject of desire.

Choi Chul-joo's concept of desire to design abstraction in contemporary art does not presuppose causality with the real image, but symbolizes the object of desire as a conceptual subject from an abstract concept in which desires alienated by the unconscious are divided, resulting in an abstract real image as a correlation between real images.

In linguistic abstraction, the meaning of abstraction as a real image is inductively inferred to take the meaning of symbolic existence. 

And the view of the image of its existence abstracts the concept of desire to the outside of reality, and the real image becomes the object of abstraction as the correlation of reality with the concept of desire. This is Choi Chul-joo's concept of desire design process 1.     

The actual image symbolized by the design using the object of abstract desire as the conceptual subject is omitted, and the image is flattened in the visible range of light. And the image is represented as a symbolic structure of the concept of desire, which is spoken in a linguistic sense.

Choi Chul-joo's concept of desire design process 2 is to decorate the object with a color of universal reality that matches customs so that the reality of the symbolic structure represented in this way has an aesthetic value corresponding to the place as a single image.     

The aesthetic structure concealed by the image designed as the concept of desire is divided into clouds and obscured shades, and the concept of desire is visualized as an image in various directions in the opposite direction of the concept of desire and the image, and the subject of the structure of desire created in the social environment is represented as an object in the past to recognize the image as an abstraction. And the subject who drew the existence executes the reality that symbolizes the concept of desire as an agent, and turns abstract desire into an image's mental phenomenon.

And Choi Chul-joo's abstract concept of desire is created by the imagination desired by the subject of desire in selecting an image of an abstract desire object in the unconscious.

As an abstract image, the concept of desire design process 3 is to repeatedly design a desire that combines lines and colors as an unconscious act that is in thought but is not conscious.     

The concept of unconsciously abstracting desire is a sculpture image of reality in which the object of reality is not seen as a reversible shadow of light, and shows another image of reality by concealing reality as a shadow.

The image is an unconscious mind maintained by the real image and the imagination desired by the subject of desire, and is an idea that cannot be recognized by that image.

Desire Concept Design Process 4. is designed by combining the spatial composition of desire, in which the image of desire is a sculpted planar monochromatic painting in reality, into a reversible structure of light through conscious movement.     

In this way, Choi Cheol-joo's concept of desire design appears as an object of desire as another abstract reality in the perspective visual system through his concept of desire design process.

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest 225-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’.: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. 

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Choi Chul-joo, Bamboo Forest i225-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest Bamboo Forest Bamboo Forest i225-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’-pond: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Louis Choi chuljoo, morning glory p129=3, a hand-painted picture on a computer

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p129-3-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture. 

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p129-3> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’:> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory p129-3-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’:> becomes a non-real abstraction of reality.

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

Therefore, conceptual abstract painter Louis Choi Chul-joo's "morning glory p129-3-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’:" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory.a New Yorker's private collection

Therefore, conceptual abstract painter Louis Choi Chul-joo's "Bamboo Forest Forest i225-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’:" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory  

■ Choi Chul-joo's concept of desire design process "morning glory" by Choi Chul-joo is a reconstruction of the imagination of desire that is recognized as a structure of desire and the reality reflected in the mirror as a background of desire established as a visual structure. "Bamboo Forest" is the shadow that hides the reality in the shadow of reversible light in his desire concept design process. And "The Missing Pond" is an abstract language image that reflects the reality of the concept of unconscious desire as a linguistic structure.

Therefore, Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic representation of the "disappeared pond" structure of symbolic reality, reducing the concept of abstract desire to a real image in the category of modern art's ideal Logos expression‎. 

The progress of this symbolizes the object of desire as a conceptual subject as a design process of the conceptual subject of desire.

Choi Chul-joo's concept of desire to design abstraction in contemporary art does not presuppose causality with the real image, but symbolizes the object of desire as a conceptual subject from an abstract concept in which desires alienated by the unconscious are divided, resulting in an abstract real image as a correlation between real images.

In linguistic abstraction, the meaning of abstraction as a real image is inductively inferred to take the meaning of symbolic existence. 

And the view of the image of its existence abstracts the concept of desire to the outside of reality, and the real image becomes the object of abstraction as the correlation of reality with the concept of desire. This is Choi Chul-joo's concept of desire design process 1.     

The actual image symbolized by the design using the object of abstract desire as the conceptual subject is omitted, and the image is flattened in the visible range of light. And the image is represented as a symbolic structure of the concept of desire, which is spoken in a linguistic sense.

Choi Chul-joo's concept of desire design process 2 is to decorate the object with a color of universal reality that matches customs so that the reality of the symbolic structure represented in this way has an aesthetic value corresponding to the place as a single image.     

The aesthetic structure concealed by the image designed as the concept of desire is divided into clouds and obscured shades, and the concept of desire is visualized as an image in various directions in the opposite direction of the concept of desire and the image, and the subject of the structure of desire created in the social environment is represented as an object in the past to recognize the image as an abstraction. And the subject who drew the existence executes the reality that symbolizes the concept of desire as an agent, and turns abstract desire into an image's mental phenomenon.

And Choi Chul-joo's abstract concept of desire is created by the imagination desired by the subject of desire in selecting an image of an abstract desire object in the unconscious.

As an abstract image, the concept of desire design process 3 is to repeatedly design a desire that combines lines and colors as an unconscious act that is in thought but is not conscious.     

The concept of unconsciously abstracting desire is a sculpture image of reality in which the object of reality is not seen as a reversible shadow of light, and shows another image of reality by concealing reality as a shadow.

The image is an unconscious mind maintained by the real image and the imagination desired by the subject of desire, and is an idea that cannot be recognized by that image.

Desire Concept Design Process 4. is designed by combining the spatial composition of desire, in which the image of desire is a sculpted planar monochromatic painting in reality, into a reversible structure of light through conscious movement.     

In this way, Choi Cheol-joo's concept of desire design appears as an object of desire as another abstract reality in the perspective visual system through his concept of desire design process.

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News 

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design 

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light. 

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

South Korean President Threatens People With Declaration of Emergency Order.[198] Korean News Cartoon Review-A line News of Choi Chul-joo’s Manwha Review: The beneficiary who experienced martial law as a desire for the other is passive, but the powerful person who can actively enforce it from the perspective of the perpetrator puts it into practice with the same desire as the sympathizer. When a powerful person provides the benefit of power or a sympathizer receives it, the sympathizer becomes the same desire and becomes the subject of martial law enforcement. Here, the desire of the other, which is obscured, generalizes martial law practiced by inappropriate powerful and sympathizers as another object of desire and acts like a victor of war. However, when martial law as an act overshadowed by reversible light is not generalized as a public act, inappropriate power and sympathizers are antagonized by the desire of the other as a subject who implements it according to the general desire of the others., Cartoon art work designed by Louis Choi Chul-joo.

Conceptual semantic structure Abstraction of modern art converts images of the desires of others designed as pop art sketches into abstraction through cartoon criticism. This abstractly illuminates the desire to reconstruct the external phenomena of socio-cultural objects of contemporary art into photographs of events and to express the specific validity of others through the objective perspective of images, the subject of desire. This effect is an easy example of modern art abstraction by abstracting the desires of others into cartoons from the objects in which the event occurred, and interpreting cartoon analysis as a cultural form of modern art to eval‎uate the value of life. It's a treacherous conceptual art called realistic abstraction, the cartoon news of modern realistic abstraction. 

- Conceptual artist, contemporary artist, abstract painter, media artist, pop artist, cartoonist & cartoon critic Choi Chul-joo cartoonist, pop artist, contemporary art work, pop artist who draws webtoon news, contemporary artist, concept artist, cartoon critic Choi Chul-joo.

- Choi Chul-joo, contemporary cartoon art historical painting & contemporary concept image installation artist's work

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon review images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon review image as an image.

Conceptual Artwork Criticism: Korean news cartoon review-A line News of Choi Chul-joo’s Manwha Review [198] South Korean President Threatens People With Declaration of Emergency Order 6. (2024-12-05) / Reporter Choi Chul-joo’s Cartoon Review 

. South Korean President Threatens People With Declaration of Emergency Order.

. Le président sud-coréen menace les gens par une déclaration d'ordre d'urgence. 

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest 223-South Korean President Threatens People With Declaration of Emergency Order: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. 

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Choi Chul-joo, Bamboo Forest i223-South Korean President Threatens People With Declaration of Emergency Order: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest Bamboo Forest Bamboo Forest i223-South Korean President Threatens People With Declaration of Emergency Order-pond: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Louis Choi chuljoo, morning glory p129-2-South Korean President Threatens People With Declaration of Emergency Order, a hand-painted picture on a computer

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p129-2-South Korean President Threatens People With Declaration of Emergency Order: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture. 

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p129-2> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Louis Chul-joo Choi, Rendering the intersection of desire outside the window, 140X186cm, acrylic and composite materials on cloth, 2024> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <Louis Choi chuljoo, morning glory p129-2-South Korean President Threatens People With Declaration of Emergency Order> becomes a non-real abstraction of reality.

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

Therefore, conceptual abstract painter Louis Choi Chul-joo's "morning glory p129-2-South Korean President Threatens People With Declaration of Emergency Order" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory.a New Yorker's private collection

Therefore, conceptual abstract painter Louis Choi Chul-joo's "the bamboo forest i223-South Korean President Threatens People With Declaration of Emergency Order-pond" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory

Background image of an artist's artwork: Louis Choi Chul-joo, the bamboo forest 223, a hand-painted picture on a computer

Choi Chul-joo's concept of desire Abstract design concept is a new abstract art methodology that embodies modern abstract concepts transformed from Romanticism to Abstract as real images, starting from the modern art movement.

One conceptual art creates a dual place with the concept of the selector's desire rather than abstract, overtakes abstract conceptual art in the dual place, and repeatedly designs a reality image as a semantic entity with the abstractly deficient desire structure desired by the selector as the subject.

The conceptual aesthetics of figures that design the reality of desire are the result of designing a lack of empirical desire to abstract aesthetic experience into objective reality as a value of life, and formative value is obtained from real images by satisfying the lack of necessary objects.

Here, the object of desire is insufficient and follows the other's concept of desire to obtain semantic correlation through empirical consciousness movements.

Therefore, the actual image as a structure of desire has an aesthetic value that conforms to the conventional practice by omitting shadow images from the real world and placing them in the range of light due to the concept of desire, and settles in the structure of the real subject and the essence of reality. By inductively illuminating the concept in the reversible shadow of light, it clearly embodies the linguistic meaning of the image and the real phenomenon.

By inductively illuminating the concept in the reversible shadow of light as a real image of desire, the linguistic meaning and real phenomena of the image are clearly embodied like mathematics.

As a specific object and subject composed of the psychological vector of the concept of unconscious desire in the real image, the instruction vector in which desire is opposed to each other's gaze creates a lack of desire.

In this way, mathematics is an abstract science based on the concept of desire, which goes through abstract design as an axiom and results in reality as a concrete phenomenon rather than based on the external structure of the linguistic meaning.

Final image superimposed on the artist's work:: Louis Chul-joo Choi, the Missing pond, 112X249cm, acrylic and composite materials on cloth, 2024

Louis Choi chuljoo, South Korean President Threatens People With Declaration of Emergency Order 3-sketch/ The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture./ [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ A line News of Choi Chul-joo’s Manwha Review [198] South Korean President Threatens People With Declaration of Emergency Order. (2024-12-05)/ Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: In the concept of Choi Chul-joo's desire,  mathematical desire as an axiom of logic in the concept of desire results in reality as a concrete phenomenon rather than based on the external structure of the linguistic meaning through abstract design. Therefore, the rendering of the desire structure revealed by abstract encounter with reality at the intersection of desire outside the window applies the mathematical desire concept abstract design, or the image of the desire concept, to the Choi Chul-joo desire formula, and on March 1, 2022, morning glory appears as a flat real image as the subject of desire as a reversible shade of light in the Flushing Town Hall (New York) exhibition./ The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.  ■ The Design Results of Choi Chul-joo's Desire Abstract Concept: Choi Chul-joo Desire Abstract Concept Design's Linguistic Meaning Results: Although the object that is obsessed with the desire for others is passive, it is possible to actively practice one's desires through the sympathizer as the subject of desire, and the sympathizer who sympathizes with the desires of others as the subject can practice with the same desire. As a subject, a person who sympathizes with or accepts the desires of others becomes the same desire and becomes another subject of execution. Here, the sympathizer who sympathizes with the subject of the other's desire tries to generalize it as another object of desire that acts like a victor of war. However, when desire as an act overshadowed by reversible light is not generalized as a public act, the subject of inappropriate desire and the sympathizer antagonize the subject who practiced it according to the other's general desire.

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p129, a hand-painted picture on a computer 

 l'artiste contemporain Choi Chul-joo