https://www.youtube.com/watch?v=q9j6G9EQr0k
Duruflé - Requiem, Op. 9 by Maurice Duruflé / Remastered (Century's recording)
Classical Music/ /Reference Recording
2024. 3. 26.
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Maurice Duruflé (1902-1986): Requiem pour soli, choeurs et orchestre, Op. 9
00:00 I. Introït
03:32 II. Kyrie
07:22 III. Domine Jesu Christe
15:54 IV. Sanctus
19:22 V. Pie Jesu
23:31 VI. Agnus Dei
27:38 VII. Lux Aeterna
31:38 VIII. Libera Me
37:19 IX. In Paradisum
Orchestre Lamoureux
Chorale Philippe Caillard
Ensemble vocal Stéphane Caillat
Mezzo-soprano: Hélène Bouvier
Bass: Xavier Depraz
Conductor: Maurice Duruflé
Recorded in 1958, at Paris
New mastering in 2023 by AB for CMRR
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The Requiem by Duruflé follows the same lineage as that of Fauré. The density and Germanic metaphysics give way to almost
minimalist refinement and calmness. Fauré, in composing a mass for the dead, had arise a gentle dawn in the light of love and
hope. Maurice Duruflé followed it in spirit, if not to the letter. Like Fauré, he was imbued with the tradition of Gregorian
plain-chant, retaining its colour and relief. Expressive like sighs, the Gregorian neumes are also supple like cloth. Duruflé
meditated upon the service for the dead, ans each time he was able to use a textual motif, he did not hesitate to do so, just as
he delved into the voluptuousness of contemporary harmony, which Ravel and Fauré - the latter nicknamed "the voluptuous
Gregorianiser" by Reynaldo Hahn - showed that it fitted perfectly into the archaism of the modal scales. On antique thoughts,
Duruflé created new verses. The plain-chant themes are first presented nude, then clothed in a harmonic garb both sumptuous
and sober: here lies the composer's extreme skill, who constantly mancuvers between two pitfalls, dryness and anachronism,
both avoided with disconcerting mastery.
Album available // Fauré: Requiem, Op. 48 by Ernest Ansermet
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---------------------------------------------------------------------------------------------------이하 위키백과
모리스 뒤뤼플레(Maurice Duruflé, 1902년 1월 11일~1986년 6월 16일)는 프랑스의 작곡가이자 오르간 연주자이다.
유년기에 성가대에서 노래를 하다가, 성당 부속 학교에서 피아노와 오르간을 배웠다. 17세에 파리에 상경하여 오르간을 더 배웠다. 이듬해 파리 음악원에 입학하여 작곡과 오르간을 공부했다. 1927년부터 노트르담 성당에서 오르간 연주자 조수로 일했다.
첫댓글 Duruflé: 진혼곡, Op. 9, Duruflé, Orchestre Lamoureux 1958.(준광옮김)