CHAPTER ELEVEN THE WORSHIP OF NATURE 자연숭배 도판 올립니다.

<img src="https://t1.daumcdn.net/cfile/cafe/99D482435A7FFC251D" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.189.jpg" exif="{}" actualwidth="1024" id="A_99D482435A7FFC251D3D23"/>p.189. Thomas Gainsborough. Landscape in Suffolk (1748) <img src="https://t1.daumcdn.net/cfile/cafe/992FCC475A7FFB0D27" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.190. Pieter Bruegel. Landscape with the Flight into Egypt, 1563, 37.1 × 55.6 cm.jpg" exif="{}" actualwidth="1024" id="A_992FCC475A7FFB0D273259"/>p.190. Pieter Bruegel. Landscape with the Flight into Egypt, 1563, 37.1 × 55.6 cm <img src="https://t1.daumcdn.net/cfile/cafe/99EB88475A7FFB0E2C" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.190-0. Grande Chartreuse is situated in a remote mountain valley..jpg" exif="{}" actualwidth="1024" id="A_99EB88475A7FFB0E2C4E13"/>p.190-0. Grande Chartreuse is situated in a remote mountain valley. <img src="https://t1.daumcdn.net/cfile/cafe/998AB5475A7FFB100E" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.191. Caspar Wolf. Grindelwald, 1774.jpg" exif="{}" actualwidth="1024" id="A_998AB5475A7FFB100EE1DB"/>p.191. Caspar Wolf. Grindelwald, 1774 <img src="https://t1.daumcdn.net/cfile/cafe/99E174475A7FFB121B" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.191. Lake Bienne.jpg" exif="{}" actualwidth="1024" id="A_99E174475A7FFB121B0EE1"/>p.191. Lake Bienne <img src="https://t1.daumcdn.net/cfile/cafe/99A037475A7FFB1231" class="txc-image" width="680" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.192. Marquis de Sade. Detail of The 120 Days of Sodom.jpg" exif="{}" actualwidth="680" id="A_99A037475A7FFB12315614"/>p.192. Marquis de Sade. Detail of The 120 Days of Sodom <img src="https://t1.daumcdn.net/cfile/cafe/99C922475A7FFB1219" class="txc-image" width="500" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.192. Marquis de Sade.jpg" exif="{}" actualwidth="500" id="A_99C922475A7FFB1219D098"/>p.192. Marquis de Sade <img src="https://t1.daumcdn.net/cfile/cafe/992927475A7FFB1315" class="txc-image" width="871" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.192-0. Bougainville reaching Tahiti.png" exif="{}" actualwidth="871" id="A_992927475A7FFB1315C96A"/>p.192-0. Bougainville reaching Tahiti <img src="https://t1.daumcdn.net/cfile/cafe/99F9614D5A7FFB1603" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.192-0. James Cook witnessing human sacrifice in Tahiti c. 1773.jpg" exif="{}" actualwidth="1024" id="A_99F9614D5A7FFB1603A566"/>p.192-0. James Cook witnessing human sacrifice in Tahiti c. 1773 <img src="https://t1.daumcdn.net/cfile/cafe/9988594D5A7FFB1930" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.193. Goethe in the Roman Campagna (1786) by Johann Heinrich Wilhelm Tischbein.jpg" exif="{}" actualwidth="1024" id="A_9988594D5A7FFB193023CF"/>p.193. Goethe in the Roman Campagna (1786) by Johann Heinrich Wilhelm Tischbein <img src="https://t1.daumcdn.net/cfile/cafe/9946F24D5A7FFB1D36" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.194. Caspar David Friedrich. The Giant Mountains. (1830–35). 72 × 102 cm..jpg" exif="{}" actualwidth="1024" id="A_9946F24D5A7FFB1D362E49"/>p.194. Caspar David Friedrich. The Giant Mountains.  (1830–35). 72 × 102 cm. <img src="https://t1.daumcdn.net/cfile/cafe/99C2CF4D5A7FFB1E2A" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.194. Caspar David Friedrich. Wanderer above the Sea of Fog (1818). 94.8 × 74.8 cm.jpg" exif="{}" actualwidth="1024" id="A_99C2CF4D5A7FFB1E2AB273"/>p.194. Caspar David Friedrich. Wanderer above the Sea of Fog (1818). 94.8 × 74.8 cm <img src="https://t1.daumcdn.net/cfile/cafe/99B9A54D5A7FFB1E2D" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.194. The September Massacres.jpg" exif="{}" actualwidth="1024" id="A_99B9A54D5A7FFB1E2DCA60"/>p.194. The September Massacres <img src="https://t1.daumcdn.net/cfile/cafe/99C2CD4D5A7FFB222C" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.195. Tintern Abbey.jpg" exif="{}" actualwidth="1024" id="A_99C2CD4D5A7FFB222CF98F"/>p.195. Tintern Abbey <img src="https://t1.daumcdn.net/cfile/cafe/99D13B4D5A7FFB222B" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.195-0. The Chancel and Crossing of Tintern Abbey, Looking towards the East Window by J. M. W. Turner, 1794.jpg" exif="{}" actualwidth="1024" id="A_99D13B4D5A7FFB222B3245"/>p.195-0. The Chancel and Crossing of Tintern Abbey, Looking towards the East Window by J. M. W. Turner, 1794 <img src="https://t1.daumcdn.net/cfile/cafe/9951264D5A7FFB2322" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.196. Dove Cottage..jpg" exif="{}" actualwidth="1024" id="A_9951264D5A7FFB23221174"/>p.196. Dove Cottage. <img src="https://t1.daumcdn.net/cfile/cafe/99640B4B5A7FFB2430" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.197. Turner. Buttermere Lake. 1797-1798..jpg" exif="{}" actualwidth="1024" id="A_99640B4B5A7FFB24301989"/>p.197. Turner. Buttermere Lake. 1797-1798. <img src="https://t1.daumcdn.net/cfile/cafe/99C7A34B5A7FFB2428" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.198. John Constable. The Cornfield (1826).jpg" exif="{}" actualwidth="1024" id="A_99C7A34B5A7FFB2428C03D"/>p.198. John Constable. The Cornfield (1826) <img src="https://t1.daumcdn.net/cfile/cafe/991E074B5A7FFB250F" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.198. p.198. John Constable. Willows by a Stream.jpg" exif="{}" actualwidth="1024" id="A_991E074B5A7FFB250F95A7"/>p.198. p.198. John Constable.  Willows by a Stream <img src="https://t1.daumcdn.net/cfile/cafe/9936874B5A7FFB2A20" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.198. The Hay Wain (1821).jpg" exif="{}" actualwidth="1024" id="A_9936874B5A7FFB2A20E33C"/>p.198. The Hay Wain (1821) <img src="https://t1.daumcdn.net/cfile/cafe/99926F4B5A7FFB2B2C" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.200. Turner. The Blue Rigi. 29.7 × 45 centimetres. 1842.jpg" exif="{}" actualwidth="1024" id="A_99926F4B5A7FFB2B2C6937"/>p.200. Turner, The Red Rigi, 1842 <img src="https://t1.daumcdn.net/cfile/cafe/99ECD74B5A7FFB2B26" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.200-0. Turner. Norham Castle, Sunrise.jpg" exif="{}" actualwidth="1024" id="A_99ECD74B5A7FFB2B26129D"/>p.200. Turner. The Blue Rigi. 29.7 × 45 centimetres. 1842 <img src="https://t1.daumcdn.net/cfile/cafe/994A9E4B5A7FFB2C1E" class="txc-image" width="814" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.201. John Ruskin. Study of Gneiss Rock, Glenfinlas, 1853. Pen and ink and wash with Chinese ink on paper.jpg" exif="{}" actualwidth="814" id="A_994A9E4B5A7FFB2C1E8B5A"/>p.201. John Ruskin. Study of Gneiss Rock, Glenfinlas, 1853. Pen and ink and wash with Chinese ink on paper <img src="https://t1.daumcdn.net/cfile/cafe/993474445A7FFB2D2A" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.202. John Constable. Seascape Study with Rain Cloud (c.1824)..jpg" exif="{}" actualwidth="1024" id="A_993474445A7FFB2D2AB72E"/>p.202. John Constable. Seascape Study with Rain Cloud (c.1824). <img src="https://t1.daumcdn.net/cfile/cafe/998FE2445A7FFB3023" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.202. Turner. Rain, Steam and Speed – The Great Western Railway. painted (1844).jpg" exif="{}" actualwidth="1024" id="A_998FE2445A7FFB30233C4F"/>p.202. Turner. Rain, Steam and Speed – The Great Western Railway. painted (1844) <img src="https://t1.daumcdn.net/cfile/cafe/99ECB1445A7FFB3130" class="txc-image" width="703" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.203. Renoir. La Grenouillère, 1868.jpg" exif="{}" actualwidth="703" id="A_99ECB1445A7FFB31305DFD"/>p.203.  Renoir. La Grenouillère, 1868 <img src="https://t1.daumcdn.net/cfile/cafe/991948445A7FFEC403" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.203. Monet. La Grenouillère.jpg" exif="{}" actualwidth="1024" id="A_991948445A7FFEC40366EE"/>p.203. Monet. La Grenouillèr <img src="https://t1.daumcdn.net/cfile/cafe/99473A4A5A8000540E" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.204. Georges Seurat. A Sunday Afternoon on the Island of La Grande Jatte, 1884–86, oil on canvas, 207.5 × 308.1 cm.png" exif="{}" actualwidth="1024" id="A_99473A4A5A8000540E80A5"/>p.204. Georges Seurat. A Sunday Afternoon on the Island of La Grande Jatte, 1884–86, oil on canvas, 207.5 × 308.1 cm <img src="https://t1.daumcdn.net/cfile/cafe/99B382445A7FFEC544" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.204. Monet. La Cathédrale de Rouen. Le portail et la tour Saint-Romain, plein soleil ; harmonie bleue et or.jpg" exif="{}" actualwidth="1024" id="A_99B382445A7FFEC5445DE0"/>p.204. Monet. La Cathédrale de Rouen. Le portail et la tour Saint-Romain, plein soleil ; harmonie bleue et or <img src="https://t1.daumcdn.net/cfile/cafe/99B2D1445A7FFEC90A" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.204. Monet. Rouen Cathedral, Facade (sunset), harmonie in gold and blue.jpg" exif="{}" actualwidth="1024" id="A_99B2D1445A7FFEC90AA7BC"/>p.204. Monet. Rouen Cathedral, Facade (sunset), harmonie in gold and blue <img src="https://t1.daumcdn.net/cfile/cafe/9952CD445A7FFECA37" class="txc-image" width="390" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.204. Monet. Rouen Cathedral, red, Sunlight.jpg" exif="{}" actualwidth="390" id="A_9952CD445A7FFECA3775BE"/>p.204. Monet. Rouen Cathedral, red, Sunlight <img src="https://t1.daumcdn.net/cfile/cafe/99C855445A7FFECA1C" class="txc-image" width="524" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.204. Monet. Rouen Cathedral, West Façade, Sunlight.jpg" exif="{}" actualwidth="524" id="A_99C855445A7FFECA1CA554"/>p.204. Monet. Rouen Cathedral, West Façade, Sunlight <img src="https://t1.daumcdn.net/cfile/cafe/997A84445A7FFECF33" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.204. Monet. Water lilies (Yellow Nirwana), 1920.jpg" exif="{}" actualwidth="1024" id="A_997A84445A7FFECF33DFFB"/>p.204. Monet. Water lilies (Yellow Nirwana), 1920 <img src="https://t1.daumcdn.net/cfile/cafe/997E0D445A7FFECF0F" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.204. Monet. Water Lilies, 1919,.jpg" exif="{}" actualwidth="1024" id="A_997E0D445A7FFECF0F0E3A"/>p.204. Monet. Water Lilies, 1919, <img src="https://t1.daumcdn.net/cfile/cafe/992007485A7FFED00F" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.204. Monet. Water Lilies, circa 1915–26,.jpg" exif="{}" actualwidth="1024" id="A_992007485A7FFED00FA2A7"/>p.204. Monet. Water Lilies, circa 1915–26, <img src="https://t1.daumcdn.net/cfile/cafe/9902CE485A7FFED223" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.204-0. Monet, The Water Lilies - The Clouds, 1920–1926, Musée de l'Orangerie.jpg" exif="{}" actualwidth="1024" id="A_9902CE485A7FFED223B38F"/>p.204-0. Monet, The Water Lilies - The Clouds, 1920–1926, Musée de l'Orangerie <img src="https://t1.daumcdn.net/cfile/cafe/99531C485A7FFED330" class="txc-image" width="436" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.205. Georges Clemenceau.jpg" exif="{}" actualwidth="436" id="A_99531C485A7FFED3300A74"/>p.205. Georges Clemenceau <img src="https://t1.daumcdn.net/cfile/cafe/999BB6485A7FFED306" class="txc-image" width="1024" style="clear: none; float: none;" border="0" vspace="1" hspace="1" data-filename="p.205. Portrait of Clemenceau by Édouard Manet, c. 1879–80.jpg" exif="{}" actualwidth="1024" id="A_999BB6485A7FFED3066265"/>p.205. Portrait of Clemenceau by Édouard Manet, c. 1879–80