<p><span data-ke-size="size20"><b> NEW FOR HEIFETZ 22: </b></span></p><p><span data-ke-size="size20"><b>이영조 작곡Young Jo Lee: Honza Nori 혼자 놀이 | Gawon Kim, violin</b></span></p><div class="figure-img" data-ke-type="image" data-ke-style="alignCenter" data-ke-mobilestyle="widthOrigin"><img src="https://t1.daumcdn.net/cafeattach/1D4sD/ec81e662545b60fd47034596bed479663f5196b2" class="txc-image" data-img-src="https://t1.daumcdn.net/cafeattach/1D4sD/ec81e662545b60fd47034596bed479663f5196b2" data-origin-width="258" data-origin-height="266"></div><p> </p><p><a href="https://www.youtube.com/watch?v=e1NONKmX9qY" target="_top" class="ke-link">(776) NEW FOR HEIFETZ 22: Young Jo Lee: Honza Nori 혼자 놀이 | Gawon Kim, violin -<span data-ke-size="size20"><b> YouTube</b></span></a></p><p> </p><p> </p><p><br>From a Heifetz 2022 Stars of Tomorrow concert at Mary Baldwin University's Francis Auditorium,</p><p>violinist Gawon Kim introduces and then performs</p><p>Korean composer Young Jo Lee's "Honza Nori."  In her introduction Gawon demonstrates</p><p>how the 1995 composition evokes the sound of traditional Korean instruments.  <br><br>00:31  Introduction by Gawon Kim <br>02:03 Young Jo Lee: Honza Nori</p><p> </p><p>메리 볼드윈 대학교 프란시스 오디토리움에서 열린 하이페츠 2022 스타 오브 투모로우 콘서트에서 </p><p>바이올리니스트 김가원이 한국 작곡가 이영조의 "혼자놀이"를 소개하고 연주하고 있습니다.  </p><p> </p><p>김가원은 1995년에 작곡된 이 곡이 어떻게 한국 전통 악기의 소리를 연상시키는지 소개합니다. </p><p>=DeepL번역=</p><p> </p><p><a href="https://heifetzinstitute.org/" target="_top" class="ke-link">OFFICIAL HOMEPAGE - Heifetz (heifetzinstitute.org)</a></p><p> </p><p> </p><div class="figure-img" data-ke-type="image" data-ke-style="alignCenter" data-ke-mobilestyle="widthOrigin"><img src="https://t1.daumcdn.net/cafeattach/1D4sD/fb079bc9ed15e077c62b065ab9b4a78ba031c475" class="txc-image" data-img-src="https://t1.daumcdn.net/cafeattach/1D4sD/fb079bc9ed15e077c62b065ab9b4a78ba031c475" data-origin-width="971" data-origin-height="506"></div><p> </p><p>작곡자는 혼자놀이, 둘이놀이 그리고 셋이 놀이라는 일련의 한국적 놀이 시리즈의 곡을 써 왔다. 놀이라는 제목을 택한 이유는 서양음악의 닫혀지고 강요된 여러 형식에 비해 자유로운 악상의 전개와 악기의 기능을 펼치고 연주자 기교의 돋보임을 꾀 할수 있기 때문이었다. 이 곡에서는 동-서-남-북- 하늘의 5 방을 주제삼아 우리스런 가락을 펼치고 피치카토를 통한 가야금의 모습을 그리기도 하며 중간부에서는 설장구의 채놀림을 연상케하는 활달한 활 놀림을 통한 고집스러운 음형 밑에 점적인 선률을 깔고 있다.  <br><br>(글: 이영조, 2014년 11월 7일, 출처: 이영조 페이스북)</p><p> </p><p><a style="color: #0070d1; background-color: #e6f5ff;" href="https://www.youngjolee.com/concert/Schedule_BoardList.do" target="_top" class="ke-link">Young Jo Lee Official Website</a></p><p> </p><p>===================================</p><p>Heifetz Chamber Music Seminar —2022 </p><p> </p><p> </p><p> </p><div class="table-wrap"><table data-ke-type="table" data-ke-align="alignCenter" style="width: 48.777%; height: 34px;" border="1"><tbody><tr><td style="text-align: center;"><span data-ke-size="size23"><b><span style="color: #0db4a0;">Chorus Culture Korea</span><br></b><span style="color: #f3c000;"><b><b>코러스 컬처코리아</b></b></span></span></td></tr></tbody></table></div><p> </p>
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