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Phase 2 (2005–2007) & International Media Exposure
Major international TV coverage included Germany’s NRW TV, Brazil’s RBS TV, Russia’s REN TV, and Colombian networks. These media appearances served as cultural diplomacy and shared philosophical messages. This helped elevate Haedong Kumdo’s international profile and spurred the founding and activity of federations in various countries.
Phase 3 (2012–2013) & REN TV Features
Media exposure in Russia and Latin America played a crucial role in attracting practitioners and establishing federations. REN TV, in particular, highlighted the philosophical practice aspect of Haedong Kumdo, generating considerable impact.
Phase 4 (From 2014) & International Dōjō Establishment
International Dojang Establishment and Operation
Dōjō based on Jinyoung Ssangkum Ryu Haedong Kumdo have been established in diverse countries including the U.S., Colombia, Bulgaria, India, Turkey, Argentina, and Mexico. These dōjō are led by national representatives who comprehensively teach philosophy, healing, and Kimu training—not just technical skills. This transition marks a shift from centralized championship hosting toward autonomous, self-sustaining training cultures led by each nation.
Federation Activities and Representative Networks
Haedong Kumdo federations are firmly established and actively engaged in over 50 countries—including the U.S., Canada, Germany, Sweden, Finland, Brazil, India, Mexico, the Philippines, France, Russia, Bulgaria, and more. National representatives form independent entities or organizations, hosting seminars, conducting rank exams, and organizing regional championships at least once a year. Local dōjō operate to recruit practitioners and manage cultural exchange, martial training, and education—while federations cooperate globally through periodic international seminars, embedding the unified philosophies and systems of Jinyoung Ssangkum Ryu worldwide.
International TV Broadcasts and Media Coverage
Featured on Germany’s NRW TV, Russia’s REN TV, Colombia’s Medellín broadcaster, and Brazil’s RBS TV. These broadcasts went beyond simple martial arts demonstration, placing emphasis on the philosophical elements, Kimu practice, healing, and cultural values. Media interviews and articles appeared across Latin America and Europe, focusing on the founder and the philosophical approach to training. In Colombia, Argentina, and Mexico, local newspapers and cultural magazines provided focused coverage centered around dōjō. This marked a shift from simple martial reenactment to public recognition of martial arts as a path to healing and mental training.
Martial Arts Performances and Artistic Fusion
Haedong Kumdo staged performances in collaboration with traditional performing arts groups at venues such as Busan, Gwangju, Geumjeong, and Haeundae Cultural Centers. It integrated dance, theater, and samulnori, establishing the aesthetic and performative value of martial arts. From the early 2000s, it presented the concept “martial arts as moving philosophy” as cultural performances, receiving strong public acclaim. Representative performances included collaborations with the ‘Haneul-ddang’ samulnori ensemble, forensic-style dance by municipal dance companies, and martial arts displays at regional cultural festivals and sports events. These performances greatly contributed to showcasing both the martial and artistic values of Haedong Kumdo.
Domestic Training Programs and Cultural Tourism Integration
Foreign practitioners and instructors from Europe, the Americas, and Asia visited Korea to participate in intensive training programs. They experienced signature Jinyoung Ssangkum Ryu styles—including Kimu, double-sword, and “no-motion” training—firsthand. Cultural tourism components such as visits to Bulguksa Temple, Haeinsa Temple, Gyeongju, and Tongdosa helped deepen understanding of Korean spiritual culture. Additional experiences included traditional food tastings, pottery-making, and stays in hanok (traditional Korean houses). This “training tourism” successfully combined martial arts with cultural heritage, resonating deeply with participants by offering integrated intellectual, spiritual, and cultural experiences.
Regional Festival Participation and Domestic Media Exposure
Haedong Kumdo demonstration teams regularly participated in traditional martial arts showcases and cultural festivals sponsored by local governments nationwide. They presented sword dance demonstrations, Kimu exhibitions, and large-scale group cutting performances in Busan, Changwon, Daegu, Gyeongju, and other cities, drawing significant attention from families and international tourists. Additionally, Haedong Kumdo was featured on major national broadcasters—KBS, MBC, and SBS—in related programs and news coverage. The 2009 World Championship publicization on KBS stirred nationwide interest, and subsequent local broadcasts continued to promote awareness. This ongoing exposure in domestic festivals and media played a pivotal role in establishing Haedong Kumdo as a recognized national martial art and cultural content in Korea.
Ref>
https://cafe.daum.net/enlightenment-k/dcM5/322?svc=cafeapi
▶ http://m.blog.daum.net/haedongkumdo/18343289
=> Feedback of 2009 World HK Championship
▶http://m.blog.daum.net/haedongkumdo/18343405?category=465422
=>TAFISA and United World Haedong Kumdo Federation members photos
▶ http://m.blog.daum.net/haedongkumdo/18343380
=> Participation of TAFISA World Congress Argentina 25th
▶ http://m.blog.daum.net/haedongkumdo/18343405
=> TAFISA and United World Haedong Kumdo Federation members photos
▶ http://m.blog.daum.net/haedongkumdo/6480488
=> Textbook for two swords system(Korean & English version), first in HK
▶ http://m.blog.daum.net/haedongkumdo/6231695
=> Participation by SA Group of 2nd International Martial Arts Festival in Pyungyang, North Korea(Aug. 22nd to 29th 2006)