Art Critic Louis Choi Chul-joo Criticism [68] ＜2025-Mona Lisa＞ Modern Art C

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Art Critic Louis Choi Chul-joo Criticism [68] <2025-Mona Lisa> Modern Art Critic Louis Choi Chul-joo's Criticism of Contemporary Art & Design Criticism of Contemporary Art = Contemporary Art Today contemporary artworks contemporary artist Choi Chul-joo's Art Criticism, Contemporary Abstract Art Painter Criticism: Choi Chul-joo Desire Concept Abstract pop art combines the abstract conceptual approach of the other's desire art with the design form and linguistic abstract image of pop art. His concept of desire, or conceptual abstract art, appears, and a picture that conflicts with the concept of linguistic meaning emphasized in metaphysical philosophical light creates a dramatic event image with artificial lighting. & Abstract contemporary art that designed modern art abstract painting: Contemporary artist Louis Choi Chul-joo's realistic abstract work criticism of antinomical contemporary art as a conceptual art of treachery based on the concept of desire of others and Contemporary Art Critic Louis Choi Chul-joo's Contemporary Art work criticism: Design Process of Contemporary Artist and Contemporary Concept Abstract Painter Concept Abstract Art Work Critique: As Contemporary Concept Abstract Art, the artistry of aesthetic value was examined through visual art theory, and Choi Chul-joo, a Contemporary Concept Abstract Painter and Critic, was his Through "morning glory" works, perceptions and aesthetic structures are often interpreted by reflecting abstract conceptions of desire and linguistic semantic structure, resulting in abstraction of the same real image as the linguistic meaning of abstract desire.: In Renaissance art, which opened up the image of contemporary art, "2025-Mona Lisa"

Leonardo di ser Piero da Vinci, Mona Lisa, 77×53cm, Collection: Louvre Museum

In Renaissance art, which opened up the image of contemporary art, "2025-Mona Lisa"

In Renaissance art, which opened up the image of contemporary art, "2025-Mona Lisa (La Joconde)" refers to the aesthetic desire that spread from aristocrats to merchants. This is where the desire of the other to monopolize the artistic value of contemporary art is established.

The concept of desire is humanism, which deviates from religious creativity.

"Mona Lisa" abstracts the mysterious image saved by Da Vinci(Leonardo di ser Piero da Vinci)'s sfumato technique as the outline of reality as an image beyond the mysterious atmospheric effect of the color of the object, which is the background of desire.

Abstraction is established as an aesthetic effect of safe desire with object on the face of the Mona Lisa and a background on the left.

From the background, the image of desire mediated by object and Mona Lisa is repeated, showing an abstract reverberation effect in the shadow of reversible light.

As a reverberation effect, the background of desire were properly placed behind the object so that the gaze could lead from the object to the Mona Lisa, the background of desire, and the gaze was focused on the object and connected to the face of the Mona Lisa as the subject of desire.

And by creating a position facing the Mona Lisa in the obect, the gaze is directed to the Mona Lisa, the subject of desire.

The metaphor for the concept of desire The Mona Lisa is replaced with a desire image in the object, and the object is demarcated into the background of desire. Here, the gaze of desire focuses on the Mona Lisa with a red window structured into a frame.

As a Renaissance thinking, it has a desired meaning with the object of desire, as an allegory.

The object is an abstraction that shows the real world of desire as a subject by linking the image of desire with a sensus allegoricus that explains other meanings beyond the literal meaning, and the object window interprets the demarcation problem between objects and desires as a symbolic metaphor in the meaning of the text.

Unlike the conceptual art of Dadaism, which transforms the image of the object as meaning, this materializes the object of desire and realizes the subject's desire structure in the shadow of reversible light.

As a reality, the desire structure is the object, and the Mona Lisa becomes the object of the cause of creating the desire structure as an image symbolized in the object through the relationship of symbolic expression‎ made by the Mona Lisa as a object.

The simultaneous function of the desire structure and the real image reveals the underlying image in which the meaning of the concept is integrated into the desire image as a retroactive effect, and the Mona Lisa, who metaphorized the image, hides in the desire concept.

As a fundamental image, the Mona Lisa is disclosed as the first concept of desire and reaches a symbolic conceptual abstract realism image as a deliberate abstraction. / Writing. Art critic Choi Chul-joo (conceptual abstract realism painter & Doctor of Cultural Design)

Choi Chul-joo, aconceptual abstract realism painter