강의자료 6 본관 음악, 글을 읽고 뜻을 이해하듯 귀로 들으면서 이해하며 시상을 살펴본다.

[예술배달부]

https://www.youtube.com/watch?v=Zya25YdGkrA 

https://www.pcmsconcerts.org/artist/peter-nagy-piano/

Péter Nagy, piano - Philadelphia Chamber Music Artists

https://www.youtube.com/watch?v=kemIl3GsBOw 

https://en.wikipedia.org/wiki/Johann_Christoph_Pezel

Johann Christoph Pezel - Wikipedia

https://www.youtube.com/watch?v=lnQPIBAFoW4 

https://www.google.com/search?q=Balazs+Szokolay&oq=Balazs+Szokolay&aqs=chrome..69i57j46i512j0i30l2j0i8i30l2j69i60.285j0j15&sourceid=chrome&ie=UTF-8&si=AC1wQDBMUUtGwa-ejEr0B5VqDiG2DzGHeMti2n928OYf3mXFhGM68l014W0CzieuF-PGAv-Tak4_UMJUGjvg-L3Hh26xnVPvF3jLU3YRKscjA2cx30aZZGFQvBtYTYSKc-ri0qB_gVSl&ictx=1&ved=2ahUKEwjv0MGhmt36AhUj7GEKHbaSA9wQnZMFegQILxAC 

발라즈 스조콜라이 - Google 검색

https://www.youtube.com/watch?v=zhSZHM-XpcI 

https://www.youtube.com/watch?v=kQKZR5p6A0M 

https://www.youtube.com/watch?v=6ZN0QcxbDAE 

https://www.youtube.com/watch?v=4obNhHhOs-4 

https://www.youtube.com/watch?v=1Vvhw8ycG7I 

https://www.youtube.com/watch?v=xp8q3hlVJ2A 

https://www.youtube.com/watch?v=Bl-7vZRJffs 

https://www.youtube.com/watch?v=52r4jQ6wkKs 

https://www.youtube.com/watch?v=Xw81lJUHV4E 

https://www.youtube.com/watch?v=EZMHALi_kPw 

https://www.youtube.com/watch?v=36IUWr0Ewz4 

https://www.youtube.com/watch?v=LCj0HIkl-48 

https://www.youtube.com/watch?v=JtgITtD-UiY 

https://www.youtube.com/watch?v=TLBnhAu5ejQ 

https://www.youtube.com/watch?v=h1YAloYs2S4 

https://www.youtube.com/watch?v=hduzlBnF-K4 

1. 

Provided to YouTube by NAXOS of America

6 Pieces, Op. 32: No. 3. Rustle of Spring · Peter Nagy
페테르 나기 헝가리 피아니스트 

Romantic Piano Favourites, Vol. 4
℗ 1988 Naxos
Released on: 1988-10-06
Artist: Peter Nagy
Composer: Christian Sinding 

Christian Sinding(1856–1941) was a Norwegian Composer. 핀란드의 장 시벨리우스, 보헤미아의 베드르지흐 스메타나처럼 노르웨이 민속음악을 활용한 작품들을 작곡하여 국민악파로도 여겨진다.

2. 

Pezel: Trumpet Sonata No.71
Niklas Eklund

Niklas Eklund playing Baroque Trumpet, Knut Johannessen playing Baroque Organ, Marc Ulrich playing supporting Baroque Trumpet, Mats Klingfors playing Baroque Bassoon, Tormod Dalen playing Baroque Cello

Johann Christoph Pezel (also Petzold; his name is sometimes given in the Latinized form Pecelius) (1639 – 13 October 1694) was a German violinist, trumpeter, and composer.

He lived at Leipzig from 1661 to 1681, with an interruption in 1672, when he entered an Augustinian monastery in Prague, which however he left soon after to become a Protestant. His later years were spent at Bautzen, where (as at Leipzig) he was in municipal employment as Stadtpfeifer and Stadtmusicus. He died in Bautzen, aged 55.

He was renowned as a violinist and clarino trumpet player and published between 1669 and 1686 a considerable number of collections, chiefly of instrumental music, such as Musica vespertina lipsica (1669), Musicalische Seelenerquickungen (1675), Deliciae musicales, oder Lustmusik (1678), Musica curiosa lipsiaca (1686), etc.; also some sacred vocal music and theoretical works. He was influential in the evolution of instrumental forms and the style of orchestral writing.

3. 

Provided to YouTube by NAXOS of America
Lyric Pieces, Op. 43: Butterfly, Op. 43, No. 1 · Balazs Szokolay 
Romantic Piano Favourites, Vol. 1
℗ 1988 Naxos
Released on: 1988-03-07
Artist: Balazs Szokolay 발라즈 스조콜라이 
Composer: Edvard Grieg
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Edvard Hagerup Grieg (/ɡriːɡ/ GREEG, Norwegian: [ˈɛ̀dvɑʈ ˈhɑ̀ːɡərʉp ˈɡrɪɡː]; 15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the main Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folk music in his own compositions brought the music of Norway to international consciousness, as well as helping to develop a national identity, much as Jean Sibelius did in Finland and Bedřich Smetana in Bohemia.[1]

Grieg is the most celebrated person from the city of Bergen, with numerous statues which depict his image, and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home Troldhaugen is dedicated to his legacy.[2][3][4][5]

4.  Provided to YouTube by NAXOS of America
Cello Suite No. 1 in G Major, BWV 1007: II. Allemande · Maria Kliegel

알르망드란 바로크 시대의 기악 춤곡 형식의 하나로, 모음곡의 기본 요소 중 하나이다. 프랑스에서 유행한 독일풍의 2박자 춤곡이다. 가장 많이 작곡된 것은 18세기 중엽경이나, 이미 17세기경부터 모음곡의 제1악장으로 쓰이고 있었다.

Bach: Cello Suites, Vol. 1
℗ 2017 Unclassified
Released on: 2017-04-07
Artist: Maria Kliegel
Composer: Johann Sebastian Bach
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Johann Sebastian Bach[n 2] (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the Brandenburg Concertos; instrumental compositions such as the Cello Suites; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schubler Chorales and the Toccata and Fugue in D minor; and vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music.[2][3]

The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant churches in Arnstadt and Mühlhausen and, for longer stretches of time, at courts in Weimar, where he expanded his organ repertory, and Köthen, where he was mostly engaged with chamber music. From 1723 he was employed as Thomaskantor (cantor at St Thomas's) in Leipzig. There he composed music for the principal Lutheran churches of the city, and for its university's student ensemble Collegium Musicum. From 1726 he published some of his keyboard and organ music. In Leipzig, as had happened during some of his earlier positions, he had difficult relations with his employer, a situation that was little remedied when he was granted the title of court composer by his sovereign, Augustus III, Elector of Saxony and King of Poland, in 1736. In the last decades of his life he reworked and extended many of his earlier compositions. He died of complications after eye surgery in 1750 at the age of 65.

Bach enriched established German styles through his mastery of counterpoint, harmonic, and motivic organisation,[4] and his adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include hundreds of cantatas, both sacred and secular. He composed Latin church music, Passions, oratorios, and motets. He often adopted Lutheran hymns, not only in his larger vocal works, but for instance also in his four-part chorales and his sacred songs. He wrote extensively for organ and for other keyboard instruments. He composed concertos, for instance for violin and for harpsichord, and suites, as chamber music as well as for orchestra. Many of his works employ the genres of canon and fugue.

Throughout the 18th century, Bach was primarily valued as an organist, while his keyboard music, such as The Well-Tempered Clavier, was appreciated for its didactic qualities. The 19th century saw the publication of some major Bach biographies, and by the end of that century all of his known music had been printed. Dissemination of scholarship on the composer continued through periodicals (and later also websites) exclusively devoted to him, and other publications such as the Bach-Werke-Verzeichnis (BWV, a numbered catalogue of his works) and new critical editions of his compositions. His music was further popularised through a multitude of arrangements, including the Air on the G String and "Jesu, Joy of Man's Desiring", and of recordings, such as three different box sets with complete performances of the composer's oeuvre marking the 250th anniversary of his death.

5. 

Provided to YouTube by NAXOS of America

Années de pèlerinage, 1ère année "Suisse", S. 160: No. 2. Au lac de Wallenstadt (At the Lake of Wallenstadt) · Jeno Jando 예뇌 얀도

Liszt: Annees De Pelerinage, Vol. 1

℗ 1992 Naxos

Released on: 1992-02-12

Artist: Jeno Jando
Composer: Franz Liszt

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Franz Liszt (German: [ˈlɪst]; Hungarian: Liszt Ferencz, in modern usage Liszt Ferenc [ˈlist ˈfɛrɛnt͡s];[n 1] 22 October 1811 – 31 July 1886) was a Hungarian composer, pianist and teacher of the Romantic era.

Liszt gained renown during the early nineteenth century for his virtuoso skill as a pianist.[1] He was a friend, musical promoter and benefactor to many composers of his time, including Frédéric Chopin, Charles-Valentin Alkan, Richard Wagner, Hector Berlioz, Robert Schumann, Clara Schumann, Camille Saint-Saëns, Edvard Grieg, Ole Bull, Joachim Raff, Mikhail Glinka, and Alexander Borodin.[citation needed]

A prolific composer, Liszt was one of the most prominent representatives of the New German School (German: Neudeutsche Schule). He left behind an extensive and diverse body of work that influenced his forward-looking contemporaries and anticipated 20th-century ideas and trends. Among Liszt's musical contributions were the symphonic poem, developing thematic transformation as part of his experiments in musical form, and radical innovations in harmony.[2]

6. 

Provided to YouTube by NAXOS of America

Une châtelaine en sa tour, Op. 110: Une Chatelaine en sa tour, Op. 110 · Judy Loman

Romantic Harp (The)

℗ 2005 Naxos

Released on: 2005-10-01

Artist: Judy Loman
Composer: Gabriel Faure

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Gabriel Urbain Fauré (French: [ɡabʁiɛl yʁbɛ̃ fɔʁe];[1] 12 May 1845 – 4 November 1924)[n 1] was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Sicilienne, nocturnes for piano and the songs "Après un rêve" and "Clair de lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style.

Fauré was born into a cultured but not especially musical family. His talent became clear when he was a young boy. At the age of nine, he was sent to the Ecole Niedermeyer music college in Paris, where he was trained to be a church organist and choirmaster. Among his teachers was Camille Saint-Saëns, who became a lifelong friend. After graduating from the college in 1865, Fauré earned a modest living as an organist and teacher, leaving him little time for composition. When he became successful in his middle age, holding the important posts of organist of the Église de la Madeleine and director of the Paris Conservatoire, he still lacked time for composing; he retreated to the countryside in the summer holidays to concentrate on composition. By his last years, he was recognised in France as the leading French composer of his day. An unprecedented national musical tribute was held for him in Paris in 1922, headed by the president of the French Republic. Outside France, Fauré's music took decades to become widely accepted, except in Britain, where he had many admirers during his lifetime.

Fauré's music has been described as linking the end of Romanticism with the modernism of the second quarter of the 20th century. When he was born, Chopin was still composing, and by the time of Fauré's death, jazz and the atonal music of the Second Viennese School were being heard. The Grove Dictionary of Music and Musicians, which describes him as the most advanced composer of his generation in France, notes that his harmonic and melodic innovations influenced the teaching of harmony for later generations. During the last twenty years of his life, he suffered from increasing deafness. In contrast with the charm of his earlier music, his works from this period are sometimes elusive and withdrawn in character, and at other times turbulent and impassioned.

7. 

Provided to YouTube by NAXOS of America
Impromptu No. 3 in G flat major, Op. 90/2, D. 899, No. 3 · Balazs Szokolay
The Romance Of The Piano
℗ 1999 Naxos
Released on: 1999-11-17

Artist: Balazs Szokolay
Composer: Franz Schubert

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Franz Peter Schubert (German: [ˈfʁant͡s ˈpeːtɐ ˈʃuːbɐt]; 31 January 1797 – 19 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. His major works include "Erlkönig" (D. 328), the Piano Quintet in A major, D. 667 (Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the "Great" Symphony No. 9 in C major, D. 944, the String Quintet (D. 956), the three last piano sonatas (D. 958–960), the opera Fierrabras (D. 796), the incidental music to the play Rosamunde (D. 797), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911).

Born in the Himmelpfortgrund suburb of Vienna, Schubert showed uncommon gifts for music from an early age. His father gave him his first violin lessons and his elder brother gave him piano lessons, but Schubert soon exceeded their abilities. In 1808, at the age of eleven, he became a pupil at the Stadtkonvikt school, where he became acquainted with the orchestral music of Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven. He left the Stadtkonvikt at the end of 1813, and returned home to live with his father, where he began studying to become a schoolteacher. Despite this, he continued his studies in composition with Antonio Salieri and still composed prolifically. In 1821, Schubert was admitted to the Gesellschaft der Musikfreunde as a performing member, which helped establish his name among the Viennese citizenry. He gave a concert of his own works to critical acclaim in March 1828, the only time he did so in his career. He died eight months later at the age of 31, the cause officially attributed to typhoid fever, but believed by some historians to be syphilis.

Appreciation of Schubert's music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased greatly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers in the history of Western music and his work continues to be admired.

8. 

George Frideric Handel
Capella Istropolitana, Richard Edlinger, 
Concerto Grosso in B minor, Op. 6, No. 12, HWV 330
Best of Baroque Music

George Frideric (or Frederick) Handel (/ˈhændəl/;[a] baptised Georg Friedrich Händel,[b] German: [ˈɡeːɔʁk ˈfʁiːdʁɪç ˈhɛndl̩] (

listen); 23 February 1685 – 14 April 1759[2][c]) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727.[4] He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age.[5][6]

Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical breakdown, changed direction creatively, and addressed the middle class and made a transition to English choral works. After his success with Messiah (1742), he never composed an Italian opera again. His orchestral Water Music and Music for the Royal Fireworks remain steadfastly popular.[7] One of his four coronation anthems, Zadok the Priest, has been performed at every British coronation since 1727. Almost blind, he died in 1759, a respected and rich man, and was given a state funeral at Westminster Abbey.

Handel composed more than forty opere serie over a period of more than thirty years. Since the late 1960s, interest in Handel's music has grown. The musicologist Winton Dean wrote that "Handel was not only a great composer; he was a dramatic genius of the first order."[8] His music was admired by Classical-era composers, including Mozart, Haydn and Beethoven.

9. 

Provided to YouTube by NAXOS of America
Suite No. 8 in G Major: I. Praeludium VIII · Luc Beausejour
Fischer: Musical Parnassus, Vol. 2

℗ 2000 Naxos
Released on: 2000-06-08

Artist: Luc Beausejour 뤽 보세주르
Composer: Johann Caspar Ferdinand Fischer 요한 카스파르 페르디난드 피셔 Johann Kaspar Ferdinand Fischer) (c.1656 – August 27, 1746) was a German Baroque composer 

Johann Caspar Ferdinand Fischer (some authorities use the spelling Johann Kaspar Ferdinand Fischer) (c.1656 – August 27, 1746) was a German Baroque composer. Johann Nikolaus Forkel ranked Fischer as one of the best composers for keyboard of his day;[1] however, partly due to the rarity of surviving copies of his music, his music is rarely heard today.

10. 

Provided to YouTube by NAXOS of America

La Gondola: Escena poetica, DLR III: 25 · Douglas Riva

Granados, E.: Piano Music, Vol. 7 - Sentimental Waltzes / 6 Expressive Studies

℗ 2004 Naxos

Released on: 2004-07-07

Artist: Douglas Riva
Composer: Enrique Granados

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Pantaleón Enrique Joaquín Granados y Campiña (27 July 1867 – 24 March 1916), commonly known as Enric Granados in Catalan or Enrique Granados in Spanish, was a composer of classical music, and concert pianist from Catalonia, Spain. His most well-known works include Goyescas, the Spanish Dances [es], and María del Carmen.[1]

11. 

Provided to YouTube by NAXOS of America

Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": II. Melankolia (Melancholy) · Royal Scottish National Orchestra

Classical Meditation

℗ 1999 Naxos

Released on: 2010-05-25

Conductor: Hannu Lintu
Orchestra: Royal Scottish National Orchestra
Composer: Einojuhani Rautavaara 에이노유하니 라우타바라

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Einojuhani Rautavaara (Finnish pronunciation: [ˈei̯nojuhɑni ˈrɑu̯tɑʋɑːrɑ] (

listen); 9 October 1928 – 27 July 2016) was a Finnish composer of classical music. Among the most notable Finnish composers since Jean Sibelius (1865–1957),[1] Rautavaara wrote a great number of works spanning various styles. These include eight symphonies, nine operas and twelve concertos, as well as numerous vocal and chamber works. Having written early works using 12-tone serial techniques, his later music may be described as neo-romantic and mystical. His major works include his first piano concerto (1969), Cantus Arcticus (1972) and his seventh symphony, Angel of Light (1994).

12. 

Provided to YouTube by NAXOS of America
Frosoblomster , Book 3: No. 3. Landskap i aftonsol (Landscape in the Evening Sun) · Niklas Sivelov
Peterson-Berger: Flowers From Froso Island
℗ 1999 Naxos
Released on: 1999-02-11
Artist: Niklas Sivelov
Composer: Wilhelm Peterson-Berger 빌헬름 피터슨 버거

Olof Wilhelm Peterson-Berger ([] 27 February 1867, Ullånger — 3 December 1942, Östersund) was a Swedish composer and music critic. As a composer, his main musical influences were Grieg, August Söderman and Wagner as well as Swedish folk idiom.[1]

13. 

Provided to YouTube by NAXOS of America
III. Lento · Justin Pearson `아주 느리게', `느리고 무겁게'
Arnold, M.: Violin Trio, Op. 54 / Violin Sonatas Nos. 1 and 2 / Cello Fantasy, Op. 130

℗ 1998 Naxos

Released on: 1998-09-16

Artist: Justin Pearson
Composer: Malcolm Arnold

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Sir Malcolm Henry Arnold CBE (21 October 1921[1] – 23 September 2006) was an English composer. His works feature music in many genres, including a cycle of nine symphonies, numerous concertos, concert works, chamber music, choral music and music for brass band and wind band. His style is tonal and rejoices in lively rhythms, brilliant orchestration, and an unabashed tunefulness.[2] He wrote extensively for the theatre, with five ballets specially commissioned by the Royal Ballet, as well as two operas and a musical. He also produced scores for more than a hundred films, among these The Bridge on the River Kwai (1957), for which he won an Oscar.

14. 

Provided to YouTube by NAXOS of America
10 Pieces, Op. 12 (version for harp) : Ten Pieces, Op. 12: VII. Prelude in C Major (arr. for harp) · Judy Loman
Romantic Harp (The)
℗ 2005 Naxos
Released on: 2005-10-01
Artist: Judy Loman
Composer: Sergey Prokofiev
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Sergei Sergeyevich Prokofiev[n 1] (27 April [O.S. 15 April] 1891 – 5 March 1953)[n 2] was a Russian[7][8][9] composer, pianist, and conductor who later worked in the Soviet Union.[10] As the creator of acknowledged masterpieces across numerous music genres, he is regarded as one of the major composers of the 20th century. His works include such widely heard pieces as the March from The Love for Three Oranges, the suite Lieutenant Kijé, the ballet Romeo and Juliet—from which "Dance of the Knights" is taken—and Peter and the Wolf. Of the established forms and genres in which he worked, he created—excluding juvenilia—seven completed operas, seven symphonies, eight ballets, five piano concertos, two violin concertos, a cello concerto, a symphony-concerto for cello and orchestra, and nine completed piano sonatas.

A graduate of the Saint Petersburg Conservatory, Prokofiev initially made his name as an iconoclastic composer-pianist, achieving notoriety with a series of ferociously dissonant and virtuosic works for his instrument, including his first two piano concertos. In 1915, Prokofiev made a decisive break from the standard composer-pianist category with his orchestral Scythian Suite, compiled from music originally composed for a ballet commissioned by Sergei Diaghilev of the Ballets Russes. Diaghilev commissioned three further ballets from Prokofiev—Chout, Le pas d'acier and The Prodigal Son—which, at the time of their original production, all caused a sensation among both critics and colleagues. Prokofiev's greatest interest, however, was opera, and he composed several works in that genre, including The Gambler and The Fiery Angel. Prokofiev's one operatic success during his lifetime was The Love for Three Oranges, composed for the Chicago Opera and subsequently performed over the following decade in Europe and Russia.

After the Revolution of 1917, Prokofiev left Russia with the official blessing of the Soviet People’s Commissar Anatoly Lunacharsky, and resided in the United States, then Germany, then Paris, making his living as a composer, pianist and conductor. During that time, he married a Spanish singer, Carolina (Lina) Codina, with whom he had two sons; they divorced in 1947. In the early 1930s, the Great Depression diminished opportunities for Prokofiev's ballets and operas to be staged in America and Western Europe. Prokofiev, who regarded himself as composer foremost, resented the time taken by touring as a pianist, and increasingly turned to the Soviet Union for commissions of new music; in 1936, he finally returned to his homeland with his family. His greatest Soviet successes included Lieutenant Kijé, Peter and the Wolf, Romeo and Juliet, Cinderella, Alexander Nevsky, the Fifth and Sixth Symphonies, On Guard for Peace, and the Piano Sonatas Nos. 6–8.

The Nazi invasion of the USSR spurred Prokofiev to compose his most ambitious work, an operatic version of Leo Tolstoy's War and Peace; he co-wrote the libretto with Mira Mendelson, his longtime companion and later second wife. In 1948, Prokofiev was attacked for producing "anti-democratic formalism". Nevertheless, he enjoyed personal and artistic support from a new generation of Russian performers, notably Sviatoslav Richter and Mstislav Rostropovich: he wrote his Ninth Piano Sonata for the former and his Symphony-Concerto for the latter.

15. 

Provided to YouTube by NAXOS of America
6 Minuets, WoO 10: Minuet in G Major, Wo0 10, No. 6 · Peter Nagy
Masterpieces Of The Romantic Piano
℗ 1995 Naxos
Released on: 1995-11-28
Artist: Peter Nagy
Composer: Ludwig van Beethoven
Auto-generated by YouTube.

16. 

Provided to YouTube by NAXOS of America

Wind Quintet in F Major, Op. 88, No. 6: II. Larghetto: Siciliana · Michael Thompson Wind Ensemble

Reicha: Wind Quintets, Op. 91, No. 6 and Op. 88, No. 6

℗ 2000 Naxos

Released on: 2000-05-14

Ensemble: Michael Thompson Wind Ensemble
Composer: Antoine Reicha

Anton (Antonín, Antoine) Joseph Reicha (Rejcha) (26 February 1770 – 28 May 1836) was a Czech-born, Bavarian-educated, later naturalized French composer and music theorist.[1] A contemporary and lifelong friend of Beethoven, he is now best remembered for his substantial early contributions to the wind quintet literature and his role as teacher of pupils including Franz Liszt, Hector Berlioz and César Franck. He was also an accomplished theorist, and wrote several treatises on various aspects of composition. Some of his theoretical work dealt with experimental methods of composition, which he applied in a variety of works such as fugues and études for piano and string quartet.

None of the advanced ideas he advocated in the most radical of his music and writings, such as polyrhythm, polytonality and microtonal music, were accepted or employed by other nineteenth-century composers. Due to Reicha's unwillingness to have his music published (like Michael Haydn before him), he fell into obscurity soon after his death and his life and work have yet to be intensively studied.

17. 

Keyboard Partita No. 1 in B-Flat Major, BWV 825: I. Praeludium · Wolfgang Rubsam

Bach: Partitas, BWV 825-826 - Capriccio on the Departure of his Most Beloved Brother - Prelude and Fughetta in G major, BWV 902

℗ 1993 Naxos

Released on: 1993-04-27

Artist: Wolfgang Rubsam
Composer: Johann Sebastian Bach

18. 

String Quartet in E Major, Op. 3, No. 1, Hob.III:13 (attrib. to Hoffstetter) : III. Andantino grazioso · Kodály Quartet

Haydn: String Quartets Op. 2, Nos. 3 and 5 / Op. 3, Nos. 1-2

℗ 2003 Naxos

Released on: 2003-03-14

Ensemble: Kodály Quartet
Composer: Franz Joseph Haydn
Composer: Roman Hoffstetter

Franz Joseph Haydn[a] (/ˈhaɪdən/ HY-dən, German: [ˈfʁants ˈjoːzɛf ˈhaɪdn̩] (

listen); 31 March[b] 1732 – 31 May 1809) (also spelled Hayden) was an Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio.[2] His contributions to musical form have led him to be called "Father of the Symphony" and "Father of the String Quartet".[3][4]

Haydn spent much of his career as a court musician for the wealthy Esterházy family at their Eszterháza Castle. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, "forced to become original".[c] Yet his music circulated widely, and for much of his career he was the most celebrated composer in Europe.

He was a friend and mentor of Mozart, a tutor of Beethoven, and the elder brother of composer Michael Haydn.

19. 

King Kristian II, Op. 27: I. Elegy · Helsinki Philharmonic Orchestra
Sibelius, J.: Sibelius Festival (Helsinki Philharmonic)
℗ 1999 Ondine
Released on: 1999-01-01
Conductor: Leif Segerstam
Orchestra: Helsinki Philharmonic Orchestra
Composer: Jean Sibelius

Jean Sibelius (/sɪˈbeɪliəs/ sib-AY-lee-əs;[1] Finland Swedish: [ˈjɑːn siˈbeːliʉs, ˈʃɑːn -] (

listen); born Johan Julius Christian Sibelius;[2] 8 December 1865 – 20 September 1957) was a Finnish composer of the late Romantic and early-modern periods. He is widely regarded as his country's greatest composer, and his music is often credited with having helped Finland develop a national identity during its struggle for independence from Russia.

The core of his oeuvre is his set of seven symphonies, which, like his other major works, are regularly performed and recorded in Finland and countries around the world. His other best-known compositions are Finlandia, the Karelia Suite, Valse triste, the Violin Concerto, the choral symphony Kullervo, and The Swan of Tuonela (from the Lemminkäinen Suite). His other well-known works include pieces inspired by nature, Nordic mythology, and the Finnish national epic, the Kaleval‎a; over a hundred songs for voice and piano; incidental music for numerous plays; the opera Jungfrun i tornet (The Maiden in the Tower); chamber music, piano music, Masonic ritual music,[3] and 21 publications of choral music.

Sibelius composed prolifically until the mid-1920s, but after completing his Seventh Symphony (1924), the incidental music for The Tempest (1926), and the tone poem Tapiola (1926), he stopped producing major works in his last 30 years—a stunning and perplexing decline commonly referred to as the "silence of Järvenpää", (the location of his home). Although he is reputed to have stopped composing, he attempted to continue writing, including abortive efforts on an eighth symphony. In later life, he wrote Masonic music and reedited some earlier works, while retaining an active but not always favourable interest in new developments in music.

The Finnish 100 mark note featured his image until 2002, when the euro was adopted.[4] Since 2011, Finland has celebrated a flag flying day on 8 December, the composer's birthday, also known as the Day of Finnish Music.[5] In 2015, in celebration of the 150th anniversary of Sibelius's birth, a number of special concerts and events were held, especially in Helsinki, the Finnish capital.[6]