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Art Critic Louis Choi Chul-joo Criticism [79] NoneFutbol Club, Get Rich, Modern Contemporary Art Critic Louis Choi Chul-joo's Criticism of Contemporary Art & Design Criticism of Contemporary Art = Contemporary Art Today contemporary artworks contemporary artist Choi Chul-joo's Art Criticism, Contemporary Abstract Art Painter Criticism: Choi Chul-joo Desire Concept Abstract pop art combines the abstract conceptual approach of the other's desire art with the design form and linguistic abstract image of pop art. His concept of desire, or conceptual abstract art, appears, and a picture that conflicts with the concept of linguistic meaning emphasized in metaphysical philosophical light creates a dramatic event image with artificial lighting. & Contemporary Art Critic Louis Choi Chul-joo is a contemporary art conceptual design critic who verifies the artistry of the aesthetic value process of painting, photography, cartoon art, and craft design and approaches the meaning of the work through visual art theory. By converting the linguistic and philosophical approach of early conceptual art to contemporary painting, the structure of desire is transformed into a formative image, the definition of the other's desire, the definition of modern conceptual abstraction, and the interpretation of the other's desire as a verbal expression, and the hidden desire of the work as a realistic image of contemporary painting language, moving toward a new conceptual direction of contemporary abstract art.: NoneFutbol Club, Work no. 888 : Get Rich, 2014, 1' 59", Single-channel video, Color, Sound, Total Museum
NoneFutbol Club, Work no. 888 : Get Rich, 2014, 1' 59", Single-channel video, Color, Sound, Total Museum
Get Rich
Installation Writer, non - football club's work: no. 888: Winning wealth, forms an obsessed cage structure as the modern deficient desire for wealth from the story of the businessman's pursuit of happiness.
In the story, the existential act of accumulating wealth is divided into the expression of intention of the desire structure, and the expression of desire as a subject is identified with the existential actor. The subject attempts to accumulate the wealth desired by the self as a signifier by equating the businessman with the image reflected in the mirror image and the appearance of birds in the cage.
Another bird tells the bird looking at the mirror to work instead of procrastinating, but the bird does not reveal its outward side. It stops the physiological reaction of the other that the bird wants and creates an image of itself in the mirror in the cage, just like the bird of the other's expressive desire through a chain of signs.
On the video screen, birds are either flying and sitting in an aluminum mesh cage or excreting them on the floor. As seen above, the flat structure of the cage clearly reveals the intention of the installation. The feces of birds are stacked on a black plate marked "GET RICH." This is the dim result of birds' actions to obtain wealth by representing the ideas of corporate individuals in pursuit of happiness with their feces. Therefore, a bird whose meaning is meaningless and whose meaning cannot be found, specifies the rich whose contradictory absurdity is displaced as the subject of life.
As a subject who can speak, leaking structures the desire of wealth that deviates behavioral excretion from a contradictory image in the linguistic sense. In this way, the desire lacking to obtain a specific wealth
Depending on the present, the verbal meaning and the verb act differently show excrement as a result. This cannot equate the resultant image of a reverse demand that violates the reason that may exist in the future, that is, the linguistic meaning of desire, with a contradictory image.
Therefore, the verb signifier image "GET RICH" transitions to a correlation image hidden by excrement as a morpheme and becomes a morpheme of a question that has stopped what to do.
Since the signpost image has a meaning function
Correlated reality is selected through the excrement of birds as an inaccurate signifier image viewed from a false perceptual impression of the object of a specific desire for wealth.
Here, the bird is a variable and attribute of the object of desire, and as a biological entity, the greater the desire for wealth, the more correlated it leads to absurd results.
In this way, the preceding variable that causes absurdity has a fantastic causal relationship with the symbolic meaning of "GET RICH". This is the inevitability to support the identified desire with an illusion without opposing the absurd existential act of accumulating wealth as a result of the object of desire as an absurd illusion.
On the video screen, you can see the back taken behind three birds representing businessmen, and the caption reads, "Stop slowing down and work!" This is the structure of the unconscious's inner deficient desire, although the expression on the front of the businessman can be made to decorate the expression of intention. This is the consciousness level, when the desire that lacks the structure of the verb phrase meaning is said as a signpost image and "Stop slowing down and work!" is repeatedly expressed.
It has the effect of expressing intention on the entrepreneur as an indicator that the effect of the bird's expression of intention belongs to the entrepreneur.
The effect is behavioral existentialism, which means the real existence of a human being bound by social situations like Sartre. It equates birds with businessmen, creating absurdity in life. In other words, an entrepreneur who seeks absurd wealth loses his purpose and the meaning of his actions is dismantled.
The other's actions originate from the unconscious, but the desire structure belongs to a social construct. In other words, the desire of the other is the result of alienation and division in the prototype of social relations.
The bird, which represents a sense of loss from the control of "Do Work!" in the enterprise, realizes that the desire of the other originating from the unconscious is different from that of other birds, and finds that it is a social construct composed of dialectics with other birds.
Through the division of the expression act of 'do your job!' as a social relationship alienated from other birds, one cannot understand the desire structure of 'GET RICH' in the past time. This is to transform the desires of others into verbal concepts, and to create the object of desire into a realistic reality image in the divided desire structure without presupposing a causal relationship with the real image.
The bird has its hind toes balanced and its wings covered with feathers to sit on a branch. In the cage, do not put food and water bowls on the floor. This is because it is contaminated with fecal matter. It removes the cause of fecal contamination of water and food.
And they choose their own desires to create the existence of reality tainted with the behavioral existentialist excrement of businessmen who want wealth./ writer. Choi Chul-joo, abstract painter of modern concepts and doctor of cultural design
