그레고리오성가 신간서적 소개

[ludovic]

제목: 서방세계의 첫 번째 음악기록

-9-13세기 그레고리오성가 필사본에 사용된 네우마 표기법-

지은이: 엘렌 베게헤몽

옮긴이: 안 창 섭

출판사: 양업서원

책소개

책의 목표는 서양의 첫 번째 음악기록을 연구하는 것이다. 이 첫 기록이 등장한 것은 9세기로 그레고리오성가의 필사본에서였다. 이것은 라틴어 텍스트 바로 위에 상징기호의 형태로 기록되어 있었다. “네우마”라고 불리는 이 기호는 동반하는 텍스트와 밀접한 관련이 있다. 이 기록은 단지 한번 보면서 멜로디를 그대로 연주할 수는 없지만, 연주를 할 수 있도록 가이드 역할을 한다. 즉, 구전된 노래를 부를 수 있도록 그 뉘앙스들을 기록하고 있는 것이다.

이 네우마들의 기호들은 놀라울 정도로 정교하게 만들어져 있다. 또한 매우 다양하고, 지역에 따라 차이가 있다. 같은 종류의 네우마 기록을 보이는 필사본들은 각각 개별적인 계보로 재분류 되었다. 그 기보법의 계보는 그 수가 매우 많고, 거의 오늘날의 유럽 영토와 비슷한 샤를르마뉴 제국 전역에 퍼져있었는데, 명료하게 구별되어 13세기말까지 혹은 15세기까지 사용되어져 오다가, 대부분의 이 표기법들은 4선 위에 사각형의 음을 기록하는 단일 표기체제로 진보된다.

기보법 필사본의 해독은 세가지 기초과학에 존하게 되는데, 그레고리오성가 기호학, 음악 고문서학과 중세 필사본학이 그것이다. 기호학은 주로 네우마 기호의 분석에 역점을 두고, 고문자 연구는 노래를 옮겨 적기 위해 중세의 필사가들이 사용했던 다양한 음표기록 체제에 관심을 두며, 필사본학 연구는 필사본 그 자체와 라틴어 문서 기록에 중점을 둔다. 이 모든 학문들이 어우러져 기보법의 체제를 이해하도록 돕는다. 또한 이들은 음악기록을 넘어 로마 시대 제례의 성가 연구를 향해 나아가도록 돕는다.

목 차

책 소개 ..................................................................................................................................... 1

서 언 .................................................................................................................................. 3

목 차.................................................................................................................................... 5

기초 지식.................................................................................................................................... 7

역사적 측면 ··············································································································································· 9

기호학-고문서학-필사본학 : 정의 ··············································································································· 29

그레고리오성가 기호학 ................................................................................................................. 31

네우마 ························································································································································ 33

네우마 기호의 기원 ··································································································································· 34

정의 ··························································································································································· 37

네우마의 명칭 ············································································································································ 39

셍갈 네우마 연구 (Saint-Gall) ·················································································································· 42

멜로디와 리듬(또는 속도법) 표시방법 (Agogique) ······················································································ 55

문자기호 ····················································································································································· 57

에피세마 (Episeme) ···································································································································· 69

표기 형태의 변형 ······································································································································ 70

네우마 요소들의 결합과 분리 : “네우마 멈춤” ························································································ 73

텍스트를 강조하기 위한 절차 ···················································································································· 79

리퀘셴스 네우마 (Liquescence) ·················································································································· 80

모음생략 (Elision) ······································································································································ 87

음악 고문서학 ........................................................................................................................... 89

네우마 기보법 ············································································································································ 91

개론 ··························································································································································· 93

기보법의 상이성 ········································································································································· 99

그레고리오성가의 주요필사본 ······················································································································ 103

기보법 연구 ·············································································································································· 107

소개 ·························································································································································· 110

셍갈 기보법 (Saint-Gall) ·························································································································· 113

로렌 또는 메츠 기보법 (Lorraine, Messine) ··························································································· 129

브르타뉴 기보법 (Bretonne) ······················································································································ 145

아키텐 기보법 (Aquitaine) ························································································································· 161

프랑스의 기보법들 ····································································································································· 173

이탈리아의 기보법들 ································································································································ 197

이베리아 반도의 기보법들 ······················································································································· 221

팔레오프랑크 기보법 (Paleofranque) ·························································...············································ 225

필사본학.................................................................................................................................... 231

중세 필사본학의 개념 ····························································································································· 233

라틴어 필사본의 서체들 ·················································································.········································ 247

부 록 .............................................................................................................................. 263

고어사전 ·················································································································································· 265

참고문헌 자료 ········································································································································· 269

소개된 필사본 도표 ································································································································ 273

대문자 약어, 약어, 기타 표시 ··············································································································· 277

감사의 글 ··············································································································································· 278

[namc]

저는 지난 달에 이 책을 어렵게 구하여 공부를 계속하고 있으며, 이 책을 열어 보게 만드는 매력 있는 그레고리오 교과서입니다. 고명하오신 안선생님께서 초라한 카페를 방문해 주시어 큰 기쁨입니다. 감사 드리오며 저는 안선생님의 뛰어나신 그레고리오 가창력에 특히 높은 존경을 드립니다.

[ludovic]

키페 지기님 안녕하세요. 감사합니다. 언제 부산오시면 연락주세요..

[ludovic]

안녕하세요. 오래전에 가입하고 인사도 제대로 못드렸네요. 이번에 그레고리오 성가에 관한 책을 번역 발간했습니다.
그레고리오성가를 사랑하고 공부하시는 모든분께 큰 도움이 되리라 믿습니다. 책은 성 바오로 서원에서 판매하고 있습니다.
다가오는 부활을 맞아 더욱 주님안에서 행복한 기쁨을 누리시길 바라며, 아름다운 성가단이 되시길 빕니다.

[프렐류드]

저도 이 책을 구입해서 공부하고 있습니다. 많은 도움이 되고 있어요. 추천하고 싶은 책입니다.

[Jesus_love_me]

이 책, 어디서 구입힐 수 있는지요?

[ludovic]

구입처는 성바오로서원과 부산가톨릭 음악원에 전화하면 바로 보내드립니다.

[Jesus_love_me]

드디어, 여름 무더위를 견디며 완독했습니다. 너무 모르던것이 많았던 탓인지...일독으로 불충분하여 재독을 시작했어요. 언젠가는 또 다른 책을 필요로 할 때가 오겠지요? 그리고 나로서는 이상하고도, 중요한 사건 - 주문할려고 전화를 드렀는데 주소를 묻더니 송금확인도 없이 책이 먼저 오고 난 뒤에 송금했어요. 세상이치에 안맞잖아요?

[구름처럼]

많이 많이 팔리길 바랬습니다. 재독하시는 분, 예수님께서 사랑하심이 분명합니다.
그레고리오성가하는 사람들은 원시적(?)인 경향이 있어 세상이치대로 안사는 경향이 있는 듯 합니다.