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출처: ★아름다운 미술관★ 원문보기 글쓴이: 순순이
앤드류 와이스(Andrew Wyeth) 엔드류 와이어스는 미국을 대표하는 리얼리즘화가 입니다. 목가적인 풍경과 고향의 정겨움등을 즐겨 그리는 맴버로선출되게 됩니다.
평론가 브라이언 오도허티는 "미국에는 두명의 앤디가 있다. Andy warhol과 Andy wyeth, |
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Andrew Wyeth
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Tenant Farmer, 1961
Andrew Wyeth (b. 1917)
Tempera on board
30-1/2 x 40 in.
Gift of Mr. and Mrs. W. E. Phelps
© Andrew Wyeth
DAM #1964-10
Considered America’s premiere realist artist, Andrew Wyeth is best known
for his watercolors and paintings of the landscape and people of Chadds
Ford, Pennsylvania, and Cushing, Maine. The son of famous illustrator and
painter, Newell Convers Wyeth, Andrew achieved national recognition in
1940, when at the ago of twenty-three, he became the youngest member
ever elected to the American Watercolor Society. In the early 1940s, Wyeth
began painting with the medium of egg tempera which enabled him to pair
a startlingly detailed technique and straightforward subject matter with
a vaguely unsettling and enigmatic aura.
The inspiration for Tenant Farmer, 1961, grew from an experience from which
he was moved to paint the scene. Walking home in the snow a few days before
Christmas in Chadds Ford, an image of a frozen deer dangling from a willow
tree next to a dilapidated brick house lingered in Wyeth’s mind. Beginning
in January and over a span of four months, he began painting the vision
after completing a series of pencil and dry brush studies of the house,
log pile and deer.
Composing the scene within a shallow spatial setting, Wyeth painted the sky
as a still and airless backdrop against which the hanging animal, bare branches
of the tree and stark angles of the eighteenth century brick house are emphasized.
The work appears cold and motionless, with the only elements of implied movement
indicated in the window curtain and dangling tree branches. An oppressive, heavy
silence pervades the scene, providing a lonely and disquieting atmosphere to the work.
For Wyeth, who recalled thinking of the young buck once alive and running freely,
the images of deer and house in Tenant Farmer became symbols of death and decay.
Wind from the Sea (tempra on Masonite, 1947)
Wind from the Sea 1947
Wind from the Sea
1948
Tempera
19 x 28 in.
Private collection
Sunday Times
1987
Watercolor
22 x 30 in.
Private collection
Winter, 1946
Chill Wind
Turkey Pond, 1944 tempera on panel. Collection of the Farnsworth Art Museum. Adrift
Barracoon Below Dover Blackberry Branch, Study for Blackberry Picker
Andrew Wyeth's meticulously imagined art conveys a tragic vision. Considered together, his paintings comprise a lifelong meditation upon the frailty of life and the imminence of death. The artist celebrates the bleak landscape of late autumn and winter, the weathered barns and farmhouses of Maine and Pennsylvania, and the people who endure a hardscrabble existence on the margins of society. Winter 1946 is one of the artist's most autobiographical works, painted immediately after the death of his father, the celebrated illustrator N. C. Wyeth. According to the artist, the hill became a symbolic portrait of his father, and the figure of the boy, Allan Lynch, running aimlessly "was me, at a loss—that hand drifting in the air was my free soul, groping." Even without this story, the image is troubling: a dark, jagged form set awkwardly against an oceanic swell of brown. A skilled dramatist, Wyeth eliminates all distracting elements from the scene. The boy and his thoughts are visually isolated, his eyes averted. Further deepening the physical and emotional alienation of the boy, the artist has us look down upon the scene from an improbable height. The heightened clarity of the picture results from Wyeth's use of the egg tempera medium: ground earth and mineral colors mixed with yolk and thinned with water. Wyeth once admitted he likes tempera for its "feeling of dry lostness."
Andrew Newell Wyeth
(American, born 1917)
Winter 1946, 1946
Tempera on composition board, 31 3/8 x 48 in. (79.7 x 121.9 cm)
Purchased with funds from the State of North Carolina, 72.1.1
1946
Tempera on board
31 3/8 x 48 in (79.7 x 121.9 cm)
North Carolina Museum of Art, Raleigh
Title:
Chambered Nautilus
Title:
Title:
Airborne
Title:
Alvaro and Christina
Title:
Apples on a Bough, Study Before Picking
Title:
Arctic Circle Study
Title:
Baby Owl
Title:
Title:
Title:
Big Top
Title:
Black Velvet
Title:
Title:
Blackberry Picker
Title:
Blowing Leaves
Title:
Blue Jacket
Title:
Breakup
Title:
Brown Swiss
© Andrew Wyeth
The Hunter 1943
Title: | Charlie Ervine |
Title: | Chimney Swift |
Title: | Christina Olson |
Title: | Christina's World |
Title: | Christmas Morning |
Title: | Combers |
Title: | Crows, Study for woodshed |
Title: | Curtain Call |
Cranberries 1966
Title: | Church At The Port |
Overflow
Day Dream
Title:
"Snow Flurries" (1953)
Title:
Dead Gull
Title: |
Dil Huey Farm |
Title: |
Distant Thunder |
Title: | Dormer Window |
Dwight Eisenhower, 1959
Dodges Ridge 1947
Dr. Syn
Title:
November First,1950
Title:
Elwell's Sawmill
Title: | Embers |
Brandywine Valley, 1940
Title: | End of Olsons |
Field Hand, 1985
Artist: Andrew Wyeth
Title: Blue Ice
Medium: Watercolor
Year Completed: 1994
Dimensions: 20 7/8" x 27 1/2"
Signed: Andrew Wyeth/Lower right
Copyright Andrew Wyeth
Artist: Andrew Wyeth
Title: Fog Bell
Medium: Watercolor on paper
Year Completed: 1967
Dimensions: 28" x 19"
Signed: Andrew Wyeth/Lower right/lower left
Copyright Andrew Wyeth
Artist: Andrew Wyeth
Title: China Blue
Medium: Drybrush
Year Completed: 1986
Dimensions: 20" x 26"
Signed: Andrew Wyeth/Lower right
Copyright Andrew Wyeth
Artist: Andrew Wyeth
Title: Sharpshooter
Medium: Watercolor
Year Completed: 1997
Dimensions: 19 1/2" x 27 3/4"
Signed: Andrew Wyeth/Lower right
Copyright Andrew Wyeth
엔드류 와이어스는 미국을 대표하는 리얼리즘화가이다.
목가적인 풍경과 고향의 정겨움등을 즐겨 그리는
화가이지만 그의 가장 유명한 작품중에는 Christina's world가 있다.
옵스트렉트 아트가 대세였던 시대 아트 크리틱 들에게
전통적인 화가라기 보다는 일러스트레이터에 가깝다는 평도 듣지만
그의 전시회를 찾는 미국인들은 줄을 이었고
그들의 감성과 노스텔지어를 자극했다.
그는 전통적인 오일페인팅을 지양하고
수채화같은 투명한 느낌의 브러쉬 스타일(dry brush)과
에그 템페라 등으로 그림의 다양성을 꾀했다.
존 싱어 서전트 이후 미국인으로는 처음으로
아카데미 드 보 아트(Academie Des Beaus-Arts)와
영국의 Royal Academy의 맴버로 선출되기도 한다.
평론가 브라이언 오도허티는 "미국에는 두명의 앤디가 있다.
Andy warhol과 Andy wyeth,
그러나 그들사이에는 그랜드캐년과 같은 커다란 갭이 있다.
도시적인 표현과 목가적인 시골의 정취의 판이함
그러나 그들의 그림은 적당한 그림이라기 보다는 아름다운 이미지에 가깝고,
예술의 부류라기 보다는사회의 정서에 녹아드는 현상이라고 말할수 있겠다.
와이어스의 그림은 지적승화된 소박함이고 워홀의 그림은 소박하게 표현된 지성이다.
(wyeth is a sophisticated primitive worhol is a primitive sophisticate.)"라고
그에 대한 존경을 표현했다.
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Title: | In The Doorway |
한여인을 그 어느 누구도 모르게 사랑하며
그여인만이 줄 수 있는 감성의 영감을
자신의 예술적인 기회로 삼은 미국을 대표하는
Title: | From The Back |
Title: | Indian Summer |
"사랑하지 않는 대상을 그리는 화가는 없을 것이다."고 답했다.
첫댓글 싸늘한 날이라도 뜨거운 사랑 하세요