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Greetings Europa Barbarorum fans. Today we are proud to present our third and last preview of the Boii, the oldest of all Celtic peoples in Europa Barbarorum. In this preview's history section, we will show the full description of one of the Boii provinces, and just part of the description of their homeland, Boiotergion. In addition, we will show you some interesting facts regarding the Boii relationship with northern Italy, pertaining their common artwork. In the unit section, we will show three new units: the Gargokladioi or "Fierce swords", freemen that along with the Uisusparos Kingetoi form the bulk of the Boii battleline; the Mogeto Epathias or "Mighty knights", heavy celtic cavalry and bodyguards of the Boiorix; and the dreaded Gaisatoi or "Spearmen", Gallic mercenaries that sell their famed swords to the Boiorix. Enjoy! The Provinces Herkunion Spoiler Alert, click show to read: Quote:
Celtic Art in the Fourth Century: Influences from the Po Valley The development of Celtic art styles in the fourth century BC have been variously characterized. Earlier attempts used the rich 'princess's' grave from Waldalgesheim, near Bonn, as a type assemblage against which to compare fourth-century products, and some observers even went so far as to propose a 'Waldalgesheim master'. Others have been content with a less constricting terminology, referring to the development as an Early Free Style. However, the more descriptive phrase, Vegetal Style, best captures the principal and distinctive characteristics of the products of the period, since the overriding motif is the running tendril or linked band of lyre-palmettes. Animals and human heads recede into the background. They do not entirely disappear but rather lurk in the vegetation, from which, disguised, they occasionally peer out. The centre of innovation is no longer the Rhine-Moselle region but the Marne, Switzerland, Hungary, and the Po Valley, and it is the relationship of the last with the broad northern zone that raises interesting questions. It is now widely believed that the Celtic groups in the Cisalpine region, notably the Boii and the Senones, were responsible for integrating Graeco-Italic ideas with Celtic and transmitting the result back to the innovating centres north of the Alps. This interpretation would imply that close social links were maintained between the Celts who had emigrated to the south and those who remained in their northern homelands. (Extract from Cunliffe, The Ancient Celts.) The Warriors Gargokladioi (Gar-go-klad-e-oy. ‘Fierce Swords’). Called upon when war looms, the Gargokladioi answer most readily. Hailing from all over the Celtic Europe, these are free members of the tribe or state who choose to follow the path of the warrior. They wield swords that they have typically won in single combat, or taken from a better equipped fallen foe as few are truly wealthy enough to have one made themselves. While some hire themselves out for pay, others honestly fight to protect their own, with the prospects of gaining fame and riches for themselves in the process. They strike first with the javelin, and then charge in with swords leading the way. A staple warrior in any Celtic army or raiding force, these swordsmen earn their worth by having the martial skill and morale to remain in combat for great length of time against similarly armed opponents. They are dependable, swift warriors that are welcomed by any general. Historically, the swordsman in a Celtic army was not the most common opponent one would face in the Celtic world. To date more spears have been found in Iron Age warrior burials, yet the sword can certainly be seen as a status weapon of sorts that successful, or wealthy warriors, would keep with them. The sword would have been used as a secondary weapon if one had a spear or a clutch of javelins to throw. Still, this weapon must have carried much significance in warfare and to those that were fortunate enough to possess one. One such Gaulish word for ‘sword’, klad-, could possibly have given rise to the word gladius. Mogeto Epathias (Mo-get-oy Ey-pat-hi-as, 'Mighty Knights'). The nobility of the Celtic lands often chose to go mounted after the chariot declined as the main vehicle of nobility when going to war. The Mogeto Epathias are an Eastern Celtic version of the Gallic Donno Eporedoi, and are just as deadly. They come to battle with spears for the charge and swords for melee. Their armor is hardened leather for protection, and in later eras they are seen with suit of chainmail and increasingly longer slashing swords unique to Celtic cavalry. Helmets include Montefortino helmets, Agen Port helmets for the later periods, and hardened leather types. Portions of their panoply are unique to the eastern areas of Europe where the Celts held sway and settled, such as their Vegetal (or Waldalgesheim) Style scabbards that are among the most ornate and detailed scabbards in the Iron Age. All together cavalry is a staple of Celtic warfare and none can be seen to have such a glorious and prestigious reputation as these cavalrymen. Their morale is second to none and given that they stand to lose the most in the event of a defeat, are highly motivated. First on and last off the field, they leave a lasting impression on the few who survive an encounter with them. Historically, these men were from the uppermost level of Celtic society, being powerful and very rich they could afford the finest things in life. While they wore gold torcs, bracelets, rich clothes and other finery they were certainly not decadent fools, their position was gained by and maintained only through years of constant vigilance and military prowess, something they honed through daily training. Given the time taken to rise to such a level, most were middle aged men in the prime of life but toughened from the many challenges they have faced, this made them less reckless or eager for glory than the younger warriors and a formidable foe. To bolster their authority and protect themselves in battle they would maintain a retinue of vassals and clients, such as the famed Solduroi of the Aquitanians, , the Kombaragoues, and others who they would pay to equip from their own pockets. It was the expansion of this vassalage system that lead to the formation of the well armed professional armies of the late Celtic era and the decline of the freeman class. Gaisatoi (Gaisatoi, 'Those of the Javelin'). The Gaisatoi are great shock unit intended to lead an attack, as well as experienced crack infantry excelling in skill and performance. Due to their ritual nudity, they strike fear into the hearts of the enemies unaccustomed to their brazen display. Though true professional warriors would master many weapons and fight styles, the Gaisatoi are most renown for their skill with the spear and are foremost masters of the heavy javelin. Many of them fight naked in battle as they are certain that their gods of war are watching and protecting them from above. Should they fall in glorious battle, then they will resume their fighting and enjoy feasting into the afterlife alongside their comrades. Richly equipped through successful wars and many battles, the Gaisatoi are professionals in every sense of the word, and led by their own kings, they constitute some of the most feared warriors to be found in Gaul. Historically, the Gaisatoi are somewhat of an enigma concerning the true spelling of their name. In Latin they are called Gaesatae, and Polyibios stated that their name referred to them as mercenaries. However, etymology in Gaulish is a different matter. The Gallic prefix gaiso- is most often identified with javelins, while words like lancia, most often equate with the lance and spear. The gaison is the probable ancestor of the Roman pilum, with the gaison likely being a heavier javelin intended for maximum damage to enemy formations and men. Due to Lain spelling and what is known of Gaulish, likely versions of their name could include Gaesatoi, Gaisateis or Gaisatis, either one conveying the same overall meaning. In battle the Gaesatae are know most famously from their victory the Romans at Faesulae, where they were not mentioned as being naked and were probably clothed, and their great defeat at Telemon where the terrain features forced them to disrobe, both in 225 B.C. Signature Banners In case you haven't done so already, show your support for Europa Barbarorum in style with these three new signature banners, featuring the mighty Boii! Courtesy of Gustave. We hope you have enjoyed this third preview of our new Boii faction in Europa Barbarorum II. Please note that unless stated otherwise, ALL pictures, names, descriptions and particularly animations shown in our previews are works in progress. We continue to improve on all parts of EB, and we will continue to do so long after our initial release. Since some areas where these news items are posted cannot handle wide images, we appreciate your restraint from quoting full-size images. As always, if you have questions or comments, the best place to post them is here, where the EB team is most active: Europa Barbarorum ORG forum Europa Barbarorum TWC forum A special thanks to cmacq for the province description, Tux and JMRC for their excellent models and renders, Gustave for his wonderful unit skins, artwork and screenshots, Power2the1 for the unit descriptions, and to Power2the1, Oudysseos, Paullus, cmacq and Anthony for the historical info and text work.[/SIZE] Have a great day The Europa Barbarorum team. |
유로파 바바룸 2 최신 리뷰(보이)
어제 리뷰입니다~
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첫댓글 greeting 은 개뿔 미디블 지워버릴테다
어김없이 나오는 가이사이테이! 과연 그곳의 퀼리티는 상향...?될것인가ang?
CTD만 제대로 잡아서 나와랑 (언제가 될지는 모르겠지만)
미디블3 나오기 전에나 나와라 써글놈들
이거 나오기전에 로마 2 나와도 난 이걸 할꺼야 컴터가 안좋아서 ㅋ
그넘의 밸런스도 조정좀 -_-;