Martin Maloney 의 사람들

[rose 장혜숙]

Rave is a contemporary version of the seventeenth-century painting, borrowing both subject and composition. Transforming the master’s racy orgy scene (women, men, goats going for it under the hypnotic influence of horn music ? painted with the very epitome of tasteful credential), Martin Maloney’s vision of a wild club night of Y-fronted-pantied dancers, and casual snogging seems positively tame. His intentional casual painting style transforms classic mythological high art into a tangible, intimately concerning scene for today .

Martin Maloney

Rave (After Poussin's Triumph of Pan)

1997, Oil on canvas

244 x 457 cm

 Martin Maloney

Saplings

2004, Oil on canvas

244 x 213 cm Martin Maloney’s collages operate like magazine imagery; fun is idealized by groups of people hanging out. Attention is always paid to the things that count: clothing, hairstyles, radios, and pets. But Maloney’s product placement seems more like evidence of unfulfilment than success.

Martin Maloney

Stroller

2004, Oil on canvas

260 x 231 cm Martin Maloney makes social observation paintings, trendy and casual, like jeans ads, or thirty-something sitcoms. His anecdotal scenes are contemporary adaptations of the type of genre paintings, still life’s and portraits seen in historical paintings from artists such as Poussin, Vermeer, and Watteau.

Martin Maloney

Slade Gardens, SW9, 1995

2001, Vinyl collage

305 x 792 cm With his first foray into large-scale collage, Martin Maloney replicates painting with thousands of individual pieces cut from coloured sticky-backed vinyl. He shares the secret of paint: a large pink mass for a face, a splotch of white and a line of yellow for a highlight, two semicircles of blue for eyeshadow. Loads of little stringy bits clumped together make a shaggy dog. This leisurely day in the park just isn’t as easy as it looks: this process is as intricate and labour intensive as assembling a Ravenna mosaic.

[보라공주]

사람들의 모습이 잼있어요..^^

[rose 장혜숙]

이게 사치겔러리 소장품이라고 하네요.