동영상 링크https://youtu.be/BAFmdl8p0UQ
Act 2 of Jabob Fabricius's Minimalism-Maximalism-Mechanismism is a project to watch the process of communion with the artist, empathy with the workflow, and exhibition together with the spectator. It is intended to create a natural communion with the existence of a city or countryside extracted from the artist's memory, or with a fictional human figure.
In the third quarter of the 20th century, American-led world art progressed through minimalism-object-action to conceptual art, defining the meaning of art museums and the reason for the existence of art as the play of ideas. It destroys art like the arrow of the giant Nimrod that was shot into the sky and the fragments and dust of that art cloud art history.
This project, which looks at the trends and prospects of art history from the perspective of macro-and micro-reflection, seems to be inherent in the determination to watch, encourage and bloom with a future-oriented point of view, which rises through, as it were, radioactive fallout. It remains to be seen whether a new horizon for Anthropocene art will be established...
-Kimyoungjai: art philosopher Ph.D
dialogue:
Visiter: Gypsum board? You may consider spectator participation...
Curator Aid: I don’t want to bother you, however, taking pictures is a routine process, thou
Visitor: If the artist complains, you may explain that the visitor unintentionally defaces...
Curator Aid: That’s the curator’s job to explain...it is a spectator participation project alright, So, you may go with no worry.
The Anthropocene defines Earth's most recent geologic time period as being human-influenced, or anthropogenic, based on overwhelming global evidence that atmospheric, geologic, hydrologic, biospheric and other earth system processes are now altered by humans.
Welcome to the Anthropocene | Welcomehttps://www.anthropocene.info