이번에 구입한 장비들.~~! Shure SM58 /Behringer EURORACK UB2442FX-Pro 24-Input 4-Bus mic/line 믹서

[천국보다낯선]

Shure  SM58

가장 많은 뮤지션들이 사용하는 다이내믹 마이크로폰!

섬세하고 시원한 느낌의 흡음특성, 피드백에 의한 하울링을 최소화하는 이상적인 단일 지향성 설계로 라이브현장에서 탁월한 성능을 인정받은 라이브용 다이내믹마이크의 대명사입니다.

• Frequency response tailored for vocals, with brightened midrange and bass rolloff
• Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise
• Pneumatic shock-mount system cuts down handling noise
• Effective, built-in spherical wind and pop filter
• Supplied with break-resistant stand adapter which rotates 180 degrees
• Legendary Shure quality, ruggedness, and reliability
• Cardioid (unidirectional) dynamic
• Frequency response: 50 to 15,000 Hz

Behringer EURORACK UB2442FX-Pro 24-Input 4-Bus mic/line 믹서

• Ultra low-noise ULN design, highest possible headroom, ultra-transparent audio
• 10 new state-of-the-art, studio-grade IMP 밒nvisible?Mic Preamps with:
  - 130 dB dynamic range for 24-bit, 192 kHz sampling rate inputs
  - Ultra-wide 60 dB gain range
  - Lowest possible distortion 0.0007% (20 Hz - 20 kHz)
  
• Integrated 24-bit digital stereo FX processor with 99 great-sounding VIRTUALIZER?presets including reverb, delay, chorus, compressor, tube distortion, vinylizer and more plus 1 kHz test tone generator
• Effective, extremely musical 3-band EQ with semi-parametric mid band plus switchable low-cut filter on all mono channels
• Channel inserts and direct outputs on each mono channel plus main mix inserts for flexible connection of outboard equipment
• 16 balanced high-headroom line inputs with dedicated gain controls on stereo channels
  13 - 16
• State-of-the-art 4580 operational amplifiers provide lowest noise and distortion etter than 4560 op amps
• 2 headphones outputs
• 4 aux sends per channel: 2 pre/post fader switchable for monitoring/FX applications, 2 post fader (for internal FX or as external send)
• Peak LEDs, mute, main mix and subgroup routing switches, solo and PFL functions on all channels
• 4 subgroups with separate outputs for added routing flexibility
• 4 multi-functional stereo aux returns with flexible routing
• Balanced main mix outputs with TRS and gold-plated XLR connectors, separate control room, headphones and stereo tape outputs
• Control room/phones outputs with multi-input source matrix
• Tape inputs assignable to main mix or control room/phones outputs
• Switchable +48 V phantom power for condenser microphones
• Long-wearing 60 mm logarithmic-taper ALPS faders and sealed rotary controls
• BNC connector for standard gooseneck lamps
• Internal switch-mode power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus lowest possible power consumption for energy saving
• Extremely rugged steel construction ensures long life even under the most demanding conditions
• Rack mount brackets included
• Manufactured under ISO9000 certified management system
  

Switch-mode power supply (SMPS)
Every console in the PRO series uses our state-of-the-art, over-sized, switch-mode power supply with lots of headroom. One of the great advantages is that (compared to conventional circuits) a switch-mode power supply adapts to mains voltages between 100 and 240 volts automatically. Furthermore, due to its much greater efficiency,

it consumes much less energy than a conventional supply unit. Even more important is the fact that conventional transformers always induce 50 Hz hum (check it out on other mixers when you turn up all volume controls). Our switch-mode supply operates at very high frequency and therefore keeps the mixer "dead" quiet.

24 bit/ 46 kHz
Digital recordings are often done at a depth of 16 bits, which breaks up the dynamic range between the loudest and quietest portions of a signal into 65,536 steps. We use the finer resolution of 24 bits, which divides the signals’ loudest-to-softest dynamic range into 16,777,216 steps, allowing for far more accurate rendering of the quieter parts of the audio.

Audio signals change constantly, so a digital device must capture these

changes as faithfully as possible. The higher the sampling rate, the better. Our consoles use a sampling rate of 46,000 times per second. To capture any given frequency, a digital signal’s sampling rate must be roughly twice that frequency. The sampling rate of 46 kHz is more than adequate for capturing all signals in the audible range—the human ear can not hear the sounds whose frequency is higher than 20 kHz.

Invisible Mic Preamp (IMP)
Five years in the making, the Invisible Mic Preamp (IMP) is a superior mic preamp that delivers crystal-clear audio with incredible reproduction of the slightest nuances. It matches or exceeds the

performance of outboard mic preamps. You get extreme bandwidth of 5 Hz to 100 kHz coupled to unusually neutral, noise- and distortion-free circuitry.

The BEHRINGER IMP provides ultra-linear frequency response up to 100 kHz.

The result of perfect design. Almost unmeasurable distortion for your signal integrity.

Ultra low-noise (ULN)
Five years in the making, the Invisible Mic Preamp (IMP) is a superior mic preamp that delivers crystal-clear audio with incredible reproduction of the slightest nuances. It matches or exceeds the

performance of outboard mic preamps. You get extreme bandwidth of 5 Hz to 100 kHz coupled to unusually neutral, noise- and distortion-free circuitry.

OP Amp NJM 4580

The result of perfect design. Almost unmeasurable distortion for your signal integrity.

Channels	10 (8 + 2) mono + 4 stereo
Mono mic/line channel inputs	8 (XLR +1/4" TRS)
Stereo line channel inputs	2 (1/4" TRS) & 2 (XLR + 1/4" TRS)
Channel inserts (pre EQ,pre fader)	channels 1-8
EQ mono channels	3-band mid-sweep + low cut
EQ stereo channels	4-band
Phantom power (+48 V)
Aux sends	2 pre/post fader,2 post fader
Stereo aux returns	return 1/2 to aux send 1/2/main mix
	return 3 to sub 1-2/3-4/main mix
	return 4 to ctrl room & phones/main mix
Subgroups with dedicated TRS con.	4
Main outputs	XLR & 1/4" TRS connectors
Headphones output (1/4" TRS connector)	2
2-Track I/O (RCA connectors)
trl room outputs (1/4" TRS connector)
PFL/solo section
FX unit (with footswitch connector)	with separate FX output
Switch-mode PSU
Rack-mounting kit included
Width*	16 1/2" (418 mm)
Depth*	17 1/4" (438 mm)
Height front*	2 3/4" (68 mm)
Height rear*	5 1/2" (140 mm)
Weight*	13 lbs (5.9 kg)
Special features * Approx.	FX unit: mic inputs on stereo ch. 9/10 & 11/12; Direct outs (ch.1-8, post fader): main inserts: BNC con. for gooseneck lamps