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<P style="TEXT-ALIGN: center">From inventing <STRONG>New Jack Swing</STRONG> to co-producing <STRONG>Michael Jackson's 'Dangerous'</STRONG> Teddy Riley has been at the fore front of RnB and pop production for decades. How does he do it? With a little help from <STRONG>Novation </STRONG>and <STRONG>Focusrite</STRONG>.<BR><BR>Check out Teddy laying down a cover of his RnB supergroup <STRONG>Guy's 'Teddy's Jam' </STRONG>to see that his keyboard skills are just as impressive as his song writing and engineering.<BR><BR><IFRAME height=315 src="https://www.youtube.com/embed/UoC2B_Fo1DI?rel=0" frameBorder=0 width=560 allowfullscreen=""></IFRAME><BR><BR>It's the sound quality of the <STRONG>Mininova </STRONG>that drew Teddy in, particularly the vocoder. Being a big part of his signature sound he likes to make sure he has the biggest and best selection of vocoders and the <STRONG>Mininova </STRONG>meets his criteria. You can also see it's vast potential as a performance synth with Teddy merrily tweaking and making adjustments on the fly.<BR><BR>Another key part of the studio is the <STRONG>Novation SL MkII</STRONG> controller which is at the core. With keys, controls, transport buttons and <STRONG>Automap </STRONG>there's no need to venture near the mouse when you're in full creative flow.<BR><BR>When it comes to mixing Teddy prefers to remain hands on right to the very end. He automates using the <STRONG>Focusrite 2802</STRONG> faders to get the vibe and then draws in finer adjustments and corrections later. There's also the Buss Compressor which he loves for the final analogue character and mix punch.<BR><BR>As we've <A href="http://www.dolphinmusic.co.uk/article/5301-presonus-on-tour-in-the-studio.html"><U><FONT color=#0000ff>covered in a previous article</FONT></U></A> Teddy likes to use <STRONG>Presonus Studio One</STRONG>, again it chimes with his straightforward, hands on philosophy. You don't want complexity to drag you down when it's all happening in the studio.<BR><BR><FONT size=3><STRONG>Speaking to Focusrite about how it all started Teddy said:</STRONG></FONT><BR><STRONG></STRONG></P>
<BLOCKQUOTE><STRONG>"I didn't make up the name new jack swing," says Teddy. "It was given to me Barry Michael Cooper." Cooper co-wrote the screenplay for the film New Jack City and was a prominent music journalist in New York in the early ’90s. "He did an interview with me and asked me how I would describe my music. I said 'sophisticated bubblegum R&B'. He said 'that's too long, you should call it new jack swing, because you're the new kid on the block that's swinging it.' So I give credit to him for giving me that name. I ran with it and everybody joined the movement. Bobby Brown, Kool Moe Dee, Guy, Blackstreet, Boyz II Men, Bel Biv Devoe, New Kids On The Block, N Sync, Backstreet Boys - they made my genre big. And that feels great, for so many musicians and artists to be a part of such a strong movement. We all are still doing New Jack Swing."<BR></STRONG></BLOCKQUOTE>
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<CAPTION>Be Inspired, Be Fast And Make It Sound Good</CAPTION></TABLE></P>
<P>출처 :http://www.dolphinmusic.co.uk/news/news-story/news_id/5332/?utm_source=news&utm_medium=rss&utm_campaign=rss</P>
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