Maria Szymanowska (1789–1831) 녹턴 Ab장조 ‘속삭임’ / 녹턴 Bb장조 pf. Sławomir P. Dobr

1. Vivaldi 첼로 협주곡 Eb장조 RV 408 - 2악장 Largo vc. 장한나 Christopher Warren-Green 지휘 London Chamber Orch. 4:44 듣고 싶은 음악, 나누고 싶은 이야기. 콩이나 청취자 게시판, 짧은 문자 50원, 긴 문자 100원 이용료 부과 문자 #9310, 스마트폰 어플리케이션 KONG <계희승의 음악 허물기> 출연:음악학자 계희승 (한양대학교 교수) 2. Maria Szymanowska (1789–1831) 녹턴 Ab장조 ‘속삭임’ / 녹턴 Bb장조 pf. Sławomir P. Dobrzański 3:50 / 5:13 A플렛장조와 B플렛장조의 곡 분위기를 쉽게 예로 들어 설명하면 이렇습니다. A플렛장조(내림사장조)는 플랫 네 개 붙은 조로, 음정이 B♭, E♭, A♭, D♭으로 낮아져 부드럽고 우아하며 약간 어두운 느낌을 줍니다. 그래서 차분하거나 감성적인 음악에 자주 쓰이며, 무거우면서도 깊은 정서가 느껴지는 느낌입니다. 반면 B플렛장조(내림나장조)는 플랫 두 개 붙은 조로, 음정이 B♭, E♭만 플랫이고 더 밝고 경쾌하며 따뜻한 느낌을 줍니다. 그래서 경쾌하고 명랑한 분위기의 곡에 자주 쓰이며, 상대적으로 가볍고 활기찬 감정을 전달합니다. 예를 들면, A플렛장조는 서정적이고 감성적인 가사나 분위기에 어울리며, B플렛장조는 밝고 즐거운 춤곡이나 축제 곡에 어울리는 느낌입니다. 각각의 음계와 조표 차이 때문에 기본적으로 곡의 무드나 색채가 다르게 느껴지는 것이죠. 즉, A플렛장조는 약간 차분하고 우아한 어두움, B플렛장조는 밝고 경쾌한 느낌으로 구분할 수 있습니다.[2][4][10] 출처 [1] 이름은 달라도 같은 소리를 내는 조성들 https://www.hankookilbo.com/News/Read/A2021081909220005735 [2] 장조와 단조의 구별법. https://blog.naver.com/viva1143/220910825873 [3] 단조와 장조| 음악 이야기 - 기타 배우기 - 오뚝이 관광산악회 https://cafe.daum.net/frimountaintour/oXd4/113 [4] 단조(음악) https://namu.wiki/w/%EB%8B%A8%EC%A1%B0(%EC%9D%8C%EC%95%85) [5] 조표(#, b)는 왜 붙어요? – 악보 속 샵과 플랫의 비밀 - good sign https://2stlife.tistory.com/entry/%EC%A1%B0%ED%91%9C-b%EB%8A%94-%EC%99%9C-%EB%B6%99%EC%96%B4%EC%9A%94-%E2%80%93-%EC%95%85%EB%B3%B4-%EC%86%8D-%EC%83%B5%EA%B3%BC-%ED%94%8C%EB%9E%AB%EC%9D%98-%EB%B9%84%EB%B0%80 [6] 왕초보 음악공부~ 조표(3) : 네이버 블로그 https://blog.naver.com/msnayana/221641774734 [7] 왜 E 플랫 장조가 그렇게 '영웅적인' 조표일까요? https://www.reddit.com/r/classicalmusic/comments/2649zw/why_is_e_flat_major_such_a_heroic_key/ [8] B 플랫 장조와 G 단조의 차이점은 무엇인가요? https://translate.google.com/translate?u=https%3A%2F%2Fwww.quora.com%2FWhat-is-the-difference-between-a-B-flat-major-and-a-G-minor&hl=ko&sl=en&tl=ko&client=srp [9] 장조와 단조 쉽게 구별하기 / 악보보는법 / 장음계 단음계 https://www.youtube.com/watch?v=7eRcJUzDDSU [10] 각 키별 느낌... https://www.cuonet.com/bbs/board.php?bo_table=community2&wr_id=7579657 Maria Szymanowska (1789–1831) was a Polish composer and one of the first professional virtuoso pianists of the 19th century. Born Marianna Agata Wołowska in Warsaw, she gained acclaim as a pianist known for her delicate tone, lyrical virtuosity, and operatic freedom. Szymanowska toured extensively across Europe, especially in the 1820s, performing in major cities and at the Russian imperial court, where she eventually settled. There she served as the court pianist to Empress Alexandra Feodorovna and ran an influential salon that attracted prominent artists and intellectuals. She composed around 100 pieces, mostly piano works including etudes, nocturnes, mazurkas, polonaises, waltzes, and songs. Her style is considered part of the pre-romantic "stile brillant" and Polish sentimentalism. She was a pioneer of salon music and among the first pianists to perform memorized repertoire publicly, preceding Liszt and Clara Schumann. Her compositions influenced Chopin's early musical language, sharing similar genres but with distinct stylizations. Szymanowska was notable not only as a performer but also as a cultural figure, hosting salons with guests such as Adam Mickiewicz (her son-in-law), Alexander Pushkin, and Mikhail Glinka. She was praised for her expressive playing and helped set early 19th-century standards for piano performance and composition. She was also one of the first female piano virtuosos in Europe. Her legacy includes innovative keyboard writing and stylistic contributions to Polish music, bridging classical tradition and romantic expressiveness. After a successful career and extensive tours, she spent her later years teaching and composing in St. Petersburg until her death in 1831.[1][2][3][4][5] 출처 [1] Maria Szymanowska https://en.wikipedia.org/wiki/Maria_Szymanowska [2] Maria Agata Szymanowska https://www.polishartsongproject.com/composers/szymanowska [3] Maria Szymanowska - A Modern Reveal https://www.amodernreveal.com/maria-szymanowska [4] The Great Women Artists Who Shaped Music XVIII – Maria ... https://interlude.hk/great-women-artists-shaped-music-xviii-maria-szymanowska/ [5] Maria Szymanowska and Fryderyk Chopin - Polish Music Center https://polishmusic.usc.edu/research/publications/polish-music-journal/vol5no1/maria-szymanowska-and-fryderyk-chopin/ [6] Szymanowska Database https://www.derekjmyler.com/szymanowska-database [7] Maria Szymanowska (1789-1831). A Woman of Europe - Home https://www.maria-szymanowska.eu/index-en.html [8] Category:Szymanowska, Maria Agata https://imslp.org/wiki/Category:Szymanowska,_Maria_Agata [9] Maria Szymanowska - Nocturne in B flat major https://www.youtube.com/watch?v=Aw2FLkNR4as [10] Maria Szymanowska - 3 Międzynarodowy Konkurs Muzyki ... https://polishmusiccompetition.pl/composers/maria-szymanowska/ 3. Maria Szymanowska (1789–1831) 18개의 춤곡 - 14번 콩트르당스(Contre-danse) Ab장조, 4번 폴로네즈 F단조, 18번 코티용(Cotillon) Ab장조 pf. Sławomir P. Dobrzański 9:21 4. Maria Szymanowska (1789–1831) 피아노를 위한 환상곡 pf. Sławomir P. Dobrzański 11:21