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At 5pm local time on June 12, the national soccer teams of Brazil and Croatia will kick off the 2014 World Cup at the Sao Paulo Arena in Brazil’s largest city. The players will compete before a live crowd of tens of thousands and a televised audience of millions more.
At a total cost of roughly $11 billion - and at least eight workers’ lives – Brazil will host the most expensive World Cup in history. Though this is not to understate the scandalous
Widespread anti-Cup protests have been roiling Brazil’s cities and social media networks for months. The demonstrators’ grievances range from public transportation fare hikes to inadequate wages, housing, education, security and healthcare, among other things. But as evidenced by their use of the slogan “Nao vai ter Copa!” (“There will be no Cup!”), it is clear that they intend to use the lavish international spectacle both as a symbol of their concerns and a spotlight to shine on them.
On June 3, a group of anti-Cup activists inflated giant soccer balls in the capital city Brasilia. Protest organizer Antonio Carlos Costa told Agence France Presse, ”We want the Brazilian government to ask the nation’s forgiveness because it promised something it never delivered. It invested a fortune of public money in things that weren’t necessary.” A recent Pew poll found that 61% of respondents believed hosting the World Cup is a ”bad thing” “because it takes money away from public services.”
Not all of the protests have been peaceful. AFP interviewed one of a growing number of so-called “Black Bloc” activists, who went by the pseudonym Elizabeth:
Black Bloc is not a formal group, she says, but “a tactic for action that anyone can join.”
During the past year’s protests its adherents have destroyed banks, trashed public property, thrown petrol bombs and attacked police with stones and clubs.
But Elizabeth says that is merely “a reaction to violence by the police, who always hit first.”
The government response to the outpouring of protests, strikes, and strike threats over recent months and weeks by various segments of society – from airline employees, teachers and homele
A particularly representative series of events unfolded on June 5, one week before kickoff. While Dilma and FIFA president Joseph Blatter expressed their confidence in Brazil’s ability to put on the “Cup of all Cups,” thousands of homeless workers marched peacefully on the Sao Paulo Arena as police clashed with striking subway workers nearby. One of the strikers reportedly told a police officer, “Put the gun down. There are only workers here. We’re workers just like you.”
That same day at a concert in the city, the audience cursed out Dilma over her handling of the World Cup preparations and popular rapper Marcelo Falcao told the crowd the following:
“The legacy that comes with this Cup is a very vile one…[W]e love soccer, but for the first time we have to be honest…In all reality [society] doesn’t have the necessary health, education and all it needs in terms of security and transportation, amongst other things…I am standing by the entire country who wanted something good…If it’s not good, I’m not going to [applaud].”
This level of discontentment is remarkable given the complex and deeply-rooted cultural and political history of soccer in Brazil, especially with regard to race and class. As former Brazilian President Luiz Inacio “Lula” da Silva said without hyperbole when his country was chosen as the future host of the world’s most-watched sporting event in 2007, ”Soccer is more than a sport for us, it’s a national passion.”
O Jogo Bonito
In 1888, around the same time that soccer was introduced to Brazil by upper-class British expatriates, it became the last country in the Americas to abolish slavery. After importing approximately 40% of the African people who were kidnapped and shipped to the Americas during that era, the post-abolition government subsidized a racial miscegenation program known as “branqueamento” (“whitening”) that brought an influx of working-class immigrants from various European countries to Brazil during the late 19th and early 20th centuries. These white European laborers introduced to Brazil’s black and brown working class what soccer demi-god Pele would later call “o jogo bonito“ (“the beautiful game”).
It should be mentioned that unlike the post-abolition United States, Brazil did not enforce a system of legal segregation or discrimination after it did away with slavery. Race in Brazil has been defined socially, by appearance, not legally or officially, by heritage. As Thomas Skidmore wrote in his 1992 essay ”Fact and Myth: Discovering a Racial Problem in Brazil;”
The result was a system of social stratification that differed sharply from the rigid color bifurcation in the U.S. (both before and after slavery) and in Europe’s African colonies. There was and is a color…spectrum on which clear lines were often not drawn. Between a “pure” black and a very light mulatto there are numerous gradations, as reflected in the scores of racial labels (many pejorative) in common Brazilian usage.
Echoing Roberto Damatta‘s 1991 discourse on Brazilian society’s classist and racist “authoritarian rituals,” Joaquim Barbosa, the first black judge to sit on the country’s Supreme Federal Court, put it more simply, but still poignantly, for The Guardian in 2012; “Racism in Brazil is well hidden, subtle and unspoken…It is nevertheless extremely violent.”
For years, soccer in Brazil had been enjoyed almost exclusively by wealthy, mostly British elites, but the sport’s simplicity made it an accessible activity for poor laborers with very little disposable income. The formation of recreational clubs and leagues in the first decades of the 20th century was actually encouraged and sometimes financially supported by employers who were happy to have their workers playing and watching soccer rather than organizing with the radical socialist and anarchist groups that were emerging around that time.
With the active encouragement of the capital-owning class and without any other sports to compete with it, soccer rapidly became the country’s national pastime. In 1923, more than two decades before Jackie Robinson broke the color line in American baseball, the Vasco de Gama soccer club in Rio de Janeiro fielded a team consisting primarily of black and mixed-race athletes. The squad went on to win the city championship that year, breaking the color line in Brazilian soccer with emphasis.
As Joseph A. Page writes in his 1996 ethnography The Brazilians, the sport was inherently “suited to the Brazilian temperament…[of] individual and collective self-expression…Soccer seemed to merge sport and samba,” a traditional style of Afro-Brazilian music and dance. For Page, “the improvisational style of Brazilian soccer” derived from “the Brazilian way of overcoming poverty” – a communal effort rooted in mutual reciprocity – a sort of metaphor for the model “Brazilian” political society.
Futebol & Democracia Racial
In 1930, Uruguay hosted and won the inaugural World Cup, in which Brazil fielded a mixed-race team. They failed to progress past the first round. One of the black players, Fausto dos Santos, “A Maravilha Negra“ (“The Black Wonder”), was widely considered the best Brazilian mid-fielder of his time, but he nonetheless faced racism at home as well as during his brief stint in European leagues in following years.
Just months after Brazil was eliminated from the 1930 Cup, a bloodless military coup brought the authoritarian corporatist Getulio Vargas to power as president of Brazil. The Vargas regime dissolved congress became a dictatorship in 1937, forcibly crushing out the leftist opposition, including various Afro-Brazilian movements. Still, the 1934 and 1938 World Cup teams (both of which failed to make the finals) fielded black and mulatto players, including Brazil’s biggest star until Pele, the legendary striker Leonidas da Silva, known as “O Diamante Negro” (“The Black Diamond”), as well as the man who would later “discover” Pele, Waldemar de Brito.
World War II put international soccer competitions on hold, but brought economic development to Brazil, in large part due to its deepening ties with the United States. As the war wound down, Vargas seemed unable to reconcile being the only South American country to send troops to fight against the Axis dictatorships with the authoritarian nature of his own regime. Beginning around 1943, he attempted to tack to the democratic populist left, but was overthrown by coup in 1945.
Nevertheless, Vargas won election to the Senate in 1946 and the candidate he endorsed, Marshal Eurico Gaspar Dutra, won the presidency. Vargas was elected Dutra’s successor in 1950, espousing an economic policy that consisted essentially of “capitalism with a human face” while un-ironically attacking Dutra’s economic policies for having favored the rich.
1950 was also the year that Brazil hosted the World Cup – the first since the tournament was suspended due to the war and the last to take place in Brazil until this year. Political, economic and athletic hopes were high. In front of some 200,000 fans at the Estadio de Maracana in Rio de Janeiro – then the largest soccer arena on Earth – the Brazilian national team faced off against Uruguay in the championship match.
Brazil lost, 2 to 1.
As Page describes it, the 1950 World Cup loss was “a catastrophe the extent of which is difficult for outsiders to grasp.” Citizens dubbed it the Maracanazo, using the same disaster-signifying suffix as the Bogotazo - the 1948 assassination of the Colombian populist Liberal politician Jorge Eliecer Gaitan and the ensuing riots which decimated the capital city and killed thousands, ultimately leading to decades of bloody internal conflict. As Page writes:
This tragic loss brought to the surface not only the self-doubt Brazilians have always harbored, but also the racism that lurked beneath their inferiority complex. Both Barbarosa [the goalkeeper] and Bigode [a defender], the principal scapegoats, were dark-skinned, and many Brazilians were willing to believe that their country would never win the World Cup with a racially-mixed society.
At the same time, many Brazilians thought of their country as a “democracia racial” (“racial democracy”) – a society that does not discriminate based on skin color or ethnicity. This ideology essentially dismissed the very notion of racism in Brazil, arguing instead that European miscegenation had ”whitened” Brazilian society to its benefit and that societal inequalities were the result of circumstance, not race.
Dilma showed how entrenched this ideology remains in Brazil in December 2012. Moments before protests broke out against excessive police violence and the upcoming Confederations Cup – the “dry run” for the World Cup – Dilma told a global television audience that Brazil was a country “with no prejudice or exclusion and where there is a respect for human rights.” As discussed further below, the president’s statement was demonstrably untrue, but it reveals Brazil’s ongoing struggle to come to terms with the historical influence of race and class on its modern society.
Ordem e Progresso
A period of economic and political instability followed the demoralizing 1950 loss, culminating in the suicide of President Vargas in August 1954, just a few weeks after Brazil had been eliminated from that year’s World Cup quarter-finals. Brazil was left to be ruled by tenuous caretaker governments until the administration of President Juscelino Kubitschek, who took office in 1956.
With the motto, “50 years of progress in five,” Kubitschek further opened his country to foreign capital and promoted ambitious development projects. One of his most grandiose plans was the construction of the a brand new capital city, Brasilia, completely from scratch in just four years.
Kubitschek’s policies helped grow and industrialize the economy, although issues like homelessness, poverty and inequality persisted. As Page put it, Brazilians felt at the time that their economy’s nascent modernization “had not required slavish imitation of foreign models. [They] could win in their own way.” Brazil won the 1958 World Cup in Sweden – the country’s first international title. Two years after the official inauguration of their new capital city, Brazil picked up their second at the very next tournament in Chile in 1962.
However, the “miracle” began to dawn in 1964 when a United States-backed military coup deposed leftist president and former Vargas Labor Minister, Joao Goulart. Goulart was succeeded by one of the military officers who had led his ouster, Marshal Humberto de Alencar Castelo Branco. The Branco government proceeded to institute drastic neoliberal economic reforms that resulted in massive unemployment and civil unrest, while carrying out an often violent purging of leftists reminiscent of the Vargas government.
At the 1966 World Cup in England, the Brazilian national team was humiliatingly eliminated in the initial stage, suffering 3-1 losses first to Hungary and then to its former colonial master, Portugal. In 1968, Brazil’s military government dissolved congress and began resorting to assassinations, forced disappearances and torture (with help from the US and the UK) to suppress dissent.
Brazil won the World Cup for a third time in 1970, but as Page put it, “the glory soon faded.” Despite relatively strong economic growth under military rule, human rights abuses, inequality, unemployment, poverty and illiteracy continued throughout the dictatorship’s political “abertura” (“opening”) of 1974 and beyond.
O Rei de Futebol
Brazilian soccer legend Edson Arantes do Nascimento, known worldwide as Pele, plays a particularly allegorical role in the political history of soccer in Brazil. “O Rei do Futebol” (“The King of Soccer”) was born in 1940 in Tres Coracoes, Minas Gerais. He began his professional career at the age of 16 and at 17 he made his debut with Brazil’s first championship-winning squad at the 1958 World Cup.
The youngest athlete to ever play in a Cup match, Pele scored three of the goals that led Brazil to a crushing 5-2 victory in the final game against host country Sweden. Pele also played on the 1962 championship team and in 1970 he set a record he still holds by becoming the only person to have played on three Cup-winning squads.
Pele, “A Perola Negra” (“The Black Pearl”), is an officially-designated
But the dark-skinned Brazilian from a working-class family has been remarkably apolitical as an international soccer superstar, rarely voicing a strong opinion on social or political issues and never openly condemning the atrocities of the Brazilian military dictatorship.
In this regard, Pele stands in sharp contrast to former national team striker Romario de Souza Faria, who played on the World Cup-winning 1994 and 2002 teams. The dark-skinned soccer star-turned-congressman has been a fierce critic of social inequalities and a strong supporter of the the ongoing protests.
In June 2013, the infamously apolitical Pele called on Brazilians to “forget” the anti-Cup protests occurring at that time and to support the national soccer team. Many Brazilians were outraged. Romario said at the time, ”Pele has no fucking awareness of what’s going on in this country.” Even Pele’s more recent condemnations of the government’s World Cup preparations failed to recognize both the sources and the scope of the country’s many problems.
In 2011, it was revealed that Pele had been investigated by Brazilian authorities in 1970 for suspected leftist ties. Despite no evidence of Pele being involved in any political movements or actions himself, he had allegedly received a manifesto from a government employee seeking amnesty for political prisoners. Whether because of lack of conviction or government intimidation, Pele kept quiet.
On July 18, 1971 Pele played his last international match for Brazil against Yugoslavia, a game that ended in a 2-2 draw. Many Brazilians began to view Pele as a sell-out when he left Brazil (with some help from Henry Kissinger) for the US in 1974, where he earned millions of dollars lending his talent and international prestige, not to a local team his own country, but to the North American Soccer League as a player for the New York Cosmos.
Retorno a Democracia
Mirroring the quarter-century of political and economic asphyxiation Brazil underwent during the years of the dictatorship, the country would not win another World Cup until 1994 – a full five years after Fernando Alfonso Collor de Mello became the first directly-elected president since the 1960s.
Janet Lever described the 1994 World Cup victory in her book “Soccer Madness:”
“The country literally stopped for the final matches - Congress adjourned, schools closed, and businesses shut down…After the victory people poured into the streets creating a noisy carnival of dancing and fireworks. There were no riots. Casualties included those in car accidents caused by inebriated drivers and people with high blood pressure who got sick from excitement.”
The symbolism of winning Brazil’s first post-Pele Cup – its fourth altogether, another record – on American soil by beating a European country was powerful. Still, the Washington Consensus-style neoliberalization forced upon
At the time, professional soccer was also becoming less accessible to average Brazilians. Workers’ wages were stagnating as the price of admission to local matches rose, and many players were forced to work second jobs to supplement their insufficient salaries. As Lever wrote, “This is a vicious cycle: the more players leave, the worse the quality of regular league competition becomes, and consequently, fewer fans are willing to pay to see their teams.” On the 2014 squad, only four of the 23 athletes play for Brazilian club teams. The rest all play in the European, Russian or Canadian leagues.
Cardoso e Lula
In 1994, the year they once again made soccer history, Brazilians elected
After yet another decade of unfulfilled ”free market” promises, the Brazilian people were ready to forge a different path. In June 2002, Brazil broke their own record by winning a fifth World Cup. In October, they chose their fourth directly-elected president since the end of the dictatorship; Luiz Inacio Lula da Silva, better known simply as “Lula.”
However, the scope of the change promised by Lula and his “socialist” Worker’s Party (PT) was mitigated by the influence of Brazil’s integration into the global capitalist system – including the $41 billion IMF “aid” package the country had accepted under Cardoso in 1998. By early 2002, capital markets were threatening to pull the plug on the country’s economy if it did not redouble its commitment to neoliberal reform.
Worried that his election as a self-proclaimed socialist could spark a financial attack on the country, Lula and the PT’s campaign rhetoric started to become much more market-friendly. Lula wrote and published an open letter to the Brazilian people during the final days of the 2002 World Cup, expressing his desire to avert a fate similar to that of their soccer arch-rival Argentina (which had been eliminated in the tournament’s first round):
“What is important is that this crisis must be avoided, because it would cause irreparable suffering for the majority of the population. To avoid this crisis it is necessary to understand the margin for maneuver in the short run is small.”
Lula was elected later that year and whatever “crisis” was averted was replaced by an IMF-dictated economic policy that helped spawn a regressive social spending system. Nevertheless, when Lula handed off the presidency in 2011 to his former chief of staff Dilma Rousseff, he had an 83 percent approval rating – the highest of any president since the dictatorship.
As Favelas
Nearly four years into the Rousseff administration, more than half of Brazilians view her has a bad influence on the country. Economic growth has slowed. The poverty rate has barely budged after falling from 35% during Lula’s first term to around 20% by the time he left office. Similarly, unemployment has hovered around 5% after being halved from 12% to 6% during the Lula years. Brazil, along with many of its Latin American neighbors, still ranks among the worst countries in the world for income inequality.
According to recent studies the vast majority of Brazilians believe racism exists in their society, but only a tiny percentage consider themselves to be racist. While few people still refer to Brazil as a “racial democracy”, the essence of the ideology still survives despite a decade-long crawl toward racial affirmative action policies in public education and employment.
In 2011, the year Dilma took office, government census data showed that people who identify as “white” are a minority in Brazil for the first time since the 19th century. Government studies have shown that people who identify as black or brown make incomes that are less than half those of their white counterparts and they are much more likely to lack access to basic services like security, education, healthcare and sanitation.
One particularly illustrative example of this race-class conflation can be found in the illegal settlements, known as “favelas,” that exist in most major Brazilian cities. Migrants from rural Brazil, many of them of black or indigenous ancestry, flooded into rapidly-industrializing urban areas during the early 20th century. Combined with the government-sponsored importation of European labor under the “whitening” program, this created an urban housing crisis that Brazil has never truly solved. According to government statistics, 1.8 million of Brazil’s roughly 200 million people are homeless. More than 1 million are estimated to live in favelas.
Many favela residents have no legal title to the land or structures they occupy, which has enabled the government to carry out forcible evictions of entire neighborhoods to make way for “development” projects in recent decades. In 2011, the Special Rapporteur of the UN Human Rights Council on the right to adequate housing, Raquel Rolnik (a native Brazilian), expressed concern with “a pattern of lack of transparency, consultation, dialogue, fair negotiation, and participation of the affected communities in processes concerning evictions undertaken or planned in connection with the World Cup and Olympics.”
Reports of police torturing, assassinating and “disappearing” the poor, mostly black and brown residents of Brazil’s criminalized urban communities are neither new nor uncommon. The killing of a young favela resident in April 2014 sparked protests in Rio as well as the Twitter hashtag “Eu Nao Mereco Morrer Assassinado” (“I don’t deserve to be murdered”). Earlier that month, violent protests had erupted over the death of an elderly woman who was caught in the crossfire of a gang versus police shootout. A recent Pew poll found that nearly two-thirds of Brazilians think the police have a negative impact on the country.
Copa 2014
Although the term is frequently employed above, “anti-Cup” is perhaps not the best description of most recent protest actions. Most citizens are not opposed to the World Cup per se. Of course Brazilians will root for their team during the tournament. Even Dilma cheered for the championship 1970 team from the jail where she was imprisoned and tortured by the contemporary military government.
Antagonizing the World Cup has a deep cultural significance, but also a more obvious motivation. The state has razed people’s houses to build soccer stadium parking lots. The police have chased the poor away from the beaches and hotels and shopping districts back to the slums, only to invade and occupy their neighborhoods in order to “pacify” them. The government has spent nearly $1 billion on World Cup security alone while many favelas still lack basic utilities.
Brazil is not, as Dilma put it, a country “with no prejudice or exclusion and where there is a respect for human rights,” but it is striving to become one, as it has been for a long time. In his famous essay “Do You Know Who You’re Talking To?!” Brazilian sociologist Roberto DaMatta attempts to define what he calls the “Distinction between Individual and Person in Brazil:”
“In my opinion, the same basic process of constructing the individual or the person [in Brazil] takes place during great public festivals like Carnival, when persons become individuals and submit to the general rules of the revelry – of the reign of the clown king Momus – and accept their status as anonymous human beings. By the same token of inversion, anonymous individuals cease to be merely members of the labor force and marginal workers and become persons: noblemen, singers, dancers, and characters of a national drama. The same thing happens in futebol (soccer), where by identifying with their teams (and clubs), fans transform themselves into persons entitled to certain rights in victory and defeat. The prize here, as in Carnival, is highly significant: it is the right to hierarchize the position of equals or to change the position of superiors, the drama always having as motif the relationships between equality and hierarchy.”
DaMatta goes on to describe Brazilian society as “midway between equality and hierarchy”, “satisfied with its modern set of universal laws but framed in a markedly hierarchical skeleton…[wherein] the codes of personal relationships are the structural components of the social structure, not mere ‘survivals’ from the past that will soon be swept away by the introduction of modern political and economic institutions.”
Many favela residents volunteer their limited spare time to help their neighbors build, repair, and upgrade their homes in a practice known as a “mutirao“. Participatory budgeting projects begun under the Lula administration showed the benefits of democratic community participation in spending decisions. Giant state projects rife with injustice, corruption and mismanagement like the World Cup debacle only serve to remind Brazilians that in many key moments of the country’s history, the government has been an impediment to true progress.
At the individual level, the protests may be about evictions, security, wages or any number of other things. In totality they express a deep desire for the government to rectify the injustices of the past, rather than forever pursuing future greatness while blinding itself to a centuries-long legacy of political and economic exclusion based on race and class. An anonymous Black Bloc protester described his interpretation of the zeitgeist to GlobalPost:
“The crisis is worldwide. People are seeing that representative democracy doesn’t represent anyone — here in Brazil, in London, in Greece or anywhere. When people go on the street and create pressure they become political actors….The new generation is very radical…Those inside the stadium will be under siege.”
Radical leftist politics is nothing new in Latin America, but the swelling wave of activism in Brazil has a deeper and wider significance beyond being simply “anti-neoliberal” or “anti-capitalist.” The country has had its hopes inflated and dashed by the World Cup once before. In 1950, Brazil’s working class were mere bystanders and spectators. This time around, they have been training as hard as the players, dedicating themselves to action and organization for years and not letting their support for their country’s team drown out their sociopolitical critiques – or vice versa.
The socialist Worker’s Party has won every presidential election in the 20th century Brazil and has achieved many commendable accomplishments while in power and although Dilma has been losing popularity, her closest challenger for October’s presidential race is the centrist social democrat Aecio Neves, who garners about half as much support as the incumbent. Despite significant gains in recent years against poverty and unemployment, a vast majority of Brazilians disapprove of the current economic situation.
On June 7, Dilma claimed that the protests were part of a “systemic campaign” not necessarily against the World Cup but against some nebulous “us.” Pace Dilma, Brazilians’
As the multibillion-dollar capitalist bonanza of the World Cup plays out – Laurel Wentz at AdAge described it “like having the Super Bowl every day for an entire month” – leftists and radicals should lend their solidarity to the movements opposed to what the World Cup symbolizes for so many Brazilians; capitalistic exploitation, enduring racism and ongoing criminalization of the poor, as well as the symbiotic nature of those systems of oppression.
Mike LaSusa is a freelance writer and researcher in Washington, DC, concentrating on organized crime, ethnic and indigenous politics, and radical political and social movements in Latin America. He currently works for the Latin America-focused advising firm Southern Pulse as a contributing editor. Previously he served as a researcher at the Center for Hemispheric Policy at the University of Miami and. Reach him by email at mlasusa2000@yahoo.com or on Twitter @mikelasusa.
http://www.counterpunch.org/2014/06/10/race-class-and-the-world-cup-in-brazil/
[Note for TomDispatch Readers: There is a tiny universe of editors of Eduardo Galeano. I was once one of them. Carl Bromley of Nation Books is so today. For an editor, working with such an author is an experience glorious beyond describing. Think of it as to ordinary editing what “the beautiful game” (soccer), World Cup variety, is to sports. With the latest round of that contest imminent, I thought the perfect teaser for TomDispatch readers would be a selection from Galeano’s classic book, Soccer in Sun and Shadow, and Galeano’s splendid literary agent Susan Bergholz agreed immediately. So, one editor to another, I asked Carl, as a literary gent and a Brit with a yen for soccer (who will be cheering for Italy), to do the TomDispatch introduction. Let me give all of you the TomDispatch Guarantee: buy Galeano’s book before the World Cup begins and you may not be able to look up long enough to catch the games! Remember, he's just been called "the Pele of soccer writers" in the Guardian. Tom]
Over the next few weeks, we will see all that is beautiful and all that is damned in soccer at the FIFA World Cup in Brazil. Hundreds of millions will swoon at the sight of the gods of the global game -- Argentina’s Lionel Messi, Portugal’s Cristiano Ronaldo, Uruguay’s Luis Suarez, Italy’s Andrea Pirlo, England’s Wayne Rooney -- plying their exquisite trade across the newly built or expensively refurbished stadiums on which Brazil, according to the Wall Street Journal, has spent $3.6 billion over the last few years.
The 32 national teams arriving in that country will, however, be confronted with another, far more sobering reality. Soccer-crazy Brazil has been in revolt over the World Cup -- over, in particular, the staggering sums that have been siphoned from the public purse into a string of gargantuan, desperately-behind-schedule construction projects for the competition. Last year, there were protests, some of which were violently suppressed, in more than 120 Brazilian cities during the somewhat pointless warm-up tournament that the governing body of world soccer, FIFA, runs a year before the World Cup begins.
For lovers of the game, in his celebrated masterpiece Soccer in Sun and Shadow, the great Uruguayan writer Eduardo Galeano long ago caught the way the spectacle of soccer and the spectacle of reality intertwined. Of the Brazilian protests, he recently observed: “Brazilians, who are the most soccer-mad of all, have decided not to allow their sport to be used any more as an excuse for humiliating the many and enriching the few. The fiesta of soccer, a feast for the legs that play and the eyes that watch, is much more than a big business run by overlords from Switzerland. The most popular sport in the world wants to serve the people who embrace it. That is a fire police violence will never put out.”
Huge global sporting contests, their boosters promise, will transform the nature of the host country. The billions South Africa poured into hosting the World Cup were touted by some as a form of development. The result? The month-long euphoria of the contests was followed by the hangover of dealing with an expensive unused or underused stadium infrastructure scattered across that developing country. (Host countries pay FIFA for the privilege of hosting the competition, then foot the bill for most of the tournament, while FIFA takes most of the revenues.) Today, something similar is happening in Brazil where, as Simon Kuper and Stefan Szymanksi have noted, there has been “a transfer of wealth from Brazil as a whole to various interest groups inside and outside the country. This is not an economic bonanza. Brazil is sacrificing a little bit of its future to host the World Cup.”
This is just one symptom of a corporate takeover of “the beautiful game” that has reached the saturation point. Since the neoliberal 1980s, Brazil, like many other South American countries, has been in the business of exporting its soccer talent to the rest of the world. As Galeano once noted of his own country's leg drain, “In Uruguay... soccer is an export industry that scorns the domestic market. The continuous outflow of good players means mediocre professional leagues and ever fewer, ever less fervent fans.”
Corporate sponsorship is officially prohibited from team shirts during the World Cup, but elsewhere, from the T-shirts on their chests to the laces on their shoes, even in one controversial case their underpants, the players are advertisements for the multinational apparel companies who make their uniforms. And the elite among them are employed as brand ambassadors by corporations during the tournament; so expect to see Messi and Ronaldo advertising soft drinks and airlines during gamebreaks.
We all need an antidote to soccer as big business; if you can’t take to the streets of Brazil to offer your own comment on the ways in which international sports leave misery in their wake, you must, at least, pick up Eduardo Galeano’s witty and rebellious history of the game, Soccer in Sun and Shadow. It already has a cult readership in the English-speaking world, but in the Spanish-speaking one it is considered a bible of soccer by ordinary readers and professional players alike. In the run-up to the games, TomDispatch offers you just a taste of that classic: five pieces that capture the marvel and melancholy of the world’s most popular sport. Carl Bromley
“The World Turns Around a Spinning Ball”
Choreographed War and Other Aspects of the World’s Greatest Game
By Eduardo Galeano[The following passages are excerpted at TomDispatch from Eduardo Galeano’s Soccer in Sun and Shadow (Nation Books, Open Road Mediaebooks).]
The Stadium
Have you ever entered an empty stadium? Try it. Stand in the middle of the field and listen. There is nothing less empty than an empty stadium. There is nothing less mute than stands bereft of spectators.
At Wembley, shouts from the 1966 World Cup, which England won, still resound, and if you listen very closely you can hear groans from 1953 when England fell to the Hungarians. Montevideo’s Centenario Stadium sighs with nostalgia for the glory days of Uruguayan soccer. Maracana is still crying over Brazil’s 1950 World Cup defeat. At Bombonera in Buenos Aires, drums boom from half a century ago. From the depths of Azteca Stadium, you can hear the ceremonial chants of the ancient Mexican ball game. The concrete terraces of Camp Nou in Barcelona speak Catalan, and the stands of San Mames in Bilbao talk in Basque. In Milan, the ghost of Giuseppe Meazza scores goals that shake the stadium bearing his name. The final match of the 1974 World Cup, won by Germany, is played day after day and night after night at Munich’s Olympic Stadium. King Fahd Stadium in Saudi Arabia has marble and gold boxes and carpeted stands, but it has no memory or much of anything to say.
The English Invasions
Outside a madhouse, in an empty lot in Buenos Aires, several blond boys were kicking a ball around.
“Who are they?” asked a child.
“Crazy people,” answered his father. “Crazy English.”
Journalist Juan Jose de Soiza Reilly remembers this from his childhood. At first, soccer seemed like a crazy man’s game in the River Plate. But as the empire expanded, soccer became an export as typically British as Manchester cloth, railroads, loans from Barings, or the doctrine of free trade. It arrived on the feet of sailors who played by the dikes of Buenos Aires and Montevideo, while Her Majesty’s ships unloaded blankets, boots, and flour, and took on wool, hides, and wheat to make more blankets, boots, and flour on the other side of the world. English citizens -- diplomats, and managers of railroad and gas companies -- formed the first local teams. The English of Montevideo and Buenos Aires staged Uruguay’s first international competition in 1889, under a gigantic portrait of Queen Victoria, her eyes lowered in a mask of disdain. Another portrait of the queen of the seas watched over the first Brazilian soccer match in 1895, played between the British subjects of the Gas Company and the Sao Paulo Railway.
Old photographs show these pioneers in sepia tones. They were warriors trained for battle. Cotton and wool armor covered their entire bodies so as not to offend the ladies in attendance, who unfurled silk parasols and waved lace handkerchiefs. The only flesh the players exposed were their serious faces peering out from behind wax-twirled mustaches below caps or hats. Their feet were shod with heavy Mansfield shoes.
It did not take long for the contagion to spread. Sooner rather than later, the native-born gentlemen of local society started playing that crazy English game. From London they imported the shirts, shoes, thick ankle socks, and pants that reached from the chest to below the knee. Balls no longer confounded customs officers, who at first had not known how to classify the species. Ships also brought rulebooks to these far-off coasts of southern America, and with them came words that remained for many years to come: field, score, goal, goalkeeper, back, half, forward, out ball, penalty, offside. A “foul” merited punishment by the “referee,” but the aggrieved player could accept an apology from the guilty party “as long as his apology was sincere and was expressed in proper English,” according to the first soccer rulebook that circulated in the River Plate.
Meanwhile, other English words were being incorporated into the speech of Latin American countries in the Caribbean: pitcher, catcher, innings. Having fallen under U.S. influence, these countries learned to hit a ball with a round wooden bat. The Marines shouldered bats next to their rifles when they imposed imperial order on the region by blood and by fire. Baseball became for the people of the Caribbean what soccer is for us.
Choreographed War
In soccer, ritual sublimation of war, 11 men in shorts are the sword of the neighborhood, the city, or the nation. These warriors without weapons or armor exorcize the demons of the crowd and reaffirm its faith: in each confrontation between two sides, old hatreds and old loves passed from father to son enter into combat.
The stadium has towers and banners like a castle, as well as a deep and wide moat around the field. In the middle, a white line separates the territories in dispute. At each end stand the goals to be bombed with flying balls. The area directly in front of the goals is called the “danger zone.”
In the center circle, the captains exchange pennants and shake hands as the ritual demands. The referee blows his whistle and the ball, another whistling wind, is set in motion. The ball travels back and forth, a player traps her and takes her for a ride until he gets pummeled in a tackle and falls spread-eagled. The victim does not rise. In the immensity of the green expanse, the player lies prostrate. From the immensity of the stands, voices thunder. The enemy crowd emits a friendly roar:
“¡Que se muera!”
“Devi morire!”
“Tuez-le!”
“Mach ihn nieder!”
“Let him die!”
“Kill, kill, kill!”
Tears Do Not Flow from a Handkerchief
Soccer, metaphor for war, at times turns into real war. Then “sudden death” is no longer just a name for a dramatic way of deciding a tied match. These days, soccer fanaticism has come to occupy the place formerly reserved for religious fervor, patriotic ardor, and political passion. As often occurs with religion, patriotism, and politics, soccer can bring tensions to a boil, and many horrors are committed in its name.
Some believe men possessed by the demon of the ball foam at the mouth, and frankly that image presents a fairly accurate picture of the frenzied fan. But even the most indignant of critics would concede that in most cases violence does not originate in soccer, any more than tears flow from a handkerchief.
In 1969 war broke out between Honduras and El Salvador, two small and very poor Central American countries that for more than a century had been accumulating reasons to distrust one another. Each had always served as the magical explanation for the other’s problems. Hondurans have no work? Because Salvadorans come and take their jobs. Salvadorans are hungry? Because Hondurans mistreat them. Both countries believed their neighbor was the enemy, and the relentless military dictatorships of each did all they could to perpetuate the error.
This war was called the Soccer War because the sparks that set off the conflagration were struck in the stadiums of Tegucigalpa and San Salvador. The trouble began during the qualifying rounds for the 1970 World Cup. There were tussles, a few injuries, several deaths. A week later, the two countries broke off relations. Honduras expelled a hundred thousand Salvadoran peasants who had always worked in that country’s plantings and harvests; Salvadoran tanks crossed the border.
The war lasted a week and killed four thousand people. The two governments, dictatorships forged at a U.S. factory called the School of the Americas, fanned the fires of mutual hatred. In Tegucigalpa the slogan was “Honduran, don’t sit still, grab a stick and a Salvadoran kill.” In San Salvador: “Teach those barbarians a lesson.” The lords of land and war did not lose a drop of blood, while two barefoot peoples avenged their identical misfortunes by killing each other with abandon.
The End of the Match
The ball turns, the world turns. People suspect the sun is a burning ball that works all day and spends the night bouncing around the heavens while the moon does its shift, though science is somewhat doubtful. There is absolutely no question, however, that the world turns around a spinning ball: the final of the '94 World Cup was watched by more than two billion people, the largest crowd ever of the many that have assembled in this planet’s history. It is the passion most widely shared: many admirers of the ball play with her on fields and pastures, and many more have box seats in front of the TV and bite their nails as 22 men in shorts chase a ball and kick her to prove their love.
At the end of the ’94 Cup every child born in Brazil was named Romario, and the turf of the stadium in Los Angeles was sold off like pizza, at twenty dollars a slice. A bit of insanity worthy of a better cause? A primitive and vulgar business? A bag of tricks manipulated by the owners? I’m one of those who believe that soccer might be all that, but it is also much more: a feast for the eyes that watch it and a joy for the body that plays it. A reporter once asked German theologian Dorothee Solle, “How would you explain happiness to a child?”
“I wouldn’t explain it,” she answered. “I’d toss him a ball and let him play.”
Professional soccer does everything to castrate that energy of happiness, but it survives in spite of all the spites. And maybe that’s why soccer never stops being astonishing. As my friend Angel Ruocco says, that’s the best thing about it -- its stubborn capacity for surprise. The more the technocrats program it down to the smallest detail, the more the powerful manipulate it, soccer continues to be the art of the unforeseeable. When you least expect it, the impossible occurs, the dwarf teaches the giant a lesson, and a runty, bowlegged black man makes an athlete sculpted in Greece look ridiculous.
An astonishing void: official history ignores soccer. Contemporary history texts fail to mention it, even in passing, in countries where soccer has been and continues to be a primordial symbol of collective identity. I play therefore I am: a style of play is a way of being that reveals the unique profile of each community and affirms its right to be different. Tell me how you play and I’ll tell you who you are. For many years soccer has been played in different styles, unique expressions of the personality of each people, and the preservation of that diversity seems to me more necessary today than ever before. These are days of obligatory uniformity, in soccer and everything else. Never has the world been so unequal in the opportunities it offers and so equalizing in the habits it imposes. In this end-of-century world, whoever does not die of hunger dies of boredom.
For years I have felt challenged by the memory and reality of soccer, and I have tried to write something worthy of this great pagan mass able to speak such different languages and unleash such universal passion. By writing, I was going to do with my hands what I never could accomplish with my feet: irredeemable klutz, disgrace of the playing fields, I had no choice but to ask of words what the ball I so desired denied me.
From that challenge, and from that need for expiation, this book was born. Homage to soccer, celebration of its lights, denunciation of its shadows. I don’t know if it has turned out the way soccer would have liked, but I know it grew within me and has reached the final page, and now that it is born it is yours. And I feel that irreparable melancholy we all feel after making love and at the end of the match.
Eduardo Galeano is one of Latin America’s most distinguished writers. He is the author of a three-volume history of the Americas, Memory of Fire, and most recently, a history of humanity, Mirrors, as well as Children of the Days: A Calendar of Human History. He is the recipient of many international prizes, including the first Lannan Prize for Cultural Freedom, the Casa de las Americas Prize, and the First Distinguished Citizen of the region by the countries of Mercosur. These excerpts are taken from Soccer in Sun and Shadow, his 1997 book, translated by Mark Fried, and updated to include World Soccer Cup matches through 2010.
Excerpted from Soccer in Sun and Shadow. Copyright ⓒ 1997 by Eduardo Galeano and Mark Fried, translation. Published in paperback by Nation Books, 2013. Published in ebook by Open Road Media, 2014; available wherever ebooks are sold. By permission of Susan Bergholz Literary Services, New York City and Lamy, New Mexico. All rights reserved.
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Copyright 2014 Eduardo Galeano
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