Playing Music for Milongas: 딴다 구성법

[큰바위얼굴]

같은 사람이 쓴 글입니다.
밀롱가지기를 하며, 특히 음악지기를 하는 분은 꼭 읽어보시면 많은 도움이 됩니다.
어떤 순서로 딴다를 구성하는지를 생각해보면, 밀롱가의 분위기 조성, 음악에 대한 이해 등등
많은 도움이 될 듯 합니다.

무척 길지만 꼭 참조하시길!!!!


An Annotated List of Tandas
by Stephen Brown

(Organized by Epoch and Style)
Old Guard — Orquesta Tipica Victor, Carabelli, Lomuto
Early Golden Age — De Caro, Fresedo, Canaro
Golden Age Harder Rhythmic — D'Arienzo, Biagi, Rodriquez
Golden Age Softer Rhythmic — Tanturi, Caló, Laurenz, D'Agostino, Troilo, Di Sarli
Golden Age Smooth — Di Sarli, Canaro, Fresedo, Troilo
Golden Age Lyrical — Caló, Troilo, Di Sarli, Canaro, Fresedo, Tanturi, Demare, De Angelis
Golden Age Dramatic — De Angelis, Pugliese
Transitional and New Tangos
Modern Dance Orquestas
Neo-Tango Music
Milongas
Valses
La Cumparsita — The Finale


Old Guard — Orquesta Tipica Victor, Carabelli, Lomuto
These tandas can be used sparingly in early in the evening when simple rhythms will help the dancers find the beat of the music.

Los Tubatango
(Los Tubatango is a modern era orchestra that plays in old-guard style with unique instrumentation—flute, guitar, bandoneon and tuba—tha is fun when used sparingly.)
Rodriguez Peña
Una Noche de Garufa
Almagro
Zorro Gris
– all from Una Noche de Garufa (Music Hall 10044-2)

Orquesta Tipica Victor – Che Papusa Oi
(On the newer versions of this CD, the tracks are mislabeled. The tangos below are found on tracks 1, 3, 8 and 14)
Negro
Pato
Re Fa Si
Che Papusa Oi
– all from 1926-1940 (El Bandoneon EBCD 85)

Orquesta Tipica Victor – Adios Buenos Aires
Niño Bien
El Porteñito
Ventarron
Adios Buenos Aires
– all from RCA Victor 100 Años

Adolfo Carabelli
Felicia
Mi Refugio
El Cabure
Cuatro Palabras
– all from Cuatro Palabras (El Bandoneon EBCD 87)

Early Golden Age — De Caro, Fresedo, Canaro
These tandas can be used early in the evening to help educate the dancers to the beat.

Julio De Caro – Golden Age
El Monito
Colombina
Derecho Viejo
Boedo
– all from Instrumental Tangos of the Golden Age (Harlequin compilation HQCD 45)

Osvaldo Fresedo – Tigre Viejo
Tigre Viejo
Poliya
Pimienta
Arrabalero
– all from Susana Miller CD #3

Francisco Canaro y su Quinteto Pirincho
Viento en Popa
Don Esteban
Champagne Tango
– all from Nobleza de Arrabal (El Bandoneon EBCD 90)

Francisco Canaro – La Melodia de Nuestro Adios
(This tanda is a classic set of tracks to help dancers find the beat of tango music.)
La Melodia de Nuestro Adios
Pampa
Retintin
– all from La Melodia de Nuestro Adios (El Bandoneon EBCD 30)

Francisco Canaro – Poema
(The music in this tanda has both a early golden-age and lyrical sound. It ends with the truly sublime "Poema.")
Viejo Tiempo
Mala Suerte
Cuartito Azul
Poema
– all from Susana Miller compilation CD (#1)

Mixed Tanda
(Although some purists would object to this mix of orchestras, dancers seem to enjoy it. It works well early in the evening.)
La Melodia de Nuestra Adios – Francisco Canaro,
– from La Melodia de Nuestra Adios (El Bandoneon EBCD 30)
Yo Soy El Tango – Miguel Caló,
– from Yo Soy el Tango (El Bandoneon EBCD 34)
El Once – Osvaldo Fresedo,
– from El Pibe de la Paternal (El Bandoneon EBCD 48)
Mano a Mano – Francisco Lomuto
– from Great Bands of Tango’s "Golden Age" 1936-47 (Harlequin HQCD 89)

Golden Age Harder Rhythmic — D'Arienzo, Biagi, Rodriguez
Juan D'Arienzo – El Rey del Compas
Retintin
Don Esteban
El Irresistible
La Morocha
– all from El Rey del Compas (El Bandoneon EBCD 43)
Juan D'Arienzo – El Flete
Union Civica
– from El Rey del Compas (El Bandoneon)
Canaro en Paris
– from La Puñalada (Blue Moon)
Pensalo Bien
– from The Tango Lesson (Sony movie soundtrack)
El Flete
– from The Tango Lesson (Sony movie soundtrack)
Juan D'Arienzo – El Africano/El Flete
El Cencerro
– from El Gran D'Arienzo, Vol. 1, 1937 (Fueye)
El Africano
– from El Gran D'Arienzo, Vol. 1, 1937 (Fueye)
Pensalo Bien
– from The Tango Lesson (Sony movie soundtrack)
El Flete
– from The Tango Lesson (Sony movie soundtrack)
Juan D'Arienzo – Felicia
El Internado
– from La Puñalada (Blue Moon BMT 011)
Jueves
– from La Puñalada (Blue Moon BMT 011)
Pampa
– from Cambalache (El Bandoneon)
Felicia
– from La Puñalada (Blue Moon BMT 011)
Juan D'Arienzo – 9 de Julio
9 de Julio
– from Sus Primeros Exitos, Vol. 1 (Tango Argentino BMG RCA)
La Viruta
– from Sus Primeros Exitos, Vol. 1 (Tango Argentino BMG RCA)
El Porteñito
– from Sus Primeros Exitos, Vol. 2 (Tango Argentino BMG RCA)
Derecho Viejo
– from Sus Primeros Exitos, Vol. 1 (Tango Argentino BMG RCA)
Juan D'Arienzo con Alberto Echague
Paciencia
– from La Cumparsita (El Bandoneon)
Cambalache
– from Cambalache (El Bandoneon)
No Va Mas
– from Cambalache (El Bandoneon)
Che Negrito
– from Vol. 21 (Club Tango Argentino CTA 321)
Juan D'Arienzo con Hector Maure
Ya Lo Ves
Mirame en la Cara
Enamorado (Metido)
Ammaras
– all from D'Arienzo/Maure (Solo Tango)
Juan D'Arienzo con Mario Bustos
Justo El 31
Si Soy Asi
No Te Quiero Mas
Susanita
– all from Tangos Orilleros (Tango Argentino BMG-RCA)
Juan D'Arienzo – Para el Mundo
The music in this tanda was recorded in stereo during the concert era. The playing seems to combine the smoother, powerful sensibilities of Di Sarli with the rhythms of D'Arienzo.)
La Morocha
Germaine
Inspiracion
Criolla Linda
– all from Tangos Para el Mundo, vol. 2 (Tango Argentino BMG-RCA)
Orquesta Juan D'Arienzo
(Juan D'Arienzo recorded the third track, A Media Luz. The other three tracks are newer recordings made by Orquesta Juan D'Arienzo, which was led by a former D'Arienzo sideman and played in classic D'Arienzo style.)
Pampa
– from La Cumparsita (Phillips)
Derecho Viejo
– from La Cumparsita (Phillips)
A Media Luz
– from Tangos Para el Mundo, vol. 2 (Tango Argentino BMG-RCA)
Don Juan
– from La Cumparsita (Phillips)

Rodolfo Biagi con Alberto Amor
(The music in this tanda is played relatively close to the softer rhythmic style and has a wonderful romantic feel.)
Nada
Si La Llegaran A Ver
Tus Labios Me Diran
Seamos Amigos
– all from Sus Exitos con Alberto Amor (EMI Reliquias)
Rodolfo Biagi – Instrumentals
Pura Clase
– from Solos de la Orquesta (EMI Reliquias)
Racing Club
– from Solos de la Orquesta (EMI Reliquias)
Union Civica
– from Sus Exitos con Andres Falgas and Teofilo Ibanez (EMI Reliquias)
El Recodo
– from Solos de la Orquesta (EMI Reliquias)
Rodolfo Biagi – Racing Club
Union Civica
– from Sus Exitos con Andres Falgas and Teofilo Ibanez (EMI Reliquias)
Son Cosas de Bandoneon
– from Sus Exitos con Andres Falgas and Teofilo Ibanez (EMI Reliquias)
Pura Clase
– from Solos de la Orquesta (EMI Reliquias)
Racing Club
– from Solos de la Orquesta (EMI Reliquias)
Rodolfo Biagi – Instrumentals (2)
El Incendio
– from Pura Clase (El Bandoneon)
Pura Clase
– from Pura Clase (El Bandoneon)
Di Di
– from Pura Clase (El Bandoneon)
La Maleva
– from Campo Afuera (El Bandoneon)
Rodolfo Biagi con Jorge Ortiz
(The fourth track, Racing Club, is an instrumental.)
Humillacion
– from Sus Exitos con Jorge Ortiz (EMI, Reliquias)
Señor, Señor
– from Sus Exitos con Jorge Ortiz (EMI, Reliquias)
Pajaro Ciego
– from Sus Exitos con Jorge Ortiz (EMI, Reliquias)
Racing Club
– from Sus Exitos con Jorge Ortiz vol. 2 (EMI, Reliquias)
Rodolfo Biagi con Andres Falgas
(The fourth track, Union Civica, is an instrumental.)
Cicatrices
Son Cosas del Bandoneon
A Mi No Me Interesa
Union Civica
– all from Sus Exitos con Andres Falgas and Teofilo Ibanez (EMI Reliquias)

Enrique Rodriquez con Roberto Flores y Armando Moreno
Son Cosas del Bandoneon
A Media Luz
Como Se Pianta la Vida
En la Buena y en la Mala
– all from 27 Tangos 1939-1952 (EMI)

Golden Age Softer Rhythmic — Troilo, Tanturi, Calo, Laurenz, D'Agostino, Troilo, Di Sarli
These tandas are useful throughout the evening, and some of the music—particularly that recorded by Miguel Caló—is quite romantic.

Anibal Troilo – Pichuco
(I have listed these instrumental tangos as played in the softer rhythmic style, but some are close to the harder rhythmic style.)
Cachirulo
Milongueando en el 40
Guapeando
Cordon de Oro
– all from Instrumental (Tango Argentino BMG RCA)

Anibal Troilo con Francisco Fiorentino – Tinta Roja
(Francisco Fiorentino with the Anibal Troilo Orquesta is one of the classic matches of singer with a tango orchestra. They recorded in both a softer rhythmic style and a lyrical style. I have listed these tangos as softer rhythmic, but some have elements of the lyrical style.)
Tinta Roja
El Bulin de la Calle Ayacucho
Tabernero
Toda Mi Vida
– all from Troilo/Fiorentino (Solo Tango BMG RCA)

Ricardo Tanturi con Alberto Castillo – Noches de Colon
Noches de Colon
– from Tanturi/Castillo (Solo Tango)
Al Compas de un Tango
– from Tanturi/Castillo (Solo Tango)
Pocas Palabras
– from Tangos di mi Ciudad (Tango Argentino BMG-RCA)
El Tango Es el Tango
– from Tanturi/Castillo (Solo Tango)

Ricardo Tanturi con Alberto Castillo – Cuatro Compases
Ese Sos Vos
– from Tangos di mi Ciudad (Tango Argentino BMG-RCA)
Asi Se Baila El Tango
– from El Tango...Es el Tango (Tango Argentino BMG-RCA)
Recuerdo Malevo
– from El Tango...Es el Tango (Tango Argentino BMG-RCA)
Cuatro Compases
– from El Tango...Es el Tango (Tango Argentino BMG-RCA)

Miguel Caló – Yo Soy el Tango
Yo Soy el Tango
– from Sus Exitos con Podesta, Ortiz y Beron (EMI Reliquias)
La Cantina
– from Sus Exitos con Podesta, Ortiz y Beron (EMI Reliquias)
La Maleva
– from Compilation, Pa' Que Bailen Los Muchachos (Blue Moon)
Lejos de Buenos Aires
– from Al Compás del Corazón (EMI Reliquias)

Miguel Caló – Stock Privado
San Souci
– from Stock Privado (EMI)
Tedio
– from Stock Privado (EMI)
Tarde Gris
– from Stock Privado (EMI)
Saludos
– from Sus Exitos con Podesta, Ortiz y Beron (EMI Reliquias)

Pedro Laurenz
Arrabal
Amurado
De Puro Guapo
Nunca Tuvo Novio
– all from Milonga de Mis Amores (El Bandoneon)

Angel D'Agostino y Angel Vargas – A Pan y Agua
(The fourth track is the playful A Pan y Agua, but its opening will remind many of Cafe Dominguez.)
Pero Yo Se
– from Tangos de Los Angeles, Vol. 1 (Tango Argentino BMG RCA)
Una Pena
– from Tangos de Los Angeles, Vol. 1 (Tango Argentino BMG RCA)
Tres Esquinas
– from Tangos de Los Angeles, Vol. 1 (Tango Argentino BMG RCA)
A Pan y Agua
– from Tangos de Los Angeles, Vol. 2 (Tango Argentino BMG RCA)

Angel D'Agostino y Angel Vargas – Hotel Victoria
El Aristocrata
– from Tangos de Los Angeles, Vol. 3 (Tango Argentino BMG RCA)
Mano Blanca
– from Tangos de Los Angeles, Vol. 2 (Tango Argentino BMG RCA)
Esta Noche en Buenos Aires
– from Tangos de Los Angeles, Vol. 2 (Tango Argentino BMG RCA)
Hotel Victoria
– from Tangos de Los Angeles, Vol. 2 (Tango Argentino BMG RCA)

Angel D'Agostino y Angel Vargas – Cafe Dominguez
(This tanda closes with the classic Cafe Dominguez.)
Me Llaman Tango
Caricias
Mi Viejo Barrio
Cafe Dominguez
– all from Tangos de Los Angeles, Vol. 4 (Tango Argentino BMG RCA)

Carlos Di Sarli – Shusheta
(Although Di Sarli is most associated with the smooth style, the music in this tanda was recorded early in Di Sarli's career when he played in the softer rhythmic style. It is suitable for dancing milonguero- or salon-style tango.)
El Recodo
La Torcacita
La Cachila
Shusheta
– all from Instrumental, vol. 2 (BMG-RCA Tango Argentino)

Golden Age Smooth — Di Sarli, Canaro, Fresedo, Troilo
Some of Fresedo's golden-age recordings have the rhythmic elements that help support milonguero-style dancing, but most dancers tend to treat the music as smooth.

Carlos Di Sarli – Comme Il Faut
Don Juan
Tinta Verde
El Once
Comme Il Faut
– all from Solo Tango, Instrumental vol 1 (Solo Tango BMG-RCA)

Carlos Di Sarli – Milonguero Viejo
(A great tanda with a classic set of tracks.)
A La Gran Muñeca
El Cabure
Mi Refugio
Milonguero Viejo
– all from Milonguero Viejo (Music Hall 10018-2)

Carlos Di Sarli – El Ingeniero
Champagne Tango
– from Instrumental (Tango Argentino BMG-RCA)
Organito de la Tarde
– from Solo Tango, Instrumental vol 1 (Solo Tango BMG-RCA)
Cara Sucia
– from Solo Tango, Instrumental vol 1 (Solo Tango BMG-RCA)
El Ingeniero
– from Solo Tango, Instrumental vol 1 (Solo Tango BMG-RCA)

Carlos Di Sarli – Bahia Blanca
El Abrojo
– from Susana Miller compilation CD (#1)
Una Fija
– from Susana Miller compilation CD (#1)
Indio Manso
– from Susana Miller compilation CD (#1)
Bahia Blanca
– from Solo Tango, Instrumental vol 1 (Solo Tango BMG-RCA)

Anibal Troilo – Quejas de Bandoneon
Quejas de Bandoneon
El Marne
Don Juan
El Pollo Ricardo
– all from Su Mejores Momentos (Music Hall)

Golden Age Lyrical — Caló, Troilo, Di Sarli, Canaro, Fresedo, Tanturi, Demare, De Angelis
These tandas have a wonderfully romantic and seductive feel that can help build the mood of the evening.

Miguel Caló con Raul Beron
(This tanda has wonderfully romantic tangos for dancing with that special someone late in the evening.)
Al Compas del Corazon
Trasnochando
Que Te Importa Que Te Llore
Tristezas de le Calle Corrientes
– all from Al Compás del Corazón (EMI Reliquias)

Miguel Caló con Raul Beron (alternate)
(This tanda has a little more rhythmic feel.)
Que Te Importa Que Te Llore
Tarareando
Lejos de Buenos Aires
Tristezas de le Calle Corrientes
– all from Al Compás del Corazón (EMI Reliquias)

Anibal Troilo con Francisco Fiorentino – Malena
(Francisco Fiorentino with the Anibal Troilo Orquesta is one of the classic matches of a singer with a tango orchestra. They recorded in both a softer rhythmic style and a lyrical style. This tanda has lyrical tangos and ends with the classic Malena.)
Pajaro Ciego
En Esta Tarde Gris
Sencillo y Compadre
Malena
– all from Troilo/Fiorentino, vol. 1 (Solo Tango BMG RCA)

Anibal Troilo con Francisco Fiorentino – Gricel
(This tanda has lyrical tangos and opens with the wonderful Barrio de Tango and closes with the sublime Gricel.)
Barrio de Tango
– from Troilo/Fiorentino, vol. 2 (Solo Tango BMG RCA)
Maragata
– from Troilo/Fiorentino, vol. 1 (Solo Tango BMG RCA)
Suerte Loca
– from Troilo/Fiorentino, vol. 1 (Solo Tango BMG RCA)
Gricel
– from Troilo/Fiorentino, vol. 2 (Solo Tango BMG RCA)

Carlos Di Sarli con Roberto Rufino
Verdemar
Tristeza Marina
Cascabelito
Charlemos
– all from Sus Primeros Exitos vol. 1 (Tango Argentino BMG-RCA)

Carlos Di Sarli con Jorge Duran
Porteño y Bailarin
Un Tango y Nada Mas
Duelo Criollo
Vieja Luna
– all from Porteño y Bailarin (Tango Argentino BMG-RCA)

Francisco Canaro – Uno
(This tanda consists of wonderfully romantic tangos for dancing with that special someone.)
Uno
– from Desde el Alma (EMI Reliquias)
Nido Gaucho
– from Desde el Alma (EMI Reliquias)
Como Dos Extraños
– from Tangos Inolvidables del ‘40 (EMI Reliquias)
Cada Vez Que Me Recuerdes
– from Desde el Alma (EMI Reliquias)

Francisco Canaro – Poema
(The music in this tanda has both a lyrical and early golden-age sound. It ends with the truly sublime "Poema.")
Viejo Tiempo
Mala Suerte
Cuartito Azul
Poema
– all from Susana Miller compilation CD (#1)

Osvaldo Fresedo con Roberto Ray – Vida Mia
(This tanda has wonderfully romantic tangos for dancing with that special someone either late in the evening as the drama builds or during the resolution or denouement of the evening's dancing. The rhythmic accents that support milonguero-style dancing are present in the music to some extent, but the overall impression is smooth, and most dancers respond that way.)
Vida Mia
Niebla del Riachuelo
Pampero
Sollozos
– all from Tangos de Salon (BMG-RCA Tango Argentino)

Ricardo Tanturi con Enrique Campos – Domingo a la Noche
Muchachos Comienza la Ronda
Oigo Tu Voz
Malvon
Domingo a la Noche
– all from Una Emoción (Tango Argentino BMG-RCA)

Ricardo Tanturi con Enrique Campos – Una Emocion
(The second track, Raza Criolla, is an instrumental.)
Que Nunca Me Falte
– from Una Emoción (Tango Argentino BMG-RCA)
Raza Criolla
– from Noches de Tango (Tango Argentino BMG-RCA)
Asi Se Canta
– from Una Emoción (Tango Argentino BMG-RCA)
Una Emoción
– from Una Emoción (Tango Argentino BMG-RCA)

Lucio Demare – Tango Guapo
Al Compas de un Tango
Cancion de Rango
Tango Guapo
Malena
– all from Tango Guapo (El Bandoneon)

Lucio Demare con Raul Beron
Una Emoción
Y Siempre Igual
Tal Vez Sera un Voz
Oigo Tu Voz
– all from Sus Exitos con Raul Beron

Alfredo De Angelis – Adios Marinero
(From an orchestra that is better known for its dramatic tangos and lyrical valses, this tanda opens and closes with lyrical tangos and has two smooth instrumentals in the middle.)
Adiós Marinero
Pura Maña
El Entrerriano
Compadrón
– all from Adiós Marinero (El Bandoneon)

Golden Age Dramatic — De Angelis, Pugliese
Alfredo De Angelis and Osvaldo Pugliese played dramatic music that is best used to increase tension and build to the height of the evening. As the evening builds to a climax, more Pugliese and De Angelis is included in the mix.

Alfredo De Angelis – Pavadita
(This dramatic tanda closes with the must-be-played classic Pavadita. The wonderful "Mi Dolor" replaces "Guardia Vieja" quite readily.)
El Tango Club
– from Instrumentales Inolvidables (EMI Reliquias)
Guardia Vieja
– from From Argentina to the World (EMI)
El Pial
– from From Argentina to the World (EMI)
Pavadita
– from From Argentina to the World (EMI)

Osvaldo Pugliese – De Caro por Pugliese
(This tanda is of early Pugliese music which is wonderful for dancing but does not have the heavy thumping "La Yumba" beat that people associate with Pugliese. I put this tanda together from the now out of print CD, De Caro por Pugliese).
Tierra Querida
– from Instrumentales Inolvidables (EMI Reliquias)
Mala Junta
– from Instrumentales Inolvidables (EMI Reliquias)
Orgullo Criollo
– from Sus Grandes Exitos (EMI Reliquias)
Boedo
– from Instrumentales Inolvidables vol 2 (EMI Reliquias)

Osvaldo Pugliese – Corrientes y Esmeralda
(This tanda is primarily of early Pugliese music which is wonderful for dancing but does not have the heavy thumping "La Yumba" beat that people associate with Pugliese. The first tango is a vocal.)
Corrientes y Esmeralda
– from Sus Exitos con Roberto Chanel (EMI Reliquias)
Mala Estampa
– from Instrumentales Inolvidables (EMI Reliquias)
Tiny
– from Instrumentales Inolvidables (EMI Reliquias)
El Remate
– from Instrumentales Inolvidables (EMI Reliquias)

Osvaldo Pugliese – Recuerdo/Fuimos
(This tanda is of music in which Pugliese made during his transistion to the heavy thumping "La Yumba" beat. The last two tangos are vocals.)
Recuerdo
– from Instrumentales Inolvidables (EMI Reliquias)
El Arranque
– from Instrumentales Inolvidables (EMI Reliquias)
Farol
– from Ausencia (EMI Odeon)
Fuimos
– from Ausencia (EMI Odeon)

Osvaldo Pugliese – Remembranza
(This tanda contains three incredibly passionate vocals and the classic instrumental "Chique.")
Pasional
Chique
Cascabelito
Remembranza
– all from Ausencia (EMI Odeon)

Osvaldo Pugliese – La Yumba/La Tupungatina
(I have made four tandas that open with the must-be-played "La Yumba" and close with the wonderful "Gallo Ciego." The bittersweet "La Rayuela" and the sublime "La Tupungantina" are what make this tanda my favorite.)
La Yumba
– from The Tango Lesson (Sony movie soundtrack)
La Rayuela
– from Instrumentales Inolvidables, vol. 3 (EMI Reliquias)
La Tupungatina
– from Cantan Alberto Moran y Roberto Chanel (EMI Reliquias)
Gallo Ciego
– from From Argentina to the World (EMI)

Osvaldo Pugliese – La Yumba/Yunta de Oro
(This tanda of classics opens with the must-be-played "La Yumba" and continues with the rhythmic "Yunta de Oro" and sublime "La Tupungatina" before closing with the wonderful "Gallo Ciego.")
La Yumba
– from The Tango Lesson (Sony movie soundtrack)
Yunta de Oro
– from Instrumentales Inolvidables, vol. 3 (EMI Reliquias)
La Tupungatina
– from Cantan Alberto Moran y Roberto Chanel (EMI Reliquias)
Gallo Ciego
– from From Argentina to the World (EMI)

Osvaldo Pugliese – La Yumba
(This tanda of classics opens with the must-be-played "La Yumba" and continues with great intensity through "Nochero Soy" and "La Mariposa" to close with the wonderful "Gallo Ciego.")
La Yumba
– from The Tango Lesson (Sony movie soundtrack)
Nochero Soy
– from Ausencia (EMI Odeon)
La Mariposa
– from Ausencia (EMI Odeon)
Gallo Ciego
– from From Argentina to the World (EMI)

Osvaldo Pugliese – La Yumba (alternate)
(This tanda of classics opens with the must-be-played "La Yumba" and continues through the somewhat lighter 'Raza Criolla" and "Pelele" before closing with the intense "Gallo Ciego.")
La Yumba
– from The Tango Lesson (Sony movie soundtrack)
Raza Criolla
– from Instrumentales Inolvidables (EMI Reliquias)
Pelele
– from Instrumentales Inolvidables (EMI Reliquias)
Gallo Ciego
– from From Argentina to the World (EMI)

Osvaldo Pugliese – La Tupungatina
(This tanda illustrates my philsophy in constructing a tanda. Susana Miller's DJ organized the songs to build intensity within the tanda. His ordering — La Tupungatina, El Embrollo, La Rayuela, Gallo Ciego — starts with sweet subtlety and gradually builds with bitterness through the next two tangos before culminating in intensity. My ordering starts with a dramatic bittnerness that pulls dancers onto the floor but then softens to sweetness through the next two tangos before culminating in intensity. The effect is more like a hammock, and I find the contribution to the evening's intensity is stronger.)
La Rayuela
– from Instrumentales Inolvidables, vol. 3 (EMI Reliquias)
El Embrollo
– from Instrumentales Inolvidables, vol. 3 (EMI Reliquias)
La Tupungatina
– from Cantan Alberto Moran y Roberto Chanel (EMI Reliquias)
Gallo Ciego
– from From Argentina to the World (EMI)

Osvaldo Pugliese – Nochero Soy/La Mariposa
(This tanda of classics opens with instense classic Nochero Soy and closes with the floating but intense "La Mariposa." All these tangos have the classic "La Yumba" beat, but they also have lengthy departures in which the beat is submerged. The sound borders on the transitional era when the Pugliese orchestra played dramatic concert music.)
Nochero Soy
– from Ausencia (EMI Odeon)
A Mis Compañeros
– from Instrumentales Inolvidables, vol. 2 (EMI Reliquias)
El Embrollo
– from Instrumentales Inolvidables, vol. 3 (EMI Reliquias)
La Mariposa
– from Ausencia (EMI Odeon)

Osvaldo Pugliese – Tinta Roja
(The music in this tanda is from the transitional era when the Pugliese orchestra played dramatic concert music. It can be used for social dancing, but do not be surprised if some dancers engage in theatrics.)
Tinta Roja
Arrabal
A Los Amigos
El Andariego
– all from From Argentina to the World (EMI)

Osvaldo Pugliese – A Evaristo Carriego
(The truly stunning music in this tanda is from the transitional era when the Pugliese orchestra played dramatic concert music. It can be used for social dancing, but do not be surprised if some dancers engage in theatrics.)
Emancipacion
– from From Argentina to the World (EMI)
Pata Ancha
– from From Argentina to the World (EMI)
La Bordona
– from From Argentina to the World (EMI)
A Evaristo Carriego
– from Nostalgico (DBN Polydor)

Transitional and New Tangos
I have pulled together a few tandas of music that are played with a dance beat and have the dramatic and lyrical qualities of tangos from the transitional and new-tango eras. Tandas from these eras should be used sparingly, and care should be used in selecting music for the tandas and in positioning them during the evening's mix of music.
Alfredo Gobbi
La Viruta
Orlando Goñi
Puro Apronte
Racing Club
– all from Instrumentales Inolvidables

Florindo Sassone
(Some dancers may have difficulty connecting with complex rhythms of this music. Others will be exhilirated by it.)
La Viruta
– Bien Milonguero Vol. 2 (EMI Reliquias)
Rawson
– Bien Milonguero Vol. 1 (EMI Reliquias)
Bar Exposicion
– Bien Milonguero Vol. 1 (EMI Reliquias)
Rodriguez Peña
– Bien Milonguero Vol. 1 (EMI Reliquias)

Mixed Tanda – Verano Porteño
(Dancers seem to enjoy this tanda of dramatic and lyrical tangos which can be used to help build toward the climax of the evening, but do not be surprised if some dancers engage in theatrics.)
Franicini/Pontier – A Media Luz
– from Tango I (JVC)
Tango Bar (Raul Juarena) – Nostalgico
– from Tango Bar (Chesky)
Carlos Garcia and Tango All Stars – Adios Nonino
– from Tango II (JVC)
Raul Garello – Verano Porteño
– from Compilation, Buenos Aires by Night (EMI)

New York Tango Trio
(This is a tanda of dramatic music that stirs fond memories for those who have seen the New York Tango Trio live.)
El Entrerriano
Yuyito
9 de Julio
– all from Cabarute (Lyrichord 7428)

Litto Nebia Quinteto
(This tanda of lyrical music can be used during the resolution or denouement of the evening's dancing. It can also be used to refresh the dancers as the drama is building toward the height of the evening. Although the music has a simple, clear beat, it does not seem to inspire dancers when it is played early in the evening.)
Malandra
Tango Canyengue
Cabaret
Nostalgias
– all from Tangos Argentinos de Enrique Cadicamo (Iris 980)

Mixed Tanda – Oblivion
(Ruddy Zelaya, my favorite DJ, mixes music so well that he has successfully included Gidon Kremer's recording of Astor Piazzolla's "Oblivion" in his evening mix of music for a milonga. His example inspired to put together this tanda. The tanda is only useful during the denouement of the evening's dancing, when the dancers are contemplating oblivion themselves. Use at any other time could send the DJ to oblivion in short order.)
Trio Pantango – Silbando
– from Tango Argentino (ARC EUCD 1257)
Hugo Diaz (harmonica) – Milonga Triste
– from The Tango Lesson (Sony movie soundtrack)
Daniel Barenboim – Mi Buenos Aires Querido
– from Tangos Among Friends
Gidon Kremer – Oblivion
– from Hommage à Piazzolla

Neo-Tango Music
Some dancers love neo-tango music and expect to hear it at the milongas they attend. Dancers who are steeped in tango traditions often dislike it. Consequently, the use of neo-tango music requires considerable judgement from the DJ.

Gotan Project
(A French/Argentine group helped create the tango-fusion sound by layering Argentine tango with other dance rhythms. Many still consider Gotan Project to offer the best tango-fusion music.)
Queremos Paz
Una Musica Brutal
Epoca
Santa Maria (del Buen Ayre)
– all from La Revancha del Tango (discgraph)

Neo Tango – Perfume
(This tanda contains a mixture of tango-fusion music that adheres reasonably closely to a tango sound.)
Bajofondo TangoClub – Perfume
– from Supervielle
Tanghetto – Una Llamada
– from Emigrante
Tanghetto – Inmigrante
– from Emigrante
Bajofondo TangoClub – Pulso
– from Supervielle

Neo Tango – En Mi/Soledad
(This tanda contains a mixture of tango-fusion music that adheres reasonably closely to a tango sound.)
Bajofondo TangoClub – En Mi/Soledad
– from Bajofondo TangoClub
Hi Perspective – El Tango
– from Leçons de Tango
Carlos Libedinsky – Plano Sequencia
– from Narcotango
Tango Project – Sentimientos
– Vol II New Tango

Neo Tango de Roxanne
(This tanda opens with two pieces with a deeply emotional and relatively strong tango sound. "Naranjo en Flor" has stronger dance-club feel, which helps create a transition to the dramatic "El Tango de Roxanne.").
Ultratango – CiteTango
– from Astornauta
Carlos Libedinsky – Vi Luz y Subi
– from Narcotango (Tademus)
Campo – Naranjo en Flor
– from Leçons de Tango
Ewan McGregor, Jose Feliciano and Jacek Koman – El Tango de Roxanne
– from Moulin Rouge soundtrack (Interscope)

Neo Tango – Otra Luna
(This tanda lacks the heavy electronica found in much tango-fusion music. It shows the softer, more languid side of neo-tango music, but still has a propulsive beat. It works best after several more dramatic tandas.)
Carlos Libedinsky – Otra Luna
– from Narcotango (Tademus)
Carla Pugliese – Ostinato
– from Ojos Verdes Cerrados
Mizrahi-Longhi – Youkali
– from Carne Argenta
Mizrahi-Longhi – Praga
– from Carne Argenta

Tango-Fusion Tanda
(This tanda contains a mixture of tango-fusion music that adheres reasonably closely to a tango sound. For tango-fusion, the first three tracks have a languid and deeply emotional sound. The layers are bit deeper on the fourth track.)
Bajofondo – En Mi/Soledad
– from Bajofondo Tango Club (Universal)
Carlos Libedinsky – Vi Luz y Subi
– from Narcotango (Tademus)
Carlos Libedinsky – Otra Luna
– from Narcotango (Tademus)
Hi Perspective – El Tango
– from Leçons de Tango

Mixed Tanda – Tango-Fusion
(This tanda contains a mixture of tango-fusion music that adheres reasonably close to a tango sound. In comparison to some tango-fusion recordings, these pieces have subtantially fewer dance-club layers to obscure the tango rhythms.)
Gotan Project – Una Musica Brutal
– from La Revancha del Tango (discgraph)
Gotan Project – Queremos Paz
– from La Revancha del Tango (discgraph)
Carlos Libedinsky – Vi Luz y Subi
– from Narcotango (Tademus)
Bajofondo – En Mi/Soledad
– from Bajofondo Tango Club (Universal)

Mixed Tanda – Neo Tango de Roxanne
(The tanda opens with two tangos that have a languid and deeply emotional sound. "Naranjo en Flor" has stronger dance-club feel, which helps create a transition to the dramatic "El Tango de Roxanne."
Bajofondo – En Mi/Soledad
– from Bajofondo Tango Club (Universal)
Carlos Libedinsky – Vi Luz y Subi
– from Narcotango (Tademus)
Campo – Naranjo en Flor
– from Leçons de Tango
Ewan McGregor, Jose Feliciano and Jacek Koman – El Tango de Roxanne
– from Moulin Rouge soundtrack (Interscope)


Milongas
Francisco Canaro – Slow Milongas
(This tanda consists of relatively slow but frequently played milongas. Some dancers may have difficulty with the slow rhythms.)
Milonga Sentimental
– from La Melodia de Nuestro Adios (El Bandoneon)
Milonga del 900
– from Todo Milonga (Club Tango Argentino 1051)
Silueta Porteña
– from La Melodia de Nuestro Adios (El Bandoneon)

Francisco Canaro – Milongas
(Although Canaro's orchestra recorded many slow milongas, this tanda has moderately paced milongas that can be used for a variety of milonga dance styles.)
Reliquias Porteñas
No Hay Tierra Como La Mia
Milonga Brava
– all from Las Grandes Orquestas del Tango (Blue Moon)

Francisco Canaro – Milongas (2)
Cuando Un Viejo Se Enamora
– from Milongueando Con Canaro
La Milonga de Buenos Aires
– from Grandes Exitos (EMI)
Milongon
– from Bailando Tangos, Valses y Milongas (EMI Reliquias)

Juan D'Arienzo – La Puñalada (Milongas)
(This tanda opens with the stereo recording of the great D'Arienzo milonga La Puñalada.)
La Puñalada
– from Tangos Para el Mundo, vol 2 (Tango Argentino BMG RCA)
Candombe Oriental
– from Cambalache
La Espuela
– from Mario CD #8

Juan D'Arienzo – Milongas
El Temblor
– from El Rey del Compas (El Bandoneon)
Milonga Querida
– from El Rey del Compas (El Bandoneon)
Milonga del Corazon
– from La Cumparsita (El Bandoneon)

Juan D'Arienzo – Milongas 2
El Esquinazo
– from Sus Primeros Exitos, Vol. 2 (BMG-RCA Tango Argentino)
Milonga Vieja Milonga
– from Sus Primeros Exitos, Vol. 1 (Tango Argentino BMG RCA)
De Pura Cepa
– from Sus Primeros Exitos, Vol. 2 (Tango Argentino BMG RCA)

Juan D'Arienzo – Milongas 3
(These milongas may give some dancers the impression of being faster than they are.)
Estampa de Varon
– from El Rey del Compas (El Bandoneon)
El Comandante
– from Vol. 21 (CTA-321)
Milonga Que Peina Canas
– from La Puñalada (Blue Moon)

Juan D'Arienzo – Milongas 4
(These delightful milongas are at a somewhat slower pace than is typical of D'Arienzo.)
El Potro
– from Cambalache
La Cicatriz
– from Milongueando (RCA)
Me Gusta Bailar Milonga
– from Cambalache

Rodolfo Biagi – Milongas
(Biagi's milongas are fast-paced with demanding rhythms.)
Campo Afuera
– from Campo Afuera (El Bandoneon EBCD 40)
Picante
– from Campo Afuera (El Bandoneon EBCD 40)
Flor de Montserrat
– from Sus Exitos con Alberto Amor (EMI Reliquias)

Ricardo Tanturi con Alberto Castillo – Milongas
(There may be no better singer of milongas and candombes than Alberto Castillo.)
Mozo Guapo
Asi Es la Milonga
Mi Morocha
– all from Tangos de Mi Ciudad (BMG-RCA Tango Argentino)

Alberto Castillo – Candombes y Milongas
(There may be no better singer of milongas and candombes than Alberto Castillo.)
Vestido Punzo
Bronce
Cafe
– all from Candombes y Milongas (EMI Reliquias)

Anibal Troilo/Francisco Fiorentino – Milongas
Mano Brava
– from Troilo/Fiorentino (Solo Tango BMG RCA)
Ficha de Oro
– from Del Tiempo Guapo (El Bandoneon)
Del Tiempo Guapo
– from Troilo/Fiorentino Vol. 2 (Solo Tango BMG RCA)

Pedro Laurenz – Milongas
Milonga Compadre
Yo Soy de San Telmo
Milonga de Mis Amores
– all from Milonga de Mis Amores (El Bandoneon)

Miguel Caló – Milongas
(This sophisticated tanda closes with the great candombe, Azabache.)
Milonga Antigua
– from Al Compás del Corazón (EMI Reliquias)
Milonga Que Peina Canas
– from Sus Exitos con Podetsa, Ortiz y Beron (EMI Reliquias)
Azabache
– from Al Compás del Corazón (EMI Reliquias)

Carlos Di Sarli – Milongas
(A tanda of playful, lyrical, relatively light and delightfully danceable milongas.)
Rosa Morena
– from Sus Primeros Exitos, Vol 3. (Tango Argentino BMG-RCA)
Zorzal
– from Sus Primeros Exitos, Vol 3. (Tango Argentino BMG-RCA)
La Mulateada
– from Sus Primeros Exitos, Vol 3. (Tango Argentino BMG-RCA)
Pena Mulata
– from Sus Primeros Exitos, Vol 1. (Tango Argentino BMG-RCA)

Osvaldo Pugliese – Milongas
(This tanda opens and closes with classic milongas that are the among the favorites of many dancers.)
Tortazos
– from Cantan Alberto Moran y Roberto Chanel (EMI Reliquias)
Anda Que Te Cure Loca
– from Cantan Alberto Moran y Roberto Chanel (EMI Reliquias)
Un Baile A Beneficio
– La Yumba (EMI Odeon)

Mixed Tanda – Milongas
(A contemporary mix that opens with two milongas and closes with two explosive candombes. Although the second milonga is relatively short, this tanda may be a little too long for many dancers. Consider ending after the third.)
Miguel Villasboas – La Mulita
– from Tango Rioplatense (StarMusic)
Dan Diaz and the Tango Camerata – Milonga del 900
– from Live at Stanford (Rio Plata Institute)
Juan Carlos Caceres – Tango Negro
– from Toca Tango (Discos CNR de Argentina)
Juan Carlos Caceres – Toca Tango
– from Toca Tango (Discos CNR de Argentina)

Mixed Tanda – Candombes
(A mix of classic and contemporary candombes that may be a little too long for many dancers. Consider ending after the third.)
Miguel Caló – Azabache
– from Al Compás del Corazón (EMI Reliquias)
Alberto Castillo – Cafe
– from Candombes y Milongas (EMI Reliquias)
Juan Carlos Caceres – Tango Negro
– from Toca Tango (Discos CNR de Argentina)
Juan Carlos Caceres – Toca Tango
– from Toca Tango (Discos CNR de Argentina)

Neo Milongas
(The first track is not a milonga, but it works for dancing milonga. The second and third tracks are milongas with an alternative sound that is similar to samba.)
Esteban Morgado – Morena
– Cuesta Arriba
La Chicana – Sopapa
– Tango Agazapado
La Chicana – Milonga de los Perros
– Tango Agazapado

Valses
Los Tubatango
Francia
Vibraciones del Alma
Ilusion de Mi Vida
– all from Una Noche de Garufa

Francisco Canaro – Valses 1
Ronda del Querer
Adios Juventud
Para ti Madre
– all from La Melodia de Nuestro Adios (El Bandoneon)

Francisco Canaro – Valses 2
Bajo el Cielo Azul
– Desde El Alma (EMI Reliquias)
Muchacha
– Tangos Inolvidables del '40 (EMI Reliquias)
Yo No Se Que Han Hecho Tus Ojos
– Tiempos Viejos (Blue Moon)

Francisco Canaro con Nelly Omar – Valses
(The wonderful Nelly Omar sings the first and last valses. Francisco Canaro's Quinteto Pirincho plays the instrumental in the middle.)
Rosa de Otoño
– Los 100 Mejores Tangos, Milongas y Valses del Milenio, vol. 4 (El Bandoneon)
Vibraciones del Alma
– Tangos del Tiempo Viejo (EMI Reliquias)
Desde el Alma
– Desde El Alma (EMI Reliquias)

Francisco Canaro – Instrumental Valses
El Trovero
Francia
Maria Esther
– all from Susana Miller Compilation #3

Juan D'Arienzo – Amor y Celos (Valses)
(This tanda closes with the classic Amor y Celos.)
Valsecito Criollo
– Sus Primeros Exitos vol. 2 (Tango Argentino BMG-RCA)
Mentías
– Sus Primeros Exitos vol. 2 (Tango Argentino BMG-RCA)
Amor y Celos
– The Tango Lesson (Sony movie soundtrack)

Juan D'Arienzo – Valses 1
Valsecito Criollo
– Sus Primeros Exitos vol. 2 (Tango Argentino BMG-RCA)
Cabeza de Novia
– El Rey del Compas (El Bandoneon)
Mentia
– Sus Primeros Exitos vol. 2 (Tango Argentino BMG-RCA)

Juan D'Arienzo – Valses 2
No Llores Madre
– La Cumparsita (El Bandoneon)
Inolvidable
– La Cumparsita (El Bandoneon)
Valsecito de Antes
– Los 100 Mejores Tangos, Milongas y Valses del Milenio, vol. 4 (El Bandoneon)

Rodolfo Biagi – Valses
(This tanda closes with Biagi's incredible instrumental rendition of "Lagrimas y Sonrisas.")
Paloma
– from Sus Exitos con Alberto Amor (EMI Reliquias)
Por Un Beso de Amor
– from Sus Exitos con Jorge Ortiz, Vol. 2 (EMI Reliquias)
Cuatro Palabras
– from Sus Exitos con Jorge Ortiz, Vol. 2 (EMI Reliquias)
Lagrimas y Sonrisas
– from Sus Exitos con Jorge Ortiz (EMI Reliquias)

Rodolfo Biagi – Amor y Vals (Valses)
(This tanda opens with the sublime "Amor y Vals" and closes with Biagi's incredible rendition of "Lagrimas y Sonrisas.")
Amor y Vals
– from Valses Inolvidables (EMI Reliquias compilation)
Paloma
– from Sus Exitos con Alberto Amor (EMI Reliquias)
Lagrimas y Sonrisas
– from Sus Exitos con Jorge Ortiz (EMI Reliquias)

Ricardo Tanturi con Alberto Castillo – Valses
Mi Romance
Con Los Amigos
La Serenata
Recuerdo
– all from Tangos de Mi Ciudad (BMG-RCA Tango Argentino)

Pedro Laurenz – Valses
(Pedro Laurenz played unbeatable vals music.)
Mascarita
Paisaje
Mendocina
– all from Milonga de Mis Amores (El Bandoneon)

Anibal Troilo and Floreal Ruiz – Valses
(This tanda opens with a definitive rendition of "Romance de Barrio" and closes with the wonderful "Flor de Lino.")
Romance de Barrio
– from Obra Completa En Rca Vol.7 (RCA)
Lloraras Lloraras
– from Amor y Tango (Tango Argentino DBN-RCA)
Palomita Blanca
– from RCA Victor 100 Años - Sus Cantores (RCA)
Flor de Lino
– from Amor y Tango (Tango Argentino DBN-RCA)

Miguel Caló – Valses
(Miguel Caló played incredibly romantic vals music.)
Bajo un Cielo de Estrellas
– from Valses Inolvidables (EMI Reliquias compilation)
Pedacito de Cielo
– from Valses Inolvidables (EMI Reliquias compilation)
El Vals Soñador
– from Al Compás del Corazón (EMI Reliquias)

Carlos Di Sarli – Valses
Cortando Camino (1941 w/ Rufino)
– Sus Primeros Exitos vol 3 (Tango Argentino DBN-RCA)
Rosamel (1940 w/ Rufino)
– Sus Primeros Exitos vol 1 (Tango Argentino DBN-RCA)
Ausencia (1940 w/ Volpe)
– Anthologies Valses et Milongas du Carlos Di Sarli (Privately Released by SCAQC)

Carlos Di Sarli – Valses 2
De Vuelta (1947 w/ Podesta)
Estampa Federal (1942 w/ Podesta)
Acuerdate de Mi (1946 w/ Duran)
– all from Anthologies Valses et Milongas du Carlos Di Sarli (Privately Released by SCAQC)

Alfredo De Angelis – Valses
(All of these valses are absolutely delightful. A four vals tanda may seem a little long, but it is common in Buenos Aires.)
Flores del Alma
A Magaldi
Pobre Flor
Soñar Y Nada Mas
– all from Adios Marinero (El Bandoneon)

Miguel Villasboas – Valses
(A contemporary orchestra with a vintage sound that is great for valses.)
Luna de Arrabal
Angustias del Corazon
Desde el Alma
– all from Tango Rioplatense (StarMusic)

Mixed Tanda – Valses
(This tanda closes with the the incredible and dramatic Desde el Alma.)
Orquesta Color Tango – Ilusion de Mi Vida
– from Con Estilo Para Bailar (Techno Disc)
Hector Varela – Palomita Blanca
– from Buenos Aires de Noche (EMI compilation)
Lalo Schifrin Orquesta – Corazon de Oro
– from Tango, movie soundtrack
Osvaldo Pugliese – Desde el Alma
– from Ausencia (EMI)


La Cumparsita — The Finale
When the DJ plays the classic "La Cumparsita," dancers know the milonga is ending and the evening is coming to a close.

La Cumparsita with a Rhythmic Sound
(The following recordings have a rhythmic sound that is preferred by those who dance milonguero and club-style tango.)
Roberto Firpo – De La Guardia Vieja (EMI Reliquias)
Los Tubatango – Una Noche de Garufa (Music Hall)
Francisco Lomuto – Great Orchestras of Tango’s Golden Age (Harlequin)
Francisco Canaro – Las Grandes Orquestas del Tango (Blue Moon)
Juan D'Arienzo – Sus Primeros Exitos (Tango Argentino BMG RCA)
Juan D'Arienzo – Tangos Para El Mundo (Tango Argentino BMG RCA)
Angel D'Agostino y Angel Vargas – from Tangos de Los Angeles, Vol. 2 (Tango Argentino BMG RCA)
Rodolfo Biagi con Jorge Ortiz, Vol. 2 (EMI Reliquias)

La Cumparsita with a Smooth or Dramatic Sound
(The following recordings have a smooth or dramatic sound that is preferred by those who dance salon-style tango.)
Carlos Di Sarli – Instrumental (Tango Argentino BMG RCA)
Anibal Troilo – Instrumental (Tango Argentino BMG RCA)
Los Porteños – Tangos de Siempre (Seyer)
Alfredo De Angelis – From Argentina to the World (EMI)
Orquesta Francini Pontier – Tangos I (JVC)
Florindo Sassone – Bien Milonguero, vol. 2 (EMI Reliquias)
Carlos Garcia – Tangos II (JVC)
Dan Diaz and the Tango Camerata – Live at Stanford
Tango X 2 Orquesta – Una Noche de Tango
Anibal Troilo – RCA Victor 100 Años

La Cumparsita with Progressive Sound
(The following recordings are of jazz tango and may be appreciated by those who favor a progressive sound in their tango music.)
New York Buenos Aires Connection – The New Tango (VAI Audio)
Quinteto Francisco Canaro – self titled (Melopea Discos)

La Cumparsita with a Neo-Tango Sound
Buenos Aires Ensemble – Tango Chill Out
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[테두리]

무척 길군요. /쿨럭.

[SOSA]

저도 가지고 있던 자료지만 참 길긴 해요...--;

[큰바위얼굴]

길지만, 땅고 음악을 이해하는 길잡이로 좋은 역활을 할 것이라 생각합니다. 저도 이 것을 참조하면서 계속 딴다를 구성했답니다.

[애기늘보]

음악을 1년동안 틀겠다고 생각하면 이것도 짧아요. 특히 요즘 음악들 - 늦은 밀롱가용 음악들 리스트를 보면, 모두들 짜낼 수 있는 건 다 짜내서 틀고 있구나 생각이 들어서 눈시울이 촉촉 T-T

[큰바위얼굴]

파일을 받을 수 있도록 다시 수정했습니다.