Art Work [16] contemporary abstract art movement examples: ＜a morning glory

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Abstracted realism painting Art Review [13] Design Review of Realistic Abstract Painting Using Abstract Artist Louis Choi Chul-joo's Treacherous Conceptual Art / Conceptual Cartoon Review & Artist Pop Art Conceptual Art Abstract painting / Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory Woman' pop art abstraction design

Abstract Review: Cartoon news as a treacherous concept of modern realistic abstraction [17] News cartoon review & Contemporary Abstract Artist Louis Choi Chul-joo's Artwork with Other's Desire Abstract Concept : Art Review: Modern painter & Cartoonist Louis Choi Chul-joo's Pop Art Artist Abstract Art Work / Desire Designing Modern Art Abstraction Concept Abstraction & Abstraction Artist Louis Choi Chul-joo Abstraction Art Work [16] contemporary abstract art movement examples: <a morning glory woman>

"morning glory woman" is an abstract work that realistically parodies the concept of desire by Louis Choi Chuljoo, a reimagining of Shin Yun-bok's genre painting into media art.

It generally reflects the scene where men and women secretly meet and express love on a windy day, where cartoon images express affection, but cartoon images are abstract paintings that realistically depict the concept of Joseon women's desires, although they are not involved in symbolic images.

The boat play and bath scenes were reconstructed into cartoons that express the affection between men and women in the same way as the original painting by Shin Yun-bok, which depicts the daily lives of women in the Joseon Dynasty.

Considering the fact that Shin Yun-bok's paintings, which satirizes daily life, is similar to that of a cartoon, the cartoon composition of "Shin•Yun•Bok•Poong•Ju•Mil•Hoe•Do" was partially drawn and matched with a close-up scene like the one-cut series of "Roy Lichtenstein.“

Thus, as a cartoon media art of popular art, "Shin•Yun•Bok•Poong•Ju•Mil•Hoe•Do" is seen as a series of cartoon cuts aimed at satirizing the status quo of Joseon Dynasty society with cartoon images.

In line with the scene of boat play and bathing by the river as a cartoon image, the sound is the Vivaldi's "summer" of the four seasons, giving a glimpse of the positive contemporary image.

As such, cartoon media art is carried out in a popular art way rather than in a media that reveals social problems.

In the middle of the summer, boat play, gisaeng, men who peeked at women bathing by the river, and boats were drawn in several cartoons to move boats playing in the river. The surrounding figures harmoniously reconstructed the relaxed light and shadow of the gisaeng, men, and landscape.

"Shin•Yun•Bok•Poong•Ju•Mil•Hoe•Do" is shown in the media space as a media with cartoon images of the realistic representation of social mannerism, such as Manet's "The Luncheon on the Grass".

It balances the real customs with media art reproduced in animated images. Although the appearance of a woman in the Joseon Dynasty, where Shin Yun-bok bathes, shows sociality, but "Shin•Yun•Bok•Poong•Ju•Mil•Hoe•Do" which were reborn as unrealistic cartoons, focus on the pictorial cartoon characteristics of painting style.

The Manwha painting style of the Joseon Dynasty, which emphasizes media art by moving the cartoon image, was seen as a cartoon so as not to deviate from the relationship between the real landscape and the characters.

And to express the characteristics of media art, Sin Yun-bok's paintings were reconstructed to create a series of cartoon images based on the play culture of the Joseon.

Media Art Video: Louis Chul-joo Choi, a boat game

Louis Chul-joo Choi, a boat game still image-59, a hand-painted picture on a computer

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.

The "morning glory woman" concept of desire is a realistic abstraction of treacherous conceptual art, and the concept of desire sets "morning glory" or "Bamboo Forest" as the background of desire, disturbing and overlapping realistic images, allowing the concept of desire to emerge in the photographic image of the event.

The image of non-real that emerged as the concept of desire is a similar factual structure in a distorted form, because it is not the same as a place in a real form.

Considering that Shin Yoon-bok's satirical genre is similar to comics, the cartoon composition of "Choi·Chul·Joo·Song·Ha·Sun·In·Chui·Saeng·Do" is the same concept as Choi Chul-joo's "morning glory woman," which is the background of the concept of desire, depicting the morning glory landscape as a boating scene of a woman in the Joseon Dynasty, and describing the concept of desire as the sound of summer as a media art.

Partly drawn and matched in close-up scenes, like Roy Lichtenstein, who drew a series of cuts.

It seems to be a cartoon cut that continuously cuts the customs of Shin Yun-bok, who satirizes the phenomena of society in the Joseon Dynasty with cartoon images, as it is a cartoon media art that is conducted in a pop art painting.

You can get a glimpse of the modern world that is positive for customs by using Vivaldi's four seasons as sound in line with the scene of boating and bathing by the river.

In this way, cartoon media art is conducted in a popular art method, not a medium that reveals social problems. In the middle of summer, he made a boat move by the river by drawing several cuts of cartoons, including yangban, gisaeng, a male politician peeking at a woman taking a bath by the river, and a woman on a swing. The surrounding figures harmoniously reconstructed the leisurely light and shadow of the landscape, the woman of the Joseon and the Joseon man.

Choi Kwan-woo, Media-art "최철주 신윤복풍주밀회도(申潤福風晝密會圖)", Still image-30, a hand-painted picture on a computer, 2020

Louis Chul-joo Choi, morning glory p105-7, a hand-painted picture on a computer

As a real image of reflective self-consciousness as a cartoon image, Choi Chul-joo's painting is another symbolic cartoon image separated from the real image.

The consciousness of choosing the impossible realistic meaning of self-consciousness that rejects the dual meaning of the Joseon Dynasty is determined by the cartoon image.

In addition, cartoon images that are identified with the linguistic meaning of cognitive relations have a reflective importance on the meaning of space by expressing emotions.

Shin Yun-bok's painting is seen in the media space as a media with a cartoon image of the actual representation of social mannerism like Manet's "Lunch on the Grass."

This balances the actual wind speed to suit the media art that is reproduced as a cartoon image as a video. Here, the image of a woman in a bath by Shin Yun-bok contains sociality, but the flatness is matched to the gaze in the painting method reproduced by an unrealistic cartoon.

In addition, the cartoon image drawn by the Korean painting technique of Joseon, which emphasizes media art by moving stationary cartoon images, appears to be an image that matches the relationship between the real landscape and the person.

Choi Chul-joo's painting is a media art that reconstructs Shin Yun-bok's genre paintings to express the character of cartoon characters and reproduces images with the theme of Joseon Dynasty's genre paintings in successive sequences.

Choi Kwan-woo, Media-art "최철주 신윤복풍주밀회도(申潤福風晝密會圖)", Still image-11, a hand-painted picture on a computer, 2020

Meanwhile, the Media Art Kim Hong-do painting at the Minoo media art museum is a genre painting of playing musical instruments under pine trees, which equates symbolic meaning with cartoon images transformed into Chinese structures to create the meaning of transformed cartoon images.

By showing cartoon effects through videos and cartoon images, the specific meaning of the transformed form can be hidden and symbolism and reality can be selected in the other person's needs and cognitive relationships.

Through the relationship between media art Choi Chul-joo's picture effect and the concept of cognitive desire of symbolic images, the semantic structure of cartoon images in which dual characters are created emerges.

Choi Kwan-woo, Media-art "최철주 신윤복풍주밀회도(申潤福風晝密會圖)", Still image-55, a hand-painted picture on a computer, 2020

However, the media art 'Choi·Chul·Joo·Song·Ha·Sun·In·Chui·Saeng·Do' has a meaning as a symbolic image of a real cartoon image. Therefore, the meaning of the story is created by reconstructing several cartoons of Shin Yun Bok's 'Song·Ha·Sun·In·Chui·Saeng·Do', which actually shows the desires of others, into one scene.

Cartoon images are drawn to interpret the theme of "Song·Ha·Sun·In·Chui·Saeng·Do" as a symbolic cartoon image, and the cartoon image is understood as a semantic structure that enters the cognitive system by combining the meaning of the cartoon with reflective consciousness.

Louis Chul-joo Choi, morning glory p106-7, a hand-painted picture on a computer

The reason why cartoon images do not act on representation as a semantic structure is because of the appearance that is different from the impressive effect of the image. Therefore, the effect of cartoon design is impression.

Cartoons resulting from industrialization do not distinguish between the original image and the reproduction. This means an image in which the original is absent. The completed cartoon is an image language that allows speech balloons and images to be drawn in the same image as the original.

Therefore, designing a cartoon with the desire of the other, which is difficult to replicate, draws the impression of the same cartoon image where the volume of the original image has disappeared.

Like Shin Yun-bok's painting, Choi Chul-joo's painting creates the meaning of cartoon images that have changed into semantic structure and cartoon images that symbolize the desires of others.

Here, media art recognizes images that move according to the temporality associated with the impression as cartoon images.

Therefore, designing cartoons with other people's desires that are difficult to replicate shows the impression of the same cartoon image where the volume of the original image has disappeared, and Choi Chul-joo's media art has the impression of a windy summer day in the Joseon Dynasty by showing the concept of desire as a landscape like "morning glory woman" /Writing. Art critic Choi Chul-joo (Korean Painter & Ph.D. of Cultural Design)

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, In front of the bamboo forest 101-Have a wonderful Chuseok like the stars in the fall night, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p106-7-Have a wonderful Chuseok like the stars in the fall night : Lacan's imaginary world and metamorphic formula f(S...)... By repeatedly applying S'S=˜S(-)s, formability is embodied in a reversible shade of light to the image of the work to acquire aesthetic value and its meaning appears / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p105-7-Have a wonderful Chuseok like the stars in the fall night: Lacan's imaginary world and metamorphic formula f(S...)... By repeatedly applying S'S=˜S(-)s, formability is embodied in a reversible shade of light to the image of the work to acquire aesthetic value and its meaning appears / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

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Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 101, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, a boat game still image-12, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, a boat game still image-59, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest 101, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p105, a hand-painted picture on a computer

Louis, Chul-joo Choi, a morning glory woman, 113X180 cm, acrylic and composite materials on cloth, 2023

Louis, Chul-joo Choi, a morning glory woman, 34.5X138 cm, acrylic and composite materials on cloth, 2023