[Premiere pro, After effects] CineForm Prospect HD

<IMG alt="cineform home" src="https://img1.daumcdn.net/relay/cafe/original/?fname=http%3A%2F%2Fwww.cineform.com%2Fimages%2Fmasthead.jpg" border=0>   홈페이지: <A href="http://www.cineform.com/prospecthd/index.php">http://www.cineform.com/prospecthd/index.php</A>   CineForm has become the industry leader in end-to-end compression-based workflows, from camera, through post-production, and into mezzanine or long-term archive. Compression has become critical for emerging workflows, but compression cannot be considered in isolation to the overall workflow goal. It is in this area that CineForm differentiates itself from other solutions. CineForm software provides editorial workflow solutions optimized for use with industry-standard tools, with real-time engines, Active Metadata, and conversion utilities, all used together to improve the visual fidelity of your projects and reduce your time spent in post.   <IMG src="https://img1.daumcdn.net/relay/cafe/original/?fname=http%3A%2F%2Fwww.cineform.com%2Fimages%2Fworkflow_diagram.gif">   <IMG alt="" src="https://img1.daumcdn.net/relay/cafe/original/?fname=http%3A%2F%2Fwww.cineform.com%2Fimages%2Fproducts%2Fmasthead_prospecthd.gif" useMap=#mastheadmap>   Overview   The industry's highest performance and highest quality HD editing workfow Designed for users of Adobe Premiere Pro CS3 or CS4 on Windows, CineForm's Prospect HD is designed for online editing of all your HD film, television, or videography projects. Prospect HD delivers unmatched workflow efficiency through its real-time editing engine plus the industry's highest visual fidelity compression. Whether your project is destined for film, digital projection, Blu-RAY, DVD, or Internet distribution, Prospect HD with Adobe Premiere Pro guarantees the most flexible workflow with the highest quality. With Prospect HD you get: <UL class=bulletlist_blue sizset="29" sizcache="10"> <LI>The Industry's Best Compression: CineForm's respected CineForm Intermediate compression format is designed for extremely high visual quality through post production. CineForm files are always 10 bits in precision and are visually equivalent to uncompressed sources — but they weigh in at about 15% of the file size. <LI>HD real-time software video processing engine: designed to enhance performance and features of Premiere Pro while eliminating the need for — and outperforming — most specialized hardware. Modern PCs can easily play 4-6 CineForm HD streams in real-time while editing. <LI>First Light™: cross-platform, non-destructive color processing application works in complement with your editing and effects software. First Light maintains color adjustments as Active Metadata™ with your media — you never need to render, and consequently you never clip highlights. First Light color adjustments are immediately visible in any application that calls a CineForm file. <LI>HD Link: file conversion and image processing software converts most all camera or file-based source formats into 10-bit CineForm Intermediate HD files while also performing valuable tasks such as telecine removal, deinterlacing, spatial resampling, and much more. Enables true 24p editing workflows from most HD sources. <LI>Cross-platform media sharing: All CineForm files are cross-platform compatible on both Windows and Mac. Create on one platform, share on another. CineForm provides a free decoder for both Win and Mac to simplify sharing content with colleagues or friends. </LI></UL>   Features   Prospect HD includes the following software components: <UL class=bulletlist_blue sizset="29" sizcache="10"> <LI>CineForm DirectShow and Video for Windows codecs with Active Metadata processor <LI>CineForm software real-time video engine for Premiere Pro up to HD spatial resolution <LI>First Light. End-user application to adjust non-destructive Active Metadata color parameters and choose playback parameters including demosaic algorithm <LI>HD Link. End-user application to manage HD file capture and conversion to CineForm files. Allows selection of image pre-processing algorithms during conversion (spatial resampling, telecine removal, etc). </LI></UL> Prospect HD - Real-Time Online HD Editorial Workflow for Adobe Premiere Pro <UL class=bulletlist_blue sizset="46" sizcache="11"> <LI>OS Compatibility: Windows <LI>Chroma Formats: 10-bit 4:2:2 <LI>Spatial resolution: Up to 1920x1080 <LI>Real-Time Performance: Unrestricted number of real-time streams enabled by CineForm real-time engine. Typically 4-6 HD streams on modern PCs. <LI>Real-time effects: transitions, levels, and color correction, plus titling and motion engine <LI>File Compatibility: QuickTime (MOV) or DirectShow (AVI) applications on Windows or Mac including Apple (Final Cut Pro / Motion), Adobe (Premiere Pro, After Effects), Autodesk (Combustion), Iridas (Speedgrade) Microsoft, Sony (Vegas), and many others. <LI>Deep-precision arithmetic: leverages available floating-point and deep-precision integer processing for all arithmetic operations. <LI>Active Metadata processor: apply color parameters (white balance, RGB matrix, and 3D LUTs) after decode per user adjustments in First Light. <LI>Batch capture: Timecode-based batch capture for HD-SDI, component and HDV sources through Premiere Pro capture interface (AJA Xena card required) <LI>HD camera support: HDV, AVCHD, P2, XDCam HD/EX, Grass Valley Infinity, and more. <LI>HD-SDI monitoring: From Premiere Pro timeline using AJA Xena card required, including for 4K sources <LI>HDMI Capture: Real-time capture using Blackmagic Intensity card with HD Link <LI sizset="46" sizcache="10">Image processing during HD capture/conversion: <UL class=dashlist sizset="46" sizcache="10"> <LI>- telecine removal (24p extraction from 60i) <LI>- deinterlacing (30p/25p from 60i/50i) <LI>- spatial resampling <LI>- speed change (24p ↔ 25p, also slow motion) <LI>- image flip (for 35mm DOF adapters) </LI></UL> <LI>Adobe Bridge: compatible for multi-applications support: After Effects, Encore, etc. <LI>DPX Conversion: Into and out of CineForm files using DPX2CF and CF2DPX <LI>Sharing Media: Free decoder available for both Windows and Mac </LI></UL>   Specifications   <TABLE id=specifications-table width=600> <TBODY> <TR> <TD width="50%"></TD> <TD width="23%">Prospect HD</TD> <TD width="4%"></TD> <TD width="23%">Prospect 4K</TD></TR> <TR> <TD colSpan=4></TD></TR> <TR> <TD>Operating System</TD> <TD class=tablegrayback colSpan=3>Windows XP / Vista; 32-bit or 64-bit</TD></TR> <TR> <TD colSpan=4>Acquisition / File Conversion</TD></TR> <TR> <TD>I/O Precision</TD> <TD class=tablelightback>10-bit</TD> <TD></TD> <TD class=tabledarkback>10- /12-bit</TD></TR> <TR> <TD>Max horizontal resolution (capture/export)</TD> <TD class=tablelightback>1920</TD> <TD></TD> <TD class=tabledarkback>Unrestricted (Practically 4K)</TD></TR> <TR> <TD>Chroma format</TD> <TD class=tablelightback>YUV 4:2:2</TD> <TD></TD> <TD class=tabledarkback>YUV 4:2:2 RGB 4:4:4 RGBA 4:4:4:4 RAW Bayer </TD></TR> <TR> <TD class=buffer colSpan=4></TD></TR> <TR> <TD>Encoder Quality Controls</TD> <TD class=tablegrayback colSpan=3>Five: User selectable</TD></TR> <TR> <TD>Selectable Wrapper formats</TD> <TD class=tablegrayback colSpan=3>AVI / MOV</TD></TR> <TR> <TD>Video Formats (HD and SD)</TD> <TD class=tablegrayback colSpan=3>480i/p, 576 i/p, 720p, 1080i/p</TD></TR> <TR> <TD class=buffer colSpan=4></TD></TR> <TR> <TD>Video Formats (Extended)</TD> <TD class=tablelightback>No</TD> <TD></TD> <TD class=tabledarkback>2Kp, 3Kp, 4Kp</TD></TR> <TR> <TD class=buffer colSpan=4></TD></TR> <TR> <TD>HD camera sources</TD> <TD class=tablegrayback colSpan=3>HDV, AVCHD, DVCPRO HD (P2), XDCam HD/EX, Infinity J2K </TD></TR> <TR> <TD class=buffer colSpan=4></TD></TR> <TR> <TD>Digital Cinema Camera Compatibility (up to 4K)</TD> <TD class=tablelightback>No</TD> <TD></TD> <TD class=tabledarkback>SI-2K, Red One, VR Phantom, Arri D21</TD></TR> <TR> <TD class=buffer colSpan=4></TD></TR> <TR> <TD>HD-SDI Card Compatibility</TD> <TD class=tablegrayback colSpan=3>AJA Xena: HD Link plus Premiere Pro capture Blackmagic (Intensity / Decklink): HD Link only </TD></TR> <TR> <TD>HDMI Input</TD> <TD class=tablegrayback colSpan=3>Blackmagic (Intensity): HD Link only</TD></TR> <TR> <TD>File rewrapping</TD> <TD class=tablegrayback colSpan=3>Both AVI ↔ MOV</TD></TR> <TR> <TD>DPX file conversion Utilities</TD> <TD class=tablegrayback colSpan=3>Yes. Both into and out of DPX files. Separate utility DPX2CF and CF2DPX </TD></TR> <TR> <TD class=buffer colSpan=4></TD></TR> <TR> <TD>Red One Conversion Utilities</TD> <TD class=tablelightback>No</TD> <TD></TD> <TD class=tabledarkback>Yes. Separate utility R2CF</TD></TR> <TR> <TD style="PADDING-TOP: 15px" colSpan=4>Image Processing During Conversion</TD></TR> <TR> <TD>Telecine removal (24p from 60i)</TD> <TD class=tablegrayback colSpan=3>Yes</TD></TR> <TR> <TD>Deinterlacing</TD> <TD class=tablegrayback colSpan=3>Yes. 30p / 25p from 60i / 50i</TD></TR> <TR> <TD>Image spatial resampling</TD> <TD class=tablegrayback colSpan=3>Yes, using Lanczos 3-lobe resampler SD ↔ HD HD (non-square) ↔ HD (square) </TD></TR> <TR> <TD>Image flip (for 35mm adapters)</TD> <TD class=tablegrayback colSpan=3>Yes</TD></TR> <TR> <TD>Slow Motion - up to 2.5X</TD> <TD class=tablegrayback colSpan=3>Yes</TD></TR> <TR> <TD>Convert 24P ↔ 25p</TD> <TD class=tablegrayback colSpan=3>Yes, including audio remodulation</TD></TR> <TR> <TD>Create letterbox / pillarbox</TD> <TD class=tablegrayback colSpan=3>Yes</TD></TR> <TR> <TD style="PADDING-TOP: 15px" colSpan=4>Real-time editing engine for Adobe Premiere Pro</TD></TR> <TR> <TD>Over 40 controllable transitions</TD> <TD class=tablegrayback colSpan=3>Yes</TD></TR> <TR> <TD>Keyframeable color adjustment</TD> <TD class=tablegrayback colSpan=3>Yes</TD></TR> <TR> <TD>Levels control</TD> <TD class=tablegrayback colSpan=3>Yes</TD></TR> <TR> <TD>Slow-motion and frame hold</TD> <TD class=tablegrayback colSpan=3>Yes</TD></TR> <TR> <TD>Static / moving titles and video overlays</TD> <TD class=tablegrayback colSpan=3>Yes</TD></TR> <TR> <TD>Pan/Scan/Rotate/Zoom (PSRZ)</TD> <TD class=tablegrayback colSpan=3>Yes</TD></TR> <TR> <TD>32-bit floating-point effects processing</TD> <TD class=tablegrayback colSpan=3>Yes</TD></TR> <TR> <TD>Multiple spatial resolutions on timeline</TD> <TD class=tablegrayback colSpan=3>Yes</TD></TR> <TR> <TD>CineForm AVI/MOV render output</TD> <TD class=tablegrayback colSpan=3>Yes</TD></TR> <TR> <TD>Batch capture HDV with timecode</TD> <TD class=tablegrayback colSpan=3>Yes</TD></TR> <TR> <TD>Batch capture HD-SDI with timecode</TD> <TD class=tablegrayback colSpan=3>Yes AJA Xena LHe / 2Ke (single-link capture only) </TD></TR> <TR> <TD>HD-SDI timeline monitoring</TD> <TD class=tablegrayback colSpan=3>Yes AJA Xena LHe / 2Ke </TD></TR></TBODY></TABLE> <STYLE type=text/css> td.tablelightback { background: #83bdbe; } td.tabledarkback { background: #50a5a6; } td.tablegrayback { background: #cccccc; } td.buffer { padding: 0px 0px 0px 0px; height: 5px; } #specifications-table { margin-left: -20px; } #specifications-table td { padding:4px 5px 4px 10px; vertical-align: top; } </STYLE>