1960~ 해프닝&퍼포먼스.

[ⓙⓘⓝ-ⓢⓞⓞⓚ]

Button Happening 1965,
2 min, b/n, silente 

"TV Brassiere for Living Sculpture "(Charlotte Moorman, video performance
by Nam June Paik and Charlotte Moorman  ,1977.

"TV Cello",1971

 with Charlotte Morrman, performance,

"TV Cello" 1965-1971, 23:25 min, color, silente

Video Commune 1971, 8:36, color, sonoro

TV Cello Premiere 1971, 7:25, color, silente

 Esta coleccion, recientemente restaurada, de los primeros
trabajos en colaboracion de Nam June Paik y Jud Yalkut es
 historicamente significativa, y es un documento que prefigura
la obra posterior de Paik. Estos "video-films" revelan ciertas pautas de
 la evolucion de Paik en su trabajo en video, performance e instalacion,
y son de las primeras exploraciones relacionadas con el enfrentamiento entre
cine y video. Lo que las define es un sentido de la improvisacion y la
experimentacion ludico e irreverente. Ricas en ironia e invencion, aunque tecnicamente crudas en ocasiones, estos experimentos constituyen un vinculo entre los trabajos esculturales y de performance de Paik en los 50 y primeros anos de los 60, y sus celebrados videos e instalaciones de anos recientes.

Estas importantes piezas abrevan de los primeros experimentos de Paik
 con la manipulacion y sintesis de imagenes, particularmente en lo relacionado
con el performance y la instalacion. La documentacion que hace Jud Yalkut del
 primer performance interactivo de Paik por television, a traves del canal
 publico de Boston WGBH. Subtitulado Beatles from Beggining to End, fue una
transmision en vivo, en la que Paik creo al azar un collage de imagenes,
imagenes procesadas y musica de The Beatles.

TV Cello Premiere documenta, de forma silente, a Charlotte Moorman en su primer
performance, el eponimo TV Cello.

Video-Film Concert "요가"
Por Nam June Paik y Jud Yalkut
1966-72, 1992, 34:50 min, b/n y color, sonoro

Beatles Electroniques 1966-69, 3 min, b/n y color, sonoro

Electronic Moon No. 2 1969, 4:30 min, color, sonoro

Electronic Fables 1966-1972, 1992, 34:50 min, b/n y color, sonoro

Waiting for Commercials 1972, 6:45 min, color, sonoro

Electronic Yoga 1972-92, 7:30 min, b/n y color, sonoro  

Estas colecciones incluyen trabajos tempranos relacionados con la apropiacion de los medios de comunicacion masiva y con la deconstruccion y manipulacion como critica politica y cultural. Por ejemplo,

Video Tape Study No. 3 es una intervencion mediatica directa en la que Paik distorsiona y manipula conferencias de prensa dadas por el Presidente de los EUA Lyndon Johnson, y el alcalde de Nueva York Lindsey. Como un gesto agudo, Paik hace evidente su presencia de forma breve, moviendo un dedo en la pantalla.

Waiting for Commercials, un compendio hilarantemente kitsch de comerciales japoneses de television de los setenta, es un ejemplo temprano de la apropiacion que hace Paik del imaginario televisivo como artefacto cultural pop.

Beatles Electroniques muestra su compromiso con la manipulacion de iconos pop.

Varias piezas, incluyendo Electronic Fables, son ejemplo de los primeros experimentos de Paik con la manipulacion de la imagen electronica, anteriores a su invencion del Paik/Abe Video Syntesizer. Esta pieza tambien hace uso de anecdotas de John Cage, que fue una gran influencia, ademas de colaborador de Paik.

Video Tape Study No. 3 Sonido: David Behrman y Kenneth Lerner
Beatles Elecroniques Sonido: Kenneth Lerner
Electronic Moon No. 2 Sonido: Debussy

9/23/1969 "commune"

Experiment with David Atwood
Por Nam June Paik en colaboracion con David Atwood, Fred Barzyk y Olivia Tappan.
1969, 80 min, color, sonoro

9/23/69 es un tesoro recientemente restaurado. Esta temprana obra maestra de la experimentacion electronica fue creada por Paik cuando era Artista Residente en la WGBH de Boston. El titulo se refiere al dia en que fue hecha: el 23 de septiembre de 1969. Paik usa el Paik/Abe Synthesizer para realizar un impactante collage visual que combina la experimentacion espontanea y libre con el control y el virtuosismo. Paik manipula y funde abstracciones electronicas puras, material capturado "en directo" de la television, material pregrabado e imagenes grabadas en el estudio, incluyendo los rostros de los productores de WGBH, Fred Barzyk y Olivia Tappan. Para explorar la interaccion de los sintetizadores de audio y video, Paik procesa estas imagenes con sonidos en vivo y pregrabados.

9/23/69 le proporciona al espectador el raro placer de ver a Paik en el proceso de inventar su particular vocabulario visual. Este material, anteriormente inedito, permite un acercamiento al desarrollo del imaginario de Paik y, como puede deducirse del titulo, captura la inmediatez de un tiempo y un espacio. Aunque 9/23/69 nunca fue transmitido en su totalidad, se incorporaron fragmentos en otros trabajos de Paik, incluyendo Video Commune.

Global Groove,1973
Por Nam June Paik y John Godfrey
1973, 28:30 min, color, sonoro

Este es un vistazo al paisaje en video del manana, cuando se podra sintonizar cualquier estacion de television del planeta, y el Tele-Guia sera tan grueso como el directorio telefonico de Manhattan." Asi comienza Global Groove, una pieza fundamental para la historia del arte en video. Es un manifiesto radical acerca de la comunicacion global en una mundo saturado por los mass-media, que se presenta como un frenetico collage electronico, un pastiche de imagen y sonido que subvierte el lenguaje de la television. Con un ingenio visual surreal y una grotesca sensibilidad Neo-Dada, Paik manipula un pastiche emblematico de elementos multiculturales, figuras del mundo del arte e iconos del Pop.

Comerciales de Pepsi, tomados de la television Japonesa se yuxtaponen a performances de artistas de vanguardia como John Cage, Merce Cunningham, Allen Ginsberg y el Living Theatre; bailarines que se desplazan en un espacio sintetico y coloreado, al son de Devil with a Blue Dress On de Mitch Ryder, se intercalan con bailarines de danza tradicional Coreana. La imagen sintetizada de Charlotte Moorman toca TV Cello; Paik y Moorman tocan TV Bra for Living Sculpture; el rostro de Richard Nixon se distorsiona por un televisor magneticamente alterado. Ironizando acerca de la television interactiva Paik presenta Participation TV, en donde da instrucciones a los televidentes de abrir o cerrar los ojos. Paik somete este contenido intertextual y multicultural a una furia exuberante de edicion discontinua y efectos tecnologicos, incluyendo sintesis de audio y video, color, yuxtaposiciones ironicas, saltos en el tiempo y superposicion de planos: un caos controlado que sugiere un viaje alucinatorio a traves de los canales de la television global.

Con contenidos, formas y estrategias conceptuales postmodernas, Global Groove ha influido profundamente al video, a la television y al arte contemporaneo.

"Merce by Merce by Paik" 27:27,  1975

Two-part tribute to choreographer Merce Cunningham and artist Marcel Duchamp.
http://www.vdb.org/smackn.acgi$tapedetail?MERCEBYMER

동영상 감상

Guadalcanal Requiem 1977.
Por Nam June Paik con Charlotte Moorman
1977, re-editado en 1979, 28:33 min, color, sonoro

Uno de los trabajos mas abiertamente politicos y agudos de Paik es Guadalcanal Requiem , un collage de performance/documental que confronta historia, tiempo, memoria cultural y mito en el sitio de una de las batallas mas devastadoras de la Segunda Guerra Mundial. Guadalcanal, en las islas Solomon, es el emplazamiento iconico en el que Paik inscribe gestos simbolicos y performances.

Escenas de Charlotte Moorman tocando su cello, entrevistas con soldados japoneses, norteamericanos y con islenos, e imagenes de archivo de la batalla se yuxtaponen, se sintetizan, se superponen, se colorean y se manipulan electronicamente de multiples maneras. Las imagenes son hechizantes y en ocasiones surreales: Charlotte Moorman gatea por la playa en uniforme militar, con un cello sujeto a su espalda, toca un cello de fieltro de Beuys y actua oculta en una bolsa para cadaveres. El subtexto de este collage extraordinario es la afirmacion de Paik de que los conflictos globales se originan en la falta de comunicacion intercultural.

Invitado: Bob Edwards. Cinematografo: Steve Mason. Narrador: Russell Connor. Camara: Bill Viola, Michael Pursch, Peter Hardy, Richard Maude, Graham Hellett. Producido por TV Lab en WNET/Thirteen.

homage to global communications.1977.

Beuys was introduced to performance art in 1962 when he encountered Fluxus,
a nonconformist international group of artists who sought to upset bourgeois perceptions
of art and life. Fluxus included fellow artists George Maciunas, Nam June Paik, John Cage,
George Brecht, Robert Filliou, Dick Higgins, Alison Knowles, Yoko Ono, Ben Patterson,
Daniel Spoerri, Wolf Vostell, and Emmett Williams. According to Erwin Heerich, a friend of Beuys, "The contact with Fluxus endowed the issue of art and life, in Beuys' mind, with a radically different significance. In Fluxus he recognized a vital current that released new impulses in himself--and here the other side of Beuys emerged, his powerful sensitivity to, and talent for, the public arena and the media."

In 1977, Documenta 6 featured the first live international satellite telecast by artists.
Performances by Nam June Paik, German conceptual artist Joseph Beuys, and Douglas Davis
 were transmitted to over twenty-five countries. Paik and Charlotte Moorman are seen
live from Kassel in Fluxus-inspired collaborative performances, including TV Bra, TV Cello,
and TV Bed. They fuse music, performance, video and television in an homage to global communications. Also from Kassel, Joseph Beuys presents a direct address to the public, elaborating on his utopian theories of art as "social sculpture," which were crucial to his conceptual project. From Caracas, Venezuela, Davis performs The Last Nine Minutes, a participatory piece in which he addresses the time/space distance between himself and the television viewing audience.

"Lake Placid",1980 .
Nam June Paik
1980, 3:49 min, color, sonoro

Good morning Mr. Orwell es una version editada de la primera instalacion internacional via satelite de Paik, que se llevo a cabo el dia de Ano Nuevo de 1984. Las extravaganzas transculturales via satelite de Paik unen diferentes paises, espacios y tiempos en collages de arte, cultura pop, vanguardia y television, con frecuencia caoticos pero entretenidos. Good Morning Mr. Orwell, que Paik concibio como una replica a la distopica vision de Orwell de 1984, reunio a Francia, Alemania y los EUA. Se presentaron vibrantes actuaciones de Laurie Anderson, Merce Cunningam, Peter Gabriel y Allen Ginsberg, entre muchos otros. Paik coordino el evento y diseno los graficos de television que conectaban los diferentes segmentos en vivo y pregrabados. Este proyecto puede verse como el desarrollo del pensamiento de Paik acerca del potencial de la comunicacion satelital, como lo habia propuesto en A Conversation, realizado con sus tipicos pastiches de arte, entretenimiento y yuxtaposiciones interculturales.

Concebido y coordinado por Nam June Paik. Productor Ejecutivo: Carol Brandenburg. Post Productor Parcial: Nam June Paik. Post Produccion: Broadway Video, Post Perfect. WNET, Nueva York; FR3, Centre Georges Pompidou, Paris; WDR Westdeutsche Fernsehen. Editor de la version monocanal: Skip Blumberg

Two Channel Music Tape: "Spring/Fall ",1986
Por Paul Garrin y Nam June Paik
1986, 32:30 min, color, sonoro, Dos Canales .

Este tour de force de imagenes y procesamiento de imagenes fue creado por Paik y Garrin para ser visto como dos canales simultaneos de video en dos monitores. Formado por capas densas y ricamente texturizado, este kinetico collage visual comprende un indice virtual de los eclecticos contenidos intertextuales de Paik: imagenes que se repiten de los artistas Joseph Beuys y Julien Beck, vistazos de John Cage y Laurie Anderson, imagenes emblematicas de trabajos tempranos de Paik, ingeniosos interludios eroticos. Alterados ritmicamente y transpuestos con las tecnicas para procesar imagenes de Garrin y Paik, los elementos se unen en un evocativo flujo de memoria. Vibrante y poetico, Two Channel Music Tape: Spring/Fall es un video "musical" con un giro tipicamente subversivo: un canal unicamente se acompana de los sonidos del oceano; el otro es silente, para que el espectador elija su acompanamiento auditivo.

------------------------------------------------------------------------

백남준 퍼포먼스 및 해프닝

-Performing “Zen for the Head” in Weisbaden W German 1962
-Paik,Nam June & Moorman, Charlotte,TV Bra for Living Sculpture Cologne 1970
-Paik,Nam June and Charlotte Moorman,TV Bra of Living Sculpture. Modified TV close-ups 1975
-TV Buddha, 1974-1982
-T.V. Clock, installation of 24 color TV monitors 1963
-TV Garden 1974 N.Y.,Bonino Gallery
-Captain Ahab

-Video Sculptures: Electronic Undercurrents, Statens Museum for Kunst, Copenhagen, 1996
Summary: Essay by Lars Movin "The Zen Master of Video Nam June Paik: Between Minimalism and Overkill. Letters by Paik

-Eine Kerze One Candle, Frankfort, Germany, 1989
Organization: Portikus
Summary: chronology of Paik works. In German and English
  
- "T-Valley: Ralph Hocking", Video 81, Vol. 2, No. 1, 1981
 
-"Random Access Information", Artforum, Vol. IX, No. 11, September 1980
 
- Cybernetic Serendipity Expanded Education for the paper-less society, Institute of Contemporary Arts, London, 1968
 
- "La Vie, Satelites, One Meeting One Life", Video-Culture, 1986
 
- Werke 1946-1976: Media Planning for the Postindustrial Society, Koln, 1976
 
-Werke 1946-1976: Norbert Wiener and Marshall McLuhan , Koln, 1976
 
-"Paper TV vs. Real TV", Art Rite, No. 7, 1974
 
-"Random Access Information", Artforum, No. 19, September 1980
 
- "Seven Billion Dollars Is Spent Annually in America for the Beauty Business", Art in Society, Vol. 7, No. 3, 1970
 
-Independent Television Makers and Public Communications Policy: A Seminar-Conference to Promote Telecommunications for Diversity in the 1980's. How to Keep Experimental Video on PBS National Programming., Rockefeller Foundation Arts Program, New York, New York, 1979
 
- Abe, David Dunn, Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Nam June Paik & Shuya Abe, Paik/Abe Video Synthesizer (Keyer & Colorizer) & Scan Modulator (a.k.a. "the Wobbulator"), 1970., Ars Electronica, Linz, Austria, 1992
Organization: Ars Electronica'
Exhibition Date: 1970
Curators: Woody Vasulka, Steina Vasulka
Summary: Eigenwelt Der Apparate-Welt, Pioneers of Electronic Art: Nam June Paik & Shuya Abe, Paik/Abe Video Synthesizer (Keyer & Colorizer) & Scan Modulator (a.k.a. "the Wobbulator"), 1970. Introduction by Woody Vasulka. Article includes a brief biography of Nam June Paik, a Binghamton Letter by the same and description of the instruments.

Nam June Paik
Coyote 3
1997
Multimedia performance
Size variable

---------------------------------

 퍼포먼스

TV Clock
One-Man Shows:
  Nam June Paik, Stedelijk Museum, Amsterdam, 1977
  Nam June Paik, A.R.C., Musee d'Art Moderne de la Ville de Paris, Paris, 1978
  Nam June Paik, Whitney Museum of America Art, New York, 1982
  Nam June Paik,, Museum of Contemporary Art, Chicago, 1982
  Mostly Video. Nam June Paik, Tokyo Metropolitan Art Museum, Tokyo, 1984
  The Color of Time. Video Sculpture by Nam June Paik, Rose Art Museum, Brandeis University,
   Waltham, Massachusetts, 1984

Moon is the Oldest TV
One-Man Shows:
  Electronic Art, Galeria Bonino, New York, 1965
  Vision of Today, Museum of Technology, Stockholm, 1966
  Moon is the Oldest TV, Rene' Block Gallery, New York, 1976
  Nam June Paik. Werke 1946-1976. Musik-Fluxus-Video, Kolnischer Kunstverein, Cologne, 1976
  Nam June Paik, Stedelijk Museum, Amsterdam, 1977
  Nam June Paik, A. R. C., Musee d'Art Moderne de la Ville de Paris, Paris, 1978
  Nam June Paik, Whitney Museum of American Art, New York, 1982
  Nam June Paik, Museum of Contemporary Art, Chicago, 1982
  Mostly Video. Nam June Paik, Tokyo Metropolitan Art Museum, Tokyo, 1984
  The Color of Time. Video Sculpture by Nam June Paik, Rose Art Museum, Brandeis University,
  Waltham, Massachusetts, 1984

Group Shows:
  Festival of Lights (Electronic Zen Tri-Color Moon), Howard Wise Gallery, New York, 1967
  Westkunst, Messehallen, Cologne, 1981

Imagine There Are More Stars on the Sky Than Chinese on the Earth
One-Man Shows:
  Nam June Paik, Whitney Museum of American Art, New York, 1982
  Mostly Video. Nam June Paik, Tokyo Metropolitan Art Museum, Tokyo, 1984

TV Egg
One-Man Shows:
  Nam June Paik, Whitney Museum of American Art, New York, 1982
  Mostly Video. Nam June Paik, Tokyo Metropolitan Art Museum, Tokyo, 1984

TV Buddha
One-Man Shows:
  Electronic Art Ⅳ, Galeria Bonino, New York, 1974
  Nam June Paik, Rene Block Gallery, New York, 1975
  Nam June Paik, Werke 1946-1976. Musik-Fluxus-Video, Kolnischer Kunstverein,  Cologne, 1976
  Nam June Paik, Stedelijk Museum, Amsterdam, 1977
  Project : Nam June Paik, Museum of Modern Art, New York, 1977
  Nam June Paik, Whitney Museum of American Art, New York, 1982
  Nam June Paik,, Museum of Contemporary Art, Chicago, 1982
  Mostly Video. Nam June Paik, Tokyo Metropolitan Art Museum, Tokyo, 1984
  The Color of Time. Video Sculpture by Nam June Paik, Rose Art Museum, Brandeis University,
  Waltham, Massachusetts, 1984
  Good Morning, Mr. Orwell, Daadgalerie, Berlin, 1984

Group Shows:
  Art Now '74, John F. Kennedy Center for the Performing Arts, Washington D.C., 1974
  Kunst bleibt Kunst. Projekt '74-Aspekte internationaler Kunst am Anfang der 70er Jahre,
  Kolnischer Kunstverein and others, Cologne, 1974
  EXPRMNTL 5: International Film Festival, Knokke-Heist (Belgium), 1974
  Art Video/Confrontation 74, A.R.C., Musee d'Art Moderne de la Ville de Paris, Paris, 1974
  Adelaide Festival of the Arts, The Art Gallery of South Australia, Adelaide, 1976
  '60 '80 attitudes/concepts/images, Stedelijk Museum, Amsterdam, 1982
  Der Hang Zum Gesamtkunstwerk(titled Show), (Stone-Buddha) daadgalerie, Berlin, 1983

TV Rodin
One-Man Shows:
  Nam June Paik. Werke 1946-1976. Musik-Fluxus-Video, Kolnischer Kunstverein, Cologne, 1976
  Nam June Paik, Stedelijk Museum, Amsterdam, 1977
  Nam June Paik, A. R. C., Musee d'Art Moderne de la Ville de Paris, Paris, 1978
  Nam June Paik, Whitney Museum of American Art, New York, 1982
  Nam June Paik, Museum of Contemporary Art, Chicago, 1982
  Mostly Video. Nam June Paik, Tokyo Metropolitan Art Museum, Tokyo, 1984
  Good Morning, Mr. Orwell, daadgalerie, Berlin, 1984
Group Shows:
  Ⅸ. Encuentro Internacional de Video, Museo Carillo Gil, Mexico City, 1978

Zenith(TV Looking Glass)
One-Man Shows:
  Nam June Paik, Rene' Block Gallery, New York, 1975
  Nam June Paik. Werke 1946-1976. Musik-Fluxus-Video, Kolnischer Kunstverein, Cologne, 1976
  Nam June Paik, Stedelijk Museum, Amsterdam, 1977
  Nam June Paik, Whitney Museum of American Art, New York, 1982
  Nam June Paik, Museum of Contemporary Art, Chicago, 1982
  Mostly Video. Nam June Paik, Tokyo Metropolitan Art Museum, Tokyo, 1984

TV Chair
One-Man Shows:
  Nam June Paik, Rene' Block Gallery, New York, 1975
  Nam June Paik. Werke 1946-1976. Musik-Fluxus-Video, Kolnischer Kunstverein, Cologne, 1976
  Nam June Paik, Stedelijk Museum, Amsterdam, 1977
  Nam June Paik, A.R.C., Musee d'Art Moderne de la Ville de Paris, Paris, 1978
  Nam June Paik, Whitney Museum of American Art, New York, 1982
  Nam June Paik, Museum of Contemporary Art, Chicago, 1982

Real Plant/Live Fish
One-Man Shows:
  Nam June Paik, Whitney Museum of American Art, New York, 1982
  Nam June Paik, Museum of Contemporary Art, Chicago, 1982
  Mostly Video. Nam June Paik, Tokyo Metropolitan Art Museum, Tokyo, 1984

Real Fish/Live Fish
One-Man Shows:
  Nam June Paik, Whitney Museum of American Art, New York, 1982
  Nam June Paik, Museum of Contemporary Art, Chicago, 1982
  Mostly Video. Nam June Paik, Tokyo Metropolitan Art Museum, Tokyo, 1984

Three Eggs
One-Man Shows:
  Nam June Paik, Whitney Museum of American Art, New York, 1982
  Nam June Paik, Museum of Contemporary Art, Chicago, 1982
  Mostly Video. Nam June Paik, Tokyo Metropolitan Art Museum, Tokyo, 1984

Egg Grows
One-Man Shows:
  Mostly Video. Nam June Paik, Tokyo Metropolitan Art Museum, Tokyo, 1984
  The Color of Time. Video Sculpture by Nam June Paik, Rose Art Museum, Brandeis University,
  Waltham, Massachusetts, 1984

Hydra Buddha
Group Shows:
  L'art et le temps, Palais des Beaux-Arts, Brussels, 1984
  Die vierte Dimension in der Kunst, Stadtische Kunsthallle Mannheim, Mannheim, 1985

Self-Portrait Ⅰ

Self-Portrait Ⅱ

TV Cross
One-Man Shows:
  Visions of Today, Museum of Technology, Stockholm, 1966
  Electronic Art Ⅱ, Galeria Bonino, New York, 1968
Group Shows:
  Monumente durch Medien ersetzen..., Kunst- und Museumverein Wuppertal, Wuppertal, 1976

TV Garden
One-Man Shows:
  Electronic Art Ⅳ, (TV Sea), Galeria Bonino, New York, 1974
  Nam June Paik: Videa 'n' Videology 1959-1973: Everson Museum of Art, Syracuse,   New York,
  1974
  Art Gallery of New South Wales, Sydney, 1976
  Musee d'Art Moderne, Centre National d'Art et de Culture Georges Pompidou, Paris, 1978
  Nam June Paik, Whitney Museum of American Art, New York, 1982
  Nam June Paik, Museum of Contemporary Art, Chicago, 1982
  Mostly Video. Nam June Paik, Tokyo Metropolitan Art Museum, Tokyo, 1984

Group Show:
  Video Art(Wanderusstellung), Institute of Contemporary Art, University of Pennsylvania,
  Philadelphia, 1975
  Video Art, The Contemporary Arts Center, Cincinnati, Ohio, 1975
  Video Art, The Museum of Contemporary Art, Chicago, 1975
  Video Art, Wadsworth Atheneum, Hartford, Connecticut, 1975
  Video Art USA, ⅩⅢ. Bienal de Sao Paulo, Sao Paulo (Brasil), 1975
  documenta 6, Kassel 1977
  Art Video. Retrospectives et Perspectives, Palais des Beaux-Arts, Charleroi (Belgium), 1983

Fish Flies on Sky
One-Man Shows:
  Fish on the Sky-Fish Hardly Flies Anymore on the Sky... Let Fishes Fly Again, Martha Jackson
  Gallery, New York, 1975
  Fish Flies on Sky, Galeria Bonino, New York, 1976
  Nam June Paik, Whitney Museum of American Art, New York, 1982
  Nam June Paik, Museum of Contemporary Art, Chicago, 1982
  The River: Images of the Mississippi, Walker Arts Center, Minneapolis, Minnesota, 1976
  Since 1985, Fish Flies on sky can be seen in a modified version in the collection of the
  Kunstmuseum Dusseldorf. The installation consists of a total of 88 monitors. For this version,
  Paik himself produced both videotapes with the latest available editing technique.

Video Fish
One-Man Shows:
  Fish on the Sky-Fish Hardly Flies Anymore on the Sky...Let Fishes Fly Again, Martha Jackson
  Gallery, New York, 1975
  Nam June Paik. Werke 1946-1976. Musik-Fluxus-Video, Kolnischer Kunstverein, Cologne, 1976
  Nam June Paik, Stedelijk Museum, Amsterdam, 1977
  Musee d'Art Moderne, Centre National d'Art et de Culture Georges Pompidou, Paris, 1978
  Nam June Paik, Whitney Museum of American Art, New York, 1982
  Nam June Paik, Museum of Contemporary Art, Chicago, 1982
  Mostly Video. Nam June Paik, Tokyo Metropolitan Art Museum, Tokyo, 1984
  The Color of Time. Video Sculpture by Nam June Paik, Rose Art Museum, Brandeis University,
  Waltham, Massachusetts, 1984
Group Shows:
  Videowochen Essen '79, (Fish No.5), Museum Folkwang Essen, Essen, 1979
  Dom als Medium, Kolnischer Kunstverein, Cologne, 1980
  National Video Festival, Washington, D.C., 1981

Laser Video Space Ⅰ
One-Man Shows:
   Stadtische Kunsthalle Dusseldorf, Dusseldorf, 1980
Group Shows:
   Dimensionen des Plastischen. Bildhauertechniken, Neuer Berliner Kunstverein, Berlin, 1981

Laser Video Space Ⅱ
One-Man Shows:
   CIMAN-Konferenz, Kunstakademie Dusseldorf, Dusseldorf, 1981
   Nam June Paik, Whitney Museum of American Art, New York, 1982
Group Shows:
   Videokunst in Deutschland 1963-1982, Kolnischer Kunstverein, Cologne, 1982

Video Laser Environment
Group Shows:
   Die nutzichen Kunste, Messegelande am Funkturm, Berlin, 1981

Video Environment
Group Shows:
   Internationale Funkausstellung Berlin, Berlin, 1982

V-yramid
One-Man Shows:
   Nam June Paik, Whitney Museum of American Art, New York, 1982
   Nam June Paik, Museum of Contemporary Art, Chicago, 1982
   Mostly Video. Nam June Paik, Tokyo Metropolitan Art Museum, Tokyo, 1984

Video Gate
One-Man Show:
   Malhaus, Kunstmuseum Dusseldorf, Dusseldorf, 1982

Group Shows:
   Hi-Fi-Messe Dusseldorf, Hauptgebaude der Messehallen, Dusseldorf, 1982

Tricolor-Video
One-Man Shows:
   Nam June Paik: Tricolor Video, Musee National d'Art Morderne, Centre National d'Art et de
   Culture Georges Pompidou, Paris, 1982
   Videotapes (30 minutes each, color) with selections from:
   Global Groove(1973), Suite212(1977), Guadalcanal Requiem(1977-79), Lake Placid '80(1980)
   Kit Fitzgerald, John Sanborn, Don Foresta, Paris a la carte(1979), Stephen Beck, Electronic
   American Flag(1971), Bill Gwin, Sweet Verticality(1974) and additional contributions from Erik
   Martin, Shalom Gorewitz, Fred Barzyk, Olivia Tappan, Woody and Steina Vasulka
   Assistants: Paul Garrin, John Zieman, David Carr-Brown, John Godfrey, Phil Norton, Judson
   Rosebush, Jane Verder and others

V-Matrix
One-Man Shows:
   Mostly Video. Nam June Paik (Tokyo Matrix), Tokyo Metropolitan Art Museum, Tokyo, 1984
   B.S.O. and Beyond, Institute of Contemporary Art, Boston, Massachesetts, 1984

Group Show:
Chicago Sculpture International, Mile 2(Tribute to S. Eisenstein), Navy Pier, Chicago, 1983

Homage to Stanley Brown(Diagonal Matrix)
Group Shows:
   Het Lumineuze Beeld/The Luminous Images, Stedelijk Museum, Amsterdam, 1984

TV Funnel
Group Show:
   Von hier aus, Halle 13, Messegelande, Dusseldorf, 1984

TV Bra for Living Sculpture
Performances:
   TV as a Creative Medium, Howard Wise Gallery, New York, 1969
   Cybernetic Serendipity, The Corcoran Gallery of Art, Dupont Center, Washington, D.C., 1969
   Vision and Television, Rose Art Museum, Brandeis University, Waltham, Massachusetts, 1970
   Dave Garroway TV Show, WNAG-TV, Boston, Massachusetts, 1970
   Trinity College, Austin Arts Center, Hartford, Connecticut, 1970
   Sky Art Conference, Munich, 1970
   Happening & Fluxus, Kolnischer Kunstverein, Cologne, 1970
   Festum Fluxorum, Galerie Rene Block, Forum Theater, Berlin, 1970
   Le Studio Electro-Accustique Algol, Brussels, 1970
   Wurttembergischer Kunstverein, Stuttgart, 1970
   Musische Bildungsstatte, Remscheid, 1970
   (Jackie Cassen), Channel 13, WNET-TV, New York, 1971
   The Corcoran Gallery of Art, Dupont Center Washington D.C., 1971
   Everson Museum of Art, Syracuse New York, 1972
   Cornell University of Art, Ithaca, New York, 1972
   Richard Demarco Gallery, Edinburgh, 1972
   (In honor of John Cage's birthday), The Kitchen, New York, 1972
   Center for the Arts, Wesleyan College, Middletown, Connecticut, 1973
   Kirkland House, Harvard University, Cambridge, Massachusetts, 1974
   Women's Contemporary Music Festival, Center for Contemporary Music, Mills College, San    Francisco, 1974
   Bob and Janet Kardon, Gladwyn, Pennsylvania, 1974
   Fish on the Sky-Fish Hardly Files Anymore on the Sky...Let Fishes Fly Again, Martha Jackson    Gallery, New York, 1975
   Benefit for the Once Gallery,  Martha Jackson Gallery, New York, 1975
   Art de Video, Museo de Arte Contemporeana de Caracas, Caracas, 1975
   Galeria Vandres, Madrid, 1975
   Internationale Kunstmesse Basel, Basel, 1975
   Camera 3, CBS-TV, New York, 1975
   Sehen, um zu horen, Stadtische Kunsthalle Dusseldorf, Dusseldorf, 1975
   Fish Flies on Sky, Galeria Bonino, New York, 1976
   (Appearance on German TV), Galeria Bonino, New York, 1976
   Adelaide Festival of the Arts, The Art Gallery of South Australia, Adelaide, 1976
   Art Gallery of New South Wales, Sydney, 1976
   Mike Walch Show, Channel 10-TV, Sydney, 1976
   Honiara, Guadalcanal (Solomon Islands), 1976
   Video Center, Lake Placid, New York, 1976
   Karl Ernst Osthaus Museum, Hagen, 1976
   Nam June Paik. Werke 1946-1976. Musik-Fluxus-Video, Kolnischer Kunstverein, Cologne, 1976
   documenta 6, Kassel, 1977
   Treffpunkt Video, Burgersaal des Rathauses, Kassel, 1977
   Nam June Paik, A. R. C., Musee d'Art Moderne de la Ville de Paris, Paris, 1978
   Center for Advanced Visual Studies, MIT, Cambridge, Massachusetts, 1980
   TEL HAI '80. Contemporary Art Meeting, Galilaa (Israel), 1980
   Nam June Paik, Whitney Museum of American Art, New York, 1982
   Nam June Paik, Museum of Contemporary Art, Chicago, 1982
   Kunstmuseum Dusseldorf, Dusseldorf, 1982
   The Color of Time. Video Sculpture by Nam June Paik, Rose Art Museum, Brandeis University,
   Waltham, Massachusetts, 1984

Concerto for TV Cello and Video Tape
Performances:
   Electronic Art Ⅲ, Galeria Bonino, New York, 1971
   Everson Museum of Art, Syracuse New York, 1972
   Portrait of Charlotte Moorman, Film by Jackie Cassen, New York, 1972
   Studio 46, WNET-TV, New York, 1973
   Bochumer Kunstwoche, Ruhrpark, Bochum, 1973
   Akademie der Kunste, Berlin, 1973
   10th Annual Avant Garde Festival of New York, Grand Central Station, New York,   1973
   Kunst bleibt kunst. Projekt '74, Kolnischer Kunstverein, Cologne, 1974
   Fish on the Sky-Fish Hardly Flies Anymore on the Sky...Let Fishes Fly Again, Martha Jackson
   Gallery. New York, 1975
   Camera 3, CBS-TV, New York, 1975
   Arttransition, Center for Advanced Visual Studies, MIT, Cambiridge, Massachusetts, 1975
   Adelaide Festival of the Arts, The Art Gallery of South Australia, Adelaide, 1976
   Nam June Paik. Werke 1946-1976. Musik-Fluxus-Video, Kolnischer Kunstverein, Cologne, 1976
   documenta 6, Kassel, 1977
   Nam June Paik, A. R. C., Musee d'Art Moderne de la Ville de Paris, Paris, 1978
   Musik der Zeit I, Begegnung mit Korea, Westdeutscher Rundfunk, Funkhaus Koln, Cologne,1980
   Nam June Paik, Whitney Museum of American Art, New York, 1982
   Nam June Paik, Museum of Contemporary Art, Chicago, 1982
   Ars Electronica, Linz, 1982
   Good Morning, Mr. Orwell, WNET-TV, New York, 1984
   The Color of Time. Video Sculpture by Nam June Paik, Rose Art Museum, Brandeis University,
    Waltham, Massachusetts, 1984

TV Glasses
Performances:
   Electronic Art Ⅲ, Galeria Bonino, New York, 1971
   Everson Museum of Art, Syracuse New York, 1972
   Studio 46, WNET-TV, New York, 1973
   Camera 3, CBS-TV, New York, 1975
   Nam June Paik, Whitney Museum of American Art, New York, 1982
   Nam June Paik, Museum of Contemporary Art, Chicago, 1982

TV Bed
Performances:
   Live Video, The Kitchen, New York, 1972
   Experimental Television Center, Binghamton, New York, Everson Museum of Art, Syracuse,
   New York, 1972
   9th Annual Avant Garde Festival of New York, Alexander Hamilton Riverboat, South Street
   Seaport Museum, New York, 1972
   Bochumer Kunstwoche, Ruhrpark, Bochum, 1973
   Akademie der Kunste
   Akademie Festival of the Arts, The Art Gallery of South Australia, Adelaide, 1976
   Art Gallery of New South Wales, Sydney, 1976
   documenta 6, Kassel, 1977

TV Penis
Performance:
   Live Video, The Kitchen, New York, 1972