L6 Insects and Flowers.hwp
Insects and Flowers :The Life of Maria Sibylla Merian
Maria Sibylla Merian was a scientist and painter in 17th century Germany. As a scientist, she made a great
contribution to the development of botany and zoology, and on top of that, she was an artist and a female,
which was unusual for the time. Let’s learn about how this legendary female artist and scientist spent her life
making discoveries about the mysteries of nature.
Her Childhood
Maria Sibylla Merian was born in Frankfurt on April 2, 1647. When she was three years old, her father died,
and after that, her mother married a famous German flower painter, Jacob Marrell. Young Merian spent hours
playing with insects in the backyard of her stepfather’s art studio, and this was her favorite period of her life.
Her artistic sense naturally grew, as she was surrounded by pictures from the art studio and the charm of
natural objects such as colorful butterfly wings. One day, her stepfather realized that she had artistic talents,
so he let her take drawing lessons. It was very rare in those days that a woman was trained as an artist.
At the age of 13, Merian, for the first time in her life, observed a caterpillar becoming a beautiful butterfly.
Fascinated by the mysterious qualities of nature, she painted her first painting of insects and plants. After that,
she collected caterpillars to find out how they changed into butterflies. Later she reflected, "the year of 1660
was the beginning year of my career as a natural scientist."
Becoming a Natural Scientist
Merian got married to her stepfather’s student, Johann Andreas Graff, when she was 18. She ran an art
studio where she taught female students and also sold art supplies. She was becoming famous for her
artistic skill of painting on cloth. In 1675, her first sketchbook, full of detailed illustrations of vividly colored
flowers with a variety of insects, was published under the title New Book of Flowers.
She was so eager to study insects that she once brought a dead field mouse into her house and observed
how long it took maggots to change into flies. In 1679, her second product, The Caterpillar, Marvelous
Transformation and Strange Floral Food, was published as the fruit of her five years’ hard work. The book is
considered a wonderful integration of art and science. In this book, Merian introduced the developmental
stages of different species of butterflies. Her beautiful depiction of the insects was opposite to the common
belief at the time that insects were linked with decay and dirt. This was, consequently, the birth of a very
important, ecological viewpoint.
Journey to Surinam
In 1685, Merian moved to Amsterdam with her two daughters, where she started her second life as an
artistic scientist. Taking advantage of her increased contact with influential Dutch artists and scientists in the
city, she had many opportunities to see curious tropical plants and insect specimens taken from Surinam, a
Dutch colony. She was very excited to be able to study such a variety of valuable insects, and she longed to
go to Surinam to investigate them in their natural habitat. Her dream finally came true in 1699! As her work
gained scientists’ attention, she had the chance to travel to Surinam with financial support from the city of
Amsterdam. At the age of 52, she left for Surinam.
Taking the risk of getting tropical diseases in the very hot and humid Surinam jungle, Merian worked to
learn as much as she could about the insects and plants there. She closely observed them and depicted
their transformations in her drawings. The curious and active Merian was also interested in other objects in
Surinam. In her rawings, she painted many fruits and vegetables that were new to her, such as cacaos and
red peppers.
Back to the Netherlands
Even strong and determined Merian could not overcome malaria. In 1701, being weakened by the disease,
Merian returned to the Netherlands with insect samples, hundreds of sketches, and memos full of information
about metamorphosis. Two years later, she published a book, The Metamorphoses of the Insects of Surinam,
which drew the attention of naturalists and insect collectors of the day. Her books and drawings were
displayed in museums, libraries and in the living rooms of high-class people. In 1711, she suffered a stroke,
but she continued her work for six more years until her death. Her passionate life came to an end in
Amsterdam on January 13, 1717.
Despite her outstanding contribution to the development of the study of insects in Europe, she was not well
recognized during her life. Now the world has come to appreciate that Merian’s careful research, integrated
with her unique artistic skills, made a great contribution to both art and science. In recognition of her work,
scientists have named 17 species after her. In 1977, to honor her outstanding service in the history of
science, the U.S. Postal Service featured two of her works on stamps. She was also featured on the German
Mark in 1992. Now she is finally recognized as a pioneer of art and science.