스크랩 회화 Egon Schiele. (Austrian, 1890-1918)

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Portrait of Gerti Schiele. 1909. Oil, silver, gold-bronze paint, and pencil on canvas, 55 x 55 1/4" (139.5 x 140.5 cm). Purchase and partial gift of the Lauder family

Girl Putting on Shoe. 1910. Watercolor and charcoal on paper, 14 1/2 x 12 1/2" (36.7 x 31.6 cm). Mr. and Mrs. Donald B. Straus Fund

Standing Male Nude with Arm Raised. 1910. Watercolor and charcoal on paper, 17 1/2 x 12 1/4" (44.5 x 30.8 cm). Gift of Jo Carole and Ronald S. Lauder

Woman Wrapped in a Blanket. 1911. Watercolor and pencil on paper, 17 5/8 x 12 1/4" (44.8 x 31.1cm). The Joan and Lester Avnet Collection

Girl with Black Hair. 1911. Watercolor and pencil on paper, 22 1/8 x 14 1/2" (56.2 x 36.7 cm). Gift of the Galerie St. Etienne, New York, in memory of Dr. Otto Kallir; promised gift of Jo Carole and Ronald S. Lauder; and purchase

 

Girl with Black Hair is one of two erotic watercolors of the same subject, both of which are closely related compositionally. Here the young woman, in a half-seated, half-reclining pose, displays her genitalia unashamedly; her partly closed eyes do not confront the artist or the viewer but stare into space with detachment and boredom. Her black skirt, bunched up around her waist, reflects the form of her abundant black hair.

The pose of the girl suggests that the work was executed from a vantage point above the figure. Reportedly, Schiele's favorite mode of working was to observe his models from above (using a stool or ladder) while they reclined on a low couch expressly built by him for this purpose.

Young women in various stages of undressing or nude constituted one of Schiele's favorite subjects. His models were often pubescent girls of working-class background or even young prostitutes, since the artist, having been cut off from any financial support by his family, could not afford to hire professional models. During 1911?12 he executed some of his most provocative depictions of female nudes?often in contorted and unnatural poses: standing, sitting, reclining, or kneeling. Such drawings, exhibiting a bold expressiveness of body language and a masterful handling of the watercolor medium, were in great demand among Schiele's Viennese patrons.

Prostitute. 1912. Watercolor and pencil on paper, 19 x 12 3/8" (48.1 x 31.3 cm). Mr. and Mrs. Donald B. Straus Fund

Seated Couple (Egon and Edith Schiele)1915
Gouache and pencil on paper
20 5/8 x 16 1/4 in. (52.5 x 41.2 cm)
Graphische Sammlung Albertina, Vienna

Death and the Maiden 1915/16 
Oil on canvas
150 x 180 cm
Oesterreichische Galerie, Vienna

Embrace (Lovers II) 1917
Oil on canvas
39 3/8 x 67 in. (100 x 170.2 cm)
Osterreichische Galerie, Vienna

Mother and Two Children 1917
Oil on canvas
150 x 158.7 cm
Oesterreichische Galerie, Vienna

Reclining Woman with Green Stockings 1917
Gouache and black crayon on paper
11 5/8 x 18 1/8 in. (29.4 x 46 cm)
Private collection

The Family  1918
Oil on canvas
152.5 x 162.5 cm
Oesterreichische Galerie, Vienna

Portrait of the Artist's Wife, Seated 1918 Oil on canvas 54 7/8 x 43 in. (139.5 x 109.2 cm) Osterreichische Galerie, Vienna

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