배낭길잡이 카페여행 | 피에타(Pieta) - 3

<img src="https://t1.daumcdn.net/cfile/cafe/2440C849511F789326" class="txc-image" width="600" style="WIDTH: 600px; FLOAT: none; CLEAR: none" actualwidth="708" border="0" hspace="1" vspace="1" height="466" id="A_2440C849511F7893261E5E"/>     Baccio Bandinelli. Pietà. 1554-59. Marble. over life-size. SS. Annunziata, Florence     Vasari relates that when Bandinelli heard Michelangelo was carving a Pietà for his tomb, he immediately began to plan his own, which he finished shortly before he died. Like Michelangelo's, it includes an idealized self-portrait as Joseph of Arimathea or Nicodemus and was to be a four-figure group with St Catherine of Siena and St John the Baptist. His contemporaries considered his Christ too physical and indecorous. Strangely proportioned, he rests awkwardly on a block signed by the artist, which resembles a small altar as well as Michelangelo's blocks. The Christ may be a portrait of Bandinelli's son.     <img src="https://t1.daumcdn.net/cfile/cafe/194A4B49511F79CF1D" class="txc-image" width="597" height="430" style="WIDTH: 597px; FLOAT: none; HEIGHT: 430px; CLEAR: none" actualwidth="743" border="0" hspace="1" vspace="1" id="A_194A4B49511F79CF1DD8C9"/>     Lorenzo Lotto. Pietà. 1508. Oil on wood. 80 x 80 cm. Pinacoteca Comunale, Recanati The Pietà is the crowning section of the Recanati Polyptych. It represents Joseph of Arythmea, the Madonna, Mary Magdalene and an angel at the left.     <img src="https://t1.daumcdn.net/cfile/cafe/024ADA49511F7A6120" class="txc-image" width="593" height="496" style="WIDTH: 593px; FLOAT: none; HEIGHT: 496px; CLEAR: none" actualwidth="743" border="0" hspace="1" vspace="1" id="A_024ADA49511F7A6120DB06"/>   Romanino. Pietà. 1510. Oil on panel. 183 x 185 cm. Gallerie dell'Accademia, Venice     <img src="https://t1.daumcdn.net/cfile/cafe/16678048511F7AD905" class="txc-image" width="465" height="603" style="WIDTH: 465px; FLOAT: none; HEIGHT: 603px; CLEAR: none" actualwidth="388" border="0" hspace="1" vspace="1" id="A_16678048511F7AD905A2EC"/>   Moretto da Brescia. Pietà. 1520. Wood. National Gallery of Art, Washington    In this important early work by Moretto, Christ is mourned by the Virgin Mary, Saint John the Evangelist, and Mary Magdalen. By introducing the grandeur and monumental composition of Venetian masters, particularly Titian, Moretto brought new stature to the local Brescian shool of painting.     <img src="https://t1.daumcdn.net/cfile/cafe/15654C48511F7BA20D" class="txc-image" width="597" height="426" style="WIDTH: 597px; FLOAT: none; HEIGHT: 426px; CLEAR: none" actualwidth="743" border="0" hspace="1" vspace="1" id="A_15654C48511F7BA20D68C9"/>   Rosso Fiorentino. Pietà. 1537-40 Oil on wood transferred to canvas. 125 x 159 cm. Musée du Louvre, Paris     <img src="https://t1.daumcdn.net/cfile/cafe/1661FC4B511F7C3129" class="txc-image" width="589" height="580" style="WIDTH: 589px; FLOAT: none; HEIGHT: 580px; CLEAR: none" actualwidth="743" border="0" hspace="1" vspace="1" id="A_1661FC4B511F7C312964C9"/>   Il Sodoma. Pietà. c. 1540. Oil on canvas. Galleria Borghese, Rome   <img src="https://t1.daumcdn.net/cfile/cafe/2066524B511F7CDD26" class="txc-image" width="592" height="367" style="WIDTH: 592px; FLOAT: none; HEIGHT: 367px; CLEAR: none" actualwidth="743" border="0" hspace="1" vspace="1" id="A_2066524B511F7CDD26064B"/>   Unknown. Pietà. 1500-20. Marble. Parish church, Bayel (Aube)   <img src="https://t1.daumcdn.net/cfile/cafe/27745F50511F7D2E36" class="txc-image" width="591" height="463" style="WIDTH: 591px; FLOAT: none; HEIGHT: 463px; CLEAR: none" actualwidth="680" border="0" hspace="1" vspace="1" id="A_27745F50511F7D2E36D4B0"/>   Unknown. Pietà. c. 1550. Painted wood. Museum of Fine Arts, Budapest   <img src="https://t1.daumcdn.net/cfile/cafe/2001A44A511F7D8629" class="txc-image" width="600" height="529" style="WIDTH: 600px; FLOAT: none; HEIGHT: 529px; CLEAR: none" actualwidth="743" border="0" hspace="1" vspace="1" id="A_2001A44A511F7D86295D37"/>   Huber Wolf. The Lamentation of Christ. 1524. Wood. 105 x 86 cm. Musée du Louvre, Paris   <img src="https://t1.daumcdn.net/cfile/cafe/147E3C50511F7DD82A" class="txc-image" width="596" height="602" style="WIDTH: 596px; FLOAT: none; HEIGHT: 602px; CLEAR: none" actualwidth="707" border="0" hspace="1" vspace="1" id="A_147E3C50511F7DD82AD7D9"/>   Maerten van Heemskerck. Lamentation of Christ. 1540-43 Oil on wood. 78,5 x 67,5 cm. Museum of Fine Arts, Budapest   <img src="https://t1.daumcdn.net/cfile/cafe/11576A48511F7E282C" class="txc-image" width="593" height="534" style="WIDTH: 593px; FLOAT: none; HEIGHT: 534px; CLEAR: none" actualwidth="743" border="0" hspace="1" vspace="1" id="A_11576A48511F7E282C5EF2"/>   Jan Sanders van Hemessen. The Lamentation of Christ Oil on panel. 228 x 24 cm. Rockox House, Antwerp