이상 오감도 해설

The poem "Ogamdo" above has been misinterpreted for 88 years! Have you ever heard of it? (2) In the materials I am holding, there is no trace of idealism (1910-1937) in literary trends, surrealism or modernism, or end-of-the-century mental derangement, or psychological aspects. He is troubled by the issues with the forced annexation of Korea by Japan and the compliance of the imperialist Japanese Governor-General. The fact that Yi Sang's writing, written after "Ogamdo" was discontinued due to reader protests, was later included in Park Tae-won's "Sang's Flagship" (Jo Gwang, 1937, 6) in 1937 is undoubtedly a valuable reference. Why are you calling us crazy? Are we planning to live comfortably even if we are separated from others for decades? Not knowing something may have been lacking in my own skills, but shouldn't I reflect on the time I was wasted and idle? It's different from the hands that roll around believing they can write poetry after writing about a dozen or so. I worked hard to select 30 points from 2,000. In 31 years and 32 years of work, they suddenly took out the dragon head and left without even a single tail, let alone a mouse, due to all the scolding, which leaves them feeling disappointed. .... The part mentioned above is content that would still need to be read thoroughly and thoroughly. The fact that our literary world is lazily, that our poets are like "paddlers who have written a dozen or so and know how to create poetry," that they themselves have selected from 2,000 to 30 pieces, and that they have already written 2,000 poems is noteworthy. It took 88 years to read 15 episodes, and I'm worried about what will happen if 2,000 episodes are discovered. However, it is most important to note that Ogamdo has brought up Yongdae-ri from the work of 31 and 32 years. When reading "Ogamdo," it is important not to overlook that the Manchurian Incident occurred during this period and that the Governor-General's Office, Saito Makoto, was implementing cultural policies. Kim Yu-seop, who paid particular attention to the time when pro-Japanese collaborators were gaining prominence due to the national division policy and the excessive support for separation, placed it on his desk and read the Five Senses Map. While reading Yi Sang in his native language, he did not take his eyes off the events of that era. The following is a Q&A situation where poet Kim Yu-seop asks questions about the first and fourth issues of the poem "Five Senses," followed by Lee Sang answering. *Kim Yoo-seop: "What is the scary ahae and 'scary ahae'?" *Above: The children of 13 people refer to all 13 million. What all Koreans fear is imperialist Japan. *Kim Yu-seop: If so, 'The Scary Ahae' is a pro-Japanese collaborator who is scarier than imperial Japan. *Above: You at least pay for the meal. *Kim Yu-seop: There are people who interpret modern people's fear, anxiety, mutual distrust, perpetrator and victim, Xing Ho, group, monster and victim. *Above: Starve such a person. What kind of play lines are you saying you memorize for a people living as colonial slaves? *Kim Yu-seop: What is Sije 4 “Diagnosis: 1”? *Above: There is no '0'. '1' is said to be a single unit, which is in the Korean dictionary and is reduced to 1/1000. The blueprint is also a scaled-down method. *Kim Yu-seop: Ah, so the single Korean people were overturned and destroyed by imperialist Japan's invasion and division policies, and pro-Japanese collaborators emerged, splitting them into two and causing them to split. *Oh my, teacher *Kim Yu-seop: This is called binary system, which is called physics. Some people interpret it as an MRI with a round cylinder. *This: It's getting more and more ridiculous. It's scratching someone else's leg that's impossible. To put it bluntly, I hope that, among the Korean Siyeon-gu, you will come out and stand in front of Lee Sang like poet Kim Yu-seop, engage in a heated debate with him, or not be overshadowed by the pressure of the researchers before and after, but take this opportunity to contribute to the identity of national poetry under Japanese rule. It would be wise not to think that poetry could hide behind the convenience of being inherently polysemous and tasting depends on how one views it. Because I firmly believe that the issue of "Ogamdo" is not a matter of appreciation but a matter of mistranslation of the text. At this point, I will take and read a new poem by poet Kim Yu-seop, who is awakening the world by unraveling "Five Senses." It's "a drop of water." The last drop of water is in the cup / on the dining table / outside the entrance / in the elevator / in the apartment hallway / by the roadside / on the asphalt / on the tires of a moving car / next to a building door / floating around inside a laptop / almost touched by my finger / almost seeped into my nostrils (omitted)... I drink a single drop of that water / Time stops on a planet where sandstorms blow. I excavate the silence / A mass of stopped time appears / / I rummage through the water left in letters, it is discarded / A creature with a memory device disappears / The eyes of the outer world squeak. "This place is clean." Kim Si-in's beginning, until he shows a lively development, follows a sequence of juxtapositions, but as he drinks a drop of water, the planet comes to a halt and death. Archaeological excavations target creatures that have finally disappeared from the water left in letters representing the silence of time. The poet has a large scale. It foresees the harsh future of environmental ecology, a perishing planet, and a dystopian future. Just as Lee Sang saw the failing imperialism in his senses or the wings of his novels, he too is sharpening the edge of reason at the end of a single drop of water.