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사무엘 울만(1840~1924)은 그가 78세에 쓴 청춘이라는 시에서 청춘이란 어떤 시기가 아니고 마음가짐이라고 주장한다. 샬위댄스의 주인공도 그랬다. 그는 비록 40대초반에 불과하지만 직장과 가정이 안정되고 자기집의 꿈까지 실현하자 갑자기 인생이 시들해졌다. 그가 청춘이 된 비결은 춤에서 시작되었다.
비록 전철에서 바라다본 교습소의 예쁜 아가씨로 인해 시작했지만, 그의 춤은 그의 인생을 다시 젊게했다. 그러던 그가 가족들에게 그 비밀을 들키게되어 춤을 포기하자 다시 시들해진 인생으로 바뀐다. 영화의 마무리는 그가 예쁜 춤선생의 새출발을 기념하는 파티에서 그녀에게 샬위댄스라는 말을 들으면서 해피엔딩이 된다.
나는 한국남자의 평균수명이 78세이고 5년정도는 누워있다는 통계를 가지고 여명이 20년밖에 되지않는다고 생각해왔다. 물론 평균수명은 길어질 것이고 나는 건가한 편이기 때문에 20년 이상의 시간이 있다고 생각한다. 소중한 시간을 아껴쓰기위해서는 예산은 평균으로하는 것이 여유가 있어 좋지만 사무엘에 의하면 사람은 죽을 때까지 영생의 마음가짐을 하는 것이 좋을듯하다. 즉 70내외에 하던 일을 마무리하는 것이 아니고 99살까지의 계획을 짜고 89세에도 10년간 할 것들을 생각하는 것이 보다 효율적인 삶의 방법으로 생각한다.
Shall We Dance? | |
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Publicity poster | |
Directed by | Masayuki Suo |
Produced by |
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Screenplay by | Masayuki Suo[1] |
Starring | |
Music by | Yoshikazu Suo[1] |
Cinematography | Naoki Kayano[1] |
Edited by | Junichi Kikuchi[1] |
Production companies | |
Distributed by | Toho |
Release dates |
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Running time | 136 minutes[1] |
Country | Japan |
Language | Japanese |
Shall We Dance? (Shall we ダンス?, Sharu wi Dansu??) is a 1996 Japanese film. Its title refers to the song, "Shall We Dance?" which comes from Rodgers and Hammerstein's The King and I. It was directed by Masayuki Suo.
The film begins with a close-up of the inscription above the stage in the ballroom of the Blackpool Tower: "Bid me discourse, I will enchant thine ear", from the poem Venus and Adonis by William Shakespeare. As the camera pans around the ballroom giving a view of the dancers, a voice-over explains that in Japan, ballroom dancing is treated with suspicion.
Shohei Sugiyama (Kōji Yakusho) is a successful salaryman, with a house in the suburbs, a devoted wife, Masako (Hideko Hara), and a teenage daughter, Chikage (Ayano Nakamura). He works as an accountant for a firm in Tokyo. Despite these external signs of success, however, Sugiyama begins to feel as if his life has lost direction and meaning and falls into depression.
One night, while coming home on the Tokyo Subway, he spots a beautiful woman with a melancholy expression looking out from a window in a dance studio. This is Mai Kishikawa (Tamiyo Kusakari), a well-known figure on the Western ballroom dance circuit. Sugiyama becomes infatuated with her and decides to take lessons in order to get to know her better.
Sugiyama's life changes once his classes begin. Rather than Mai, his teacher is Tamako Tamura (Reiko Kusamura), who becomes an important mentor to him. He meets his classmates: Tōkichi Hattori (Yu Tokui) who joined to impress his wife, and Masahiro Tanaka (Hiromasa Taguchi) who joined to lose weight. He also meets Toyoko Takahashi (Eriko Watanabe), another student. He further discovers that one of his colleagues from work Tomio Aoki (Naoto Takenaka) is a regular at the dance studio. Aoki, who is balding and mocked at work for his rigid ways, is revealed to be leading a secret life as a long-haired (via a wig) ballroom dancer. Though distant from her, the classes increase his infatuation for Mai. His secret thus becomes twofold: not only must he hide the lessons from his wife, he must also hide them from his friends and colleagues as it is considered embarrassing according to traditional Japanese customs to participate in Western ballroom dance.
Later, after being rebuffed by Mai, Sugiyama discovers to his surprise that his passion for ballroom dance outweighs his infatuation with her. Indeed, dancing, rather than Mai, gives Sugiyama the meaning in life that he was looking for.
Masako, noticing his odd behavior, thinks that he is having an affair — so she hires a private detective to follow him. Meanwhile, along with his classmates, Sugiyama enters an amateur competition – only to find out that his wife, having finally learned the truth from the detective (who has now become a devoted fan of ballroom dancing) is in the audience. Surprised by this, he stumbles and nearly knocks his dance partner to the floor. Though he is able to catch her, he accidentally rips the skirt of her dress off. Both leave the contest. Later, they learn that Tomio won the contest. When Tomio is ridiculed at work after his colleagues read of his success in the newspaper, Sugiyama stands up and tells them not to make fun of something they don't understand.
At home, Sugiyama's wife tries to understand her husband's new passion by asking him to teach her to dance as well. He is invited to a good-bye party for Mai, who is leaving for Blackpool. At the party, Mai joins him to dance, asking him "Shall we dance?"
Shall We Dance? was released on January 27, 1996 in Japan where it was distributed by Toho.[1] It was released in the United States by Miramax.[1] The Miramax version was cut to 118 minutes and released on July 4, 1997.[1]
The U.S. theatrical cut of the film cuts 26 scenes from the original Japanese version.[citation needed] Additionally, the voiceover narration at the beginning of the film is different: the Japanese version introduces the history of ballroom dancing in Europe, while the American version explains that ballroom dancing is considered shameful or embarrassing by some Japanese because of cultural norms.[citation needed] Finally, the subtitles include certain explanations of Japanese culture that are not in the original.[citation needed]
The U.S. and European DVD releases also featured this cut of the film.[citation needed]
Shall We Dance? received a 93% rating from Rotten Tomatoes (Fresh: 28, Rotten: 2).[2] Roger Ebert stated in the Chicago Sun Times that Shall We Dance? is "one of the more completely entertaining movies I've seen in a while—a well-crafted character study that, like a Hollywood movie with a skillful script, manipulates us but makes us like it."[3] Critic Paul Tatara noted that "It isn't really fair to suggest that the movie's main subject is dance, though. As much as anything else, it's about the healing powers (and poetry) of simple self-expression."[4]
It performed strongly in American theaters earning roughly $9.7 million during its US release.[5][unreliable source?]
At the Japanese Academy Awards it won 14 awards: Best Actor, Best Actress, Best Art Direction, Best Cinematography, Best Director, Best Editing, Best Film, Best Lighting, Best Music Score, Best Screenplay, Best Sound, Best Supporting Actor, Best Supporting Actress, and Newcomer of the Year (in short, every award it was eligible to win).[6][unreliable source?]
The National Board of Review gave it the award for Best Foreign Language Film.[1]
Shall We Dance was remade by Miramax 2004 as Shall We Dance?[1] The American version stars Richard Gere and Jennifer Lopez in the Yakusho and Kusakari roles.[1]