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There are 8 critical essays on Fujiwara no Teika.
Critical Essays on Fujiwara no Teika
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Critical Essay by Wayne P. Lammers11,305 words, approx. 38 pages
In the following excerpt, Lammers asserts Teika's authorship of Matsura no miya monogatari (The Tale of Matsura) and summarizes the work's story and stylistic features.
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Critical Essay by Roselee Bundy11,191 words, approx. 37 pages
In the following essay, Bundy evaluates the poetry of Teika's early collection Shogaku hyakushu, contrasting it with the verse of his father, Fujiwara no Shunzei, and pointing out the significance of Teika's manipulation of imagery rather than his cultivation of an emotionally compelling lyrical voice in this work.
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Critical Essay by Robert H. Brower10,051 words, approx. 34 pages
In the following excerpt from his introduction to his translation of Teika's Shoji hyakushu, Brower examines the historical background and content of this varied and influential hundred-poem sequence.
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Critical Essay by David T. Bialock9,946 words, approx. 33 pages
In the following excerpt, Bialock studies Teika's influential concept of honkadori (“allusive variation”) in the context of the development of late classical Japanese poetry.
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Critical Essay by Edward Kamens9,043 words, approx. 30 pages
In the following essay, Kamens offers an interpretive analysis of ten memorial waka from Teika's Shui guso collection, concentrating on the allusive intertextuality of these works.
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Critical Essay by Hiroaki Sato5,375 words, approx. 18 pages
In the following essay, Sato traces Teika's contribution to the tradition of composing long sequences of tanka (or waka) poetry, the forerunner of the later renga form.
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Critical Essay by Robert H. Brower5,081 words, approx. 17 pages
In the following essay, Brower recounts the manuscript history of Teika's critical treatise Maigetsusho and encapsulates the principles of poetic composition it contains.
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Critical Essay by F. V. Dickens437 words, approx. 2 pages
In the following excerpted preface to his translation of Japanese lyrical odes, Dickens describes the nature of these short poems first compiled by Fujiwara no Teika.
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