영화 ＜전장의 메리 크리스마스 (Merry Christmas, Mr. Lawrence)＞ 메인 테마 Ryuichi Sakamoto

1. Gabriel Fauré (1845-1924) * Le Papillon et la Fleur (나비와 꽃) * King’s Singers [2:40] 2. Bumble Bee (호박벌) * The Real Group [3:33] 3. (3019님 신청) Ludwig van Beethoven (1770-1827) * 바이올린 소나타 5번 F장조 Op.24 ‘봄’ 중 4악장 Rondo. Allegro ma non troppo * 클라라 주미 강 (Vn), 김선욱 (Pf) [6:38] 4. (4182님, 1949님 신청) Pyotr Il’yich Tchaikovsky (1840-1893) * <호두까기 인형> 중 '꽃의 왈츠' * André Previn (지휘), London Symphony Orchestra [6:47] 5. (7980님 신청) Dmitri Shostakovich (1907-1979) * 버라이어티 오케스트라를 위한 모음곡 중 왈츠 1번, 2번 * Dmitri Kitaenko (지휘), 푸랑크푸르트 방송교향악단 [3:42][3:51] 6. (0257님 신청) Franz Liszt (1811-1886) * La Campanella (종) * György Cziffra (Pf) [4:10] 7. (8313님 신청) Robert Schumann (1810-1856) arr.Franz Liszt * Widmung (헌정) * Leslie Howard (Pf) [3:18] 8. (7061님 신청) Franz Schubert (1797-1828) arr. Gerald Moore (1899-1987) * An die Musik (음악에) (1967.2.20. 런던 로얄 페스티벌 홀 고별무대 실황) * Gerald Moore (Pf) [1:34] 9. (6601님 신청) Jean Sibelius (1865-1957) * 바이올린 협주곡 d단조 Op.47 중 3악장 Allegro ma non tanto * Itzhak Perlman (Vn), André Previn (지휘), 피츠버그 심포니 오케스트라 [7:27] [공연선물] 서울시향 <얍 판 츠베덴의 브루크너 교향곡 4번> 4.3.(금) 19:30 롯데콘서트홀 KBS 클래식 FM 로고 + 금 : 유정우의 뮤직큐레이션 : 3주기 맞는 류이치 사카모토의 음악 세계 10. Ryuichi Sakamoto (1952-2023) 영화 <전장의 메리 크리스마스 (Merry Christmas, Mr. Lawrence)> 메인 테마 Ryuichi Sakamoto (Pf) [4:40] 11. Rydeen * Yellow Magic Orchestra [1:00] 12. Ryuichi Sakamoto (1952-2023) * 영화 <마지막 황제(The Last Emperor)> O.S.T 중 Rain [1:50] 13. Ryuichi Sakamoto (1952-2023) * 영화 <마지막 황제(The Last Emperor)> O.S.T 중 메인 테마 [5:50] 14. Ryuichi Sakamoto (1952-2023) * 영화 <마지막 사랑(The Sheltering Sky)> O.S.T. 중 메인 테마 [5:40] 15. Ryuichi Sakamoto (1952-2023) * 영화 <하이 힐(High Heels)> O.S.T. 중 메인 테마 [3:15] 16. Ryuichi Sakamoto (1952-2023) * 영화 <레버넌트: 죽음에서 돌아온 자> O.S.T. 중 메인 테마 [3:05] 17. Ryuichi Sakamoto (1952-2023) * 영화 <남한산성> 중 ‘만고의 역적’ & ‘결사항전’ [5:35][2:20] 18. Ryuichi Sakamoto (1952-2023) * Calling from Tokyo [2:10] 19. Ryuichi Sakamoto (1952-2023) * Amore [4:55] Ryuichi Sakamoto (1952–2023) was a towering Japanese composer, pianist, and multimedia artist whose work deeply intertwined with Tokyo as both birthplace and creative anchor. His 1989 song “Calling from Tokyo” (often remastered and reissued, including a 2021 version on streaming platforms) is one of many pieces that evoke the city’s atmosphere through his signature blend of minimal piano, ambient electronics, and subtle melodic introspection.[3][5][9] ### Who was Ryuichi Sakamoto? Sakamoto trained in electronic and ethnic music at the Tokyo National University for the Fine Arts & Music and first gained international attention in the late 1970s as a founding member of Yellow Magic Orchestra (YMO), which helped pioneer electronic “technopop.” He went on to compose Grammy‑ and Academy Award–winning film scores (notably *The Last Emperor*, *The Revenant*, and *The Sheltering Sky*), while also exploring experimental installations, noise, and environmental activism.[3][5][8] ### Tokyo in his late‑career work In his later decades, Sakamoto increasingly treated sound as a three‑dimensional space, creating large‑scale installations that often debuted in or referenced Tokyo. [7][10] A major posthumous exhibition, *Ryuichi Sakamoto | seeing sound, hearing time*, opened at the Museum of Contemporary Art Tokyo (MOT) in December 2024, showcasing immersive sound works and unfinished projects developed before his death from cancer in 2023. [4][7][10] ### “Calling from Tokyo” in context Musically, “Calling from Tokyo” sits in the late‑1980s phase of his solo discography, when he balanced refined pop‑art songs with increasingly cinematic and atmospheric textures. For listeners familiar with pieces like *Merry Christmas Mr. Lawrence* or his later solo albums (e.g., *BTTB*, *12*), the track feels like a quiet, urban reverie—less a literal postcard of Tokyo and more an intimate, almost private transmission “from” the city, mirroring the way his later installations turn Tokyo’s architecture and public spaces into resonant sound environments.[3][5][6][7] If you tell me whether you’re interested in historical background, a listening‑guide to this track, or a concert‑/exhibition‑style commentary tied to Tokyo, I can tailor a more focused essay‑style sketch. 출처 [1] Ryuichi Sakamoto Exhibition | Tokyo Cheapo https://tokyocheapo.com/events/ryuichi-sakamoto-exhibition/ [2] Ryuichi Sakamoto 1952-2023: Ars Longa, Vita Brevis https://www.tokyoartbeat.com/en/articles/-/hiroyuki-oda-remembering-ryuichi-sakamoto-202308 [3] RYUICHI SAKAMOTO 1952 – 2023 - ELECTRICITYCLUB.CO.UK https://www.electricityclub.co.uk/ryuichi-sakamoto-1952-2023/ [4] Ryuichi Sakamoto Exhibition (Tentative Title) to Open at ... https://www.tokyoartbeat.com/en/articles/-/mot-ryuichi-sakamoto-news-en-202312 [5] Ryuichi Sakamoto - The Sound of a Borderless World https://www.yokogaomag.com/editorial/ryuichi-sakamoto [6] Discovering Ryuichi Sakamoto (1952-2023) | The Simple Reflections https://www.thesimplereflections.com/discovering-ryuichi-sakamoto-1952-2023/ [7] Ryuichi Sakamoto: seeing sound, hearing time | Art in Tokyo - TimeOut https://www.timeout.com/tokyo/art/ryuichi-sakamoto-seeing-sound-hearing-time [8] Life and Legacy of Legendary Japanese Composer https://www.sampan.org/post/life-and-legacy-of-legendary-japanese-composer-ryuichi-sakamoto [9] Calling From Tokyo - Remastered 2021 - Spotify https://open.spotify.com/track/7uxQUY5UNqlNy5bkuKqkiu [10] seeing sound, hearing time: ryuichi sakamoto tribute at museum of ... https://www.designboom.com/art/seeing-sound-hearing-time-ryuichi-sakamoto-tribute-museum-contemporary-art-tokyo-02-17-2025/