현대미술 작가 최철주｜현대미술평론, 현대미술작가평론, 현대미술추상작품평론 [5] ＜나팔꽃 창 2024-2-그림자＞에서 ＜나팔꽃 창 20

[최관우]

현대미술 작가 최철주｜현대미술평론, 현대미술작가평론, 현대미술추상작품평론 [5] Contemporary Artist Choi Chul-joo ｜ Contemporary Art Criticism, Contemporary Art Artist Criticism and Abstract Works Criticism of Contemporary Art / Contemporary artist review: Contemporary Art Critic Louis Choi Chul-joo's Art criticism of Contemporary painting Artwork & Modern Artist Artwork Design criticism = Modern art Critic / Contemporary artist review: Contemporary Art Critic Louis Choi Chul-joo's Art criticism of Contemporary painting Artwork & Modern Artist Artwork Design criticism: <나팔꽃 창 2024-2-그림자>에서 <나팔꽃 창 2024-5-모나리자>는 타인의 욕망을 이끌어낸다. In the <Morning glory window 2024-2-Shadow>, the <Morning glory window 2024-5-Mona Lisa> brings out the desires of others. 

<나팔꽃 창 2024-2-그림자>에서 <나팔꽃 창 2024-5-모나리자>는 타인의 욕망을 이끌어낸다.

In the <Morning glory window 2024-2-Shadow>, the <Morning glory window 2024-5-Mona Lisa> brings out the desires of others. 

나팔꽃 윈도우 2024-5-모나리자

현대미술의 이미지를 열어준 르네상스 미술에서 <모나리자>는 귀족에서 상인으로 확산된 미적 욕망을 말한다. 이것은 현대미술의 예술적 가치를 독점하는 타자의 욕망이 자리잡게 된다.

그 욕망의 개념은 종교적 창조주의에서 벗어난 휴머니즘이다.

<나팔꽃 윈도우 모나리자>는 다빈치의 스푸마토(sfumato) 기법으로 살린 신비로운 이미지를 욕망의 배경인 나팔꽃에서 육화한 모나리자가 휴머니즘 욕망의 주체로서 색조로 한 신비로운 대기 효과를 넘어서 이미지로서 실재의 윤곽으로서 추상한다.

그 추상은 왼쪽에 나팔꽃 두 송이와 모나리자의 얼굴과의 안전적 욕망의 미적 효과로 자리를 잡는다.

그 자리는 텍스트로부터 나팔꽃과 모나리자를 매체로 한 욕망 이미지를 반복하여서 가역적 빛의 음영으로 한 추상적 잔향(reverberation) 효과를 보인다.

그 잔향 효과로서 시선이 나팔꽃에서 모나리자로 이어지도록 나팔꽃 뒤에 청과 흑색의 나무 줄기를 알맞게 두어서 욕망의 배경인 나팔꽃에 시선을 모우고 욕망의 주체로서 모나리자의 얼굴로 시선이 이어지게 했다.

그리고 나팔꽃에서 모나리자를 보는 위치와 마주보는 위치를 생성하여서 시선이 욕망의 주체인 모나리자로 향하게 한다.

욕망 개념으로의 은유 모나리자는 나팔꽃에서 욕망 이미지로 대치되면서 나팔꽃은 욕망의 배경으로 구획(demarcation) 하는 의미 작용이 이루어진다. 여기서 욕망의 시선은 적색 윈도우가 프레임으로 구조화되어서 모나리자에 집중한다.

그것은 르네상스적 사고로서 욕망의 대상인 <나팔꽃>을 알레고리로 한 욕망적 의미를 갖는다. 

그 <나팔꽃>은 나팔꽃 윈도우가 대상과 욕망에 대한 구획문제를 상징적 은유로서 텍스트의 의미로 해석하는 풍유적 의미(sensus allegoricus)로 한 욕망 이미지를 연쇄하여서 욕망의 대상을 상상계의 실재 이미지와 욕망 개념을 하나의 주체로서 실재의 이미지를 보이는 추상화다. 이것은 의미로서 대상의 이미지를 변질시키는 다다이즘의 개념미술과는 다르게 욕망의 대상을 실재화하여서 가역적 빛의 음영으로 주체의 욕망 구조를 실재한다.

실재로서 욕망 구조는 주체로서 모나리자가 나팔꽃으로 한 기호표현의 관계를 통하여 모나리자는 나팔꽃에서 상징된 이미지로서 욕망 구조를 생성하는 원인의 대상이 된다. 

욕망 구조와 실재 이미지와의 동시적 기능은 개념의 의미가 소급적 효과로서 욕망 이미지로 통합되고 그 이미지를 은유한 모나리자가 욕망 개념에 숨어 있는 근원적 이미지를 공시한다.

그 근원적 이미지로서 모나리자가 최초의 욕망 개념으로 공시되어서 의도적 추상으로서 상징적 이미지에 도달한다. 

 Louis Chul-joo Choi, morning glory window 2024-2-Shadow, 357X225cm, acrylic and composite materials on cloth, 2024

욕망 개념 이미지로서 오브제 <morning glory window  2024-2-Shadow>로서 추상적 오브제를 재현하는 원근법적 시각체계의 기학적 도식에서는 시각체계는 은폐하고 있으나, 무의식에서 드러난 욕망적 관점의 순간적인 응시로 보이는오브제다. 이것은 사건과 공연 이미지를 욕망 개념으로 한 사실적 추상화다.

추상화로서 <morning glory window>는 일반성을 벗어나 예술성을 획득하고자 타자의 억압된 무의식에서 드러난 욕망을 통해 표출된 왜상적 이미지를 디자인으로 형성하고 존재로서 오브제를 생성하여서 타자의 무의식적 욕망에서 드러낸 환상적 이미지로서 드라마, 재난, 폭동, 전쟁 그리고 공연의 순간적 왜곡된 이미지를 의미적 구조으로 한 예술성을 드러내는 것이다.

그 추상화는 타인의 욕망의 그림자 이미지를 감추고 싶은 욕망의 개념을 사건과 공연 이미지를 반복하며 가역적 빛의 시간성과 중첩되는 욕망의 이미지를 수집한다.

그리고 나팔꽃을 욕망의 배경으로 춤을 추는 사람이 욕망을 가리고 공연 이미지속에 가역적인 시간 민감성을 부여하여 타인의 욕망이 되고, 빛의 이미지가 겹치지 않도록 현상적인 위치를 설정하는 추상 효과가 있다. 그 추상적 효과는 시간적 빛을 흡수해 이미지 표면의 상징적 표상을 제거하여서 사실적 욕망의 이미지를 만들어 내고 가역적인 빛의 그림자 속에 있는 욕망의 개념 이미지를 감춘다.,  

욕망 개념 이미지로서 오브제 <morning glory window  2024-2-Shadow>로서 추상적 오브제를 재현하는 원근법적 시각체계의 기학적 도식에서는 시각체계는 은폐하고 있으나, 무의식에서 드러난 욕망적 관점의 순간적인 응시로 보이는오브제다. 이것은 사건과 공연 이미지를 욕망 개념으로 한 사실적 추상화다.

추상화로서 <morning glory window>는 일반성을 벗어나 예술성을 획득하고자 타자의 억압된 무의식에서 드러난 욕망을 통해 표출된 왜상적 이미지를 디자인으로 형성하고 존재로서 오브제를 생성하여서 타자의 무의식적 욕망에서 드러낸 환상적 이미지로서 드라마, 재난, 폭동, 전쟁 그리고 공연의 순간적 왜곡된 이미지를 의미적 구조으로 한 예술성을 드러내는 것이다.

그 추상화는 타인의 욕망의 그림자 이미지를 감추고 싶은 욕망의 개념을 사건과 공연 이미지를 반복하며 가역적 빛의 시간성과 중첩되는 욕망의 이미지를 수집한다.

그리고 나팔꽃을 욕망의 배경으로 춤을 추는 사람이 욕망을 가리고 공연 이미지속에 가역적인 시간 민감성을 부여하여 타인의 욕망이 되고, 빛의 이미지가 겹치지 않도록 현상적인 위치를 설정하는 추상 효과가 있다. 그 추상적 효과는 시간적 빛을 흡수해 이미지 표면의 상징적 표상을 제거하여서 사실적 욕망의 이미지를 만들어 내고 가역적인 빛의 그림자 속에 있는 욕망의 개념 이미지를 감춘다.

이것은 욕망 개념의 배경에 반영된 무용수가 구름과 같은 비현실적인 하늘의 표면을 형상화하듯이 순간적으로 존재하는 가역적인 빛의 그림자 속에서 작은 간격을 두고 욕망 개념의 이미지가 전개되는 인상적인 추상화이다.

추상화는 현대미술 시각문화에서 도시에 대한 추상적 개념 이미지의 파편으로 현실적 구조 속 욕망의 구조로 디자인되어서 나팔꽃 창 그림자에서 나팔꽃 창 모나리자는 타인의 욕망을 추상한다. /글. 미술평론가 최철주 (현대미술가 & 문화디자인박사) 

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Louis Chul-joo Choi, morning glory window 2024-5-MonaLisa, 17.5X24cm, acrylic and composite materials on cloth, 2024

morning glory window 2024-5-Mona Lisa

In Renaissance art, which opened up the image of contemporary art, "Mona Lisa" refers to the aesthetic desire that spread from aristocrats to merchants. This is where the desire of the other to monopolize the artistic value of contemporary art is established.

The concept of desire is humanism, which deviates from religious creativity.

"Morning glory Window Mona Lisa" abstracts the mysterious image saved by Da Vinci's sfumato technique as the outline of reality as an image beyond the mysterious atmospheric effect of the color of the morning glory, which is the background of desire.

Abstraction is established as an aesthetic effect of safe desire with two morning glory on the face of the Mona Lisa and two morning glory on the left.

From the letters, the image of desire mediated by morning glory and Mona Lisa is repeated, showing an abstract reverberation effect in the shadow of reversible light.

As a reverberation effect, blue and black tree trunks were properly placed behind the morning glory so that the gaze could lead from the morning glory to the Mona Lisa, the background of desire, and the gaze was focused on the morning glory and connected to the face of the Mona Lisa as the subject of desire.

And by creating a position facing the Mona Lisa in the morning glory, the gaze is directed to the Mona Lisa, the subject of desire.

The metaphor for the concept of desire The Mona Lisa is replaced with a desire image in the morning glory, and the morning glory is demarcated into the background of desire. Here, the gaze of desire focuses on the Mona Lisa with a red window structured into a frame.

As a Renaissance thinking, it has a desired meaning with the object of desire, <morning glory> as an allegory. The "morning glory" is an abstraction that shows the real world of desire as a subject by linking the image of desire with a sensus allegoricus that explains other meanings beyond the literal meaning, and the morning glory window interprets the demarcation problem between objects and desires as a symbolic metaphor in the meaning of the text.

Unlike the conceptual art of Dadaism, which transforms the image of the object as meaning, this materializes the object of desire and realizes the subject's desire structure in the shadow of reversible light.

As a reality, the desire structure is the subject, and the Mona Lisa becomes the object of the cause of creating the desire structure as an image symbolized in the morning glory through the relationship of symbolic expression‎ made by the Mona Lisa as a morning glory.

The simultaneous function of the desire structure and the real image reveals the underlying image in which the meaning of the concept is integrated into the desire image as a retroactive effect, and the Mona Lisa, who metaphorized the image, hides in the desire concept. 

As a fundamental image, the Mona Lisa is disclosed as the first concept of desire and reaches a symbolic image as a deliberate abstraction. / Writing. Art critic Choi Chul-joo (Doctor of Cultural Design) 

newsmanwha K-Pop Song illustratoin [7] MONSTA X <Let me be your fantasy> Online Live. (2020-5-27) / Reporter Choi Chul-joo’s Cartoon Review  

newsmanwha K-Pop Song illustratoin [7] MONSTA X <Let me be your fantasy> Online Live. (2020-5-27) / Reporter Choi Chul-joo’s Cartoon Review

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light. 

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

Desire Concept Realistic Abstract Work: The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's Review of K-Pop Song illustratoin [7] MONSTA X <FANTASIA> Online Live. (2020-5-27) / Reporter Choi Chul-joo’s Cartoon Review  

Louis Choi Chul-joo's treacherous conceptual art abstraction ■ It is treacherous to conceptual art that fits the conceptual form to lines and colors. ■ In Choi Chul-joo's abstraction design process/abstract painting "morning glory", desire concept's art theory is formalized to convert the news cartoon image into the signified image by linking Choi Chul-joo's desire art theory to the abstraction.      

This has the meaning of expressing the other's desires in painting by repeatedly applying the imaginary world and Choi Chul-joo's desire formula, 

The image generated here is the shape of the desire concept image in which the entire subject appears as light in a certain direction at the intersection with a distorted gaze except for the drawing that is fixed to the subject's face.     

As a result of applying the abstract art theory of the concept of Choi Chul-joo's desire to the shape, the desires of the other approach the formative beauty. This is because the other's desire is in the light hidden in the sky, but the subject's place is on the ground. Therefore, if the sky and the ground without a shape are real, the structure of realistic desire is an existential abstract that realistically depicts the scene of an event that existed in the past time.     

"morning glory", created as a reversible shade of light as a representative of the abstraction, is a form of a background image determined as a structure of desire as an event scene and a art performance image in the time. It acquires aesthetic value as an abstract image of realistic non-realism that makes the image recognize the existence of the concept of desire.     

■Choi Chul-joo "morning glory window" is not the subject of the object, but the spatial background of the desires of the other. It creates a non-real cloud and hides the shadow of reality through white without a color tone that matches the reality of reversible light and hides the reality of that light.

As a frame for the shadow, the window illuminates the hue of reality through a reversible shadow so that you can see the hidden pattern in the shadow and recognizes the shape of the reality as a being.

Looking at the form as a being is the same as looking at a consistent space of life like the sky. It connects with the cartoon review of the news that represents the space of life, but does not criticize and judge, but structures the reality of the object symbolizing reality through the picture of the event into a treacherous conceptual art, and abstracts the concept realistically like historical painting.

(The treacherous conceptual art theory of Choi Chul-joo's art abstraction / ACN · December 24, 2022, 17:11)   

Modern art painting design: Modern art design works that symbolize shape images in semantic structure = Louis, morning glory p26-2-1, a hand-painted picture on a computer, 2022

Treacherous Conceptual Art Green Louis Choi Chul-joo <morning glory> Art Criticism

To reveal the subject of desire is to reveal the object of the concept of the image of desire as a deficient subject. This is a   of  structure of the visible object deficiency realistically reconstructed in the form of the other's desires in the abstraction "morning glory" 

<morning glory window> constitutes a frame that reveals the image of the subject representing the lack of desire cencept in the subject, and creates an object in the shade of reversible light in the frame to choose reality as a subject away from non-existence.

This is the physical structure of desire that results in a realistic existence. The structure has each cross section in a three-dimensional form in several frames, and abstracts the pictorial image as a conceptual art of desire into a multi-faceted image of a semantic structure as an object in a single concept. (ACN, June 22, 2023, 23:13 <morning glory window> Subject Image: Choi Chul-joo's Abstract Conceptual Art Theory)

<morning glory p26-2-1> is an object of desire concept images drawn on the form of overlapping cloth with threads reflected on the back by manually creating images created as an anamorphosis image, which means the reality of morning glory.

In 2022 New York (Flushing Town Hall & Yeomyeong Hall), Korean painter & pop art abstract artist Louis's <morning glory> is a modern art abstraction that produces a poster with a contemporary art design concept as a desire cencept  structure and symbolizes the design of the desire shape, that is, the exhibition poster image of the painting.    

The object (26-2-1 Louis Choi Chul-joo 2022 New York Exhibition morning glory poster), which depicts the meaning of the shape seen in the semantic space created by reversible light, structures the meaning of the image that hides the desires of the other in time as a shade of reversible light, meaning an abstract space that can be reversible into a real shape, and the meaning of conceptual abstraction, that is, the image in the mirror, is a hypothetical non-real image and shows an abstract image that reveals the place of the other's unconscious desire.     

The object (morning glory poster 26-2-1), which depicts the meaning of the shape seen in the meaning space created by reversible light, means the existence of the same abstract space that can reversibly form an object into a real shape by structuring the meaning of a certain desire shape in the shadow of reversible light, and shows an existential image of the concept of desire, that is, an abstract space obscured by the actual changed movement of the exhibition poster shape.  

Louis, morning glory p26-2-4, a hand-painted picture on a computer, 2022

"morning glory p26-2-4", which is a desire conceptual art, is an abstract area of painting in which a specific effect occurs that reveals the conceptual image of desire as an exhibition poster. That area is an image that can momentarily see the desires of others who function gazely like a background in the landscape.

This is a crooked planarity that seems to have a consistent meaning of morning glory in painting. The morning glory is the same as the reality in the mirror (le Réel), but the shape of the background is not the same. This is because although it is an real form, the realistic form of the non-real with the structure of the same meaning as the conceptual semantic structure is abstract, but abstraction with different shapes as the same meaning is non-realistic as an ideological atypical entity with different colors and sizes.

Its existence defines an abstract space as a shape that is actually reversible and refers to the abstraction meaning of the exhibition poster of desire concept art, in which the shape is obscured by the movement that has actually changed into the shade of reversible light.

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image , that is, an image that emphasizes the hidden meaning of the cartoon)    

Choi Chul-joo, <MONSTA X's "Let me be your fantasy" 5>, a hand-painted picture on a computer  

Desire conceptual art abstraction, which replaced the phenomenal place of the meaning of abstraction with an exhibition poster, can distinguish the place of the shape, thus conceiving the meaning of another structural image that interprets the shape.

The shape is abstract in color and size similar to the meaning of the ideological structure to speak of a different meaning, but in the imagination, the abstract meaning of conceptual art is identified with reality, and the image of the object and the abstract meaning are identified externally as the same subject, and the subject forms a transformed abstract meaning internally 

This refers to the abstract meaning of a shape, which defines an abstract space that can be actually reversible and refers to the design meaning of an abstract shape in which the shape changed by the actual changed movement of the shape is obscured in shades.

The meaning is designed as "morning glory", which is abstracted as a symbolic language symbolizing a desire flower that imitates the other's desire "MONSTA X's "Let me be your fantasy-5".

In the abstract conceptual image "morning glory", a shape representing the desires of the other is designed and reproduced as an abstract object as an object of desire (Louis Choi Chul-joo 2022 New York Exhibition morning glory Abstract Poster 26-2-4). The concept of desire image, which is invisible in the mechanical scheme of the perspective visual system, creates a place of shade while being hidden in reversible light, and abstracts the object of the concept of desire image as a momentary gaze different from the other's desire abstract perspective revealed in the unconscious.     

In order to obtain artistry beyond generality, objects abstracted as desire conceptual art form a distorted image expressed through desire revealed in the suppressed unconsciousness of others into a design, create an object of desire conceptual image as a shade of exhibition poster formability with the desire of others as existence, and exist as meaning.                

As a meaningful being, the object contains a formative value as an autonomous choice of the other's desire by revealing the object as another being by transforming the object's image into a structure of meaning into a crooked image from the other's desire perspective.

In addition, a small piece as the other's desire hidden in the background of a chicken shows a real abstract space that is reversed through a thought movement that creates an image that actually changes the shape. This is where the other's desire is abstracted and placed in a space where the object can be actually reversible in the meaning of the existence of an abstract object.     

Conceptual art of realistic abstraction The realistic structure of art reflects the shape by being distorted by light. What reveals its shape are the outlines and shadows determined by the shadow of light. Realistic abstraction as treacherous conceptual art pays attention to this and embodies realistic concepts. (Choi Chul-joo conceptual art theory on realistic abstraction)

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)    

Modern art painting design: Modern art design works that symbolize shape images in semantic structure = Louis Choi Chul-joo Choi, a morning glory outside the window, 151X178cm, acrylic and composite materials on cloth, 2022~2023     

The realistic form of the desire concept cartoon "MONSTA X's "Let me be your fantasy" 5" shows a non-realistic form representing the meaning of an abstract landscape form that is hidden by the desires of others who are abstracted. The shape is the intersection with the actual structure selected by the desires of the other, created by abstract shades. 

This is a non-realistic realistic structure, a shape that is momentarily abstracted at the intersection where the desire of the other is seen as a gaze, designed as a real figure of the whole and a shade of reversible light.

The image of desire is cut in order to accept the new subject as the gaze. The subject of this cut desire structure is fixed in the shape of representation. The space reflected in the mirror in the painting is another space in the physical space revealed in the shadow of one painting with reversible light, a reality that appears as an 'observation' that cannot be seen from the point of view of the entire scene of the painting. In order to reproduce the reality seen through such a gaze, the artist uses a mirror as a material in the painting.     

Only the concept cartoon of desire that cannot be expressed on the same plane Structures the virtuality of abstract exhibition posters into conceptual desire, similar to the gaze image that virtually reproduces the crooked image of "MONSTA X's "Let me be your fantasy" 5", or as if representing the place of reality with cubism as a connection to the image.

Cartoon objects, the concept of desire created by the desire of the other, are concealed without being exposed as objects reflected in the mirror, and the reality of the viewer is absent by looking at another object exposed in the mirror. However, the person who drew the picture replaces the other.

The position revealed by staring at the image of the concept of desire in place of the other is atopia, which is the position of the subject that appeared at the vanishing point in the entire virtual image. 

Therefore, it is the object, or reality, that the subject of the subject reveals as a gaze from the other's desire point of view.     

Therefore, the abstraction of contemporary art pop art <morning glory p26-2-4> abstracts the concept of real and non-real images in the same space. In cubism that conceptualizes the subject, trying to reveal physical reality as a pop-art space makes the object 'look at' as a realistic reality. And realistic reality appears in a clear physical structure. Its structural physicality has several cross-sections in a three-dimensional form and captures the multifaceted conceptuality of a morphological structure with one cross-section and two sides in a conceptual painting as an object in one concept. 

Louis Chul-joo Choi, morning glory window 2024-2-shadow, 357X225cm, acrylic and composite materials on cloth, 2024: Image installation overlaps with the impression of the city as a fragmented installation image of the concept of desire by abstracting the image as the concept of desire as a structure of desire in a realistic structure.

Louis Choi Chul-joo's <morning glory window 2024-2-shadow> absorbs temporal light and removes the symbolic representation of the image surface to create an image of realistic desire and hides the conceptual image of desire in the shadow of reversible light. The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.

Combined with images of reality with reversible light, including a desire for abstraction.

The image of desire repeats the process of directly acquiring the concept of the aesthetic structure of the real world that is subordinate to the concept, a reality that embodies the abstraction of desire as an event and facilitates performance.

The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.

Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.

Abstracting from the back of the morning glory landscape undermines timeliness, realizes the past time-adjusted traces of desire and the present overlapping landscape of color, and transfers images of desire into the painting.

It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions. 

In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space. It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.

It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression‎.

Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time. It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.

Desire concept superimposes abstractions on morning glory and bamboo forests with dual landscapes, leaving fragmented real space in the gaps of light without disassembling and unifying symbolic images, and then repeatedly portraying reality over the present representation and the gap in between. 

In this way, he creates a gap of desire and repeats the image of desire in the gap of reality, although the world that does not change is meaningless. And the dual semantic structure abstracts the unchanged reality by adding desire in the shadow to the image of the missing reality. 

In order to reveal the realistic abstraction of the image of dance and music performance that is momentarily distorted in real life, the object of the conceptual form is abstracted in a semantic structure.

As a conceptual form, the realistic shape of non-realism with the same structure of meaning is abstract as a conceptual meaning structure, but abstraction with the same meaning with different shapes is a non-realistic existence with different colors and sizes.

Its existence defines an abstract space as an actual reversible shape, and abstracts the image in which the window shape placed in front of the morning glory is covered by the actual changed movement by the shade of reversible light into installation art outside the window. It is an image of desire in a picture, that is, a space without atmosphere reflected in a mirror. mirror. This is an abstraction as a being abstracted from a non-real painting into a realistic image.

This is an abstract urban impression in which images of the concept of desire are developed at small intervals as reversible shades of light that exist momentarily, just as a dancer reflected in the background of the concept of desire implements an unrealistic surface image of the sky like a cloud as a surface image.

In visual culture as contemporary art, the fragmented image installation of urban images overlaps with the impression of the city as a fragmented installation image of the concept of desire by abstracting the image into the concept of desire as a structure of desire in a realistic structure. And  in the , the brings out the desires of others. / Writing. Art critic Choi Chul-joo (Image Installation artist & Doctor of Cultural Design)

Choi Chul-joo, a contemporary artist