스크랩 펌) 육체라는 이 이상한 옷 *

[인도미녀]

Family Tree, 2000
Chromogenic print
54.5x42cm





My Rome (Stand)


My Rome (Mountain)


My Rome (Hang Bubble)


My Rome (Mouth Bubble)


My Rome
2005, Performance, Capitoline Museum, Rome, Italy





My Switzerland
2005, Performance, Kunstmuseum Bern, Bern, Switzerland





My Boston
2005, Performance, Museum of Fine Arts, Boston, USA





My Sydney
2004, Performance, Museum of Contemporary Art, Sydney, Australia







Window
2004, C-print, 40x50inches







Seeds of Hamburg
2002, Performance, Kunstverein in Hamburg, Germany









Peace 1
2001, Cast Bronze Bell and Cast Bronze Body
Overall Dimensions: 11x12x8Feet
Bell: Diameter: 56in, Height: 81in
Body: Length: 69in, Width: 20in, Depth: 12in





My Japan
2001, Performance, Yokohama Triennale, Japan









Pilgrimage to Santiago
2001, Performance, Museo das Perigrinacions, Spain





Pilgrimage
2001, Stone, 340x150x65cm





















Shanghai Family Tree
2001, C-print, 20x30inches each





Family Tree
2000, C-print on Fuji archival paper, 50x40inches each









Chickenpox
2000, C-print on Fuji archival paper, 50x40inches





Rubens
2000, Cast Bronze, Life Size (Not Include Base)





Flowers
2000, Performance, Helsingborg Museum, Sweden











My Australia
2000, Performance, National Gallery of Australia, Australia





My America (Hard to Acclimatize)
1999, Performance, Seattle Art Museum, USA









1/2
1998, C-print on Fuji archival paper, 49x41inches











Foam
1998, C-print on Fuji archival paper, 60x40inches





To Raise the Water Level in a Fishpond
1997, Performance, Beijing, China







To Add One Meter to an Anonymous Mountain
1995, Performance, Beijing, China





Nine Holes
1995, Performance, Beijing





12 Square Meters
1994, Performance, Beijing





65KG
1994, Performance, Beijing





Angel
1993, Performance, China National Art Gallery, Beijing





Angel 1
1992, Mixed-Media Installation, 300x160x50cm





Angel 2
1992, Mixed-Media Installation, 240x200x40cm


Zhang Huan (1965- ), Chinese Performance Artist and Conceptual Artist

Zhang Huan's often traumatic performances are memory retrieval‎s, recollections of suffering. For example, a 1994 performance in a public toilet in a rundown area of Beijing referred to the abortions and female infanticides which occurred under the Chinese government's one child policy. The artist covered himself with honey and fish oil, sat motionless for several hours attracting flies and ants before immerging himself in a nearby river. Zhan Huan's group performances, involving nine or more people, use logic to defy logic, culminating in rigid formations - a pyramid of naked bodies, people standing motionless in water, figures face down on the ground. While paralleling the rigidity and alienating effects of social structures, they give further expression‎ to the trauma of the collective. The result of great shock of suffering and trauma manifest itself in intense physical and emotional pain. It belongs both to the individual - Zhang Huan's history and that of his family - and the collectivity - a nation emergingfrom the brutality of the Cultural Revolution, from famine, political repression, ideological zeal and the hardship of everyday life in China.
Zhang Huan is hailed as one of the foremost artist of the new wave from China.

http://www.zhanghuan.com/


출처
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