Contemporary Art Criticism [28] Contemporary Art Critic Louis Choi Chul-joo

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Contemporary Art Criticism [28] Contemporary Art Critic Louis Choi Chul-joo Design of Contemporary Art : Desire Conceptual Abstract Art Design & Art Critic Louis Choi Chul-joo Abstract Art Theory of Conceptual Abstract Painting, Concept Abstract Art Installation & Contemporary Artist Louis Choi Chul-joo Abstract Art Design Criticism: Conceptual Abstract artist Louis Choi Chuljoo's <Morning glory outside the window 2023-2>  

Louis Chuljoo Choi, a morning glory p34-4-1, a hand-painted picture on a computer 

Louis Choi Chul-joo Abstract Painting 'Morning glory Window' Concept: 

This is reversible light outside the window that reveals the instantaneous shape of one image moving away from the other's subject and passing through the other's subject from the lacking subject shape of the object, causing the one-shaded structure to conceptualize the desire of the other that alienates the subject's shape.

(ACN · Interpretation of the concept of Choi Chuljoo's "Morning glory Window" according to Lacan's "Four Direction of Interpretation" on March 9, 2023) 17:41

Louis Chuljoo Choi, a morning glory p34-4-1, a hand-painted picture on a computer  

Choi Chul-joo's "Morning glory poser" is reflected in a mirror that lacks the shape of the subject as it spreads to the back of the shaded object with reversible light. 

Reversible light is shaded to marginalize the shape of the morning glory abstract subject and to conceptualize the desires of others by shading a finely drilled cloth into a real picture.

"Choi Chul-joo's morning glory pster 34-4-1" is a modern conceptual abstraction that transforms the structure of desire into a shade with reversible light by utilizing images made of crooked images that mean the reality of morning glory.

In New York (Flushing Town Hall & Yeomyeong Hall), Louis "morning glory" is a contemporary art abstraction work related to the second individual exhibition, and produced 120 poster abstract paintings and object abstractions with contemporary art painting design concepts. It is Choi Chul-joo's "morning glory" that symbolizes this as an exhibition image of a painting design of shape as a desired semantic structure, that is, abstraction.

The object <morning glory>, which depicts the meaning of the shape seen in the semantic space created by the structure of one shade with reversible light, represents a contemporary abstract conceptual desire, that is, a modern abstract concept that is obscured by the actual changed movement of the shape by structuring the meaning of the shadow of the image that the chick hides the desire of the other in the temporality in the shadow of the reversible light.

The artistry that emerged in the desire object here reveals the conceptual object as another being of the object by transforming the image of the object into a skewed image from the other's desire point of view, and shows the artistic conceptual meaning of the object as creativity and the autonomy of the other's desire.

Additionally, the other's desire hidden in the painting personified chicken's background represents the actual abstract space that is reversible through the thought movement of the image that actually changes the shape. This refers to the concept of an abstract object, and the object constitutes an abstract space that is actually reversible and refers to the desire concept as an abstract shape in an abstract landscape where the desire of the other from which the reality of the shape is abstracted is concealed by a shade of reversible light.

Louis Chuljoo Choi, a morning glory p34-5, a hand-painted picture on a computer  

The object (morning glory p34-5), which depicts the meaning of the shape visible in the meaning space created by reversible light from the shape of non-realistic reality, structures the meaning of the image that hides the desires of others in the shadow of reversible light, meaning an abstract space that can be reversible into a real shape, and the image in the mirror shows an object of abstract image that reveals the place of the unconscious desire of others as a virtual non-real image.

An object is an object that describes the meaning of the shape seen in the meaning space created by "Morning glory poter" reflected in reversible light. It is an object that describes the meaning of a shape hidden in a long period of time when a chick's desire for the other is fossilized in the shadow of reversible light. It means an abstract space that can be reversible into a real shape, and an object hidden by the actual changed movement of the exhibition abstract poster shape.

In Lacan art theory, revealing the subject is revealing the object ɑ as a lacking subject. In the abstract painting "morning glory", this is a subject that represents a lack reconstructed from a shape with the desires of others as the subject. It is Choi Chul-joo's "morning glory poter" that constitutes a frame that reveals the image of the subject representing the lack of the subject, and creates an object ɑ in the shadow of reversible light in the frame in order for the child to escape from non-existence of the desire and choose reality as a subject.

This is the physical structure of desire that resulted in a realistic reality. The structure has several skewed cross-sections in a three-dimensional form and abstracts a pictorial image as conceptual art into a multi-faceted image of a semantic structure as an object in one concept. (ACN · 2023. 6. 22. 23:13 <Morning glory> Subject Image: Choi Chul-joo Abstract Conceptual Art Theory)

 As an abstraction, it is a flatness that seems to have a consistent meaning of morning glory. The morning glory is the same as the reality reflected in the mirror, but the shape of the background is not the same. This is because, as a conceptual form, a realistic form of a real thing with the same meaning structure is abstract as a conceptual semantic structure, but abstraction with the same meaning with different shapes is non-realistic as ideological atypical beings with different colors and sizes.

Its existence refers to abstraction as an exhibition poster that defines abstract space as a shape that can actually be reversible for objects that do not currently exist and whose shape is obscured by movements that have actually changed in the shade of reversible light.

Louis Choi Chul-joo, morning glory p116-4, a hand-painted picture on a computer / Modern Art Pop Art Concept Abstract Design: Louis Choi Chul-joo's Exhibition Posters On 100 New York 2022 Exhibition posters, it symbolizes the image of shape as a conceptual semantic structure of abstraction of desire newly drawn from computer images. 

In New York (Flushing Town Hall & Yeomyeong Hall), a poster <morning glory poster-48> was created in New York (Flushing Town Hall) that designed the concept of desire as an abstract work of contemporary art related to the individual exhibition of Louis <Napal Flower> and repeatedly designed the concept of desire by symbolizing it as a design of a shape as a representative image of a painting.

The object (Louis Choi Chul-joo, New York Exhibition Poster), which depicts the meaning of the shape visible in the meaning space generated by reversible light, structures the meaning of <BLACKPINK creations a new image in the mirror like the picture "Las Meninas·The Maids 6" as a shade of reversible light to structure the meaning of the abstract space that can revers the object into a real shape and is hidden by the actual changed movement of the shape. The image in the mirror refers to the momentary distorted image of the desire object of Las Meninas of Velazquez, a fantastic image revealed by Velazquez from the unconscious desire of others.

The conceptual design of contemporary desire by contemporary art critic and conceptual artist Choi Chul-joo is a return to painting as a symbolic concept of early conceptual art. In other words, the conceptual art of desire created through painting designs the abstract concept of desire as a practical image. Therefore, his conceptual abstract art of contemporary desire conceptualizes abstract values through painting while criticizing the phenomenal image of events or performances such as current affairs cartoons.

Although his paintings cannot replace those of Dadaism, they equate concepts such as the philosophy of Marcel Duchamp and his sympathizer Joseph Kosuth with paintings of conceptual desire.

On the other hand, Choi Chul-joo's conceptual art abstraction design, which conceptualized the illusion of the infantile imagination in Lacan art theory, contains the meaning of the concept as current affairs satirical cartoons and the message of the concept of desire in the abstract image of the concept of desire. It occluses critical perspective and the life value of desire conceptual painting with satirical cartoons of on-site photographs of events and performances.  

This increases the value of life from a critical perspective based on the satirical image and abstract design of events through the Choi Chul-joo's abstract art movement beyond mathematical concept and philosophical interpretation.

Here, Choi Chul-joo's Lacan conceptual art abstraction design refers to an abstraction design that can momentarily and rationally perceive the desires of others rather than arbitrary philosophicality. (ACN ・ Oct. 7, 2022, 2:33 Choi Chul-joo Conceptual Art abstraction design interpretation)

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory', 'Bamboo forest' ' & 'pond' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News 

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design 

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light. 

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Reali 

Choi Chul-joo, <BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids 9>, a hand-painted picture on a computer

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's newsmanwha K-Pop Song illustratoin [4] Young voters want to watch BLACKPINK's "The Show" rather than election broadcasts on YouTube, ACN ・ 2021. 2. 11. 15:47 / Reporter Choi Chul-joo’s Cartoon Review 

. Young voters want to watch BLACKPINK's "The Show" rather than election broadcasts on YouTube.

. Les jeunes électeurs veulent regarder « The Show » de BLACKPINK plutôt que des émissions électorales sur YouTube. 

Choi Chul-joo, <BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids 12-15>, a hand-painted picture on a computer

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 173-BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids.", a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest d173-BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids.", a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest  d173-BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids."-pond : By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p116-4-BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids." 12, US President Trump says American films like 'Gone With the Wind' should win Academy Awards: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture. 

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p116-4> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <pond-Bankers sent home as Deutsche starts slashing jobs> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory p116-4> becomes a non-real abstraction of reality.

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

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Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 173, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest d173, a hand-painted picture on a computer

Final image superimposed on the artist's work: Louis Choi Chul-joo, pond s3, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p116, a hand-painted picture on a computer 

Installing an image of a firm desire

The installation of the desire image is to reveal a significant painting image in the mind through an error in the subjective abstract image of an object that does not exist by realizing the representation of a linguistic object.

It simulates (模寫) the concept of linguistic desire as a painting and displays the representation perceived as desire as a real image. In other words, displaying linguistic desire as a painting image embodies desire as an actual painting image with an objective correlation, like T. S Eliot. In other words, it abstracts the linguistic image as a concept of desire, but metaphorically as a real image of the concept. 

The real image manages and abstractly defines the object as the meaning of existence.

Therefore, in linguistic abstraction, the meaning of existence is taken as a real image. By showing existence as an image rather than an object as reality, it becomes a reality in abstraction that transcends the subject of the object. In this way, existence generalizes the object as a firm subject with a phenomenal gaze.

The installation of an image of firm desire is the installation of an image as a subject of firm existence, which is viewed through the gaze of the desire for existence.

Even if the actual object's light is bright, it does not reach the light in the sky, and the cloud divides the space according to the installation of the image of existence. Therefore, by rejecting metaphysics that do not affect the object of desire with reversible light, the existence of an object is recognized as an image through the shadow of light.

Here, imaginary desire is a linguistic impression concept, and the image of meaning is repeatedly designed to reconstruct the abstract formative color into a real image, and the outer surface of reality is developed as an objective correlation.

Louis Chul-joo Choi, morning glory window 2024-8-Installing an image of a firm desire, 150X112cm, acrylic and composite materials on cloth, 2024

The design process of Choi Chul-joo's concept of desire abstract art is to install such a firm gaze image as the outer surface of reality and abstract the outer surface of reality as a correlation of reality as a concept of desire.

Since this is reversely abstracted as a correlation of a phenomenal real image, the image design of the concept of desire is repeated to show the correlated real image of the concept of interpreting desire as a cartoon cartoon only as an event or performance image, and the real image as an event and performance image is drawn as a phenomenal perception and installed as a correlated image in the thought intended by the action of the image.

It acts as a coincidence to reduce the non-visual image derived from this to a linguistic abstraction cartoon review. Image correlation, which replaces the symbolic phenomenon of an image with a reality that symbolizes the meaning of the image, does not presuppose a causal relationship with a single meaning, but results in an image that is connected to the concept of desire as a correlation between an abstract concept that deviates from the structure of non-realism and reality.

Image is a concept of desire without abstract meaning and spatial constraints and grasps the desires of others as subjects related to reality.

In the aesthetic structure concealed by the subject, the sky divided by clouds is the shaded light of the object and stops the abstract concept in real life. And the size of the image of a correlated reality as a shade is omitted and it is positioned as a range that appears to be light. This is a place where reality has an aesthetic value adapted to the place as an image, and decorates the place with the colors of universal reality that fit the custom. This is Choi Chul-joo's concept of installing an image of desire.

The object of reality is a shape that has remained as a color in the linguistic sense that existed conventionally, and is composed of a single image of the desire of the other in contrast to the light of the past. The image shows the image of reality that existed in the original place of the image with a shape stopped by desire.

When an image is a desire image, it is not affected by the subject of the shape and is visually abstracted as a subject according to the desires of others. Therefore, the abstract effect reproduced by the desire gaze is reduced to abstraction from the actual image in which the desire image is superimposed as the gaze image of a firm desire is installed. / Writing. Art critic Choi Chul-joo (conceptual abstract painter & Ph.D. in cultural design)

Louis Choi chuljoo, Black Pink creates a new image reflected in the mirror like the painting Las Meninas 3 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle cricature] ■ Choi Chul-joo's Cartoonist newsmanwha–an editorial cartoon [12] Black Pink creates a new image reflected in the mirror like the painting Las Meninas.  ACN ・ 2021. 2. 11. 15:47 / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ▶Labour Force Reduction _ Réduction de la population active.