Contemporary Artist Choi Chul-joo Criticism [1] Contemporary Artist Louis C

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Contemporary Artist Choi Chul-joo Criticism [1] Contemporary Artist Louis Choi Chul-joo Contemporary Art Conceptual Art Criticism: Applying "morning glory," "Bamboo Forest," and "Pond" as abstract art based on the concept of desire, and criticizing the abstract art design of the concept of desire by applying the event image and performance image of the news as the subject of desire: Louis Choi Chuljoo's <morning glory 2022-g>, 2022 New York Exhibition Abstract painting of contemporary art  

Planning. Former curator of the Seoul Museum of Art Louis Choi Chul-joo (conceptual abstract design artist & contemporary artist)

Conceptualization of Desire: Conceptualization of Desire Art is a visualization of progress and results as objects of imagination and existence, facing artistic ideas and portraying the desires of others as objects of imagination and existence. Louis Choi Chuljoo's Conceptual Abstract Art faces artistic ideas and visualizes progressive phenomena and consequences as objects of Desire's imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 Louis Choi Chul-joo' theory of abstract art)

Shape image as a conceptual semantic structure: It refers to another image of the background of a real concept that represents a real morning glory by repeating the color of the shadow on the object image of desire, and it is the object of the concept of desire that depicts the shadow structure created from non-real images with reversible light.

The object is abstraction as a contemporary desire concept artwork, which is repeated by symbolizing and overlapping the desires of others with reversible shades of light in "morning glory" the background design concept of contemporary desire concept artwork.

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Louis' Conceptual Art Theory on Realistic Abstract Painting)  

Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirm‎ing the formation of the shape as a shade of light that distorts the realistic structure in everyday events. 

As a background of culture, shape abstracts the concept of a realistic structure and determines its shape by reversible shading of light, but the background in which the shape disappeared as the whole is covered according to its shape time is summarized as contemporary light.

(Louis' Cultural Concept Theory of Realistic Abstract Painting with Treacherous Conceptual Art)

Louis Chul-joo Choi, morning glory 2022-g, 148X179cm, acrylic and composite materials on cloth, 2022

Realistic structures are reflected in the shape of shadow colors by light. It's the contours and shadows that are determined by the reversible shades of light that reveal that shape. This is the concept of desire, the art of realistic abstraction, which actually forms an abstract image of the concept of desire.

Contemporary artist & conceptual artist Choi Chul-joo's contemporary conceptual art is a return to painting as the concept of early conceptual art.

In other words, it is conceptual art as a real image that creates symbolism through a work of painting. Therefore, his contemporary conceptual art criticizes the phenomenal image like current affairs cartoon, but in terms of painting, it refers to the semantic value of the non-realistic realistic desire image <morning glory 2022-g>. And it transfers to the abstraction of the real image <morning glory 35-3> using the non-realistic realistic image as conceptual art.

This goes beyond mathematical concepts and philosophically meaningful linguistic interpretations and occlusions the life value of paintings with critical perspectives and desire concepts from the scene photographs of events as satirical cartoons. Here, the conceptual painting of desire refers to a painting that can momentarily and rationally perceive the desires of others rather than arbitrary philosophicality. (ACN · April 20, 2022 / The Desire of the Other as a baby <morning glory> New York Exhibition Docent 1)

Therefore, in desire conceptual painting, the frame of the shape of the morning glory differs from the representational conceptual art of the concept of objective reality and desire in order to experience the crooked background according to temporality as the desire of others. This is because the object uses the conceptual object of desire separated from the reality transferred from the symbolic world as a realistic real image.

Choi Chul-joo's Desire Conceptual Design Methodology is Image (I/i) Design (D) for Desire Painting: Modern Art Choi Chul-joo An abstract work of the concept of desire in contemporary art, his desire formula <D(I...I')d=I(D'D'I)i> is applied to the image of <morning glory 2022-g> to abstract the conceptual position of the conceptual position of the phenomenal desire in different places in space as a shadow of reversible light. In addition, it abstracts by re-applying the conceptual position of desire in different places in space as a shadow of reversible light by re-using verbal metaphorical images. 

In this way, Louis Choi Chul-joo transforms 100 works into a conceptual image of desire to realize objects as the first abstract poster of the concept of desire at the 2022 New York exhibition. Here, the image "morning glory 35-3" becomes a realistic abstraction of reality as a conceptual image of desire.

Louis Chul-joo Choi, morning glory 2022-g, 148X179cm, acrylic and composite materials on cloth, 2022 

Desire Concept Object Louis Choi Chul-joo 2022 New York Exhibition <morning glory 2022-g> The visual system conceals the abstract representation image object as a shaded diagram that reproduces the abstract representation image object as an abstraction, but it is an abstraction object that shows the realistic shape revealed in the reversible shade of light of the desire perspective revealed in the unconscious as a momentary gaze.

The object hidden in abstraction forms a skewed image expressed through desire revealed in the suppressed unconscious of others as a conceptual design of desire to acquire artistry beyond generality, and creates an object of the other's desire as a being, so that the realistic image revealed in the unconscious desire of the other reveals the conceptual artistry of realistic abstraction of reality with a semantic structure of the instantaneous distorted desire image of the other.

This is a conceptual image of desire based on the desire of another person who imagines "morning glory" by substituting the conceptual image of desire of the imagination of the desire formula <D(I...I')d=I(D...D'i)i> that does have meaning in the poster image at the 2022 New York exhibition of Louis Choi Chul-joo. It is a conceptual image of desire based on the desire of the other person who imagines "morning glory" by repeatedly designing substituting it into abstract painting. In the abstract background of desire shown in the visual system <morning glory>, the subject image of the concept of desire appears as an image of a momentary gaze of <morning glory> that concealed inconsistency with shades. (ACN·12. 29. 0:01 Choi Chul-joo's desire formula <D(I...I')d=I(D...D...D'i)i>

Louis 2022 New York exhibition morning glory 2022-g abstraction metaphorically expresses the meaning of life as reality, an area separated from the realm of the symbolic world. The actual meaning of the concept of human desire as a cover-up is superimposed into several reversible shades of light without showing the object to be expressed. In other words, it is not distinguished which subject is in the two images. However, it is identified as an object showing these two images. Here, the image of an image different from the image of reality is seen for reality, and the other's "morning glory" shows the conceptual image of desire. Since "morning glory" is satisfied with an image different from reality, it hides an abstraction image that represents the actual meaning superimposed again in the shadow of reversible light as a concept of actual desire.

The image is a conceptual image of desire applied by recognizing reality in Choi Chul-joo's desire formula. The conceptual image is an image that depicts the same shape of the unconscious and language. Here, "morning glory", which seems to be a gaze, is a skeletal structure that is flattened in one color. This is a skewed flatness that seems to have a consistent meaning of morning glory in abstract painting transferred to the conceptual art of desire. The planar concept of morning glory is the same as the reality reflected in the mirror, but the shape of the background covered by the reversible shade is an abstract mirror image of a realistic structure seen as a treacherous conceptual art that is not the same.

Louis Chul-joo Choi, morning glory 2022-g, 148X179cm, acrylic and composite materials on cloth, 2022 

The shape of the Desire Object is an abstract painting of contemporary art related to Louis Choi Chul-joo's "morning glory" in New York (Flushing Town Hall & Yeomyeong Hall) in 2022, and a poster with a design concept 

 By designing the structure of 100 poster images and reversible shades, the design of the shape as the semantic structure of the concept of desire, that is, the exhibition image of the painting, is symbolized and abstracted into a desire of modern conceptual art. The abstraction conceives the meaning of one meaning as a reversible shade structure of light because the shape is understood in one direction as the difference is distinguished by looking at the shape and the difference is distinguished. Even if the shape is different, it is an abstraction of similar colors and sizes as a symbolic structure. In other words, as a conceptual form, it represents abstraction as a conceptual semantic structure from a realistic realistic shape with the same conceptual structure.

Therefore, abstraction as the same concept with different shapes is a realistic desire conceptual image that exists as an ideological atypical being with different colors and sizes. But the object (Luis Choi Chul-joo 2022 New York exhibition morning glory 2022-g), which depicts the meaning of the shape visible in the semantic space created by reversible light of the shape of the realistic desire image, structures the meaning of the image concealing the desire of the other into a reversible shade of light, meaning an abstract space that can be reversible into a real shape, and is hidden by the actual changed movement of the shape, that is, the image in the mirror is an object of abstract images that reveal the place of the unconscious desire of others as a realistic image of virtual non-realism.

Louis Chul-joo Choi, morning glory p35, a hand-painted picture on a computer 

The abstract area of painting in which a specific effect of the concept of desire as the meaning of "Choi Chul-joo's morning glory p35" in conceptual art occurs is an image that can momentarily see the desire of others who function gazefully in the landscape. The image is an idea that recognizes and applies what is not in reality in the formula of desire. The idea is an image that depicts the same shape of the unconscious and language. The morning glory seen here as a gaze is a skewed structure planarized into one color. This is a skewed flatness that seems to have a consistent meaning of morning glory in painting. The morning glory is the same as the reality reflected in the mirror, but the shape of the background of desire is not the same. This is because, as a conceptual form, it is abstract as a conceptual semantic structure that uses a realistic shape of non-real with the same structure of the same meaning, but abstraction as the same meaning with different shapes is a non-realistic image as an ideological non-formal existence with different colors and sizes.

Therefore, its existence means the abstraction of contemporary art, the concept of desire, which defines abstract space as a shape that is actually reversible and whose shape is obscured by the movement actually changed by the shadow of reversible light.

Desire Conceptual Art Abstraction, which replaces the phenomenal position of abstraction with a poster, can distinguish the position of the shape and conceive the meaning of the structure of desire to interpret it. The shape is abstract of colors and sizes similar to those of the ideological structure in order to convey other meanings, but in the imaginary world, the abstract meaning of conceptual art is identified with reality, and the image of the object and the abstract meaning are identified externally as the same subject, and the subject forms a transformed abstract meaning internally. This refers to the abstract meaning of the shape, which defines an abstract space that can be actually reversible and refers to the desire design meaning of an abstract shape in which the shape changed by the actual changed movement of the shape is obscured by shade.

An object abstracted as a conceptual art of desire is an example of a semantic structure that forms a skewed desire image expressed through desire revealed in the suppressed unconscious of others through design in order to acquire artistry beyond generality. The artistry that emerged from the desire of the semantic being contains the formative value of the object as another being by transforming the image of the object into a skewed image from the desire point of view of the other into a semantic structure.

And a small piece as the desire of the other hidden in the background of a painting anthropomorphic chicken shows a real abstract space that is reversible through the image of new movement that actually changes the shape. This is an image that can actually reversibly represent the desire of the other in the meaning of the existence of an abstract object and is positioned as an abstract space.

Choi Chul-joo's abstraction of the concept of desire is a realistic structure as a being, and is a shape that is momentarily abstracted at the intersection where the desire of the other person designed with reversible shades of light is seen as gaze. The shape is a desire signifier containing an image. In the imaginary world, the image that the chick mistook for a chicken as a child identifies the chicken in the mirror and the object with a different shape, and the similarity disappears as the meaning of the shape. 

Eventually, visible similarity distorts the meaning of objects identified as different shapes. These are just two signifiers that do not existentially match. Therefore, two image signifiers of different shapes cannot be identified. 

However, the imaginary world stems from imaginary perception, regardless of the actual experience, as if a chick were satisfied with the image of a chicken reflected in the mirror as an infant. By not recognizing each image signifier as a different shape, it creates a misconception due to imaginary perception. This misconception refers to a realistic abstraction in which a visible metaphor of the imaginary world is possible only through similarity between different desire signs. / Writing. Choi Chul-joo, art critic (conceptual abstract painter & Dr. of cultural design)

Choi Chul-joo, a contemporary artist