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출처: 정배리 반딧불농원 원문보기 글쓴이: 카페촌장
Keywords= Dillon Music, used instruments, brass horns, trumpets,french horns, trombones, mouthpieces, brass accessories, reeds, saxophones, alto saxophone, tenor saxophone, Clarinet,tubas
Mit Ihrem selbstgeschriebenen Akustik-Pop erobert die junge Dreierformation gerade die Bretter der Welt. Das Repertoire reicht dabei von sensiblen und emotionalen Balladen bis hin zu schnellen und rockigen Stücken - angereichert mit viel Witz und Charme.
Knudi & das FlavourTrööt nimmt seine Zuschauer bei Live-Konzerten mit auf eine kleine Reise hinaus aus dem Alltag.
Die Knudi & das FlavourTrööt App versorgt euch ständig mit aktuellen Infos rund um die Band!
Tipe-X dibentuk pada tanggal 10 September 1995. Saat ini Tipe-X terdiri dari 7 personel yaitu Tresno Riadi (vokal), Micky (bass), Yoss (gitar), Arie Hardjo (drum), Billy (gitar), Anto (trombone), dan Andi Toha (saksofon).
Lagu-lagu yang tersedia adalah:
- Angan
- Bebas Pusing
- Bernyanyi
- Biar Ngga' Penasaran
- Bimbang
- Boy Band
- Cinta Sederhana
- Ciuman Pertama (Feat. Chelssie Baker)
- Cuma Main-main
- Di Mana Cinta!!!
- Dugem
- E.P
- Frustasi
- Genit
- Gombal
- Harus Pisah
- Hey !!!
- Hujan
- I.C.U
- Indonesia Sayang
- Jangan Diam
- Jangan Jadi Pecundang
- Jantung Hati
- Jantungku
- Kamu Ngga' Sendirian
- Kamu Penipu
- Karena Cemburu
- Lagi-lagi Sendiri
- Lagu Pembunuh Sepi
- Mawar Hitam
- Melati Aku Benci Kamu
- Mungkinkah Dia
- My World
- Ngga' Tahu Diri
- Pacar Yang Baik
- Pengakuan
- Pesta (Feat. Danar & Iwa K)
- Pria Tampan
- Saat Cinta Itu Tiba
- Saat-saat Menyebalkan
Selamat Menikmati :)
Catatan:
1. Dibutuhkan koneksi internet untuk memainkan lagu dalam App ini dan menjalankan fitur lainnya.
2. File lagu dalam App ini bukanlah dimiliki oleh pembuat App. pembuat App hanya membuat tautan pada website yang menyediakannya.
Also, You can choose any video of your choice, register it with any available code to personalize your own JukeBox!
Internet connection is required to use the Jukebox.
Enjoy.
Stanley Getz (February 2, 1927 – June 6, 1991) was an American jazz saxophone player. Getz was known as "The Sound" because of his warm, lyrical tone, his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz went on to perform in bebop, cool jazz and third stream, but is perhaps best known for popularizing bossa nova, as in the worldwide hit single "The Girl from Ipanema" (1964).
Getz was born on February 2, 1927, in Philadelphia, Pennsylvania. His parents were Ukrainian Jews, who emigrated from the Kiev area in 1903. The family later moved to New York City for better employment opportunities. Getz worked hard in school, receiving straight As, and finished sixth grade close to the top of his class. Getz's major interest was in musical instruments, and he felt a need to play every instrument in sight. He played a number of them before his father bought him his first saxophone at the age of 13. Even though his father also got him a clarinet, Getz instantly fell in love with the saxophone and began practicing eight hours a day.
He attended James Monroe High School (New York) in the Bronx. In 1941, he was accepted into the All City High School Orchestra of New York City. This gave him a chance to receive private, free tutoring from the New York Philharmonic's Simon Kovar, a bassoon player. He also continued playing the saxophone. He eventually dropped out of school in order to pursue his musical career, but was later sent back to the classroom by the school system's truancy officers.
In 1943 at the age of 16, he was accepted into Jack Teagarden's band, and because of his youth he became Teagarden's ward. Getz also played along with Nat King Cole and Lionel Hampton. After playing for Stan Kenton, Jimmy Dorsey, and Benny Goodman, Getz was a soloist with Woody Herman from 1947 to 1949 in "The Second Herd", and he first gained wide attention as one of the band's saxophonists, who were known collectively as 'The Four Brothers', the others being Serge Chaloff, Zoot Sims and Herbie Steward. With Herman, he had a hit with "Early Autumn" and after Getz left "The Second Herd" he was able to launch his solo career. He would be the leader on almost all of his recording sessions after 1950.
In the mid to late 1950s working from Scandinavia, Getz became popular playing cool jazz with Horace Silver, Johnny Smith, Oscar Peterson, and many others. His first two quintets were notable for their personnel, including Charlie Parker's rhythm section of drummer Roy Haynes, pianist Al Haig and bassist Tommy Potter. A 1953 line-up of the Dizzy Gillespie/Stan Getz Sextet featured Gillespie, Getz, Oscar Peterson, Herb Ellis, Ray Brown and Max Roach.
Returning to the U.S. from Europe in 1961, Getz became a central figure in introducing bossa nova music to the American audience. Teaming with guitarist Charlie Byrd, who had just returned from a U.S. State Department tour of Brazil, Getz recorded Jazz Samba in 1962 and it became a hit. The title track was an adaptation of Antonio Carlos Jobim's "One Note Samba". Getz won the Grammy for Best Jazz Performance of 1963 for "Desafinado", from the same album. It sold over one million copies, and was awarded a gold disc. As a follow-up, Getz recorded the album, Jazz Samba Encore!, with one of the originators of bossa nova, Brazilian guitarist Luiz Bonfa'. It also sold more than a million copies by 1964, giving Getz his second gold disc.
Din boghylde hos SAXO.com
Som en særlig feature for SAXO Reader, vil alle e-bøger, du køber via din brugerprofil hos SAXO.com, blive tilgængelige i app'en. Har du allerede købt? Disse e-bøger vil ligge klar i app'en når du logger ind med din SAXO profil.
Du kan selvfølgelig lave bogmærker, dele tekststykker med andre og samle dine e-bøger i bogsamlinger.
Meget nemmere kan det vist ikke blive, så download læseren og tag på litterære eventyr med SAXO Reader!
Added extra note trainer! Connects fingering to notes on a stave. Speed up your note reading & fingering response time.
Check out the fingering chart here -
http://www.veritas-online.com/edarchive/Saxophone.pdf
then go for it!
Features the sounds of Charlie "Bird" Parker to encourage you along!
*Note reading is NOT required to play the app*
Are you curious about how to play the saxophone?
This application contains fingerings for play all tones from written B♭3 to B7. Simply press the piano key to hear the saxophone sound and see the fingering.
You can choose one of the 12 different types of saxophone from SubContra-bass saxophone (B♭) to Sopranissimo saxophone (B♭) and hear its voice.
Let's play the sound on Android while playing your own saxophone to compare the pitch.
You can play this application either like piano or like a harmonica, using your lips :-)
Theodore Walter "Sonny" Rollins (born September 7, 1930 in New York City) is an American jazz tenor saxophonist. Rollins is widely recognized as one of the most important and influential jazz musicians. A number of his compositions, including "St. Thomas", "Oleo", "Doxy", and "Airegin", have become jazz standards.Rollins was born in New York City, to parents who were born in the United States Virgin Islands. Rollins received his first saxophone at age 13. He attended Benjamin Franklin High School in East Harlem. He said that a concert by Frank Sinatra there, accompanied by a plea for racial harmony, changed his life.
Rollins started as a pianist, changed to alto saxophone, and finally switched to tenor in 1946. During his high-school years, he played in a band with other future jazz legends Jackie McLean, Kenny Drew and Art Taylor. He was first recorded in 1949 with Babs Gonzales (J. J. Johnson was the arranger of the group). In his recordings through 1954, he played with performers such as Miles Davis, Charlie Parker and Thelonious Monk.
In 1950, Rollins was arrested for armed robbery and given a sentence of three years. He spent 10 months in Rikers Island jail before he was released on parole. In 1952 he was arrested for violating the terms of his parole by using heroin. Rollins was assigned to the Federal Medical Center, Lexington, at the time the only assistance in the U.S. for drug addicts. While there he was a volunteer for then-experimental methadone therapy and was able to break his heroin habit. Rollins himself initially feared sobriety would impair his musicianship, but then went on to greater success.
As a saxophonist he had initially been attracted to the jump and R&B sounds of performers like Louis Jordan, but soon became drawn into the mainstream tenor saxophone tradition. Joachim Berendt has described this tradition as sitting between the two poles of the strong sonority of Coleman Hawkins and the light flexible phrasing of Lester Young, which did so much to inspire the fleet improvisation of bebop in the 1950s.
Rollins began to make a name for himself in 1949 as he recorded with J. J. Johnson and Bud Powell what would later be called "hard bop", with Miles Davis in 1951, with the Modern Jazz Quartet and with Thelonious Monk in 1953, but the breakthrough arrived in 1954 when he recorded his famous compositions "Oleo", "Airegin" and "Doxy" with a quintet led by Davis. Rollins then joined the Miles Davis Quintet in the summer of 1955, but left after a short stay to deal with his drug problems. Rollins was invited later in 1955 to join the Clifford Brown–Max Roach quintet; studio recordings documenting his time in the band are the albums Clifford Brown and Max Roach at Basin Street and Sonny Rollins Plus 4. After Brown's death in 1956 Rollins began his subsequent career as a leader, his first long-playing albums released on Prestige Records. He also recorded during the 1950s for Blue Note, Riverside, and the Los Angeles label Contemporary.His widely acclaimed album Saxophone Colossus was recorded on June 22, 1956 at Rudy Van Gelder's studio in New Jersey, with Tommy Flanagan on piano, former Jazz Messengers bassist Doug Watkins and his favorite drummer Max Roach. This was Rollins' sixth recording as a leader and it included his best-known composition "St. Thomas", a Caribbean calypso based on a tune sung to him by his mother in his childhood, as well as the fast bebop number "Strode Rode", and "Moritat" (the Kurt Weill composition also known as "Mack the Knife").
In 1956 he also recorded Tenor Madness, using Miles Davis' group – pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones.