개념미술가 최철주 [7] 현대개념미술평론 현대개념미술가평론 이미지개념설치작품평론Contemporary conceptual artwork

[최관우]

개념미술가 최철주｜현대개념미술평론 현대개념미술가평론 이미지개념설치작품평론Contemporary conceptual artwork criticism: Contemporary conceptual art Criticism [7]  Abstract conceptual art = morning glory window 2024-4-Memories & Cartoon review of the concept [3] Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ : Chul-joo Choi & Kang's Korean Pop Star (2019-8-3) /Reporter Choi Chul-joo’s Cartoon Review 

Louis Chul-joo Choi, morning glory window 2024-4-Memories, 147X143cm, acrylic and cposite materials on cloth, 2024

개념 추상화: 나팔꽃-기억

<나팔꽃-기억>에 추상성은 가역적 빛의 음영으로 여러개의 개념적 존재가 실제 모양으로 추상적 존재로서 욕망의 구조룰 대리하는 나팔꽃 배경위에 형상화된다. 

이것은 이전에 존재한 사건과 공연 이미지를 대기의 묘사가 없는 <나팔꽃>에 가역적 빛의 음영으로서 타자의 욕망으로 기억의 이미지가 실체화한다. 여기서 기계론적유물론(機械論的唯物論)의 동일주의에 따라서 타자의 욕망을 개념하여서 실재적 이미지와 동일시한 추상화를 모드(modification) 함에 따라 시간성에 실재적 구조의 추상화 모드로 조응된 물감이 음영을 천에 남긴 흔적이다. 

추상화 모드는 컴퓨터 게임처럼 뉴스 카툰의 사건과 공연 이미지를 추상의 배경인 <나팔꽃>과 중첩하여서 타자의 욕망을 가역적 빛의 실재 구조의 음영으로 추상한다.

이것은 실재에서 대상과의 위치와 거리에 따라 왜곡된 이미지로 보이듯이 욕망 개념으로 본 자리에 따라 지난 시간에 존재했던 가역적 빛으로 조명되고 음영의 구조로 현상된다.

여기서 가역적 빛의 음영적 효과는 배면이 비춰지는 교직된 천의 작은 구멍에서 비취는 반사광으로 형태로 비쳐진 음영의 구조를 이룬다. 그 구조를 그린 것이 <나팔꽃>으로서 쓰레드 페인팅이다.

그 쓰레드 페인팅의 이미지와 색은 시간의 거리를 주어서 표식하지 않고 퇴색된 본디의 상상적 조형 구조로 형성하여서 가역적 빛의 음영으로 욕망 개념을 보임으로서 숨겨져 있는 형상의 미적 가치를 보인다. 이것은 최철주의 추상 미술이론을 스토리로 한 사실적 회화의 개념으로서 문학성을 넘어서 욕망 개념을 실제로 한 조형성을 가역적 빛으로 비등(沸騰)하고서 남겨진 음영 색을 욕망적 조형의 구조로 그린 추상화다. 

최철주 욕망개념에서 구조의 이미지는 가역적 빛으로 비등한 음영 색의 욕망 구조를 실에 넣어서 색을 가려 막는 천의 매듭으로서 조형을 특정한 색에 pt 조응할 수 있도록 선형적 구조의 색이 존재한 조형을 재구성한다. 

따라서 실의 구조가 추가된 욕망 개념 이미지 ‘쓰레드 페인팅’은 개념미술의 미술성으로 한 선형적 미학을 추구하는 천과 실의 구조에 추상적 욕망을 페인트한 그림이다. 

그 그림 <나팔꽃-기억>은 최철주의 욕망 개념 추상미술이론에 등장하는 유아를 병아리로 전이하여서 풍습에 의해 만들어진 대상으로서의 닭과 여인 그리고 댄서를 천과 같은 재료에 그려진 욕망 개념의 이미지다. 그 욕망이미지처럼 대상이 보이는 형상을 천과 같은 재료에 병아리, 닭, 여인과 댄서를 구성하여 좌우가 역전된 이미지를 생성하여서 그린 것이다. 따라서 그의 그림은 앞면과 뒷면을 구분하지 않는 양면의 그림이다. 여기서 뒷면의 이미지를 앞면으로 전환시킬 때에 가역적 빛으로 한 음영의 흔적이 보이는 새로운 그림이 출현하게 된다. 

상상계에서 동일시는 외형적으로 오브제의 이미지와 자신을 동일한 주체로써 오브제의 이미지와 동일시되면서 내적으로 주체는 변형된 욕망 개념의 현상적 이미지를 형성한다. 그 현상적 이미지 <나팔꽃-기억>이미지로써 배면인, <morning glory-Memories-back>의 오브제와 오브제가가 없는 가역적 빛의 그림자로 생성된 공간의 또 다른 그림자가 밝아지거나 소실된다.

그것은 실재의 오브제의 상에서 유아로서 만족하는 이미지로서의 오브제로서 결핍된 이미지 다. 

댄서에 맞춘 대상의 기억은 빈 공간에 그림자의 여백을 이미지로 한 간극에 병아리, 닭, 화석과 여인으로 이어진 분리된 공간을 만들고 그린자위에 음양의 밝은 면을 색채로 통합한 하나의 그림에 대상들의 자리에 색채와 형상을 꾸민다. 그 형상은 오브제의 배면에 빈공간으로 존재하지 않는 현상적 실제의 구조를 확인함으로써 오브제의 실제가 거울에 비친 실재의 상이다. 즉 현상적 실제의 이미지는 은유로서의 실재의 이미지가 거울에 비친 실재의 상 일수도 또 다른 이미지로서 허상적 음영으로 보이는 상 일수도 있다. 

여기서 실재의 상은 대상적 존재로서의 음영색을 응시로 볼 수 있는 타자의 욕망으로 풍교된 단상이다. 그 단상은 도시의 장소에서 욕망이 멈춘 가역적 빛으로 반사하여서 보이는 이미지를 욕망의 형상으로 한 현실의 존재로서의 의미를 명확하게 한다. 

그 의미의 실재적 구조로서 형상이 멈추면서 의미가 가역적 생각 운동으로 생성된다. 이것은 이미지의 구조로서 생각되는 의미가 빈 공간에 욕망의 자리를 찾아가는 단상(stray thoughts)이다. 

따라서 생각으로 한 기억 이미지의 욕망의 구조로 만들려면 욕망의 배경인 나팔꽃의 윈도우안에서 기억의 개념적 표상이 실재 이미지를 가역적의 음영으로 동일한 자리에 하나의 단상으로 중첩한다. 

그 단상은 어절쩡한 욕망을 생각하는 방향으로 실재의 대상의 이미지로서 가역적 공간의 자리를 만들고 현상적 대상으로 존재로서 욕망을 보인다.

그리고 존재의 이미지는 실재를 가역하는 의미로서 사실적 추상을 정의하고 그 이미지는 가역적 빛의 음영으로 변화된 의미에 의해 추상적 개념을 실재화한다. 

개념적 실재는 부재하지만 가역적 빛에 음폐된 추상으로 그린 욕망은 타자를 대신한다. 그 욕망은 실재를 가역할 수 있는 추상 공간을 만들고 현상적 가치를 말한다. /글 ,전 서울시립미술관 큐레이터 최철주 (현대 화가 & 문화디자인박사)

Louis Chul-joo Choi, morning glory window 2024-4-Memories, 147X143cm, acrylic and composite materials on cloth, 2024

Louis Chul-joo Choi, morning glory window 2024-4-Memories

In "morning glory-memory", abstraction is a reversible shade of light, and several conceptual beings are embodied on the background of morning glory, which represents the structure of desire as abstract beings in a real shape.

This is the image of memory as the desire of the other as a reversible shade of light in "morning glory", which does not describe the atmosphere. Here, according to the identity of the theory of materialism, the desire of the other is conceptualized and the abstraction identified with the actual image is modified, leaving the shade on the fabric by the paint adjusted in the abstraction mode of the actual structure in temporality.

Like a computer game, the abstraction mode overlaps the events and performance images of news cartoons with "morning glory", the background of abstraction, and abstracts the desires of others into shades of a reversible real structure of light.

Depending on where it was viewed as a concept of desire, it is illuminated with reversible light that existed in the past and developed into a shaded structure, just as it appears to be a distorted image according to the position and distance from the object in reality.

Here, the shadowing effect of reversible light forms a shadow structure reflected in the form of reflected light from the small hole of the fabric where the rear surface is illuminated.

The structure is painted with thread painting as <morning glory>.

The image and color of thread painting show the aesthetic value of the hidden shape by showing the concept of desire in the shadow of reversible light by forming the image and color of the faded object without marking it by giving a distance of time. 

This is a realistic painting based on Choi Chul-joo's abstract art theory, and it is an abstract painting that depicts the remaining shadow colors as reversible light by capturing the concept of desire beyond literature.

In Choi Chul-joo's concept of desire, the image of structure is a picture of cloth that blocks color by putting a shadowy desire structure comparable to reversible light into a thread and reconstructs the shape into a linear structure of color so that the shape can correspond to a specific color.

Therefore, the conceptual image of desire with the structure of thread added is a painting that paints abstract desires on the structure of cloth and thread that pursues linear aesthetics as the artistry of conceptual art. 

The painting "morning glory-memory" is an image of the concept of desire in which a young child mind in Choi Chul-joo's concept of desire is transferred to a chick and the chicken, woman, and dancer are drawn on an image as cloth as objects created by custom. 

Like the desire image, the image of the object was drawn by composing chicks, chickens, women, and dancers in a material such as cloth to create an image in which the left and right sides were reversed. Therefore, his painting is a painting of two sides that does not distinguish between the front and the back. Here, when the image on the back is converted to the front, a new painting with traces of one shade in reversible light emerges.

In the imaginary world, identification externally identifies the image of the object as the same subject as the image of the object, and internally forms a phenomenal image of the concept of desire in which the subject is transformed. As a phenomenal image "morning glory-memory"'s back image, the shadow of reversible light without an object, another shadow and back of the space created by the object, brightens or disappears.

It is an image that is insufficient as an object as an image that is satisfied as a child in an image of a real object. 

The memory of the object tailored to the dancer's creates a separate space connected to chicks, chickens, fossils, and women in the gap with shadow margins in the empty space, and colors and shapes the objects in a single picture that integrates the bright side of yin and yang with colors on the drawing image.

The shape is an image of reality in which the actual object is reflected in the mirror by confirm‎ing the structure of the phenomenal reality that does not exist as an empty space on the back of the object.

In other words, the image of phenomenal reality may be an image of reality in which the image of reality as a metaphor is reflected in the mirror or an image that appears as a virtual shade as another image. 

Here, the image of reality is a podium shaped by the desire of others who can see the shaded color as an object being through gaze. The platform clarifies the meaning of a reality being that reflects the visible image as reversible light in which desire has stopped in the place of the city and takes the image as the form of desire.

As the actual structure of its meaning, as the shape stops, the meaning is created as a reversible thought movement. This is an image in which the meaning thought as the structure of an image finds a place of desire in an empty space. 

As a result, the conceptual representation of memory in the window of the morning glory, the background of desire, overlaps the real image into a single phase in the same place in a reversible shade to make it a structure of desire for a memory image. 

The stray thoughts creates a reversible space as an image of a real object in the direction of thinking about ambiguous desires and shows desire as a phenomenal object.

And the image of existence defines factual abstraction as a meaning that reverses reality, and the image realizes the abstract concept by the meaning that has been transformed into a shadow of reversible light. 

Although there is no conceptual reality, the desire painted as an abstraction obscured by reversible light replaces the other. That desire creates an abstract space that can reversibly represent reality and refers to phenomenal value./ Writing. Former curator of the Seoul Museum of Art Louis Choi Chul-joo (Modern art Painter & Doctor of Cultural Design) 

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News 

Conceptual semantic structure Abstraction of modern art converts images of the desires of others designed as pop art sketches into abstraction through cartoon criticism. This abstractly illuminates the desire to reconstruct the external phenomena of socio-cultural objects of contemporary art into photographs of events and to express the specific validity of others through the objective perspective of images, the subject of desire. This effect is an easy example of modern art abstraction by abstracting the desires of others into cartoons from the objects in which the event occurred, and interpreting cartoon analysis as a cultural form of modern art to eval‎uate the value of life. It's a treacherous conceptual art called realistic abstraction, the cartoon news of Contemporary Art Sketch Abstract Painting. 

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design 

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light. 

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Louis Chul-joo Choi, Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 2, a hand-painted picture on a computer, 2019

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review: 

. Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’

. Yoona du groupe K-pop Girls' Generation a commencé comme la principale actrice du film 'Exit'

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest 97- Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 2, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Desire Concept Realistic Abstract Work:   Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest b97-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 2:  By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.

Desire Concept Realistic Abstract Work:   Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest b97-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 2-pond:  By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. /

Desire Concept Realistic Abstract Work: Choi chuljoo, Morning glory d112-2-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 2: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event. 

Desire Design Methodology in Abstract Art Theory on Painting Design, ■ Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p112-2-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 2> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.

■ Examples of non-realistic abstractions include: objects of desire (light gray trousers) are affected sequentially by subtle changes in reversible light and follow a complementary contrast of light.

 By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

Final image superimposed on the artist's work: Louis Choi Chul-joo, pond s3, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 97, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest b97, hand-painted picture on a computer

Louis Chul-joo Choi, Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 1, a hand-painted picture on a computer, 2019  [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Cartoon review of the concept [3] Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, an art critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.  ▶Girl group, "Girls' Generation"._ Groupe de filles, "Girls' Generation"