[종교 聖음악] 앨범: 바흐: 요한 수난곡 BWV 245 - Stephen Layton, cond (2013 Hyperion Records)|

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St John Passion, BWV 245

앨범: 바흐: 요한 수난곡 BWV 245 Johann Sebastian Bach (1685 - 1750) 1. No.1, Chorus: Herr, unser Herrscher

Album Title: Bach: St. John Passion

Composer: Johann Sebastian Bach (1685 - 1750)
Conductor: Stephen Layton
Performers :  Ian Bostridge (Tenor [Evangelist])
                 Neal Davies (Bass [Christus])
                 Carolyn Sampson (Soprano)
                 Iestyn Davies (Counter-tenor)
                 Nicholas Mulroy (Tenor)
                 Roderick Williams (Baritone [Pilate])
Ensemble: Polyphony
Orchestra: Orchestra of the Age of Enlightenment

Audio CD (March 4, 2013)
Number of Discs: 2
Spars Code: DDD
Mono/Stereo: Stereo
Format: Import, Double Audio CD
Recording Date: April 10, 2012 - April 13, 2012
Recording: April 2012 / All Hallows, Gospel Oak, London, United Kingdom
Label: Hyperion Records
Copyright: (c) 2013 Hyperion Records
Total duration: 117 minutes 44 seconds
Genre: Choral, Baroque Period, Passion
Styles: Choral, Vocal Music, Church Music, Western Classical Music

1. St John Passion, BWV 245   (106:40)
   Catalog No.   BWV 245
   Composer   Johann Sebastian Bach (1685 - 1750)
   Conductor   Stephen Layton
   Performer   Carolyn Sampson (Soprano)
                      Iestyn Davies (Counter-tenor)
                      Neal Davies (Baritone[Christus])
                      Nicholas Mulroy (Tenor)
                      Ian Bostridge (Tenor [Evangelist])
                      Roderick Williams (Baritone [Pilate])
   Genre   Baroque Period / Passion
   Date Written   04/07/1724; Leipzig, Germany
   Period   Baroque
   Country   Germany
   Venue   All Hallows, Gospel Oak, London
   Notes   All Hallows, Gospel Oak, London (04/10/2012-04/13/2012)

Johann Sebastian Bach: St. John Passion, BWV245

   Conductor   Stephen Layton
   Ensemble   Polyphony
   Orchestra   Orchestra of the Age of Enlightenment

Disc 1

Part 1

1. No.1, Chorus: Herr, unser Herrscher   [9'04]
   Ensemble   Polyphony

2. No.2, Recitative: Jesus ging mit seinen Jüngern (Evangelista, Christus)   [2'23]
   Performer   Ian Bostridge (tenor)
                     Neal Davies (bass)
   Ensemble   Polyphony

3. No.3, Chorale: O große Lieb   [0'46]
   Ensemble   Polyphony

4. No.4, Recitative: Auf dass das Wort (Evangelista, Christus)   [1'03]
   Performer   Ian Bostridge (tenor)
                     Neal Davies (bass)

5. No.5, Chorale: Dein Will gescheh, Herr Gott   [0'47]
   Ensemble   Polyphony

6. No.6, Recitative: Die Schar aber (Evangelista)   [0'44]
   Performer   Ian Bostridge (tenor)

7. No.7, Aria: Von den Stricken meiner Sünden   [4'54]
   Performer   Ian Bostridge (counter-tenor)

8.  No.8, Recitative: Simon Petrus aber folgete Jesu nach (Evangelista)   [0'10]
   Performer   Ian Bostridge (tenor)

9. No.9, Aria: Ich folge dir gleichfalls   [3'25]
   Performer   Carolyn Sampson (soprano)

10. No.10, Recitative: Derselbige Jünger (Evangelista, Ancilla, Petrus, Christus, Servus)   [3'11]
   Performer   Ian Bostridge (tenor)
                      Amy Wood (soprano)
                      Ashley Riches (bass)
                      Neal Davies (bass)
                      David de Winter (tenor)

11. No.11, Chorale: Wer hat dich so geschlagen   [1'40]
   Ensemble   Polyphony

12. No.12, Recitative: Und Hannas sandte ihn gebunden (Evangelista, Servus, Petrus)   [2'02]
   Performer   Ian Bostridge (tenor)
                      Ashley Riches (bass)
                      David de Winter (tenor)
   Ensemble   Polyphony

13. No.13, Aria: Ach, mein Sinn   [2'30]
   Performer   Ian Bostridge (tenor)

14. No.14, Chorale: Petrus, der nicht denkt zurück   [1'11]
   Ensemble   Polyphony

Part 2

15. No.15, Chorale: Christus, der uns selig macht   [1'02]
   Ensemble   Polyphony

16. No.16, Recitative: Da führeten sie Jesum (Evangelista, Pilatus, Christus)   [4'04]
   Performer   Ian Bostridge (tenor)
                      Roderick Williams (baritone)
                      Neal Davies (bass)
   Ensemble   Polyphony

17. No.17, Chorale: Ach großer König   [1'36]
   Ensemble   Polyphony

18. No.18, Recitative: Da sprach Pilatus zu ihm (Evangelista, Pilatus, Christus)   [2'00]
   Performer   Ian Bostridge (tenor)
                      Roderick Williams (baritone)
                      Neal Davies (bass)
   Ensemble   Polyphony

19. No.19, Arioso: Betrachte, meine Seel   [2'31]
   Performer   Roderick Williams (baritone)

20. No.20, Aria: Erwäge, wie sein blutgefärbter Rücken   [8'37]
   Performer   Nicholas Mulroy (tenor)

Disc 2

Part 2

1. No.21, Recitative: Und die Kriegsknechte flochten (Evangelista, Pilatus, Christus)   [5'39]
   Performer   Ian Bostridge (tenor)
                      Roderick Williams (baritone)
                      Neal Davies (bass)
   Ensemble   Polyphony

2. No.22, Chorale: Durch dein Gefängnis, Gottes Sohn   [0'43]
   Ensemble   Polyphony

3. No.23, Recitative: Die Jüden aber schrieen (Evangelista, Pilatus)   [3'58]
   Performer   Ian Bostridge (tenor)
                      Roderick Williams (baritone)
   Ensemble   Polyphony

4. No.24, Aria with chorus: Eilt, ihr angefochtnen Seelen   [3'41]
   Performer   Roderick Williams (baritone)
   Ensemble   Polyphony

5. No.25, Recitative: Allda kreuzigten sie ihn (Evangelista, Pilatus)   [2'18]
   Performer   Ian Bostridge (tenor)
                      Roderick Williams (baritone)
   Ensemble   Polyphony

6. No.26, Chorale: In meines Herzens Grunde   [1'02]
   Ensemble   Polyphony

7. No.27, Recitative: Die Kriegsknechte aber (Evangelista, Christus)   [4'02]
   Performer   Ian Bostridge (tenor)
                      Neal Davies (bass)
   Ensemble   Polyphony

8. No.28, Chorale: Er nahm alles wohl in acht   [1'04]
   Ensemble   Polyphony

9. No.29, Recitative: Und von Stund an nahm sie der Jünger (Evangelista, Christus)   [1'21]
   Performer   Ian Bostridge (tenor)
                      Neal Davies (bass)

10. No.30, Aria: Es ist vollbracht!   [5'41]
   Performer   Iestyn Davies (countertenor)

11. No.31, Recitative: Und neiget das Haupt und verschied (Evangelista)   [0'30]
   Performer   Ian Bostridge (tenor)

12. No.32, Aria and Chorale: Mein teurer Heiland, lass dich fragen   [4'31]
   Performer   Roderick Williams (baritone)
   Ensemble   Polyphony

13. No.33, Recitative: Und siehe da (Evangelista)   [0'31]
   Performer   Ian Bostridge (tenor)

14. No.34, Arioso: Mein Herz, in dem die ganze Welt   [0'48]
   Performer   Nicholas Mulroy (tenor)

15. No.35, Aria: Zerfließe, mein Herze   [7'23]
   Performer   Carolyn Sampson (soprano)

16. No.36, Recitative: Die Jüden aber (Evangelista)   [2'14]
   Performer   Ian Bostridge (tenor)

17. No.37, Chorale: O hilf, Christe, Gottes Sohn   [1'02]
   Ensemble   Polyphony

18. No.38, Recitative: Darnach bat Pilatum Joseph von Arimathia (Evangelista)   [2'23]
   Performer   Ian Bostridge (tenor)

19. No.39, Chorus: Ruht wohl, ihr heiligen Gebeine   [8'02]
20. No.40, Chorale: Ach Herr, lass dein lieb Engelein   [2'00]
   Ensemble   Polyphony

Appendix

Part 1

21. No.11, Chorale: Wer hat dich so geschlagen (fully accompanied version)   [1'35]

22. No.17, Chorale: Ach großer König (fully accompanied version)   [1'35]

   Ensemble   Polyphony

Part 2

23. No.40, Chorale: Ach Herr, lass dein lieb Engelein (fully accompanied version)   [2'00]

   Ensemble   Polyphony

Nude Woman Praying by Jan Hardisty (b1948)
Private Collection / © Special Photographers Archive / Bridgeman Art Library, London

GRAMOPHONE 'CHOICE'
EARLY MUSIC TODAY EDITOR'S CHOICE

'Stephen Layton's outstanding new St John is about as state-of-the-art a Bach Passion recording as you'll hear … Ian Bostridge is the master story-teller who surveys all about him, impeccably delivering every nuance of every word … Alongside the top-class and pliable choral singing of Polyphony comes the roll call of impressive soloists … The noble Christ of Neal Davies and the deeply felt singing of Roderick Williams complement the kaleidoscope of vocal ｅxpression here with their capacity for reflective commentary, as does Iestyn Davies in a treasurable 'Es ist vollbracht' (Gramophone)

'There's no doubting the choir's passion and poise, whether as a baying mob … or in the expressively balanced unaccompanied chorale verses … Layton's pacing is compelling … It's crowned by Iestyn Davies's sublime account of 'Es ist vollbracht', his pure alto wrapped around the obbligato pathos of Richard Tunnicliffe's viola da gamba. Both Carolyn Sampson's arias are priceless' (BBC Music Magazine)

'This St John Passion brings to the fore the traits of style and taste that are distinguished hallmarks of Layton and the forces he gathers around him … Ian Bostridge is the tenor Evangelist, eloquent, pure of tone, fluent and B in communicating the import of the German narrative. Neal Davies is a Christus of tender authority. The choir sings with a well-rounded sound, firm accents and with diction that brings the text crisply to life: the spitting out of the word nicht in the passage where the crowd asserts that it has delivered Jesus up to Pilate because he is a malefactor is just one example of how attentive this performance is to the colouring of words. It has been said that the St John Passion has affinities with Baroque opera in its almost theatrical evocation of time and place. Layton … harnesses the dramatic thrust of the Passion while also conveying its sacred, spiritual substance' (The Daily Telegraph)

'Stephen Layton, top soloists, the expert choir of Polyphony and the incomparable Orchestra of the Age of Enlightenment perform the St John Passion annually at St John's Smith Square … Concentrate … on the purity of sound, the emotionally expressive yet restrained performance by all and the impeccable attention to text of the soloists. Ian Bostridge lives every word of the narration but never over dramatises. Countertenor Iestyn Davies's almost disembodied account of Es ist vollbracht! (It is finished!) is unforgettable' (The Observer)

'A very welcome new recording … Stephen Layton presents an intelligently perceptive performance, beautifully sung by a fine team of soloists … This recorded version comes finely honed, a deep familiarity with the score not causing any hint of routine but showing itself in an easy fluency as it passes from devotional strength though the depths of pathos and anguish to high drama, the immediate aftermath of the Crucifixion creating a vividly powerful climax … Ian Bostridge brings to the role of Evangelist great authority and potent power … profoundly impressive, with his vocal dexterity, marvellous purity of tone and astonishing sense of involvement achieved through placing great emphasis on the delivery of the text. In Neal Davies we have a Christus who exudes anguish but also considerable poise … Layton's reading gets closer to the heart of the passion story than most and as such, is a recording that ranks very highly indeed. The recorded sound is, as we would expect, superb' (International Record Review)

'There have been many fine recordings of this work … but this is the equal of anything I have heard. Lead by tenor Ian Bostridge as the Evangelist, and Neal Davies as Christ, this is a rivetingly taut and dramatic performance, beautifully recorded' (Dominion Post, New Zealand)

'Stephen Layton directs this intense, dramatic reading with intelligence and integrity, ably assisted by an excellent team of soloists. Ian Bostridge is a superly articulate, agile and expressive Evangelist' (Early Music Today)

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