Francisco José de Castro Sonata prima La Real Cámara [7:40]

1. Franz Schubert String Quartet in E flat major D87 Melos Quartet [24:48] 2. Pyotr Tchaikovsky Symphony No.4 in F minor, Op.36 London Symphony Orchestra/Igor Markevitch 1963 [42:20] 3. Georg Philipp Telemann Fantasia No.12 in G minor Rita D’Arcangelo(flute) [5:23] 4. Wolfgang Amadeus Mozart Piano Concerto No.25 in C major K503 Eric Heidsieck(piano) Orchestre de la Société des Concerts du Conservatoire/André Vandernoot 1961 [30:56] 5. Francisco José de Castro Sonata prima La Real Cámara [7:40] Detailed Musical Analysis 1. Franz Schubert - String Quartet in E-flat major, D87 (Melos Quartet) Schubert’s String Quartet No. 10, D87, is an early work showcasing his lyrical gift and classical structure. It consists of four movements: • Allegro moderato: A bright, flowing opening in E-flat major with balanced themes and elegant phrasing. • Scherzo. Prestissimo: A lively and playful movement, contrasting with a Trio section in C minor. • Adagio: A serene and introspective slow movement with a singing melody. • Allegro: The finale is energetic and rhythmic, bringing the quartet to a spirited close. The Melos Quartet’s interpretation emphasizes Schubert’s youthful charm and classical precision. 2. Pyotr Tchaikovsky - Symphony No. 4 in F minor, Op. 36 (London Symphony Orchestra/Igor Markevitch) This symphony is deeply personal, reflecting Tchaikovsky’s struggles with fate and emotional turmoil: • First Movement: Introduced by the “Fate” motif, the brass fanfare symbolizes life’s inexorable challenges. Themes of despair and struggle dominate. • Second Movement: A melancholic reflection on past joys and sorrows, expressed through lyrical woodwind melodies. • Third Movement: Whimsical pizzicato strings evoke fleeting images of imagination and light-heartedness. • Finale: A raucous celebration quoting Russian folk themes, interrupted by the ominous return of the Fate motif. Markevitch’s 1963 recording captures the symphony’s dramatic contrasts and emotional depth. 3. Georg Philipp Telemann - Fantasia No. 12 in G minor (Rita D’Arcangelo) Telemann’s Fantasia No. 12 for solo flute showcases Baroque elegance with pseudo-polyphonic textures: • Adagio: A stately opening with modal harmonic writing. • Vivace: A lively gigue dance movement with intricate passagework. Rita D’Arcangelo’s performance highlights Telemann’s technical brilliance and expressive nuances. 4. Wolfgang Amadeus Mozart - Piano Concerto No. 25 in C major, K503 (Eric Heidsieck/André Vandernoot) Mozart’s Piano Concerto No. 25 is grand and symphonic: • First Movement: Majestic themes intertwine with virtuosic piano passages. • Second Movement: A lyrical Andante with delicate interplay between piano and orchestra. • Finale: A spirited Rondo showcasing Mozart’s wit and energy. Heidsieck’s interpretation brings out the concerto’s regal character and intricate dialogues. 5. Francisco José de Castro - Sonata prima (La Real Cámara) This Baroque sonata features intricate counterpoint and expressive melodies typical of early Spanish compositions: • The ensemble “La Real Cámara” emphasizes its rhythmic vitality and harmonic richness through period instruments. Each piece reflects its composer’s unique style, offering a rich tapestry of musical expression‎ across eras.