현대미술가 최철주｜현대미술평론 현대미술가평론 현대미술추상화가작품평론 [13] Contemporary Artist Choi Chuljoo

[최관우]

현대미술가 최철주｜현대미술평론 현대미술가평론 현대미술추상화가작품평론 [13] Contemporary Artist Choi Chul-joo ｜ Contemporary Art Today Choi Chul-joo's Art Criticism, Contemporary Artist Criticism, Contemporary Art Abstract Painter's Works Review / Contemporary artist review: Contemporary Art Critic Louis Choi Chul-joo's Art criticism of Contemporary painting Artwork & Modern Artist Artwork Design criticism = Modern art Critic / Contemporary artist review: Contemporary Art Critic Louis Choi Chul-joo's Art criticism of Contemporary painting Artwork & Modern Artist Artwork Design criticism:  

Contemporary Art Today Choi Chul-joo's Art Works ( https://opensea.io/Louisland ) Criticism: Review of NewsBusan Cartoon Review [127] love of reality that is different from love of television drama. (2019-6-27) / Reporter Choi Chul-joo’s Cartoon Review &  <morning glory-A couple's world set in the 'morning glory' of Desire>

Louis Choi Chul-joo Abstract Art Criticism: Choi Chul-joo Desire Concept Abstract Art Theory Presented

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News 

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design 

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light. 

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Louis Choi Chul-joo, love of reality that is different from love of television drama, a hand-painted picture on a compute

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review:  Review of NewsBusan Cartoon Review [127] love of reality that is different from love of television drama. (2019-6-27) / Reporter Choi Chul-joo’s Cartoon Review  

. love of reality that is different from love of television drama
 . amour de la réalité qui est différent de l’amour des dramatiques 

Desire Concept Realistic Abstract Work: Louis Choi Chul-joo, bamboo forest 207-love of reality that is different from love of television drama: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

■ Choi Chul-joo's concept of desire design process "morning glory" by Choi Chul-joo is a reconstruction of the imagination of desire that is recognized as a structure of desire and the reality reflected in the mirror as a background of desire established as a visual structure. "Bamboo Forest" is the shadow that hides the reality in the shadow of reversible light in his desire concept design process. And "The Missing Pond" is an abstract language image that reflects the reality of the concept of unconscious desire as a linguistic structure.

Therefore, Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic representation of the "disappeared pond" structure of symbolic reality, reducing the concept of abstract desire to a real image in the category of modern art's ideal Logos expression‎. 

The progress of this symbolizes the object of desire as a conceptual subject as a design process of the conceptual subject of desire.

Choi Chul-joo's concept of desire to design abstraction in contemporary art does not presuppose causality with the real image, but symbolizes the object of desire as a conceptual subject from an abstract concept in which desires alienated by the unconscious are divided, resulting in an abstract real image as a correlation between real images.

In linguistic abstraction, the meaning of abstraction as a real image is inductively inferred to take the meaning of symbolic existence. 

And the view of the image of its existence abstracts the concept of desire to the outside of reality, and the real image becomes the object of abstraction as the correlation of reality with the concept of desire. This is Choi Chul-joo's concept of desire design process 1.     

The actual image symbolized by the design using the object of abstract desire as the conceptual subject is omitted, and the image is flattened in the visible range of light. And the image is represented as a symbolic structure of the concept of desire, which is spoken in a linguistic sense.

Choi Chul-joo's concept of desire design process 2 is to decorate the object with a color of universal reality that matches customs so that the reality of the symbolic structure represented in this way has an aesthetic value corresponding to the place as a single image.     

The aesthetic structure concealed by the image designed as the concept of desire is divided into clouds and obscured shades, and the concept of desire is visualized as an image in various directions in the opposite direction of the concept of desire and the image, and the subject of the structure of desire created in the social environment is represented as an object in the past to recognize the image as an abstraction. And the subject who drew the existence executes the reality that symbolizes the concept of desire as an agent, and turns abstract desire into an image's mental phenomenon.

And Choi Chul-joo's abstract concept of desire is created by the imagination desired by the subject of desire in selecting an image of an abstract desire object in the unconscious.

As an abstract image, the concept of desire design process 3 is to repeatedly design a desire that combines lines and colors as an unconscious act that is in thought but is not conscious.     

The concept of unconsciously abstracting desire is a sculpture image of reality in which the object of reality is not seen as a reversible shadow of light, and shows another image of reality by concealing reality as a shadow.

The image is an unconscious mind maintained by the real image and the imagination desired by the subject of desire, and is an idea that cannot be recognized by that image.

Desire Concept Design Process 4. is designed by combining the spatial composition of desire, in which the image of desire is a sculpted planar monochromatic painting in reality, into a reversible structure of light through conscious movement.     

In this way, Choi Cheol-joo's concept of desire design appears as an object of desire as another abstract reality in the perspective visual system through his concept of desire design process.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, bamboo forest 207-love of reality that is different from love of television drama-pond: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture. 

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <bamboo forest 207-207-love of reality that is different from love of television drama> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <love of reality that is different from love of television drama> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <bamboo forest d204-pond-2024 U.S. presidential candidate> becomes a non-real abstraction of reality.

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p123-3-love of reality that is different from love of television drama: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

Therefore, conceptual abstract painter Louis Choi Chul-joo's "morning glory p123-3-love of reality that is different from love of television drama" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory. 

Therefore, conceptual abstract painter Louis Choi Chul-joo's "morning glory p123-3-love of reality that is different from love of television drama". Therefore, conceptual abstract painter Louis Choi Chul-joo's "morning glory p123-3-love of reality that is different from love of television drama" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory 

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p123-욕망의 '나팔꽃'을 배경으로 한 부부의 세계, a hand-painted picture on a computer

욕망의 '나팔꽃'을 배경으로 한 부부의 세계

부부가 욕망의 상관관계에서 벗어나 또 다른 상관인과 욕망을 누릴때 부부는 사회성에 따른 대립 구조로서 부적절한 욕망의 주체가 직시하는 상관관계에서 존재적 유의미성을 드러낸다.

드라마에서 행위적 실체 모망하여서 욕망의 내러티브구조로 상관관계의 대립과 갈등을 보인다.

이것은 무의식적 언어구조의 의미를 상관물의 실재 이미지로 욕망의 배경인 나팔꽃에서 내적 욕망의 대립을 추상한다.

따라서 부부세계의 욕망을 추상하는 페인팅은 욕망을 상관물로 비유하지 않고 대립적 갈등으로 욕망을 대치하여서 실재화한다. 그 실재 이미지는 현상을 갈등 이미지로 치환하여서 대립적 욕망의 상관물로서 욕망과 대립하는 객관적 이미지를 생성한다. 

욕망의 객관적 시선은 무의식적 욕망에 따른 존재로서의 상관관계를 구성하며, 현상적 공간에서 타인의 욕망이 직면하는 실존적 의미를 지닌 욕망의 실제 이미지로 해석하는 언어적 의미 구조에 맞춘 회화적 틀을 만든다.

이와 같이 언어적 의미 구조에 맞춘 욕망의 이미지는 현상적 공간에서 상대방의 욕망이 직면하는 실존적 의미를 가진 욕망의 실제 이미지로 해석되며, 욕망의 배경은 스푸마토 기법을 사용하여 시간적 흔적이 중첩되고 물체의 표면이 가역적인 빛의 흔적과 중첩되도록 먼 이미지처럼 구성된다.

다빈치의 모나리자처럼 겉으로 보이는 피부아래 면에서 경사되어 반사되어 보이는 색광을 배면이 비취는 천의 작은 구멍사이에서 만들고 욕망을 담고있는 여인의 실재 구조를 그려낸다.

이렇게 부부세계에서 갈등을 표출하는 여인의 추상적 무의식 구조를 현상적으로 관조할 수 있도록 실재 외적 구조의 객관성을 확보한다.

사회 현상과 욕망의 배경이 된 '욕망의 '나팔꽃'을 배경으로 한 부부의 세계에서 부부는 모순된 모습을 지향하지만, 의사 결정 관계를 부정하고 욕망의 현상을 정당화하려는 욕망을 위장하기 위한 것이다.

이는 부부의 세계가 이상적인 행복을 지향하기 때문에 부부의 경험적 현상에 대한 판단을 멈추고, 타인의 욕망을 비현실적인 현상으로 줄이고, 대립적 관계를 형성하려는 욕구를 자유롭게 찾는 현실과 동일시된다.

부부 세계에서 욕망과 현상은 무의식적인 욕망 구조로 결합되어 언어적 의미로서 공개 구조의 갈등을 숨기고 정렬되지 않은 욕망의 의미를 인식한다.

이는 가역적인 빛의 그늘로 나팔꽃을 어둡게 하고 욕망의 이미지를 언어적 의미로 반복적으로 디자인하여 욕망의 주체로서 대립 관계를 형성하는 추상적 부부의 현상을 현실의 구조로 드러나게 한다.

이렇게 드러난 실제 이미지는 욕망 개념의 영향을 받아 욕망이 아닌 갈등을 일으키는 대상으로부터 원하는 길을 얻으려는 욕망을 가능하게 한다.

여기서 추상적 현실 구조로서의 욕망 개념 설계는 최철주의 욕망 개념을 통해 욕망을 바라보는 추상적 틀을 욕망 개념의 추상적 설계 과정으로 전환하고, 추상적 구조를 실제 구조로 전이하여 욕망을 현실을 응시하게 하는 시선으로 볼 수 있도록 한다.

부부 세계의 추상적 욕망으로 은폐된 갈등은 욕망의 의미를 경험할 수 있는 실제 이미지를 드러내며, 대립적 갈등의 효과가 발생하는 추상적 선 공간을 구성합니다.

이는 실존적 차원에서 오해를 불러일으키는 추상적 실제 이미지로, 욕망의 배경이 되는 나팔꽃과 비교하여 분명한 장소를 설정한 추상적 그림이다./ 글. 추상개념예술가 최철주 (문화디자인박사)

Final image superimposed on the artist's work:Louis Chul-joo Choi, a missing pond, 112X249cm, acrylic and composite materials on cloth, 2024

Louis Choi chuljoo, love of reality that is different from love of television drama 127-1 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Review of NewsBusan Cartoon Review [127] love of reality that is different from love of television drama (2019-6-27)/ Reporter Choi Chul-joo’s Cartoon Review/ Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality. 

Louis Chul-joo Choi, morning glory-A couple's world set in the 'morning glory' of Desire-sketch 2, 112X162cm, acrylic and composite materials on cloth, 2024

A couple's world set in the 'morning glory' of Desire

When a couple breaks away from the correlation of desire and enjoys desire with another boss, the couple reveals existential meaning in the correlation faced by the subject of inappropriate desire as a structure of confrontation according to sociality.

The behavioral reality in the play is destroyed, and the narrative structure of desire shows the confrontation and conflict of correlations.

This abstracts the confrontation of inner desires in the morning glory, which is the background of desire, as the meaning of unconscious language structure is the real image of the correlation.

Therefore, painting, which abstracts the desires of the couple's world, does not compare desire as a correlation, but replaces desire with confrontational conflict and realizes it. The real image replaces the phenomenon with a conflict image and creates an objective image that is opposed to desire as a correlation between opposing desires.     

The objective gaze of desire constitutes a correlation as a being according to unconscious desire and creates a pictorial framework tailored to the linguistic semantic structure that interprets it as a real image of desire with existential significance faced by the desires of others in the phenomenal space.

In this way, the image of desire tailored to the linguistic meaning structure is interpreted as a real image of desire with an existential meaning faced by the other's desire in a phenomenal space, and the background of desire is composed like a distant image using spumato techniques so that traces of temporality overlap and the surface of the object overlaps with reversible traces of light.

Like Da Vinci's Mona Lisa, the color light reflected sloping from the underlying surface of the skin is produced between small holes on the back of the shaded fabric and depicts the real structure of a woman who contains desire.

In this way, the objectivity of the external structure is secured so that the abstract unconscious structure of women expressing conflict in the couple's world can be considered phenomenally.

In "A couple's world set in the 'morning glory' of Desire" the background of social phenomena and desires, the couple aims for a contradictory appearance, but it is intended to camouflage their desire to deny decision-making relationships and justify the phenomenon of desire.

This is identified with the reality of freely finding a desire to stop judging the couple's empirical phenomena, reduce the desires of others to unrealistic phenomena, and form confrontational relationships because the couple's world aims for ideal happiness.

In the marital world, desires and phenomena are combined into an unconscious desire structure to hide conflict in the disclosure structure as a linguistic meaning and recognize the meaning of desire that is out of alignment. 

This darkens the morning glory with a reversible shade of light and repeatedly designs the image of desire as a linguistic meaning to reveal the phenomenon of an abstract couple that forms a confrontational relationship as the subject of desire as a structure of reality.

The actual image revealed in this way enables the desire to obtain the desired way from an object that causes conflict, not desire, under the influence of the concept of desire.

Here, the design of the concept of desire as an abstract reality structure transitions the abstract frame of looking at desire into the abstract design process of the concept of desire through Choi Chul-joo's concept of desire, and the abstract structure is transferred to the actual structure so that desire can be viewed as a gaze that makes you stare at reality.

Conflicts concealed by the abstract desires of the married couple's world reveal real images that can experience the meaning of desire, constructing an abstract line space in which the effect of confrontational conflict occurs.

This is an abstract real image that causes misunderstanding in the existential dimension, and it is an abstract painting that sets a clear place by comparing it with the morning glory, which is the background of desire./ Writing. Choi Chul-joo, abstract concept artist

Choi Chul-joo, abstract concept contemporary artist