Contemporary Conceptual Abstract Artist Louis Choi Chuljoo's Desire Concept

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Contemporary Conceptual Abstract Artist Louis Choi Chul-joo's Desire Concept Abstract Art Work Criticism [42] Concept Abstract Modern Art work ( https://opensea.io/Louisland ) Review & Case of Contemporary Concept Abstract Art: Artworks  Abstract Design Contemporary Design:

Contemporary artist Louis Choi Chul-joo's realistic abstract work criticism of antinomical contemporary art as a conceptual art of treachery based on the concept of desire of others and Contemporary Art Critic Louis Choi Chul-joo's Contemporary Art work criticism: <From a lack of desire to a change of form, young voters want to watch Blackpink's The Show rather than campaign broadcasts on YouTube>  

An abstract painting drawn by the concept of desire formed by the relationship between image and meaning in cartoon criticism, Louis Choi Chul-joo, morning glory p122-From a lack of desire to a change of form, young voters want to watch Blackpink's The Show rather than campaign broadcasts on YouTube, a hand-painted picture on a computer, 2024

From a lack of desire to a change of form, young voters want to watch Blackpink's The Show rather than campaign broadcasts on YouTube

In reproducing the image of reality and non-real in the same space, the image of non-real, which does not look like Picasso, is superimposed on one screen like an image reflected in a mirror.

This is an object as a desire image, an aesthetic result of desire as a skeletal image of desire to reveal reality. Its reality goes beyond the concept of unconscious desire to specify desire as an image and reveals the position and shape of the reversible trace through the correlation with the conscious desire required by the time.

This creates an existential desire space by converting the concept of desire from unconscious desire to a real image to create a form of shape movement from a lack of desire, and by converting the concept of desire into a conscious abstract structure with a reversible shade of light.

Young Voters Want To Watch Blackpink 'The Show' Rather Than Election Broadcasts On YouTube. It shows the contemporary phenomenon and human presence in the same way as the maidens in <The Las Meninas>. It emphasizes the presence as a subject of reality that young voters gaze at by visualizing the location of the Seoul mayoral candidates in place of the king and queen,

In "The Las Meninas", the object reflected in the mirror is a fantasy, but in the 12th issue of cartoon review, the fantasy object in the mirror shows real candidates for the mayor of Seoul.

The production of this fantasy is that the subject of the object reflected in the mirror is the object of the fantasy, and it is the cutting of the subject by the relationship between image and meaning.

Therefore, the reality as an illusion that young voters want to see Black Pink's The Show rather than an election broadcast on YouTube forms an image reflected in a circular structure through a mirror, and candidates inserted into the unreal world are reflected in the mirror and fantasy objects are expressed in Black Pink. Here, the semantic action takes on a neutral symbolism by accepting the virtual image as a new subject according to the relationship between the image and meaning.

And Language Image Just like the function of functioning the desire structure into the unconscious desire concept by inserting a real image that deviates from the abstract structure, the desire image is structured into an aesthetic image as a function that constitutes a binary relationship of abstract desire so that culture can consciously recognize the subject of desire from desire and escape from other distortions based on the imaginary unconscious. / Writing. Choi Chul-joo, abstract concept artist

Choi Chul-joo, <BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids 8>, a hand-painted picture on a computer

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. 

(*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)

Louis Chul-joo Choi, <BLACKPINK releases new song "Pink Venom">, a hand-painted picture on a computer / 개념만평 만화뉴스 기사등록: ACN ・ 2022. 8. 21. 13:40

Desire Concept Realistic Abstract Work: In front of the bamboo forest 151-BLACKPINK releases new song "Pink Venom": By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

■ Examples of non-realistic abstractions include: objects of desire (light gray trousers) are affected sequentially by subtle changes in reversible light and follow a complementary contrast of light.: By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

Desire Design Methodology in Abstract Art Theory on Painting Design, ■ Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <In front of the bamboo forest 151-BLACKPINK releases new song "Pink Venom"-pond> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.

The Cartoon review's design process for realizing abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 

2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 

3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior.

4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.

Louis Chul-joo Choi, morning glory p48-3-BLACKPINK, a hand-painted picture on a computer

The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and the cartoon image reconstructs desire into an abstract and realistic picture. 

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p48-3> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p48-3-BLACKPINK> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning gloryp48-6> becomes a non-real abstraction of reality.

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i)

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

Young Voters Want To Watch Blackpink 'The Show' Rather Than Election Broadcasts On YouTube

Choi Chul-joo's cartoon review, published as a current affairs review, [12] "Young Voters Want To Watch Blackpink 'The Show' Rather Than Election Broadcasts On YouTube," is the image of Velazquez's "The Las Meninas," which was viewed with a desire.

As an ideological and stereotypical image of absolute monarchy in the Baroque era in the 17th century, Diego Rodriguez de Silvay Velázquez painted Las Meninas 1656.

He visualizes the characters appearing as a screen composition of a gaze perspective to exclude symbolism from space and emphasize the realistic presence of the object as a substance, but it is against the temporality.

In other words, the king and queen in the space from a different point of view are identified so that they can be viewed on the screen. 

In Choi Chul-joo's cartoon review No. 12, the king and queen transformed into candidates for the mayor of Seoul in 2021, forming a temporality converted from different perspectives in one space.

Choi Chul-joo, one's gaze in 'The Las Meninas'

It shows the contemporary phenomenon and human presence in the same way as the maidens in <The Las Meninas>. It emphasizes the presence as a subject of reality that young voters gaze at by visualizing the location of the Seoul mayoral candidates in place of the king and queen,

In "The Las Meninas", the object reflected in the mirror is a fantasy, but in the 12th issue of cartoon review, the fantasy object in the mirror shows real candidates for the mayor of Seoul.

The production of this fantasy is that the subject of the object reflected in the mirror is the object of the fantasy, and it is the cutting of the subject by the relationship between image and meaning.

The reality as an illusion forms an image reflected in a cyclical structure through the mirror with the candidates inserted in the non-real world reflected in the mirror and the fantasy object in black pink. Here, the meaning action takes on a neutral symbolism by accepting the virtual image as a new subject according to the relationship between the image and the meaning.

In this way, the relationship between image and meaning is cut to receive a new subject, and the mirror space in the cartoon is another space in the physical space revealed in the scene of "The Las Meninas", which is the upper body of candidates that cannot be seen at the time of viewing the entire scene of the cartoon as an image of a picture frame.

In order to insert the reality seen through this gaze, the artist's brush is put in and the subject reflected in the mirror is made to stare.

Like "The Las Meninas", cartoon review No. 12 actually reproduces the time and space of Blackpink and the candidates of the contemporary space Velazquez saw through the mirror.

The image reflected in the mirror is an invisible space, which is the image of the time Velazquez has seen in "The Las Meninas" It shows the reproducibility and gaze that symbolically reveals the situation of Black Pink and the candidates, as if the gaze of the other and the gaze of the other are identified and again reflected in the mirror as a king, queen, and princess.

In "The Las Meninas", Velazquez painted himself as an object reflected in a mirror. Another mirror in the painting is seen by Felipe IV and his wife, Maria Anna. This mirror reflects Velazquez and the king and queen outside the painting, but only the king and queen are reflected in the mirror in the painting. What cannot be interpreted with a perspective visual system is what the maids that exist in between are invisible.

An abstract painting drawn by the concept of desire formed by the relationship between image and meaning in cartoon criticism, Louis Choi Chul-joo, morning glory p34-4-1, a hand-painted picture on a computer, 2023

An abstract painting drawn by the concept of desire formed by the relationship between image and meaning in cartoon criticism, Louis Choi Chul-joo, morning glory p48-9, a hand-painted picture on a computer, 2023

Choi Chul-joo's fantastic cartoon image <morning glory p34-4-1>, which depicts the candidate's face and the faces of the two candidates with images that do not exist in "Las Meninas", and abstract image <morning glory p48-9>, in which the candidate's face disappeared, are expressed as abstract images abstracted from cartoon criticism to the concept of desire.

This is because it is a gaze that is not revealed in "The Las Meninas", and it is an image that is shown as non-real in a perspective visual system.

This reveals the reality of Velazquez by contrasting the subject, Princess Margarita, as the other, and the subject, the king and queen, as the absence. And the figure reflected in the mirror is not the image of the king and queen as an invisible 'grief' that deviates from the whole point of view, but rather a metaphorical image as an inner entity looking at Princess Margarita.

Therefore, the rest of the characters are virtual images as non-real. Revealing the meaningful image through this gaze is a real situation of the conceptual image, which refers to the erasure of the spatial domain and manneristic society of "The Show" and the Seoul mayoral candidate election. In other words, "Young voters try to watch Black Pink's "The Show" rather than election broadcasts on YouTube."

In "The Las Meninas", Velazquez represents himself as an object as an artist and reproduces the images of reality and non-real in the same space. Picasso interprets the skewed image that cannot be expressed on the same plane in his Cubist way. This sought to find a connection with the gaze image virtually reproduced by Velazquez, but Picasso combined the images seen from multiple eyes into the same image.

Therefore, in "The Las Meninas", the place revealed by the other's desired gaze is the position of the man standing at the door appearing at the vanishing point in the entire hypothetical image. Therefore, the man is an object, or reality, that Velazquez revealed by staring from the other's desire point of view. Velazquez reveals himself as an object in "The Las Meninas" as an artist, and says that the object as a subject cannot be a cognitive subject. However, in reproducing the image of reality and non-real in the same space, the image of non-real, which does not look like Picasso, is superimposed on one screen like an image reflected in a mirror.

This is an object as a desire image, an aesthetic result of desire as a skeletal image of desire to reveal reality. 

Louis Choi Chul-joo, morning glory p122, a hand-painted picture on a computer, 2024

■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). 

■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality. 

■ Choi Chul-joo's concept of desire design process "morning glory" by Choi Chul-joo is a reconstruction of the imagination of desire that is recognized as a structure of desire and the reality reflected in the mirror as a background of desire established as a visual structure. "Bamboo Forest" is the shadow that hides the reality in the shadow of reversible light in his desire concept design process. And "The Missing Pond" is an abstract language image that reflects the reality of the concept of unconscious desire as a linguistic structure.

Therefore, Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic representation of the "disappeared pond" structure of symbolic reality, reducing the concept of abstract desire to a real image in the category of modern art's ideal Logos expression‎. 

The progress of this symbolizes the object of desire as a conceptual subject as a design process of the conceptual subject of desire. 

Choi Chul-joo's concept of desire to design abstraction in contemporary art does not presuppose causality with the real image, but symbolizes the object of desire as a conceptual subject from an abstract concept in which desires alienated by the unconscious are divided, resulting in an abstract real image as a correlation between real images.

In linguistic abstraction, the meaning of abstraction as a real image is inductively inferred to take the meaning of symbolic existence. 

And the view of the image of its existence abstracts the concept of desire to the outside of reality, and the real image becomes the object of abstraction as the correlation of reality with the concept of desire. This is Choi Chul-joo's concept of desire design process 1.     

The actual image symbolized by the design using the object of abstract desire as the conceptual subject is omitted, and the image is flattened in the visible range of light. And the image is represented as a symbolic structure of the concept of desire, which is spoken in a linguistic sense.

Choi Chul-joo's concept of desire design process 2 is to decorate the object with a color of universal reality that matches customs so that the reality of the symbolic structure represented in this way has an aesthetic value corresponding to the place as a single image.     

The aesthetic structure concealed by the image designed as the concept of desire is divided into clouds and obscured shades, and the concept of desire is visualized as an image in various directions in the opposite direction of the concept of desire and the image, and the subject of the structure of desire created in the social environment is represented as an object in the past to recognize the image as an abstraction. And the subject who drew the existence executes the reality that symbolizes the concept of desire as an agent, and turns abstract desire into an image's mental phenomenon.

And Choi Chul-joo's abstract concept of desire is created by the imagination desired by the subject of desire in selecting an image of an abstract desire object in the unconscious.

As an abstract image, the concept of desire design process 3 is to repeatedly design a desire that combines lines and colors as an unconscious act that is in thought but is not conscious.     

The concept of unconsciously abstracting desire is a sculpture image of reality in which the object of reality is not seen as a reversible shadow of light, and shows another image of reality by concealing reality as a shadow.

The image is an unconscious mind maintained by the real image and the imagination desired by the subject of desire, and is an idea that cannot be recognized by that image.

Desire Concept Design Process 4. is designed by combining the spatial composition of desire, in which the image of desire is a sculpted planar monochromatic painting in reality, into a reversible structure of light through conscious movement.     

In this way, Choi Cheol-joo's concept of desire design appears as an object of desire as another abstract reality in the perspective visual system through his concept of desire design process.

Louis Chul-joo Choi, morning glory window 2024-10-a shapeshifting from a lack of desire, 122X112cm, acrylic and composite materials on cloth, 2024

a shapeshifting from a lack of desire

The abstract demand for the lack of desire to rule the conceptual image of desire with the same motif as the visual structure is the symbol of the other.

Like the god who created the shape of Shapeshifting, it transforms flowers into a symbol of perpetuity, creating a background of desire and expanding the range of desire to land and sea with chickens and fish.

The range of desire created a form of shape Shapeshifting in which the object was replaced by a structure of desire from one image to a picture effect.     

The visual structure in which the object image of desire is transformed into a semantic effect is the encounter with a conceptual image in which unconscious desire is an attribute of an object. 

This is a visual structure of desire, and a dancer who transforms to find chickens and fish repeatedly designs the concept of desire.

Here, a woman who appeared as the subject of desire hides the chicken in a reversible shadow to satisfy the existential deficiency and visualizes the shadow of the fish reflected in the pond as a Euclidean vector of real space.

In this visualized image, the abstract concept of linguistic desire is reflected in the pond, and the symbolic image repeats the expressive desire structure of the image and projects it into the reversible shadow of light.

As an outline of reversible light according to language culture, fish that deviate from mythological imagination transform into a geometric real structure with size and direction.

According to the semantic action of the real structure, the linguistic meaning of the image divided into several forms is created as an image consistent with reversible temporality, and the entire image obscured in the shade of reversible light is expressed.

According to the semantic action of the real structure, the linguistic meaning of the image divided into several forms is created as an image consistent with reversible temporality, and the entire image obscured in the shade of reversible light is expressed.

Here, the transformation of the desire structure of the entire image faces theological rationalism and achieves an abstract concept transformation away from doubts about the subject of painting.

And it creates a correlated image of desire as a common form of desire inherent in abstractions drawn as real structures exposed to events and actions.

As desire and the expressive image of that desire are identified, the meaning of desire becomes a correlated image of desire that creates abstract symbolism

The correlation image of desire is generalized in mass production structure and various mass media due to the industrialization of modern art. Known works according to culture form a market structure, but the value of manual work is buried due to the lack of publicity of the works.

This aesthetic value is because images of known works, not painters, are repeatedly created as objects of desire.

The expressive image, defined as the correlation of the concept of desire, plays a role in creating the place and desire image according to temporality in the desire structure.

Cultural symbolism cyclically fixes the concept of desire, generalizing the lack of desire structure to abstract desire as an image of reality.

In this way, Choi Chul-joo's desire formula, which changes the form by turning the image of desire into a real image, abstracts the real image that creates the object of desire.

Language Image Just like the function of functioning the desire structure into the unconscious desire concept by inserting a real image that deviates from the abstract structure, the desire image is structured into an aesthetic image as a function that constitutes a binary relationship of abstract desire so that culture can consciously recognize the subject of desire from desire and escape from other distortions based on the imaginary unconscious. (Choi Chul-joo's theory of abstraction of the concept of desire)

Its reality goes beyond the concept of unconscious desire to specify desire as an image and reveals the position and shape of the reversible trace through the correlation with the conscious desire required by the time.

This creates an existential desire space by converting the concept of desire from unconscious desire to a real image to create a form of shape movement from a lack of desire, and by converting the concept of desire into a conscious abstract structure with a reversible shade of light./ Writing. Art critic Choi Chul-joo (Image Installation artist & Doctor of Cultural Design) 

Choi Chul-joo, abstract concept artist