만화가 최철주｜Choi Chul-joo Cartoonist Criticism [1/ 11~13] Louis Choi Chul-joo's

[최관우]

만화가 최철주｜Choi Chul-joo Cartoonist Criticism [1/ 11~13] Louis Choi Chul-joo's Cartoonist Criticism of Desire Concept Abstract Cartoonist: Cartoon Critic Choi Chul-joo juxtaposes the series "morning glory," "Bamboo Forest," and "Pond" into the background image of Desire with conceptual news cartoons and performance images, exploring the intersection of the concept of desire and real images with a unique combination of reality and abstraction./ Cartoonist Choi Chul-joo 카툰 만평 & cartoon review / 한국 뉴스만화 평론 Review of Korean News Cartoon 카툰니스트 최철주 카툰 만평 [41] 허언성세·虛言聲勢: 소리를 힘을 주어 맹세해도 허언이다 즉 선거 공약은 패배하면 허언이 된다 (2018.11.08.)/ 최철주 기자(Reporter Choi Chul-joo’s Cartoon Review)

- 만화평론가로서 최철주는 현대미술 팝아트 작품과 웹툰 뉴스에서 한국 만화 뉴스를 그리는 만화가이다. As a cartoon critic, Choi Chul-joo is a cartoonist who draws Korean cartoon news in contemporary art works and webtoons.

- 한국 화가, 개념미술가, 현대미술가, 추상화가, 미디어 아티스트, 팝 아티스트, 만화가 & 만화평론가 최철주 Conceptual artist, contemporary artist, abstract painter, media artist, pop artist, cartoonist & cartoon critic Choi Chul-joo cartoonist, pop artist, contemporary art work, pop artist who draws webtoon news, contemporary artist, concept artist, cartoon critic Choi Chul-joo.

- 만화디자이너 최철주 현대 만화미술 역사화 & 현대 개념 이미지 설치미술가 작품 Cartoon designer Choi Chul-joo, contemporary cartoon art historical painting & contemporary concept image installation artist's work

카툰 만평 / 한국 뉴스 만화평론 Review of Korean News Cartoon [41] 허언성세: 선거 공약은 패배하면 허언이 된다 (2018.11.08.) / 최철주 기자(Reporter Choi Chul-joo’s Cartoon Review)

카툰니스트 최철주 카툰 만평 [41] 허언성세·虛言聲勢: 소리를 힘을 주어 맹세해도 허언이다 즉 선거 공약은 패배하면 허언이 된다

. 선거 공약은 패배하면 허언이 된다.

. You can't keep your promise if you lose the election.

. Vous ne pouvez pas conserver votre promesse si vous perdez l'élection.

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[덧붙이는 글] 

카툰 만평/ 한국 뉴스 만화평론 Review of Korean News Cartoon [41] 허언성세·虛言聲勢: 소리를 힘을 주어 맹세해도 허언이다 즉 선거 공약은 패배하면 허언이 된다 (2018.11.08.)/ 시사만평가 & 카툰니스트 최철주 시사만화평론, 팝아트만화뉴스, 만화평론, 개념만화평론 Comics critic & cartoonist Choi Chul-joo, current affairs cartoon review, pop art cartoon news, cartoon review, and conceptual cartoon review. 시사 평론가 최철주는 뉴스부산 인터넷신문 문화기자했고, 그는 현대 미술 작품과 웹툰에서 시사 만평 뉴스와 추상화를 그리는 문화평론과 디자인평론가인 추상 화가입니다. Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ▶허(虛): 비다_ empty_ être vide, ▶언(言): 맹세하는 말_ say_ son, ▶성(聲): 소리를 내다_ make a sound_ émettre un bruit, ▶세(勢): 기세_ force_ vigueur, ▶전직 미국 대통령 버락 오바마_ Former U.S. President Barack Obama_ L'ancien président des États-Unis Barack Obama, ▶미국 대통령 트럼프_ President Trump of the United States_ Trump du président des États-Unis, ▶선거 결과_ election results_ Résultats électoraux, ▶2018년 미국 중간 선거_ United States midterm elections, 2018_ Élections à mi-parcours des États-Unis, 2018, ▶선거 결과_ election results_ Résultats électoraux, ▶민주당은 하원을, 공화당은 상원을 장악하다_ Democrats control the House of Representatives and Republicans control the Senate_ Les démocrates contrôlent la Chambre des représentants et les républicains contrôlent le Sénat.

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만화가 최철주｜Cartoonist Criticism11 

만화가 최철주｜현대만화미술평론 현대만화가평론 현대미술만화작품평론 11

만화가 최철주｜Choi Chul-joo Cartoonist Criticism [11] Louis Choi Chul-joo's Cartoonist Criticism of Desire Concept Abstract Cartoonist: Cartoon Critic Choi Chul-joo juxtaposes the series "morning glory," "Bamboo Forest," and "Pond" into the background image of Desire with conceptual news cartoons and performance images, exploring the intersection of the concept of desire and real images with a unique combination of reality and abstraction./ Pop abstract Contemporary Art News Review [13] Modern painter & Cartoonist Louis Choi Chul-joo's Abstract News Ideas in Contemporary Art Work = Art Review: Modern painter & Cartoonist Louis Choi Chul-joo's Pop Art Artist Abstract Art Work = Contemporary Art Sketch Abstract Painting: Contemporary pop artist Louis Choi Chul-joo, Pop Art Abstract Painting & Cartoon, Korea News Cartoon Review with Contemporary Art Critic Choi Chul-joo's A line News of Manwha Review [169] END FOSSIL FUEL. SAVE OUR PLANET AND OUR FUTURE. (2023-12-13) / Reporter Choi Chul-joo’s Cartoon Review 

카툰니스트 최철주 카툰 만평 뉴스 한국뉴스만화평론 [169] 화석연료를 끝내고. 우리의 행성과 미래를 구하라. / 최철주 프리랜서 기자(Reporter Choi Chul-joo’s Cartoon Review)

만평/ 카툰 만평 뉴스 & 한국 뉴스 만화평론 Review of Korean News Cartoon [169] 난보지경·難保之景:  화석연료를 끝내고. 우리의 아름다운 자연계와 미래를 구하라.  (2023.12.13.) / 최철주 프리랜서 기자(Reporter Choi Chul-joo’s Cartoon Review)

카툰니스트 최철주 카툰 만평 한줄 [169] 난보지경·難保之景:  화석연료를 끝내고. 우리의 아름다운 자연계와 미래를 구하라

. 화석연료를 끝내고. 우리의 행성과 미래를 구하라

. END FOSSIL FUEL. SAVE OUR PLANET AND OUR FUTURE

. Finir le combustible fossile. SAUVEZ NOTRE PLANETE ET NOTRE AVENIR

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[덧붙이는 글 & 그림] 

만화 추상화 배반적 개념예술로서의 추상화는 미술에서 사실적 구조로서의 추상화를 의미한다. 사실적 형상이라는 자리에 존재하는 개념적 의미는 만화평론 이미지로 구분될 수 있기 때문에 타인의 추상적 욕망을 이미지로 해석하는 가역적인 빛의 음영을 통해 추상화를 그려낸다.

이것은 현대미술 추상회화를 배반적 개념예술로 활용한 만화뉴스 리뷰를 개념예술가의 작품으로 재해석한 것이다.

카툰 만평/ 시사 평론가 & 카툰니스트 최철주 카툰 만평 뉴스: 한국 뉴스 만화평론 Review of Korean News Cartoon [169] 난보지경·難保之景:  화석연료를 끝내고. 우리의 아름다운 자연계와 미래를 구하라.  (2023.12.13.) / 시사만평가 & 카툰니스트 최철주 시사만화평론, 팝아트만화뉴스, 만화평론, 개념만화평론 Comics critic & cartoonist Choi Chul-joo, current affairs cartoon review, pop art cartoon news, cartoon review, and conceptual cartoon review. 시사 평론가 최철주는 뉴스부산 인터넷신문 문화기자했고, 그는 현대 미술 작품과 웹툰에서 시사 만평 뉴스와 추상화를 그리는 문화평론과 디자인평론가인 추상 화가입니다. Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary art works and webtoons. ■ 카툰니스트 최철주 카툰 만평 한줄의 이해를 도모하고자 시사 평론가 최철주가 새로운 한자 구성(단어+단어)으로 한 사자성어의 제목으로서 의미를 재해석한 만평을 한줄 문장으로 칼럼하여서 게재함. ▶景(경): 경치=자연계의 아름다운 풍경

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News 

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design 

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light. 

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Louis Chul-joo Choi, END FOSSIL FUEL. SAVE OUR PLANET AND OUR FUTURE, a hand-painted picture on a computer, 2020

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review: [169] END FOSSIL FUEL. SAVE OUR PLANET AND OUR FUTURE. (2023-12-13) /Reporter Choi Chul-joo’s Cartoon Review

. END FOSSIL FUEL. SAVE OUR PLANET AND OUR FUTURE

. Finir le combustible fossile. SAUVEZ NOTRE PLANETE ET NOTRE AVENIR

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, END FOSSIL FUEL. SAVE OUR PLANET AND OUR FUTURE, a hand-painted picture on a computer/  Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 62-END FOSSIL FUEL. SAVE OUR PLANET AND OUR FUTURE, a hand-painted picture on a computer/  Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Desire Concept Realistic Abstract Work: In front of the bamboo forest g62-END FOSSIL FUEL. SAVE OUR PLANET AND OUR FUTURE: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p9-9-END FOSSIL FUEL. SAVE OUR PLANET AND OUR FUTURE: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event. 

Desire Design Methodology in Abstract Art Theory on Painting Design, ■ Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p107-5- Motor Group's design director> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.

■ Examples of non-realistic abstractions include: objects of desire (light gray trousers) are affected sequentially by subtle changes in reversible light and follow a complementary contrast of light.

 By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 62, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest g62, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p9-1, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory 2021-e-1, 114X169cm, acrylic and composite materials on cloth, 2021

 As a treacherous conceptual artist, abstract painter Louis Choi Chul-joo produces a design concept based on a conceptual abstraction of modern painting and abstractly designs it in the form of a desire conceptual semantic structure. In other words, it is an abstract real painting that designs the painting by symbolizing the abstract real image of the painting. (Conceptual Art Theory on Abstraction by Choi Chul-joo)

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory 2021-e-1, 114X169cm, acrylic and composite materials on cloth, 2021 / New York Exhibition: Louis Chul-joo Choi's "morning glory": Exhibition of Modern abstract artist Louis Chul-joo Choi's "morning glory", 20220301~20220308 Flushing Town Hall, New York.

The abstraction shows a realistic form of non-realism that represents the meaning of the abstract landscape form, in which the reality of the shadow form of reversible light made up of encounters with reality, is hidden by the abstract desire of the other. The shape is the intersection of the actual structure chosen by the desire of the other created by the abstract shade. 

This is <morning glory 2022-h> with a realistic structure that is momentarily abstracted at the intersection where the desire of the other designed in the shade of reversible light and the actual shape of the whole is seen as a gaze. 

The abstract shape is cut to accommodate a new subject staring at the abstract shape. In this way, the subject of the cut shape is fixed in a shape representing reality. Another space in the physical space exposed in the shadow of the picture with reversible light, like the space reflected in a mirror, is the reality of viewing the entire scene of the picture through a gaze of an abstract shape that cannot be seen from the gaze.

Louis Choi chuljoo, END FOSSIL FUEL. SAVE OUR PLANET AND OUR FUTURE-6   [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's A line News of Manwha Review [169] END FOSSIL FUEL. SAVE OUR PLANET AND OUR FUTURE. (2023-12-13) / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, an art critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ▶END FOSSIL FUEL._ mettre fin à l'utilisation des combustibles fossiles. 

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만화가 최철주｜Cartoonist Criticism12 

만화가 최철주｜현대만화미술평론 현대만화가평론 현대미술만화작품평론 12

만화가 최철주｜Choi Chul-joo Cartoonist Criticism [12] Louis Choi Chul-joo's Cartoonist Criticism of Desire Concept Abstract Cartoonist: Cartoon Critic Choi Chul-joo juxtaposes the series "morning glory," "Bamboo Forest," and "Pond" into the background image of Desire with conceptual news cartoons and performance images, exploring the intersection of the concept of desire and real images with a unique combination of reality and abstraction./ Pop abstract Contemporary Art News Review [12] Modern painter & Cartoonist Louis Choi Chul-joo's Abstract News Ideas in Contemporary Art Work = Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's treacherous conceptual art = Review of Korean News Cartoon [158] International rating agency Fitch downgrades U.S. sovereign rating to AA+ (2023.8.2.) / Reporter Choi Chul-joo’s Cartoon Review 

카툰니스트 최철주 카툰 만평 뉴스 한국뉴스만화평론 [158] 미국이 억지로 권유하는 신용평가! / 최철주 기자(Reporter Choi Chul-joo’s Cartoon Review)

만평/ 카툰 만평 뉴스 & 한국 뉴스 만화평론 Review of Korean News Cartoon [158] 국제신용·國際信慂: 미국이 억지로 권유하는 신용평가!  (2023.8.2.) / 최철주 프리랜서 기자(Reporter Choi Chul-joo’s Cartoon Review)

카툰니스트 최철주 카툰 만평 한줄 [158] 국제신용·國際信慂: 미국이 억지로 권유하는 신용평가! 

. 국제신용평가사 피치, 미국 국가신용등급 AA+로 내림

. International rating agency Fitch downgrades U.S. sovereign rating to AA+

. L'agence de notation internationale Fitch rabaisse la cote souveraine des États-Unis à AA+

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[덧붙이는 글 & 그림] 

만화 추상화 배반적 개념예술로서의 추상화는 미술에서 사실적 구조로서의 추상화를 의미한다. 사실적 형상이라는 자리에 존재하는 개념적 의미는 만화평론 이미지로 구분될 수 있기 때문에 타인의 추상적 욕망을 이미지로 해석하는 가역적인 빛의 음영을 통해 추상화를 그려낸다.

이것은 현대미술 추상회화를 배반적 개념예술로 활용한 만화뉴스 리뷰를 개념예술가의 작품으로 재해석한 것이다

카툰 만평/ 시사 평론가 & 카툰니스트 최철주 카툰 만평 뉴스: 한국 뉴스 만화평론 Review of Korean News Cartoon [158] 국제신용·國際信慂: 미국이 억지로 권유하는 신용평가! (2023.8.2.)/ 시사만평가 & 카툰니스트 최철주 시사만화평론, 팝아트만화뉴스, 만화평론, 개념만화평론 Comics critic & cartoonist Choi Chul-joo, current affairs cartoon review, pop art cartoon news, cartoon review, and conceptual cartoon review. 시사 평론가 최철주는 뉴스부산 인터넷신문 문화기자했고, 그는 현대 미술 작품과 웹툰에서 시사 만평 뉴스와 추상화를 그리는 문화평론과 디자인평론가인 추상 화가입니다. Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary art works and webtoons. ■ 카툰니스트 최철주 카툰 만평 한줄의 이해를 도모하고자 시사 평론가 최철주가 새로운 한자 구성(단어+단어)으로 한 사자성어의 제목으로서 의미를 재해석한 만평을 한줄 문장으로 칼럼하여서 게재함. ▶慂(용): 억지로 권유하다

Korean News Cartoon Review [158] Cartoon art work designed by Louis Choi Chul-joo, an abstract artist of modern art, as a dangerous conceptual art of realistic abstraction

Conceptual semantic structure Abstraction of modern art converts images of the desires of others designed as pop art sketches into abstraction through cartoon criticism. This abstractly illuminates the desire to reconstruct the external phenomena of socio-cultural objects of contemporary art into photographs of events and to express the specific validity of others through the objective perspective of images, the subject of desire. This effect is an easy example of modern art abstraction by abstracting the desires of others into cartoons from the objects in which the event occurred, and interpreting cartoon analysis as a cultural form of modern art to eval‎uate the value of life. It's a treacherous conceptual art called realistic abstraction, the cartoon news of modern realistic abstraction. 

- Conceptual artist, contemporary artist, abstract painter, media artist, pop artist, cartoonist & cartoon critic Choi Chul-joo cartoonist, pop artist, contemporary art work, pop artist who draws webtoon news, contemporary artist, concept artist, cartoon critic Choi Chul-joo.

- Choi Chul-joo, contemporary cartoon art historical painting & contemporary concept image installation artist's work

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon review images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon review image as an image.

Pop abstract Contemporary Art News Review [12] Modern painter & Cartoonist Louis Choi Chul-joo's Abstract News Ideas in Contemporary Art Work

Korean news cartoon review [158] International rating agency Fitch downgrades U.S. sovereign rating to AA+ (2023.8.2.) / Reporter Choi Chul-joo’s Cartoon Review 

. International rating agency Fitch downgrades U.S. sovereign rating to AA+

. L'agence de notation internationale Fitch rabaisse la cote souveraine des États-Unis à AA+

Abstraction concept art works of Contemporary Abstract Artist Louis Choi Chul-joo's Artwork with Other's Desire Abstract Concept: Louis Chul-joo Choi, morning glory p39-2-International rating agency Fitch downgrades U.S. sovereign rating to AA+, a hand-painted picture on a computer, 2022

The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture. 

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory 2022-h> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p39-2-International rating agency Fitch downgrades U.S. sovereign rating to AA+> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory 45-03> becomes a non-real abstraction of reality.

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i)

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, bamboo forest-103-International rating agency Fitch downgrades U.S. sovereign rating to AA+: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest- b103-International rating agency Fitch downgrades U.S. sovereign rating to AA+: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event. 

Desire Design Methodology in Abstract Art Theory on Painting Design, ■ Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <a new Officer> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2023 Busan Exhibition to actualize the Desire Object. The image < bamboo forest> becomes a non-real abstraction of reality.

■ Examples of non-realistic abstractions include: objects of desire are affected sequentially by subtle changes in reversible light and follow a complementary contrast of light.

 By repeatedly sketching design and applying Choi Chuljoo's desire formula  "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 103, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest b103, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p39, a hand-painted picture on a computer

Background image of an artist's realistic Abstraction: Louis Chul-joo Choi, morning glory 2022-i, 147.5X183.5cm, acrylic and composite materials on cloth, 2022

Contemporary Artist News Painting: Cartoon News as a Real Abstract Image [12] News cartoon review & Contemporary Abstract Artist Louis Choi Chul-joo's Artwork with Other's Desire Abstract Concept: Korean news cartoon review [158] International rating agency Fitch downgrades U.S. sovereign rating to AA+ (2023.8.2.) / Reporter Choi Chul-joo’s Cartoon Review  / Comics critic & cartoonist Choi Chul-joo, current affairs cartoon review, pop art cartoon news, cartoon review, and conceptual cartoon review. / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons.

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만화가 최철주｜Cartoonist Criticism13 

만화가 최철주｜현대만화미술평론 현대만화가평론 현대미술만화작품평론 13

만화가 최철주｜Choi Chul-joo Cartoonist Criticism [13] Louis Choi Chul-joo's Cartoonist Criticism of Desire Concept Abstract Cartoonist: Cartoon Critic Choi Chul-joo juxtaposes the series "morning glory," "Bamboo Forest," and "Pond" into the background image of Desire with conceptual news cartoons and performance images, exploring the intersection of the concept of desire and real images with a unique combination of reality and abstraction./ Contemporary artworks review: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Artwork Criticism [42] Example of contemporary artwork: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern and Contemporary Artwork Criticism : Art criticism : Contemporary artist review: Contemporary Art Critic Louis Choi Chul-joo's Art criticism of Contemporary painting Artwork & Modern Artist Artwork Design criticism: Treacherous Contemporary Concepts Art Abstract Design Review [19] Art Critique/ Louis Choi Chuljoo Docent Explained: Abstract Painting Art Theory Presentation of the Concept of Desire & Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory Woman' pop art abstraction design: Contemporary Art Critic Choi Chul-joo's Review of Contemporary Art Works on Facebook and Instagram: Media Artist, Contemporary Artist, Pop Art Artist, Contemporary Installation Artist, Modern painter & Abstract Artist

카툰 만평으로 보는 문화칼럼 [17] 문화평론가 최철주 한국 뉴스 만화평론 [168] 문화칼럼 한줄: 견강부회·牽强殕悔: 인왕산 모르는 호랑이처럼 권력자가 이치에 맞지 않는 부패를 억지로 끌어붙이면 후회한다. (2023.12.05.)  / 최철주 프리랜서 기자(Reporter Choi Chul-joo’s Cartoon Review)  최철주 한국 뉴스 만화평론의 라캉 디자인 방법론적 만화 문화평론(blog.naver.com/c7manwha):Desire cencept's Design Methodological Criticism of Choi Chul-joo's Cartoon Review 

- 시사평론가로서 최철주는 현대미술 팝아트 작품과 웹툰 만화 뉴스에서 한국 만화 뉴스를 그리는 만화 평론: 견강부회·牽强殕悔: 인왕산 모르는 호랑이처럼 권력자가 이치에 맞지 않는 부패를 억지로 끌어붙이면 후회한다. As a cartoon critic, Choi Chul-joo is a cartoonist who draws Korean cartoon news in contemporary art works and webtoons.

- 한국 화가, 개념미술가, 현대미술가, 추상화가, 미디어 아티스트, 팝 아티스트, 만화가 & 만화평론가 최철주 Conceptual artist, contemporary artist, abstract painter, media artist, pop artist, cartoonist & cartoon critic Choi Chul-joo cartoonist, pop artist, contemporary art work, pop artist who draws webtoon news, contemporary artist, concept artist, cartoon critic Choi Chul-joo.

- 카툰 디자이너 최철주 현대 만화 미술 역사화가 & 현대 개념 이미지 설치미술가 작품 Cartoon designer Choi Chul-joo, contemporary cartoon art historical painter & contemporary concept image installation artist's work

Louis Choi Chul-joo's cartoon criticism: People in power regret if they force unreasonable corruption.

만평/ 카툰 만평 뉴스 & 한국 뉴스 만화평론 Review of Korean News Cartoon [168] 견강부회·牽强殕悔: 인왕산 모르는 호랑이처럼 권력자가 이치에 맞지 않는 부패를 억지로 끌어붙이면 후회한다. (2023.12.05.)/ 최철주 프리랜서 기자(Reporter Choi Chul-joo’s Cartoon Review)

카툰니스트 최철주 카툰 만평 한줄 [168] 인왕산 모르는 호랑이처럼 권력자가 이치에 맞지 않는 부패를 억지로 끌어붙이면 후회한다. 

. 권력자가 이치에 맞지 않는 부패를 억지로 끌어붙이면 후회한다.

. People in power regret if they force unreasonable corruption.

. Les gens au pouvoir regrettent s'ils forcent une corruption déraisonnable.

■ 카툰 만평으로 보는 문화칼럼 한줄: 인왕산 모르는 호랑이처럼 권력자가 이치에 맞지 않는 부패를 억지로 끌어붙이면 후회한다.  

■ 미술평론가 최철주의 시각문화 칼럼: 인왕산을 모르는 호랑이, 즉 전문성 없는 권력자처럼 불합리한 부패를 강요하면 그림자가 드러나 후회하게 된다.

= 중첩된 빛에 의해 밝아지는 빛의 시간성은 실제 이미지를 제거하고 그림자로 표현하는 현실적인 구조에서 현실적이다.

또한 현실을 빛의 가역적 그림자로 해석하는 최철주의 욕망예술론은 욕망의 배경이 되는 '나팔꽃'이라는 소재를 그린 대나무 숲으로 뒤덮인 그늘 속에서 구현된다.

카툰 만평/ 시사 평론가 & 카툰니스트 최철주 카툰 만평 뉴스: 한국 뉴스 만화평론 Review of Korean News Cartoon [168] 견강부회·牽强殕悔: 인왕산 모르는 호랑이처럼 권력자가 이치에 맞지 않는 부패를 억지로 끌어붙이면 후회한다. (2023.12.05.)/ 시사만평가 & 카툰니스트 최철주 시사만화평론, 팝아트만화뉴스, 만화평론, 개념만화평론 Comics critic & cartoonist Choi Chul-joo, current affairs cartoon review, pop art cartoon news, cartoon review, and conceptual cartoon review. 시사 평론가 최철주는 뉴스부산 인터넷신문 문화기자했고, 그는 현대 미술 작품과 웹툰에서 시사 만평 뉴스와 추상화를 그리는 문화평론과 디자인평론가인 추상 화가입니다. Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary art works and webtoons. ■ 카툰니스트 최철주 카툰 만평 한줄의 이해를 도모하고자 시사 평론가 최철주가 새로운 한자 구성(단어+단어)으로 한 사자성어의 제목으로서 의미를 재해석한 만평을 한줄 문장으로 칼럼하여서 게재함. ▶殕(부): 부패하다.  ▶悔(회): 후회

Louis, Chul-joo Choi, morning glory p106-12-Jeongcho and Inwangsan Tiger, a hand-painted picture on a computer

Desire Concept Abstraction ■ Design Process/ Abstraction In <Choi Chul-joo morning glory>, Choi Chul-joo's theory of abstract art is formalized to convert the object image of desire into meaning by repeating the theory of desire to the abstraction. This has the meaning of expressing the desire of others in painting by repeatedly applying the desire formula of the imagination world and Choi Cheol-joo, and as a result of applying the theory of desire art to painting, the value of approaching the beauty of formality of the desire of others is obtained.

The concept of desire 

■ "Choi Chul-joo morning glory" is not the object of the subject, but the spatial background of the other's desire. It is the same as a space of life that is consistent like the sky. It connects with cartoon review and pop art that represent the space of life, but does not criticize and judge, but reproduces reality as cartoon review with photographic images of events and performances. The effect of conceptualizing the reality of the symbol object as the desire of the other is structured in the shade of reversible light to form the concept as a realistic conceptual art. 

The desire for others as chickens that the chick imagines is an abstract painting that hides the inconsistency of the chick's imagination in the shadow of reversible light with the background of the desire for the 'morning glory' as the image of 'Choi Chul-joo's Morning glory'.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p34-7-1-The average lifetime has been extended to extend the work period: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event. * Choi Chul-joo's Concept of Desire Abstract Art Theory

현대 추상화 작품: Louis, Chul-joo Choi, morning glory p55-3-People in power regret if they force unreasonable corruption, a hand-painted picture on a computer

The desire abstract design method consists of a revolutionary form of painting that deviates from perspective by drawing images with different meanings at different points in time and gathering them on one screen. This is a new attempt to reject the mannerism of the romantic painters in their paintings. In other words, it pursues a new style of contemporary art by breaking away from modern art with the abstract painting of "morning glory" in the shade of reversible light in which the subject of light projected in romantic paintings is the place of existence. / Contemporary art <morning glory> Abstract painting Choi Chul-joo Analysis 

An object (Louis Choi Chul-joo, a morning glory outside a window), which depicts the meaning of a shape seen in a semantic space created by reversible light, is an abstract space that can be reversed into a real shape by structuring an image that hides the desire of others in time in the shade of reversible light, and the meaning of conceptual abstraction hidden by the actual changed movement of the shape, or the image in the mirror, is an image of a virtual non-realistic and shows an abstract image that reveals the place of the other's unconscious desire.

The object depicts the meaning of the shape seen in the meaning space created by reversible light. The object <morning glory window> means an abstract space where a chick can structure the meaning of a certain shape in the shadow of reversible light and reverse the object into a real shape by structuring the meaning of a certain shape hidden in the long time when the desire of the other is fossilized. As a seat, the actual shape is completed in the shadow of reversible light in which the reality of the exhibition poster shape is changed. It is the concept of the abstract painting <morning glory window> that obscures sound from the movement of light that formed the shape. (Abstract painter Louis Choi Chul-joo <morning glory window> Concept: Choi Chul-joo Modern Art Theory)

Concept of Desire <morning glory p55-3-People in power regret if the force unreasonable corruption> as art is an image that can momentarily see the desires of others functioning gazefully in the landscape. 

This is a distorted planarity that seems to have a consistent meaning of morning glory in painting. The morning glory is the same as the real(le Réel) reflected in the mirror, but the shape of the background is not the same. 

Artistic discourse on reality and non-real continues according to the viewpoint. Real and non-real objects cannot be selected as visible images that reproduce objects, and pictorial images that express real images were identified as non-real images. Therefore, the way to find reality in an object is to reveal it through the abstraction of "morning glory" as a distorted planar image in the shade of reversible light similar to the object of desire. 

This is because abstraction in the same meaning as a conceptual form, which is a realistic form of non-realism with the same structure of meaning, is an abstract as a conceptual structure, but abstraction as the same meaning with different shapes is a real non-realistic being as an ideological atypical being with different colors and sizes. The existence defines an abstract space as a real reversible shape and is an image that is hidden by a movement in which the shape is actually changed in a reversible shade of light, and is an image of the exhibition poster image of "morning glory". This abstracts the cultural concept of desire into installation art.

Louis hoi Chul-joo, morning glory poster 55, a hand-painted picture on a compute, 2022

Cartoonist as a conceptual artist Choi Chul-joo, Jeongcho and Inwangsan Tiger, Marker on Paper, 2010 

The image is shaded and represented in a surface area suitable for the theme of "Jeongcho and Inwangsan Tiger", a pop art concept, in the actual shape and gaze shape of "Choi Chul-joo's morning glory P55". 

Here, drawing a picture as an object of change in custom is another image that seems to be an object. It is hidden and disappeared as a material of the object drawn as a small piece that is not visible in space. A small piece of the object shows a real space that is reversible through image thinking movement that monochromates and actually changes the shape. It shows how the object as another reality is revealed. In the abstraction, it appears to be a desire image, a distorted plane image that reverses perspective, along with an image that appears to be a perspective visual system. 

If the place of Choi Chul-joo's morning glory P55 in the abstract space is no longer specified as a poster and applied to Lacan's "Four Directional of Interpretation (Eé=Jacques Marie Émile Lacan, Écrites, Seuil, 1977, 53)", the painting work is interpreted as "Four Directional of Interpretation" by placing the line of 'utre' and the line of the horse (moi) a and the line of interpretation (utre) and painting (Es) S in a diagonal position where they intersect as a symbolic system.

Here, Lacan conceptual art abstraction begins with the imagination world, where the infant reveals reality through mirror theory identifies the representative image reflected in the mirror with the imaginary image. Recognizing that the representative image is not himself as a subject, it transitions to an abstraction interpreted as a symbolic system through the separation of the symbolic image of the sign and reality. The abstract image and reality meet with reality through division. As reality, the representative image is revealed as a dwarf image, but as non-realistic, it is an encounter, that is, abstraction, that is, a contradiction with reality. (ACN. 2022.10.14 Choi Chul-joo's interpretation of the 'Four Directional of Interpretation of Lacan')

Louis hoi Chul-joo, morning glory poster55-Jeongcho and Inwangsan Tiger, a hand-painted picture on a compute, 2022 

Desireful conceptual art abstraction, which replaces the phenomenal place of abstract meaning with an exhibition poster, can distinguish the place of the shape and conceives the meaning of the image that interprets the shape. The shape is abstract in color and size similar to the meaning of an ideological structure to speak another meaning, but in the imagination, the abstract meaning of conceptual art is identified with reality, and the image and abstract meaning of the object are identified outwardly as the same subject, and the subject internally forms a transformed abstract meaning. This refers to the abstract meaning of a shape, which defines an abstract space that can be actually reversible and refers to the design meaning of an abstract shape in which the shape changed by the actual changed movement of the shape is covered in shades.

Its meaning is designed as "Choi Chul-joo morning glory poster 55-Jeongcho and Inwangsan Tiger", which is conceptually abstracted as a symbolic language symbolizing flowers that imitate the other's desire.

It is reproduced as an abstract object as an abstract object as an object of desire image by designing a shape that represents the desire of the other in the abstract "Choi Chul-joo's morning glory". In the perspective visual system, the object as a different momentary gaze is abstracted from the other's desire point of view, as the visual system creates a place of one shadow with a hidden reversible light.

In this way, objects abstracted as desire conceptual art form a dwarf image expressed through a desire revealed in the oppressed unconsciousness of others to acquire artistry beyond generality as a design, create objects in the shadow of conceptual formability with the desire of others as beings, and exist as a meaning.

As a semantic entity, the object contains the formative value of the object as an autonomous choice of the other's desire by transforming the object's image into a meaning structure with a plane image that is distorted from the other's desire point of view.

And a small piece as the other's desire hidden in the chicken's background shows a real abstract space that is reversible through a representative movement that actually changes its shape. This is positioned by abstracting the other's desire in a space where the object can be actually reversed as the meaning of the existence of an abstract object.

Beyond mathematical concepts and philosophically meaningful linguistic interpretations, "Choi Chul-joo's morning glory" combines critical perspective with the life value of desire painting with a picture of the scene of the event. Here, desireful abstract painting refers to the painterly nature that can momentarily perceive the desires of others by staring at them rather than arbitrary philosophicality. (ACN · April 20, 2022 / the desire of the other as a toddler <morning glory> New York Exhibition docent 1)

The image is shaded and represented from the actual abstraction "Choi Chul-joo's morning glory p33-4" shape and the gaze shape to the surface area suitable for the theme of the pop art work "morning glory p33-4". 

Here, drawing a picture as an object of change in custom is another image that seems to be an object. It is hidden and disappears as a material of an object drawn as a small piece that is invisible in space. 

A small piece of the object shows a real space that is reversible through the thought movement of an image that is monochromated and actually transformed into the shape. It shows how an abstract object as another reality is revealed. In the abstract object, it appears as a desire image, that is, a distorted plane image that reverses perspective, along with an image that appears to be a perspective visual system.

In "morning glory poster 55", which is a conceptual art, the abstract area of painting in which a desired specific effect occurs as an exhibition poster meaning transfers the desire of the other who functions visually in the landscape to an image that can be seen momentarily. This is a distorted planarity that seems to have a consistent meaning of morning glory in painting. The morning glory is the same as the reflection image of the mirror (le Réel), but the shape of the background is not the same. 

This is because abstraction in the same meaning as a conceptual meaning structure with the same structure of meaning is an abstract form with a realistic form of the same meaning, but abstraction as the same meaning with different shapes is real as an ideological atypical entity with different colors and sizes.

There the existence defines an abstract space as an actual reversible shape and refers to the abstraction meaning of the exhibition poster concept art in which the shape is hidden by the actual changed movement in the shade of reversible light. 

In the abstract meaning, a shape that represents the desire of the other is designed in the "morning glory window" and reproduced as an abstract object as an object of desire image. In the perspective visual system, the object as a different momentary gaze from the other's desire point of view revealed in the unconscious mind is abstracted by creating a place of one shade with reversible light in which the visual system is concealed.

In this way, objects abstracted as desire conceptual art form a dwarf image expressed through a desire revealed in the oppressed unconsciousness of others to acquire artistry beyond generality as a design, create objects in the shadow of conceptual formability with the desire of others as beings, and exist as a meaning.

As a semantic entity, the object contains the formative value of the object as an autonomous choice of the other's desire by transforming the object's image into a meaning structure with a plane image that is distorted from the other's desire point of view.

And as a painting image, a small piece as the other's desire hidden in the chicken's background shows a real abstract space that is reversible through the thought movement of the image that actually changes the shape. This is positioned by abstracting the other's desire in a space where the object can be actually reversed as the meaning of the existence of an abstract object.

As a work of abstract Korean painting in contemporary art, the painting <morning glory window p55-3> created with reversible light is overlapped by applying Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to <morning glory window p55-3> as a work of abstraction of modern art. By repeating the linguistic metaphor image, the Choi Chul-joo desire formula is re-applied, and the phenomenal conceptual position reflected by the mirror in another place in one space in the shade of reversible light is determined and abstracted as <morning glory window p55-3>. 

Louis Choi Chul-joo 2022 New York Exhibition As the object as a desire image is realized, the poster becomes a non-realistic modern abstraction of reality, not a poster.

Contemporary Art & Cartoon Abstraction artworks: Louis Choi Chul-joo, Choi Chul-joo morning glory p55-3-People in power regret if they force unreasonable corruption, a hand-painted picture on a computer  

An object (Louis Choi Chul-joo, a morning glory outside a window), which depicts the meaning of a shape seen in a semantic space created by reversible light in the shape of a non-realistic reality, means an abstract space that can reverse the object into a real shape by structuring the image that hides the desire of the other in time in the shade of reversible light, and the meaning of conceptual abstraction hidden by the actual changed movement of the shape, or the image in the mirror, shows an object image of an abstract image that reveals the place of the other's unconscious desire as an image of a virtual non-realistic.

The object image depicts the meaning of the shape seen in the meaning space created by reversible light. The object <morning glory window> refers to an abstract space where a chick can structure the meaning of a certain shape hidden in the long fossilized time by sharing the desire of the other in the shadow of reversible light to reverse the object into a real shape. As a seat, the image of the reality where the sound has stopped is captured with the shadow of reversible light in which the reality of the exhibition poster shape has changed. The concept of the abstract painting <morning glory window>, which equates the current light that has formed the shape with another sound in the other's desired movement, is the object image (Abstract painter Louis Choi Chul-joo <morning glory window> Concept: Choi Chul-joo Modern Art Theory / ACN · 2023. 6. 19. 23:08) 

The return of shape is a distorted plane image <morning glory p55-3-People in power unreasonable corruption> that connects the image and the structure of the image and applies it repeatedly, conceals the visual system with a shaded diagram that reproduces an abstract representation image object, but it is an abstract object that shows the realistic shape revealed in the reversible shade of light from a desire point of view revealed in the unconscious as a momentary gaze.

In rational painting as an abstract object, the frame of the morning glory shape is different from objective reality and representational conceptual art so that the dwarf background according to temporality can be experienced with the desire of the other. This is because the object is a real object separated from reality transferred from the symbolic world. 

In symbolic reality, the illusion image reveals the object as another being of the object by transforming the image of the object from the other's desire point of view into a dwarf image, and contains the artistic meaning of the object with momentary creativity and autonomous abstraction.

Therefore, it is a fantastic realistic painting with a desire concept. As a signifier, which is a real form in imagination with abstraction, the substance of the artistic form disappears and is fixed as a non-realistic form with the meaning of an existential symbol as a result. 

This is an abstraction that mimics the phenomenal abstraction that appears to be a momentary figure. Assuming that a phenomenal image is metaphorical in that abstraction, but it is a non-realistic image, reality exists in a phenomenal image that reproduces reality in a similar way.

 Abstract painter Louis Choi Chul-joo 2022 New York Exhibition Poster 55 metaphorically expresses the meaning of life as reality, an area separated from the realm of the symbolic world. The actual meaning of human beings as a cover-up without showing the object to be expressed is compared to <morning glory poster55> and <Jeongcho and Inwangsan Tiger>. In other words, as a cover-up invisible through a speech bubble, "Is there a tiger who doesn't even know about Inwangsan Mountain?" Jeongcho realistically abstracts the meaning of abstracting the meaning of a tiger in Inwangsan Mountain, who replaces the existence, does not know the value of an object. 

This is identified in the imagination world, and outwardly, the image of the object and the other are identified as the same subject, and internally, the subject forms the meaning of the transformed other. The meaning formed here is that the infant's imagination as seen by the infant in front of the mirror is an imaginary world that can be enjoyed in the realm of motherhood. The infant achieves its relationship with the visible object through a symbiotic relationship with the biological mother. The imaginary system as a visible metaphor is an image of an object in reality and an image that is satisfied as an infant by looking at the object in the mirror. 

In this imaginary world, the image of reality as a metaphor is reflected in the image of reality reflected in the mirror by the desire that is satisfied with the infant, or the image of reality as a metaphor can be a tiger of Inwangsan Mountain in another sense. It presents the image of a pipe and is not a pipe, as shown in the painting <This is not a pipe> by René Magritte. The fact that the reality of a pipe cannot be reproduced is that it cannot be reproduced. In other words, since reality cannot be reproduced through a picture, the picture of a pipe and the desire image and sentence of 'not a pipe' in the picture are the whole picture.

Therefore, in the symbolic realm, the image of reality <Jeongcho and Inwangsan Tiger>, which is the realm of reality separated by the desire of others, is metaphorically expressed. The actual meaning of the object to be expressed in the shade of reversible light is compared to a tiger proverb easily seen in Inwangsan Mountain, and the concept of the desire, which compares the meaning, is abstracted as a realistic representation. 

Here, through the division of the phenomenal image and reality, the concept of the desire image and reality are instantaneously encountered. The image as reality is revealed as a distorted flat image, but it is a contradictory encounter with conceptual abstraction as a non-real thing in the shade of reversible light

This perspective visual system, which reproduces abstract objects, conceals the image of desire, but instantly reveals the object as a gaze from a desire point of view revealed in the unconscious.

As an abstraction, the object image reveals the artistry of the semantic structure by forming a dwarf image expressed through the desire revealed in the suppressed unconscious mind of others to get out of generality and create an object as a being.

The autonomous artistry that emerged from the object erases the area of space and the manneristic form of real painting as it reveals the virtual image as a non-real thing.

The form that started in the imagination stems from imaginary recognition regardless of realistic experiences, just as an infant is satisfied with a reflection in a mirror. By not recognizing each signifier image in different forms, it creates a misconception due to imaginary recognition. This misconception suggests that the metaphor seen in the imagination as a realistic form is possible only through the similarity between the different signs. In the process of identifying each form of the signifier image of the realistic shape according to the difference between the signifiers, the infant begins to control himself in relation to others. In this way, "Napal Flower" abstracts the desire of others by repeatedly drawing the difference between realistic image images within an imitation method.

Additionally, by eliminating the volume and reversible shadow of light as an abstract structure, the physical structure is clarified, the image of desire is reproduced, and the recognized reality is summed up, and the image hidden in the long time when the desire of others is commonly fossilized is structured as an abstract cultural space that can reverse the object into a real form by structuring the meaning of a certain shape in the shadow of reversible light, and the sound "regret when a powerful person forcibly pulls unreasonable corruption like a tiger who does not know Inwangsan Mountain" is abstracted in the movement of light. / Writing. Art critic Choi Chul-joo (Abstract Painter & Doctor of Cultural Design)

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design 

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light. 

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, Desire Concept Realistic Abstract Work: Louis Choi chuljoo, When desire arises, you observe through the window and lie as an opportunity to covet.: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p55-3-People in power regret if they force unreasonable corruption: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i)

Cartoon Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon review images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon review image as an image.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, bamboo forest-114-People in power regret if they force unreasonable corruption: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event. 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest-114-People in power regret if they force unreasonable corruption: Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <People in power regret if they force unreasonable corruption> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

 By repeatedly sketching design and applying Choi Chuljoo's desire formula  "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 114, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest b114, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p55, a hand-painted picture on a computer

Background image of an artist's realistic Abstraction: Louis, Chul-joo Choi, morning glory p4, a hand-painted picture on a computer

Background image of an artist's realistic Abstraction: Louis, Chul-joo Choi, morning glory p106, a hand-painted picture on a computer