UFC 140에서 미어가 노게이라에 건 서브미션(기무라)이 선정됐네요.
1라운드에 미어가 끔찍하게 노게이라의 오른쪽팔을 부러뜨릴줄은 아무도 생각 못했다.
이 서브미션은 미어에게 셔독선정 "Submission of the Year" 상을 안겼다.
경기시작부터 이 둘은 이전 경기와 다른 양상을 보여줬다.
노게이라는 경기시작과 동시에 앞으로 압박을 해나갔고 케이지앞에서 미어의 뒤를 잡았다.
마치 그가 뒤에서 압박하면서 폭발적인 타격을 보여줄 것처럼 보였다. 셰인카윈이 그랬던 것처럼.
1라운드 중반 무렵 노게이라의 라이트가 미어의 귀 위쪽을 가격했고, 미어는 순간적으로 다리가 풀렸다.
그리고 잠시 후에 일이 벌어졌다.
타격으로 유리한 상황을 가져가다 길로틴을 시도한 노게이라에게 문제가 생긴것이다.
티비 배너 광고가 뜨는 찰라의 순간 상황이 바뀌었다. 단 1초만에. 당신은 그 상황을 제대로 볼 수 있었나. 무슨 일이 일어난걸까.
토론토 현지 팬들과 관계자들 모두 리플레이 장면을 보고 끔찍한 현실을 확인했다.
12월 18일 노게이라의 홈페이지에 그의 담당의(외과)인 톰R. 헤켓이 아래 수술 내용과 함께 글을 올렸다.
"노게이라가 오른팔 상완쪽에 복합골절로 고통스러워 하고 있습니다.
골절은 상완뼈의 중앙쪽에서 시작해서 팔꿈치 부분까지 확장됐어요.
불행히도 요골신경(손에 힘이 들어가게 하는 주요 신경계)이 손상됐어요.
수술전 노게이라는 손에 매우 약한 힘만 쥘수있었고 엄지 손가락은 아예 움직일수가 없었죠"
노게이라는 UFC 140 애프터파티를 즐길수 없었고, 옥타곤에서 실려나온뒤 병원에서 시간을 보냈다.
승자인 미어는 훈련 파트너들과 친구, 가족들과 함께 승리의 기쁨을 만끽했다.
미어 왈 "그 서브미션은 끔찍할수도 있지만 확실히 그를 끝낼수 있는 국면이었어,
파티를 즐겨. 오늘밤 KO패 당한 다른 파이터들도 지금 애프터파티에 와있어,
병원에 가는 파이터도 팔에 철심을 박으면서도 안좋은 일을 계속 상기시킬까? 생각보다 크게 신경 안쓸거야."
셔독선정 2011 올해의 서브미션은 두명의 경쟁이었다. 노게이라 팔을 부러뜨린 미어의 기무라와
MMA 컬트 히어로 정찬성이 3월에 가르시아를 상대로 보여준 UFC 최초의 트위스터가 그것이었다.
"코리안 좀비"는 에디브라보의 전매특허 기술을 옥타곤에서 최초로 보여줬기 때문에 충분히 칭찬받아 마땅하다.
그러나 정찬성의 상대였던 가르시아는, 헤비급에서 가장 뛰어난 서브미션 아티스트인 노게이라와 견줄수 없다.
그뿐 아니라 미어의 서브미션을 최고로 뽑은 이유는 단순히 미어가 노게이라를 서브미션으로 이겨서가 아니라
이번이 그들의 특별한 두번째 만남이었다는데 그 이유가 있다.
그 경기를 더욱 특별하게 만드는건 미어가 이전 경기때 노게이라에게 생애 최초로 KO패를 안겨줬던 인물이라는데 있다.
그런 미어가 이번 경기를 통해 노게이라의 탭을 받아낸 최초의 인물로도 남게 되었다.
끔찍한 부상때문에 가산점을 준건 아니지만 미어의 서브미션에는 뭔가 드라마틱한 요소가 있다.
노게이라의 팔을 부러뜨는 미어의 기무라는 MMA 평화주의자의 길은 보여주지는 못했지만 강력한 무기임에는 틀림없다.
그날 경기는 서브미션상을 받는것은 말할 것도 없고, 어떤 의미에서는 가장 순수했던, 끔찍하고도 놀라운 경기였다.
리벤지 매치에서 UFC 역사상 최초로 트위스터를 성공한 코리안 좀비.
1차전도 2010 최고의 경기중 하나여서 셔독에서도 올해의 서브미션 줄듯했는데...
ESPN이랑 mma어워즈 등에서는 받은거 같은데, 싹쓸이 아깝네요.
기사 by Jordan Breen
발번역and생략 by 한여름밤의모기
- 원 문 -
When Frank Mir rematched Antonio Rodrigo Nogueira at UFC 140, the fact alone that he got his hand raised didn’t shock anybody. After Mir’s December 2008 blowout of Nogueira, in which he became the first fighter in MMA history to stop the battle-hardened Brazilian, Mir deserved his status as a two-to-five favorite.
What nobody was banking on was that Mir’s luggage out of Toronto would include the legendary Nogueira’s right arm, taken violently in the first round, a feat which has earned
him Sherdog.com’s 2011 “Submission of the Year.” From the fight’s outset, it appeared to be a different sort of bout than their previous encounter. Nogueira pressed forward from the opening bell and got Mir’s back against the cage. It seemed like Nogueira was trying to control Mir and then explode with punches, much in the same fashion that the larger, more powerful Shane Carwin did in his bout with Mir. Halfway through the first frame, a Nogueira right cross cracked Mir above the ear, temporarily dissolving his legs. It looked like Nogueira was about to seal the deal on one of the most impressive single-year comebacks in MMA history and earn another win that would fortify his legacy as a heavyweight icon. All five of Mir’s career losses had been by similar stoppages, and there was little reason to think he would make any kind of comeback.
Mir hit the mat looking for a desperate takedown. The Brazilian pounded away, nearing a stoppage, but when his former tormentor reached deep for Nogueira’s leg, “Big Nog” countered with an arm-in guillotine.
Mir, with whatever wits he had left, kept his neck safe and stopped Nogueira’s attempt to pass into full mount by gaining half-guard for a moment. When Nogueira tried to change course and roll into an anaconda choke, Mir came through on top, stopped Nogueira from locking his choking arm and cleared out to side-control. Nogueira tried to show off some defensive wrestling by sitting out from the bottom, potentially escaping to back control. When Nogueira reached through to control Mir’s upper body and take the back, Mir managed to get nearside wrist control on his right arm and stop
the advances. At this point, most would have been content with having escaped disaster and tried to stall out. It would have seemed that Mir, a fighter with little experience in escaping in-fight adversity, might be content to be conservative on top after such a brush with blowing it. Nope. Even with a legendary grappler trying to scale his back, Mir was thinking offense. As soon as the Sin City resident got Nogueira’s wrist and then grabbed his own, he was gearing into fifth. Mir kicked back into side-control and nearly stepped clean over Nogueira’s head with the kimura, which would have ended the bout in mere seconds. Instead, “Minotauro” rolled through, trying to escape. Unfortunately for him, Frank Mir isn’t just a great grappler; he’s a great, 260-pound-plus grappler.
Then it happened, like a subliminal, single-frame message embedded in a TV commercial. It changed, just for a second. Did you see that? What happened? His arm, did you see it? Did it...?
Oh yes, it did. In the moments after the submission, there were questions all over the Air Canada Centre as to whether or not Nogueira’s arm had just been splintered by Mir. That notion seemed strengthened when the Brazilian stayed down, writhing in pain on the mat. However, replay after replay after replay confirmed the gruesome reality. As Joe Rogan did his best impression of Andrew Dice Clay’s emphatic “Oh!” with each rewind, the Torontonian crowd winced and grimaced in unison.
“Mr. Nogueira suffered a complex fracture to his humerus. The fracture began in the middle of the bone and extended to the elbow region,” wrote Dr. Tom R. Hackett, Nogueira’s orthopedic surgeon, on Nogueira’s official website on Dec. 18, following surgery. “Unfortunately, the radial nerve [one of the main nerves lending a feeling of power to the hands] was damaged. Before the operation, he had very little strength in his hand and no strength whatsoever in his thumb.”
Nogueira’s nerve had to be moved away from the broken bone, and his arm was repaired with 16 screws and a plate. Minotauro didn’t get to enjoy a UFC 140 after-party, spending the night in local hospital after being stretchered out of the Octagon. However, Mir’s post-fight celebrations were not exactly full of extravagant revelry. Instead, a low-key, friends-and-family affair gathered in the Mir suite. Catering, so to speak, was provided by Alexandro’s Take-Out, a tiny gyro shack beside the UFC’s host hotel that serves as the late-night eats for most associated with UFC events in Toronto.
The victorious Mir held court over the room of a dozen-and-a-half training partners, friends and family, lying on the floor in sweats with a chalice of Stella Artois, laughing and joking. Pajama-clad children scurried about the room as the former UFC heavyweight champ quietly iced his left temple, attempting to erase the still-lingering impact of Nogueira’s right cross. As Mir regaled the room, discussing his penchant for sobbing at children’s movies, an iPhone began circulating from hand-to-hand. The UFC’s official Twitter account had posted an X-ray picture of Nogueira’s broken humerus. When the phone made its way to the reclined Mir, he sat up, squinting at the phone quietly for a moment. His gruesome handiwork seemed to surprise even him.
“That’s the great thing about submissions. You build up your strength and your power in the gym, but it’s like having a lever,” Mir told Sherdog.com later that night. “You want to get the lever in the right spot and use proper technique, and then, when it’s in the right spot, you want to jump up and down on it to get as much force as you can into it. It’
s a good combination of both strength and technique, so when I grabbed it and started cranking, it just crushed, like twisting a bag of potato chips.”
It’s a full-body, visceral image Mir that related, one that significantly intensifies subsequent viewings. But the fight’s secondary story was just as important for Mir. His career had been defined by the fact that he had shown an inability to recover from getting hurt, to conquer adversity.
“It showcased a few things people always draw into question, my ability to want to keep on pushing in a fight when it’s going bad. His warm-up and mindset was much better than mine. When I got in there, it was weird. I was looking around. I just did not feel activated, I didn’t feel sharp,” Mir recalled.
That extra oomph, that intriguing little twist, helps cement the status of that kimura as 2011’s finest. Really, 2011’s “Submission of the Year” competition was a two-dog race, with Mir’s kimura on Nogueira sharing lanes with MMA cult hero Chan Sung Jung’s first-in-UFC-history twister submission on Leonard Garcia in March. Side-by-side, a double wristlock seems technically and sensationally inferior to the twister, which back in days of catch-as-catch-can wrestling lore was known as “the guillotine,” and was one of the most treacherous holds any hooker could tie their foe up in. This is where context is so important.
“The Korean Zombie” deserves all due praise for bringing Eddie Bravo’s signature submission to the Octagon. However, tapping out the questionably-employed Garcia doesn't quite stack up with tapping out MMA’s most celebrated heavyweight submission artist. It’s not that Mir beat Nogueira, just as it wasn’t in their first meeting. What made Mir’s
submission special was that in addition to being the first man to knock out Antonio Rodrigo Nogueira, he is now the first man to tap him out in MMA competition, too. And, while gruesome injury doesn’t necessarily warrant bonus points, there is something poetic about the grisly finish. If there is a defining characteristic of Frank Mir, it is what UFC matchmaker Joe Silva refers to as “when technique meets horsepower.” It’s that jaw-dropping fusion that made Pete Williams scream, Tim Sylvia’s arm snap and Cheick Kongo’s consciousness disappear. Mir’s destroying Nogueira’s arm was a reminder that submissions are not necessarily the pacifist’s route in MMA, but bona fide weapons.
Given the choice between getting knocked out by Mir or joint-locked by the former UFC champion, an ever-increasing amount of MMA folks would likely opt for the former. “That aspect of being able to devastatingly finish people, that’s something to be fearful of,” Mir said. “Trust me, the guys who got knocked out tonight, they’re at the after-party right now. People that are going to the hospital that are having rods put in their arm and get things casted up? Not so much.”
And that's Frank Mir’s A-game: awful and awesome, in their purest senses, not to mention absolutely award-winning.