RE urban fiction,street lit.

[romain]

도시물

거리 문학으로도 알려진, 도시물 (都市物)은 이름에서 알 수 있듯이 도시 풍경의 문학 장르의 집합이다; 그러나 장르가 많은 도시의 설정과 사회 경제적 현실과 문자 문화에 의해 정의된다. 도시 소설의 톤은 도시 생활의 아래쪽에 초점을 맞추고, 일반적으로 어둡다. 욕설, 섹스, 폭력은 작가가 멀리 주저하거나 부드럽게 조절하지 않고, 일반적으로 명시한다.

현대 도시 소설의 주목할만한 작가
Kole Black
Tracy Brown
JaQuavis Coleman
Nina Foxx
지하드

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.
책

Morris, Vanessa Irvin (2011). The Readers' Advisory Guide to Street Literature. American Library Association. ISBN 0838911102.
Honig, Megan (2010). Urban Grit: A Guide to Street Lit. Libraries Unlimited. ISBN 159158857X.
Ratner, Andrew. (2009). Street Lit: Teaching and Reading Fiction in Urban Schools. McGraw-Hill. ISBN 0073378437.



https://ko.m.wikipedia.org/wiki/%EB%8F%84%EC%8B%9C%EB%AC%BC

The tone for urban fiction is usually dark, focusing on the underside of city living. Profanity, sex, and violence are usually explicit, with the writer not shying away from or watering-down the material. Most authors of this genre draw upon their past experiences to depict their storylines.[1]

Emergence of contemporary urban fiction Edit
In the 1970s, during the culmination of the Black Power movement, a jailed Black man named Robert Beck took the pen name Iceberg Slim and wrote Pimp, a dark, gritty tale of life in the inner-city underworld. While the book contained elements of the Black Power agenda, it was most notable for its unsparing depiction of street life.

Iceberg Slim wrote many other novels and attained an international following. Some of the terminology he used in his books crossed over into the lexicon of Black English.[6] Other writers included Donald Goines[7] and, notably, Claude Brown's Manchild in the Promised Land, which was published in 1965. Also published that year was The Autobiography of Malcolm X by Alex Haley. Because Haley's non-fictional read captured the realistic nature of African American urban life for coming-of-age young men, the book has consistently served as a standard for reading among African American teenaged boys.


2000–present
In less than a decade, urban fiction has experienced a renaissance that boasts thousands of titles. The newest wave of street fiction is urban Latino fiction novels such as Devil's Mambo by Jerry Rodriguez, Chained by Deborah Cardona (a.k.a. Sexy) and Jeff Rivera's Forever My Lady.

Major writers of contemporary urban fiction include Wahida Clark, Vickie Stringer, Nikki Turner, K'wan Foye, Toy Styles, Roy Glenn, Kwame Teague, who many believed penned Teri Woods' Dutch,[14] and the writing duo Meesha Mink & De'Nesha Diamond.

There is also an unexpected literary wave of hip-hop fiction and street lit, which was sparked by Sister Souljah.[citation needed] Authors with a book or books in this offering include Saul Williams, Abiola Abrams, and Felicia Pride. These are hip hop lit or street lit books that take a more literary approach using metaphor, signifying and other literary devices. These books may also be used in socially redeeming or classroom capacities, while maintaining love and positivity for the music and hip hop culture.

With this new wave of renaissance, "street lit" was breaking new ground when it came to promotion and exposure. Aside from hand-to-hand sales, which seems to work best in a genre where word-of-mouth has proven to be worth more than any large ad campaign, the Internet has increased the authors' and publishers' ability to reach out to the genre's readers.

With Internet savvy, many self-published authors who once had no shot of recognition are now household names, such as author Rasheed Clark, who went from relatively unknown, to being honored with fourteen Infini Literary Award nominations for his first two novels, Stories I Wouldn't Tell Nobody But God and Cold Summer Afternoon, both of which became instant bestsellers and proved that Clark was a fresh voice in African American fiction, and a leading African-American writer.[15]

Authors in this genre such as K'wan Foye, Nikki Turner, and Toy Styles are known for bringing street teams and other musical promotion efforts to the book scene.[16] In recent years, some of these authors have joined with hip hop artists such as 50 Cent to further promote the genre by penning the musicians' real-life stories.

in 2010, the hip hop music label Cash Money Records established a publishing branch, Cash Money Content. However, Cash Money Content's last book, Animal 3, was published in November 2014.[17]

Vickie Stringer is an urban lit author, as well as founder and CEO of her own publishing company, Triple Crown Publications, a publisher of 45 novels and 35 writers as of 2008.[18]

Forums like AALBC are often used to keep track of the progressive urban fiction genre as it grows tremendously daily.

https://en.m.wikipedia.org/wiki/Urban_fiction

[romain]

이런 맥락이라면 부코스키도 전형적인 이 범주. 내가 범주화에 의구심을 품는 인간이긴하지만.

[romain]

https://en.m.wikipedia.org/wiki/Street_literature