빨강머리 앤 ANNE OF GREEN GABLES

[philip05]

Back cover[page:겉표지]:

Matthew and Marilla make plans to adopt a boy to help with farm chores but because of a mistake, Matthew finds a girl waiting at the train station to come home with him. Anne Shirley is a bold, tempered, imaginative and talkative young girl, yet the reader still manages to fall in love with her blunt personality. Marilla has her doubts, but Matthew convinces her to keep Anne. This book will let you watch characters grow and blossom like butterflies and magical changes take place.

First Page: ANNE OF GREEN GABLES By Lucy Maud Montgomery

Table of Contents

     CHAPTER I          Mrs. Rachel Lynde Is Surprised
     CHAPTER II         Matthew Cuthbert Is Surprised
     CHAPTER III        Marilla Cuthbert Is Surprised
     CHAPTER IV         Morning at Green Gables
     CHAPTER V          Anne's History
     CHAPTER VI         Marilla Makes Up Her Mind
     CHAPTER VII        Anne Says Her Prayers
     CHAPTER VIII       Anne's Bringing-Up Is Begun
     CHAPTER IX         Mrs. Rachel Lynde Is Properly Horrified
     CHAPTER X          Anne's Apology
     CHAPTER XI         Anne's Impressions of Sunday School
     CHAPTER XII        A Solemn Vow and Promise
     CHAPTER XIII       The Delights of Anticipation
     CHAPTER XIV        Anne's Confession
     CHAPTER XV         A Tempest in the School Teapot
     CHAPTER XVI        Diana Is Invited to Tea with Tragic Results
     CHAPTER XVII       A New Interest in Life
     CHAPTER XVIII      Anne to the Rescue
     CHAPTER XIX        A Concert a Catastrophe and a Confession
     CHAPTER XX         A Good Imagination Gone Wrong
     CHAPTER XXI        A New Departure in Flavorings
     CHAPTER XXII       Anne is Invited Out to Tea
     CHAPTER XXIII      Anne Comes to Grief in an Affair of Honor
     CHAPTER XXIV       Miss Stacy and Her Pupils Get Up a Concert
     CHAPTER XXV        Matthew Insists on Puffed Sleeves
     CHAPTER XXVI       The Story Club Is Formed
     CHAPTER XXVII      Vanity and Vexation of Spirit
     CHAPTER XXVIII     An Unfortunate Lily Maid
     CHAPTER XXIX       An Epoch in Anne's Life
     CHAPTER XXX        The Queens Class Is Organized
     CHAPTER XXXI       Where the Brook and River Meet
     CHAPTER XXXII      The Pass List Is Out
     CHAPTER XXXIII     The Hotel Concert
     CHAPTER XXXIV      A Queen's Girl
     CHAPTER XXXV       The Winter at Queen's
     CHAPTER XXXVI      The Glory and the Dream
     CHAPTER XXXVII     The Reaper Whose Name Is Death
     CHAPTER XXXVIII    The Bend in the road

ANNE OF GREEN GABLES 원문 ....
CHAPTER I. Mrs. Rachel Lynde is Surprised
Mrs. Rachel Lynde lived just where the Avonlea main road dipped down
into a little hollow, fringed with alders and ladies' eardrops and
traversed by a brook that had its source away back in the woods of the
old Cuthbert place; it was reputed to be an intricate, headlong brook
in its earlier course through those woods, with dark secrets of pool
and cascade; but by the time it reached Lynde's Hollow it was a quiet,
well-conducted little stream, for not even a brook could run past Mrs.
Rachel Lynde's door without due regard for decency and decorum; it
probably was conscious that Mrs. Rachel was sitting at her window,
keeping a sharp eye on everything that passed, from brooks and children
up, and that if she noticed anything odd or out of place she would never
rest until she had ferreted out the whys and wherefores thereof.

There are plenty of people in Avonlea and out of it, who can attend
closely to their neighbor's business by dint of neglecting their own;
but Mrs. Rachel Lynde was one of those capable creatures who can manage
their own concerns and those of other folks into the bargain. She was a
notable housewife; her work was always done and well done; she "ran" the
Sewing Circle, helped run the Sunday-school, and was the strongest prop
of the Church Aid Society and Foreign Missions Auxiliary. Yet with all
this Mrs. Rachel found abundant time to sit for hours at her kitchen
window, knitting "cotton warp" quilts--she had knitted sixteen of them,
as Avonlea housekeepers were wont to tell in awed voices--and keeping
a sharp eye on the main road that crossed the hollow and wound up
the steep red hill beyond. Since Avonlea occupied a little triangular
peninsula jutting out into the Gulf of St. Lawrence with water on two
sides of it, anybody who went out of it or into it had to pass over that
hill road and so run the unseen gauntlet of Mrs. Rachel's all-seeing
eye.

She was sitting there one afternoon in early June. The sun was coming in
at the window warm and bright; the orchard on the slope below the house
was in a bridal flush of pinky-white bloom, hummed over by a myriad of
bees. Thomas Lynde--a meek little man whom Avonlea people called "Rachel
Lynde's husband"--was sowing his late turnip seed on the hill field
beyond the barn; and Matthew Cuthbert ought to have been sowing his on
the big red brook field away over by Green Gables. Mrs. Rachel knew
that he ought because she had heard him tell Peter Morrison the evening
before in William J. Blair's store over at Carmody that he meant to sow
his turnip seed the next afternoon. Peter had asked him, of course, for
Matthew Cuthbert had never been known to volunteer information about
anything in his whole life.

And yet here was Matthew Cuthbert, at half-past three on the afternoon
of a busy day, placidly driving over the hollow and up the hill;
moreover, he wore a white collar and his best suit of clothes, which was
plain proof that he was going out of Avonlea; and he had the buggy
and the sorrel mare, which betokened that he was going a considerable
distance. Now, where was Matthew Cuthbert going and why was he going
there?

Had it been any other man in Avonlea, Mrs. Rachel, deftly putting this
and that together, might have given a pretty good guess as to both
questions. But Matthew so rarely went from home that it must be
something pressing and unusual which was taking him; he was the shyest
man alive and hated to have to go among strangers or to any place where
he might have to talk. Matthew, dressed up with a white collar and
driving in a buggy, was something that didn't happen often. Mrs. Rachel,
ponder as she might, could make nothing of it and her afternoon's
enjoyment was spoiled.

"I'll just step over to Green Gables after tea and find out from Marilla
where he's gone and why," the worthy woman finally concluded. "He
doesn't generally go to town this time of year and he NEVER visits; if
he'd run out of turnip seed he wouldn't dress up and take the buggy to
go for more; he wasn't driving fast enough to be going for a doctor.
Yet something must have happened since last night to start him off. I'm
clean puzzled, that's what, and I won't know a minute's peace of mind or
conscience until I know what has taken Matthew Cuthbert out of Avonlea
today."

Accordingly after tea Mrs. Rachel set out; she had not far to go; the
big, rambling, orchard-embowered house where the Cuthberts lived was a
scant quarter of a mile up the road from Lynde's Hollow. To be sure, the
long lane made it a good deal further. Matthew Cuthbert's father, as
shy and silent as his son after him, had got as far away as he possibly
could from his fellow men without actually retreating into the woods
when he founded his homestead. Green Gables was built at the furthest
edge of his cleared land and there it was to this day, barely visible
from the main road along which all the other Avonlea houses were so
sociably situated. Mrs. Rachel Lynde did not call living in such a place
LIVING at all.

"It's just STAYING, that's what," she said as she stepped along the
deep-rutted, grassy lane bordered with wild rose bushes. "It's no wonder
Matthew and Marilla are both a little odd, living away back here by
themselves. Trees aren't much company, though dear knows if they were
there'd be enough of them. I'd ruther look at people. To be sure, they
seem contented enough; but then, I suppose, they're used to it. A body
can get used to anything, even to being hanged, as the Irishman said."

With this Mrs. Rachel stepped out of the lane into the backyard of Green
Gables. Very green and neat and precise was that yard, set about on one
side with great patriarchal willows and the other with prim Lombardies.
Not a stray stick nor stone was to be seen, for Mrs. Rachel would have
seen it if there had been. Privately she was of the opinion that Marilla
Cuthbert swept that yard over as often as she swept her house. One could
have eaten a meal off the ground without overbrimming the proverbial
peck of dirt.

Mrs. Rachel rapped smartly at the kitchen door and stepped in
when bidden to do so. The kitchen at Green Gables was a cheerful
apartment--or would have been cheerful if it had not been so painfully
clean as to give it something of the appearance of an unused parlor. Its
windows looked east and west; through the west one, looking out on
the back yard, came a flood of mellow June sunlight; but the east one,
whence you got a glimpse of the bloom white cherry-trees in the left
orchard and nodding, slender birches down in the hollow by the brook,
was greened over by a tangle of vines. Here sat Marilla Cuthbert, when
she sat at all, always slightly distrustful of sunshine, which seemed to
her too dancing and irresponsible a thing for a world which was meant to
be taken seriously; and here she sat now, knitting, and the table behind
her was laid for supper.

Mrs. Rachel, before she had fairly closed the door, had taken a mental
note of everything that was on that table. There were three plates laid,
so that Marilla must be expecting some one home with Matthew to tea; but
the dishes were everyday dishes and there was only crab-apple preserves
and one kind of cake, so that the expected company could not be any
particular company. Yet what of Matthew's white collar and the sorrel
mare? Mrs. Rachel was getting fairly dizzy with this unusual mystery
about quiet, unmysterious Green Gables.

"Good evening, Rachel," Marilla said briskly. "This is a real fine
evening, isn't it? Won't you sit down? How are all your folks?"

Something that for lack of any other name might be called friendship
existed and always had existed between Marilla Cuthbert and Mrs. Rachel,
in spite of--or perhaps because of--their dissimilarity.

Marilla was a tall, thin woman, with angles and without curves; her dark
hair showed some gray streaks and was always twisted up in a hard little
knot behind with two wire hairpins stuck aggressively through it. She
looked like a woman of narrow experience and rigid conscience, which she
was; but there was a saving something about her mouth which, if it had
been ever so slightly developed, might have been considered indicative
of a sense of humor. 외모묘사

"We're all pretty well," said Mrs. Rachel. "I was kind of afraid YOU
weren't, though, when I saw Matthew starting off today. I thought maybe
he was going to the doctor's."

Marilla's lips twitched understandingly. She had expected Mrs.
Rachel up; she had known that the sight of Matthew jaunting off so
unaccountably would be too much for her neighbor's curiosity.

"Oh, no, I'm quite well although I had a bad headache yesterday," she
said. "Matthew went to Bright River. We're getting a little boy from an 

orphan asylum in Nova Scotia and he's coming on the train tonight."

출처: http://www.loyalbooks.com/download/text/Anne-of-Green-Gables.txt

....

[ 긍정적인 인생, 빨간머리 앤에게 배워요! ] 

일이 생각대로 풀리지 않나요?  "엘리자가 말했어요. 

세상은 생각대로 되지 않는다고, 하지만 생각대로 되지 않는다는 건 

정말 멋진 것 같아요.  생각지도 못했던 일이 일어난다는 거니까요. " 

정말로 행복한 나날이란 뭘까요? 

" 정말로 행복한 나날이란 멋지고 놀라운 일이 일어나는 날이 아니라 

진주 알들이 하나하나 한 줄로 꿰어지듯, 소박하고 자잘한 기쁨들이 

조용히 이어지는 날들인 것 같아요. " 

당신에게 침대는 어떤 곳인가요? 

 " 침대는 잠만 자는 곳이 아니에요. 꿈을 꾸는 곳이기도 해요. " 

실망하는 것보다 더 나쁜 것이요? 

 " 린드 아주머니는 아무것도 기대하지 않은 사람은 아무런 실망도 

하지 않으니 다행이지, 라고 말씀하셨어요.  하지만 저는 실망하는 것보다 아무것도 기대하지 않는 게 

더 나쁘다고 생각해요. " 

미리 다 알 필요가 없는 이유! 

 "이제부터 발견할 일이 잔뜩 있다는 건 멋진 일이니까요 뭐든 미리 다 알고 있다면 시시하지 않겠어요? 

 제가 상상할 거리가 없어지잖아요. " 

아침을 맞이하는 긍정적인 자세요? 

" 아침은 어떤 아침이든 즐겁죠, 오늘은 무슨 일이 일어날지 

생각하고 기대하는 상상의 여지가 충분히 있거든요. " 

살아가는데 큼 힘이 돼 주는 것은 무엇이냐고요? 

" 전 시냇물이 있었다는 걸 기억해두고 싶어요. 

 그런 좋은 기억은 제가 앞으로 살아가는데 큰 힘이 되어주거든요. 

 전 지금 절망의 구렁텅이 속이 아니에요. " 

============================================= 

긍정적인 사고는 사람을 희망으로 이끕니다. 

같은 결과 앞에서도 긍정적으로 생각하는 이는 행복한 결과가 될 것이고, 부정적으로 생각하는 이는 불행한 결과가 될 

테니까요. 다시 오지 않을 오늘을 살며 기왕이면 행복한 결말만 보고 살아요. 

생각만 해도 얼굴에 미소가 그려지지 않나요? 

 # 빨간머리앤 [ Anne of Green Gables ] # 

빨간 머리에 주근깨가 있는 상상력이 풍부한 고아 소녀가 

무뚝뚝하고 비사교적인 독신남매에게 실수로 입양되면서 겪는 

성장기로 캐나다의 여성작가 루시 모드 몽고메리의 1908년작 

소설이다. 

= 따뜻한 말 한마디로 힘이 되어주세요 = 

Key Facts

full 

title  ·  Anne of Green Gables

author  ·  Lucy Maud Montgomery

type of work  ·  Novel

genre  ·  Coming-of-age novel; juvenile literature

language  ·  English

time and place written  ·  1908; Canada

date of first publication  ·  1908

publisher  ·  L. C. Page

narrator  ·  The narrator relates the events of the novel in the third person and has access to every character’s thoughts and emotions. Biased and partial, the narrator often mocks, condemns, or shows affection for the characters.

point of view  The novel is written mainly from Anne’s point of view, but it frequently switches to Marilla’s and sometimes to Matthew’s points of view.

tone  ·  The narrator is affectionate toward Anne, satirical when describing small-town life, and sentimental and gushing when describing nature.

tense  ·  Past

setting (time)  ·  The turn of the twentieth century

setting (place)  ·  Prince Edward Island, Canada

protagonist  ·  Anne Shirley

major conflict    Anne struggles to reconcile her imagination and romantic notions with the rigid expectations of traditional Avonlea society.

rising action  ·  Anne’s continuous mistakes in her domestic duties and social interactions

climax  ·  Matthew’s death and Anne’s success at college

falling action  ·  Anne’s decision to stay at Green Gables and teach in Avonlea

themes  ·  The conflict between imagination and expectation; sentimentality versus emotion

motifs  ·  Fashion; images of nature

symbols  ·  Anne’s red hair; the light from Diana’s window

foreshadowing  ·  Anne’s dream about having a best friend hints at the close relationship she develops with Diana Barry; Matthew’s heart trouble foreshadows his death at the end of the novel, just as Marilla’s headaches foreshadow her health problems.

Themes, Motifs & Symbols

Themes (Themes are the fundamental and often universal ideas explored in a literary work.)

THE CONFLICT BETWEEN IMAGINATION AND SOCIAL EXPECTATIONS

Anne is guided by her imagination and romanticism, which often lead her astray. Daydreams constantly interrupt her chores and conversations, pulling her away from reality and into her own imaginary world. This escape pleases Anne, but her rich inner life often comes into conflict with Avonlea’s expectations of appropriate behavior. Anne’s imaginative excursions lead to everything from minor household disasters, such as baking an inedible cake, to life-threatening calamities, such as nearly drowning in an attempt to act out a poem. Marilla does not indulge in fantasy, and equates goodness with decorum and sensible behavior. She adheres to the social code that guides the actions of well-behaved ladies. Anne has difficulty understanding why Marilla doesn’t use her imagination to improve upon the world. Partly Marilla is not naturally inclined to imaginativeness, and partly she worries for Anne, thinking that Anne will imagine and long for wonderful things and then experience painful disappointment when reality does not live up to her expectations. Anne wants to please Marilla by acting obedient and deferential, but she finds irresistible pleasure in her wild fantasies. As she matures, however, Anne curbs her extreme romanticism and finds a compromise between imagination and respectability.

SENTIMENTALITY VERSUS EMOTION

Anne’s feelings run deep; she loves and hates with passion, and dreams with spirit. However, as a child, she cannot distinguish between true emotion and mere sentimentality, or fake emotion, often allowing herself to indulge in sentiment because she thinks it romantic. Her weakness for sentiment colors her fictional stories, which feature melodrama, true love, eternal devotion, and tragic loss. She and her friends enjoy histrionic displays of emotion, working up a weepy farewell to Mr. Phillips even though they dislike him and terrifying themselves by imagining the woods to be haunted.

In part, Anne’s attachment to sentimentality provides a refuge from the real emotions of fear and loss she experienced as a child. Her parents’ death left her at the mercy of others, and as a young girl she was treated not with the love and attention that most children receive, but with cruelty and carelessness. Because Anne knows the pain of real emotion, the play-world of sentiment is comforting to her. When she imagines sentimental stories and games, she is able to control the situation, as she could not in her dealings with real emotion. Only when Anne becomes an adult can she deal with real emotion. When Matthew dies at the end of the novel, Anne experiences real loss. As a well-adjusted woman, she can cope with the loss of someone dear to her and recognize her pain as real emotion, not the sentimental fluff of her childhood games.

Motifs (Motifs are recurring structures, contrasts, or literary devices that can help to develop and inform the text’s major themes.)

FASHION CONCERNS

Although fashion interests Anne because she wants to look pretty, she wants to be fashionable mainly because she believes being good would be easier if she were well dressed and beautiful. For Anne, fashionable dress overlaps with morality. She feels she would be more grateful if her looks improved and says she cannot appreciate God because he made her so homely. Anne also views fashion as a means of fitting into her group of friends. Her increasingly stylish clothes represent her transformation from humble orphan to schoolgirl to successful scholar and woman. When Anne arrives at Green Gables, she wears ugly skimpy clothes from the orphanage, which represent her loneliness and neglect. At Green Gables, Marilla initially makes Anne sensible dresses devoid of frills or beauty. A few years later, Matthew buys Anne a stylish dress with puffed sleeves. Eventually, even Marilla agrees to allow Anne fashionable clothes. The gradual acceptance of Anne’s desire for fashionable clothes demonstrates the gradual shift of Matthew and Marilla’s feelings for Anne. At first, Marilla feels kindly toward Anne but does not see any reason to indulge her. Although Matthew would love to spoil Anne, he dares not speak against Marilla. Eventually, Matthew finds the courage to defy Marilla and give Anne a lovely dress, and Marilla comes to love Anne like a daughter and see the appeal of dressing her in fashionable clothes.

IMAGES OF NATURE

Anne’s powerful imagination reveals itself during her first ride to Green Gables, when she talks romantically about the beautiful trees and natural sights of Avonlea. Nature not only pleases Anne’s eye, it gives her reliable companionship. She has lacked human friends and finds companions in plants and playmates in brooks. On her first night in Avonlea, when she fears no one will come for her, she takes comfort in the idea that she can climb into the arms of a tree and sleep there. For Anne, Avonlea, with its healthy trees, represents a pastoral heaven that contrasts with the sickly trees and coldness of her days at the orphan asylum. At Green Gables, she shows her respect for nature by giving lakes and lanes flowery, dramatic names. As she matures, she continues to love nature. During the stressful exam period at Queen’s Academy, her love of nature relaxes her and helps her to remember what is truly important in life. At the end of the novel, she looks to nature as a metaphor for her future: full of beauty, promise, and mystery.

Symbols (Symbols are objects, characters, figures, or colors used to represent abstract ideas or concepts.)

ANNE’S RED HAIR

Anne’s red hair symbolizes her attitude toward herself, which changes as the novel progresses. Initially, Anne hates her red hair. She thinks it a blight on her life and complains about it at every opportunity. Her loathing for her hair reveals her dislike of herself. No one has ever loved Anne properly, and she does not approve of her own mistakes and bad behavior. Later, Anne’s acceptance and fondness for her red hair symbolizes her acceptance of herself.

THE LIGHT FROM DIANA’S WINDOW

Anne looks to the light from Diana’s window as a symbol of their eternal friendship. It is a familiar sight that gives Anne comfort at the end of the novel when she decides to stay in Avonlea and care for Marilla. Seeing the symbol of her loving friendship with Diana makes Anne feel better about sacrificing her ambition in order to do what she feels is the right thing.

가이드: http://www.sparknotes.com/lit/anneofgreengables/quotes.html

Important Quotations Explained

“Isn’t it splendid to think of all the things there are to find out about? It just makes me feel glad to be alive—it’s such an interesting world. It wouldn’t be half so interesting if we knew all about everything, would it? There’d be no scope for imagination then, would there?”

Anne speaks these words to Matthew in Chapter 2 as they ride from the train station to Green Gables. Their first real conversation consists of Anne’s optimistic, inventive musings and Matthew’s shy, one-word answers. Nevertheless, a kinship springs up between the two, and Anne’s rambling speeches spark Matthew’s interest. He finds Anne full of curiosity and imagination. His own world has been a quiet and dull one, and Anne sweeps a refreshing breath of life into his staid existence. This quotation typifies Anne’s attitude. She wants to find out about the world, and she sees potential difficulties, like the massive amount she does not know, as happy challenges. Imagination is central to Anne’s existence. She takes pride and refuge in her own imagination, and wants others to imagine too.

2.

“I’m not a bit changed—not really. I’m only just pruned down and branched out. The real me—back here—is just the same. It won’t make a bit of difference where I go or how much I change outwardly; at heart I shall always be your little Anne, who will love you and Matthew and dear Green Gables more and better every day of her life.”

Anne expresses these thoughts in Chapter 34, before she is to leave for Queen’s Academy. In a novel centered around Anne’s evolution, this quotation at first seems surprising, for here Anne expresses her lack of change. Although Anne has changed remarkably, she likens herself to a tree in order to assure Marilla that although her branches may grow, at her roots she will remain the same, firmly ensconced in her home and family. Here Anne uses a metaphor drawn from nature, her constant source of comfort in difficult times. The fact that Anne feels the need to make this speech at all points to the changes that her presence has wrought in Marilla. Anne’s affectionate gestures and loving speeches have tempered Marilla’s buttoned-up severity so much that Marilla now weeps openly at the thought of Anne’s departure. In one sense, the fact that Anne must reassure the saddened Marilla is a happy event, for the cause of the speech shows Marilla’s great love for her adopted daughter.

3.

All the Beyond was hers with its possibilities lurking rosily in the oncoming years—each year a rose of promise to be woven into an immortal chaplet.

This sentence from Chapter 35 describes Anne’s feelings about the future. Anne has made a great success of herself at college and imagines her triumphant future. One of Anne’s enduring and endearing traits is her eternal optimism. Even as an orphan whom no one loves before she comes to Green Gables, she maintains a positive outlook on life, eager for experience.This quotation uses imagery from nature to create a link between nature and imagination. Anne is very fond of nature, which has always been a source of comfort to her. Though she has matured and is thinking about the future, she reveals the lingering vestiges of her childhood sentimentality.

4.

Next to trying and winning, the best thing is trying and failing.

Anne expresses this opinion in Chapter 35, as she prepares for her exams at Queen’s Academy. Earlier in the novel, Anne thinks that success is beating everyone else and humiliating her rival Gilbert Blythe in the process. She would rather fail utterly than come in second place behind Gilbert. This definition of success motivates Anne, inspiring her to work hard in school for the pleasure of triumphing over Gilbert. Once Anne is at college, however, her definition of success begins to shift. She comes to think affectionately of her rivalry with Gilbert, and although she still enjoys the competition, she wants to win for herself, not for the pleasure of seeing Gilbert embarrassed. She performs onstage at the White Sands Hotel despite her terrible nervousness, because she feels that to fail to try is far more humiliating than to try and fail. She also performs because she sees Gilbert in the audience. It seems she cannot bear to fail in front of him because she does not want to disappoint her worthy opponent.

5.

“When I left Queen’s my future seemed to stretch out before me like a straight road. I thought I could see along it for many a milestone. Now there is a bend in it. I don’t know what lies around the bend, but I’m going to believe that the best does. It has a fascination of its own, that bend.”

Anne expresses these thoughts in Chapter 38 after deciding to give up the prestigious Avery Scholarship in order to care for Marilla at home. This quotation communicates one of Anne’s defining characteristics: optimism in the face of uncertainty. In this case, optimism is no easy feat. In order to do the right thing, Anne must give up some of her ambitions. Anne uses slightly overblown, sentimental language to describe her prospects after commencement, talking of roses and chaplets and immortality. Here, however, she sounds more sensible and realistic. She knows she will not achieve great things by staying at home and providing loving care for Marilla, but she finds real happiness in the knowledge that she is doing the right thing. Instead of immortal roses, she now thinks of a simple, if mysterious, road. Roads are significant throughout the novel; when Anne first arrives in Avonlea, she rapturously renames the road into town “The White Way of Delight.” Both then and now, she rides hopefully along a road to an unknown future.

[philip05]

https://youtu.be/LSP7epz2JmA
Anne of Green Gables: Level 2[북웜음성과 책이 함께 있어요 59분]

[philip05]

https://youtu.be/QLaSS8di2pg
[Full AudioBook+Text] 8시간 37분 최고로 잘 읽음!!

[philip05]

https://youtu.be/Bx5A5u1s4w8
65분 약간 길고 텍스트역시 조금 길다.

[philip05]

https://youtu.be/9c6yhYgxoT4
Anne's First Day Of School | PBS 2분30초

[philip05]

https://youtu.be/m5QuBFysIs8
Anne of Green Gables (1934) - Carrots 3분

[philip05]

https://youtu.be/qdglss_WHjU
제일 유명한 1985년판 2분 24초

[philip05]

https://youtu.be/NvR9YOpDG4A
Brave | Touch the Sky | Disney Sing-Along

[philip05]

Next to trying and winning, the best thing is trying and failing. [Anne expresses this opinion in Chapter 35, as she prepares for her exams at Queen’s Academy. 상황은? 전에는 길버트를 이기는 게 목표였는데.. 이제는 자신을 이기는 게 목표가 되었고...]
Do you feel like you are right in the story? 여러분은 이야기 속에 바로 들어가 있다고 느껴지나요? -Philip
[=자기가 Anne이라고 느껴지나요?]
Philip,with yourR, do you think you can hold the attention of a three year old, an adult and a preteen child all at the same time?

[philip05]

주제토론1)THE CONFLICT BETWEEN IMAGINATION AND SOCIAL EXPECTATIONS 2) ANNE’S RED HAIR 앤이 자신의 머리색깔을 싫어하는 것은 자신을 싫어함.그럼에도 불구하고 타인이 건드리면 물어죽이는[역린] 것은 왜 발생할까? 인간의 가장 깊은 곳에 자리 잡은 사랑받는 자리.이걸 채우기 위해.내가 저녀에게 하는 것은?그전에 내 자신에게 하는것은? 미국 쌍둥이자매 이야기:어린시절 같은 폭군아버지에 당한 자매들..수십년 후그녀들은 엄마들이 되었다.한 명은 폭군엄마/ 한 명은 사랑전문가 엄마. 이유묻는 앵커에 같은 표현: How can't I be like this?이렇게 되지 않는 수가 있나요?당한것 되물림밖에/ 당한 것 되물림 막을수밖에..선택!

[philip05]

마릴라도 길버터 할어버지로 부터 당한 상처.... 앤과 길버트...마릴라 이야길 듣고 앤은 화해를 결정. 이걸로 어쩌면 마릴라는 어린 시절 상처가 아물었지 않았을까? 그 점에서 앤은 마릴라에게 '구원'의 메세지? 오빠가 데리고 온 고아 소녀를 내치지 않았다는 것은 마릴라 안에 '구원'의 메세지에 대한 희망이 있었기에..앤을 받아 줌: 그 후 앤은 성장하며 자기머리색을 받아들임[자기를 받아들임: accept] 우리가 있는대로 받아들여야 할 것은? ....한 걸음 더 개발차원: 너무 소중한 나 이기에 있는 그대로[발전가능성을 가진 나] 도저히 두고 볼 수 없는 경우는...아이들이 아니라 부모/ 한 인간 나 경우는?

[philip05]

https://youtu.be/d_BHQXM5bkU
Anne hits Gilbert with a slate MASHUP [1934 및 일본만화79년, 85년, 2016년, 17]

[philip05]

https://gostream.is/film/anne-of-green-gables-6855/watching.html?ep=782560
85년Megan Follows 1부

[philip05]

Anne Of Green Gables (1985) - Anne Arrives at Green Gables
https://youtu.be/uplHYD-6k3Q Book vs. Movie: Anne of Green Gables in Film & TV (1934, 1985, 2016, 2017)

두음: 제목, 이름. 지명 등 정리요
Anne Animated
Green Gables
Anne of Avonlea

[philip05]

Bridge scene from Anne of Avonlea (1987)