추상화가 최철주｜현대추상미술평론 현대추상화가평론 현대미술추상작품평론 Contemporary Abstract Art Painter 3

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추상화가 최철주｜현대추상미술평론 현대추상화가평론 현대미술추상작품평론 Contemporary Abstract Art Painter Criticism [3] : Abstract contemporary art that designed modern art abstract painting & Abstract painter Louis Choi Chuljoo Abstract art work:  Contemporary art abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as treacherous conceptual art through the series of "Morning glory", "Bamboo Forest." and "Disappeared pond" / Contemporary artist Louis Choi Chul-joo's realistic abstraction of treacherous conceptual art and abstraction of modern art based on the concept of the desires of others:Abstract contemporary art that designed modern art abstract painting [18] Abstract painter Louis Choi Chuljoo Abstract art work: Contemporary art abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as treacherous conceptual art through the series of "Morning glory", "Bamboo Forest." and "Disappeared pond" / Contemporary artist Louis Choi Chul-joo's realistic abstraction of treacherous conceptual art and abstraction of modern art based on the concept of the desires of others: Media Art Display Installation: Abstracted realism painting Art Review: Contemporary Art Critic Louis Choi Chul-joo's Artist criticism of Contemporary painting Artwork & Modern Artist Artwork Design criticism [12] Design Review of Realistic Abstract Painting Using Abstract Artist Louis Choi Chul-joo's Treacherous Conceptual Art / Conceptual Cartoon Review & Artist Pop Art Conceptual Art Abstract painting / Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' pop art abstraction design 

Abstract Review: Contemporary Art Lacan Concept Abstract Works = Modern abstract artist Louis Chuljoo Choi's <Morning glory window 2023-2> 

배반적 개념미술 추상화: a morning glory outside the window 2023-2

비사실적 실재의 형상을 가역적 빛으로 생성된 의미 공간에서 보이는 형상의 의미를 페인팅 설치 퍼포먼스로 그려낸 오브제 <morning glory window 2023-2>는 타자의 욕망을 시간성에 감춘 이미지를 가역적 빛의 음영으로 의미를 구조화하여서 그 오브제를 실제 형상으로 가역할 수 있는 추상 공간을 의미화하고 형상의 실제 변화된 움직임에 의해 가려지는 개념적 추상의 의미 즉 거울속의 이미지는 가상적인 비실재의 이미지로서 타자의 무의식적 욕망의 자리를 드러낸 추상적 욕망 이미지의 오브제를 보인다.

그 오브제는 가역적 빛으로 생성된 의미 공간에서 보이는 형상의 의미를 그려낸 오브제<나팔꽃 윈도우>는 병아리가 타자의 욕망을 공용이 화석된 긴 시간성에 감추어진 이미지를 가역적 빛의 음영속에 어떤 형상의 의미를 구조화하여서 그 오브제를 실제 형상으로 가역할 수 있는 추상 공간을 의미화하고, 하나의 자리로서 전시 포스터 형상의 실재가 변화된 가역적 빛의 음영으로 그 실재의 형상을 맟춘다. 그 형상을 이룬 빛의 움직임에서 소리를 가려내는 추상화 <나팔꽃 윈도우>의 개념 즉 욕망 오브제다. (추상화가 루이 최철주 <나팔꽃 윈도우> 개념: 최철주현대미술이론/ ACN ・ 2023. 6. 19. 23:08 )

Louis Chul-joo Choi a morning glory window 2, 151X178cm, 151X179cm, acrylic and composite 

materials on cloth, 2023 

현상적 자리를 포스터로 대신한 배반적 개념미술 추상화는 형상의 자리를 구별할 수 있어서 그 형상을 해석하는 이면(裏面)의 의미를 구상한다. 그 형상은 다른 의미를 말하려고 사상적 구조로 한 그 의미와 유사한 색깔과 크기의 추상하지만 상상계에서 개념 미술의 추상적 의미는 실재와의 동일시하여서 외형적으로 오브제의 이미지와 추상적 의미를 동일한 주체로써 오브제의 이미지와 동일시되면서 내적으로 주체는 변형된 추상적 의미를 형성한다. 

이것은 형상의 추상적 의미를 가리키며, 그 형상은 실제 가역할 수 있는 추상적 공간을 정의하고 그 형상의 실제 변화된 움직임에 의해서 변화된 형상이 음영으로 가려지는 추상된 형상의 디자인적 의미를 가리킨다.

그 의미는 타자의 욕망을 모방한 꽃을 상징하는 기호적 언어로 추상된 <morning glory (outside the) window 2023-2> 로 디자인된다. 

추상된 <최철주 나팔꽃 윈도우>에 타자의 욕망을 대리하는 형상을 디자인하여서 라캉의 오브제ɑ 로서 추상적 오브제로서의 재현한다. 그것은 원근법적 시각체계의 기학적 도식에서는 시각체계가 은폐된 가역적 빛으로 한 음영의 자리를 만들어냄으로서 무의식에서 드러난 타자의 욕망적 관점에서 각각이 다른 순간적인 응시로서의 욕망 오브제가 추상된다.

배반적 개념미술로 추상된 라캉 오브제는 <morning glory window 2023-2>로 전이 되어서 일반성을 벗어나 예술성을 획득하고자 타자의 억압된 무의식에서 드러난 욕망을 통해 표출된 왜상적 이미지를 디자인으로 형성하고 타자의 욕망을 존재로 한 조형성의 음영으로 오브제ɑ를 생성하고 의미적 존재 구조로서의 예다.

그 오브제ɑ에서 출현한 예술성은 타자의 욕망적 관점에서 왜상적 이미지로 오브제의 이미지를 의미의 구조로 변형함으로써 오브제의 또 다른 존재로서의 오브제ɑ를 드러내어서 타자의 욕망의 자율적 선택으로 한 조형적 가치를 담고 있다.

그리고 회화적으로 나팔꽃 배경에 감추어진 타자의 욕망으로서의 작은 조각은 그 형상의 실제로 바꾸는 기표적 의중 운동을 통해서 가역된 실제 추상적 공간을 보인다. 이것은 타자의 욕망을 추상적 오브제의 존재 의미로 그 오브제를 실제 가역할 수 있는 추상 공간으로 자리한다. 

그 자리에 피카소 이미지와 일치하는 라캉의 오브제ɑ로서 회화의 비실재적 시각 이미지의 차원을 넘어선다. 따라서 평면이든 입체든 무관한 응시영역으로한 라캉 이론체계에서 타자의 욕망으로 생성된 이미지를 추상한다.

배반적 개념미술 추상화: a morning glory outside the window 2023-2

■ <나팔꽃 윈도우>에서 최철주 욕망 추상미술 이론을 추상화에 연쇄하여서 기표 이미지를 기의 이미지로 전환하고자 욕망 개념의 추상미술 이론을 형식화한다. 이것은 상상계와 환상공식을 반복 적용하여서 타자의 욕망을 회화에 발현하는 의미를 가지며, 추상미술이론을 회화에 적용한 결과로서 타자의 욕망을 조형미에 접근하는 가치를 얻는다.

■ 배반적 <나팔꽃 윈도우>는 주제의 대상이 아니고 타자의 욕망 공간적 배경이다. 하늘처럼 일관된 삶의 공간과 동일하다. 그 삶의 공간을 대리하는 만평과 팝아트에 연결하지만 비평하고 판단하지 않고, 사건의 사진으로 실재를 뉴스로 재현한다. 그리고 상징하는 대상의 실재를 타자의 욕망으로 개념화하는 효과는 가역적 빛의 음영으로 구조화하여서 개념을 미술한다.

뉴욕(Flushing Town Hall & Yeomyeong Hall)에서 한국 화가 & 팝 아티스트 루이 <나팔꽃>개인전 관련 현대미술 추상화 작품으로서 디자인 컨셉으로 한 포스터를 제작하여서 이것을 라캉적 의미 구조로서 형상의 디자인 즉 회화의 전시 포스터 이미지를 기호화한 현대 추상화다.

그 포스터 이미지는 비사실적 실재의 형상을 가역적 빛으로 생성된 의미 공간에서 보이는 형상의 의미를 그려낸 오브제(루이 최철주, 창문 밖에 나팔꽃)은 타자의 욕망을 시간성에 감춘 이미지를 가역적 빛의 음영으로 의미를 구조화하여서 그 오브제를 실제 형상으로 가역할 수 있는 추상 공간을 의미화하고 형상의 실제 변화된 움직임에 의해 가려지는 개념적 추상의 의미 즉 거울속의 이미지는 가상적인 비실재의 이미지로서 타자의 무의식적 욕망의 자리를 드러낸 추상적 욕망 이미지의 오브제를 보인다.

그 욕망 오브제는 가역적 빛으로 생성된 의미 공간에서 보이는 형상의 의미를 그려낸 오브제(창문 밖에 나팔꽃)은 병아리가 타자의 욕망을 공용이 화석된 긴 시간성에 감추어진 이미지를 가역적 빛의 음영속에 어떤 형상의 의미를 구조화하여서 그 오브제를 실제 형상으로 가역할 수 있는 추상 공간을 의미화하고 전시 포스터 형상의 실제 변화된 움직임에 의해 가려지는 추상의 의미 즉 욕망 개념 오브제를 말한다. 

배반적 개념 미술로 한 <a morning glory outside the window 2023-3> 의미로서의 라캉적 특정효과가 발생하는 회화의 추상적 영역은 풍경속에서 응시적으로 기능하는 타자의 욕망을 순간적으로 볼 수있는 이미지다. 

이것은 회화에서 나팔꽃이라는 일관된 의미로 보이게 있는 왜상적 평면성이다. 그 나팔꽃은 거울에 비친 실재(le réel)와 동일하지만 배경의 형상은 동일하지 않다. 이것은 구상적 형태로서 동일한 의미의 구조로 한 비실재의 사실적 형상을 개념적 의미 구조로서 추상이지만 그 형상이 다른 동일한 의미로서의 추상화는 유사한 색깔과 크기가 다른 사상적 비형상의 존재로서 실재하는 비사실적이기 때문이다.

그 존재는 실제 가역할 수 있는 형상으로서 추상 공간을 정의하고 그 형상이 가역적 빛의 음영으로 실제 변화된 움직임에 의해 가려지는 전시 포스터 개념 미술의 추상화 의미를 말한다.

그 추상화 의미의 현상적 자리를 전시 포스터로 대신한 라캉적 개념미술 추상화는 형상의 자리를 구별할 수 있어서 그 형상을 해석하는 이면(裏面)의 의미를 구상한다. 그 형상은 다른 의미를 말하려고 사상적 구조로 한 그 의미와 유사한 색깔과 크기의 추상하지만 상상계에서 개념 미술의 추상적 의미는 실재와의 동일시하여서 외형적으로 오브제의 이미지와 추상적 의미를 동일한 주체로써 오브제의 이미지와 동일시되면서 내적으로 주체는 변형된 추상적 의미를 형성한다. 이것은 형상의 추상적 의미를 가리키며, 그 형상은 실제 가역할 수 있는 추상적 공간을 정의하고 그 형상의 실제 변화된 움직임에 의해서 변화된 형상이 음영으로 가려지는 추상된 형상의 디자인적 의미를 가리킨다.

추상된 <최철주나팔꽃>에 타자의 욕망을 대리하는 형상을 디자인하여서 라캉의 오브제ɑ(a morning glory outside the window 2023-2) 로서 추상적 오브제로서의 재현한다. 그것은 원근법적 시각체계의 기학적 도식에서는 시각체계가 은폐된 가역적 빛으로 한 음영의 자리를 만들어냄으로서 무의식에서 드러난 타자의 욕망적 관점에서 각각이 다른 순간적인 응시로서의 욕망 개념 오브제가 추상된다.

이렇게 욕망 개념으로 추상된 오브제는 일반성을 벗어나 예술성을 획득하고자 타자의 억압된 무의식에서 드러난 욕망을 통해 표출된 왜상적 이미지를 디자인으로 형성하고 타자의 욕망을 존재로 한 전시 포스터 조형성의 음영으로 오브제를 생성하고 의미로서 존재한다. 그 의미적 존재로서 오브제ɑ는 타자의 욕망적 관점에서 왜상적 이미지로 오브제의 이미지를 의미의 구조로 변형함으로써 오브제의 또 다른 존재로서의 오브제ɑ를 드러내어서 타자의 욕망의 자율적 선택으로 한 조형적 가치를 담고 있다.

그리고 회화적으로 나팔꽃의 배경에 감추어진 타자의 욕망으로서의 작은 조각은 그 형상의 실제로 바꾸는 기표적 의중 운동을 통해서 가역된 실제 추상적 공간을 보인다. 이것은 타자의 욕망을 추상적 오브제의 존재 의미로 그 오브제를 실제 가역할 수 있는 공간에 추상하여서 자리한다.

타자의 욕망적 형상이 실재와의 어긋난 만남으로 이루어진 형상의 실제가 추상된 타자의 욕망에 가려지는 추상적 풍경 형상의 의미를 대리하는 비실재의 사실적 형상을 보인다. 그 형상은 추상적 음영으로 생성된 타자의 욕망이 선택한 실제의 구조와의 교차점이다. 

이것은 비실재의 사실적 구조로 한 전체의 실제 형상과 가역적 빛의 음영으로 디자인한 타자의 욕망이 응시로 보이는 교차점에 순간적으로 추상화된 형상이다. 그 형상은 이미지를 담고 있는 기표이다. 라캉의 상상계에서 유아가 거울에 비친 자신의 모습과 형상이 다른 오브제를 동일시하여 형상의 의미로써 유사성은 사라진다. 

결국 배반적 개념미술로 보이는 사실적 유사성은 다른 형상으로서 동일시된 오브제의 의미를 왜곡시킨다. 이것은 실존적으로 일치되지 않는 두 개의 기표일 뿐이다. 따라서 형상이 다른 두 개의 기표가 동일시될 수 없다. 

그러나 상상계는 유아가 거울에 비친 상을 보고 만족하는 것처럼 실재화한 경험과 관계없이 상상적 인식에서 비롯된다. 서로 다른 형상으로서 각각의 기표를 인식하지 못함으로써 상상적 인식으로 인한 오인을 만들어 낸다. 

이러한 오인은 실재계에서 서로 다른 기표 간에 유사성을 통해서만 상상계로 보이는 은유가 가능한 추상이 가능한 것임을 말해준다. / 글. 현대미술평론가 최철주 (문화디자인박사)

Louis Choi chuljoo's "morning glory window" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire,20230704~20230714 Haeundae-gu Office Gallery, Busan.

Modern abstract artist Louis Chuljoo Choi's an abstract poster <Morning glory window 2023-2>

Louis Chuljoo Choi, abstract poster <a morning glory p36-6>, In New York (Flushing Town Hall). 

 Louis, Chul-joo Choi, a morning glory outside the window 2023-2, 151X179~177cm, acrylic  acrylic  and composite materials on cloth

 Louis Choi Chul-joo Abstract Painting morning glory Window Concept: 

This is a reversible light outside the window that reveals the instantaneous shape in which one image moves away from another image in the object ɑ's deficient subject shape and passes through the other's subject, causing the structure of one shade to conceptualize the other's desire that alienates the subject's shape.

(ACN · 23. 9. 17:41 Desire image Interpretation of the concept of Choi Chul-joo's "morning glory window" according to the "Lacan's Four Direction of Interpretation")

It is an image reflected in the mirror from the missing subject shape as the morning glory abstraction spreads to the back of the object shaded with reversible light, and is shadowed by a thread painting drawn on a cloth where the "Choi Chul-joo morning glory window 2023-2 morning glory outside the window" mirrors the image of the morning glory abstraction in the other's desire space and reveals the momentary image passing through the other's subject outside the window.

<Choi chuljoo morning glory window 2023-2> is a modern abstraction in which the object of a desire-colored chicken drawn in the form of a closing cloth reflected on the back by hand, which means the reality of morning glory, is transformed into a shade with reversible light as a semantic structure of modern art painting.

 In New York (Flushing Town Hall & Yeomyeong Hall), Louis Choi Chul-joo <morning glory> produced 100 abstract paintings in the form of posters and objects as abstract works of contemporary art related to the first and second solo exhibition "Choi Chul-joo morning glory" symbolizes this as a desire semantic structure as a painting design of shape, that is, an exhibition image of abstraction.

The object "Choi Chul-joo morning glory", which depicts the meaning of the shape seen in the semantic space created by a shadow structure with reversible light, represents the meaning of modern abstraction, that is, desire object, that is, hidden by the actual changed movement of the shape by structuring the image of the other's desire hidden in time in the shadow of reversible light.

The artistry that emerged from the object of desire here reveals the conceptual desire object as another being of the object by transforming the image of the object into a painting structure of meaning with a distorted flat image from the point of view of the desire of the other, and shows the meaning of the concept of artistic desire as creativity and autonomy of the desire of the other.

And a small piece as the other's desire hidden in the background of a painterly anthropomorphic chicken represents a real abstract space that is reversible through an image-based movement of desire that actually changes its shape. This refers to the concept of an abstract object, which forms an abstract space that can actually be reversible, and refers to the concept as an abstract form in an abstract landscape in which the reality of the shape is abstracted in the shade of reversible light.

Louis, Chul-joo Choi, a morning glory outside the window 2023-2, 151X178cm, 151X179~177cm, acrylic and composite materials on cloth

Painting docent as desire conceptual art: Lacan conceptual art faces artistic ideas. It visualizes the phenomenon of progressive phenomenon and results as painting objects of Lacan's an imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 라캉적 도슨트)

Shape image as a conceptual semantic structure: The object of desire designed as an object <morning glory window 2023-2> is a real conceptual art image of a real morning glory by linking it with a dark blue on the canvas of a non-real conceptual art image. This means the Choi chuljoo morning glory window 2023-2 transferred from the Choi chuloo morning glory window, and is a desire object manually drawn as an anamorphosis image with a reversible light.

The shape of the object of desire is an abstraction as a modern conceptual art work in which the desire of the other is superimposed in a reversible shade of light in "Choi chuljoo morning glory window 2023-2", which is the design concept of a contemporary art abstraction work, and this is symbolized and imaged.

In New York (Yeomyeong Hall Gym), abstract painter and image installation artist Louis Choi Chul-joo produced a poster with a design concept as an abstract work of contemporary art related to the individual exhibition of "morning glory", and installed a desire image with a fabric structure of a modern abstraction symbolizing an exhibition poster image of a painting as a desire meaning structure.

Another exhibition venue is Yeomyeong Hall Gym, which has a basketball stand in New York. On the spot, he exhibited "morning glory" and image installation art with several chairs as a realistic reality against the background of walls, entrances and basketball stands.

is a desire object drawn in the form of a cloth that reflects the back by manually creating an image generated by a distorted realistic plane image that means the reality of a morning glory.

An object (Louis Choi Chul-joo, morning glory outside a window), which depicts the meaning of a shape seen in a semantic space created by reversible light, is an abstract space that can be reversed into a real shape by structuring an image that hides the desire of others in time in the shade of reversible light, and the meaning of conceptual abstraction hidden by the actual changed movement of the shape, or the image in the mirror, is an image of a virtual non-realistic and shows an abstract image that reveals the place of the other's unconscious desire.

The object, which depicts the meaning of the desire shape seen in the meaning space created by reversible light (morning glory outside the window), refers to an abstract space where a chick can structure the meaning of a certain shape in the shadow of reversible light by structuring the meaning of a certain shape hidden in the long time when the desire of the other is fossilized, and then setting the shape with an exhibition poster and concealing it by the actual changed movement on the spot.

Louis, Chul-joo Choi, a morning glory outside the window 2023-2, 151X179~177cm, acrylic and composite materials on cloth

Revealing the desire subject reveals the image of desire as a missing subject as a realistic object. In the abstract painting "morning glory", this is a subject that represents a lack reconstructed from a shape with the desire of the other as the subject. "morning glory window" constitutes a frame that reveals an image of a subject symbolizing a shady lack of the subject and creates a desire image object in the frame in a reversible shade of light to choose reality as a subject away from non-existence. 

This is the real structure of desire that image in reality. The structure has several distorted planar cross-sections in a three-dimensional form, and abstracts a pictorial image as a conceptual art as a multi-faceted image of a semantic structure as an object in one concept. (ACN · June 22, 2023 23:13 <morning glory window> Subject Image: Choi Chul-joo's Abstract Concept Art Theory)

Repeatedly, "morning glory outside the window 2023-2" intersects an object of desire drawn in the form of a cloth that reflects the back by manually creating an image generated by a distorted plane image that means the reality of a morning glory.

As the shape of the cloth becomes a reality, "Choi Chul-joo morning glory" as a modern abstraction is a return to painting as a concept of early conceptual art. In other words, it is a contemporary conceptual art in which a shadow structure with reversible light that reveals the instantaneous shape passing through "morning glory" as a subject creates an abstraction of the concept of the desire of others as a realistic work. This is a conceptual art belonging to Choi Chul-joo's desire abstract art theory, which is different from art that shows a process with real art, and is a structure of desire that results in reality.

The structure has several distorted plane cross-sections in a three-dimensional form, and abstracts a pictorial image with conceptual art as an object in one concept into a multi-faceted image of a semantic structure, showing several three-dimensional cross-sections at the intersection of the crooked point of view without marking the object as an elevation

The abstract area of painting in which the desire specific effect occurs as a meaning of "morning glory outside the window 2023-2" as a conceptual art is an image that can momentarily see the desire of others who function visually in the landscape. 

This is a distorted planarity that seems to have a consistent meaning of morning glory in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same. This is a realistic form and abstracts the realistic form of non-realism with the same structure of meaning as a conceptual semantic structure. And because abstract images drawn as realistic desire images with the same meaning are abstractions of existing concepts drawn as realistic desire images with similar colors and sizes.

The existence defines an abstract space as a real reversible realistic shape and refers to the meaning of abstraction as an exhibition poster in which the shape is hidden by actual changed movements in the shade of reversible light.

It distinguishes the place of abstraction of the abstraction of the desire conceptual art instead of the phenomenal place of the abstract meaning as an exhibition poster. 

By conceiving the meaning of the face that interprets the shape, the shape abstracts the concept with a color and size similar to the meaning of a realistic structure to say another meaning. And in the imaginary world, the abstract meaning of conceptual art identifies with reality, outwardly identifying the image of the object and the abstract meaning with the image of the object as the same subject, and the inner subject realistically forms a transformed abstract meaning. This refers to the abstract meaning of shape, which defines an abstract space that can actually be reversible and refers to the designed desire meaning of an abstract shape in which the realistic shape changed by the actual changed movement of the shape is covered in shades.

In the abstract "Choi Chul-joo morning glory", a shape representing the desire of the other is designed and reproduced as an abstract object as an object of desire (a morning glory outside the window 2023-2). In the perspective and scheme, several objects as different instantaneous gaze are abstracted from the other's desire point of view revealed in the unconscious mind by creating a shaded place with a reversible light in which the perspective visual system of perspective is concealed.

This abstract object exists as an exhibition poster meaning that forms a distorted flat image expressed through a desire revealed in the other's suppressed unconsciousness to acquire artistry out of generality and uses the other's desire as a existence. As that semantic being, the object reveals the object as another being and contains the formative value of the autonomous choice of the desire of the other.

And it creates a real abstract space that is reversible through thought movements that make up an image that transforms the desire of the other hidden in the background painterly. This is a place where the other's desire is abstracted into a realistic structure in a space where the object can be actually reversed as the meaning of the existence of an abstract object.

The virtuality of abstract exhibition posters is structured as a conceptual review, similar to a gaze image that virtually reproduces a distorted plane image that cannot be expressed on the same plane or as representing a real place with cubism in connection with that image.

The composition of the other's desire is clearly concealed without being revealed as an object reflected in the mirror, and the reality of the viewer is absent by seeing another object exposed in the mirror as reversible light. 

However, the person who paints the picture replaces the other. It is a place revealed by staring at the image of desire. It transitions to the location of the subject that appeared at the vanishing point in the entire virtual image, that is, the abstract space. It is the reality as a desire object, that is, a being, that the subject of the subject position is revealed through gaze from the other's desire point of view. 

The structural physics of reality has several cross-sections in a three-dimensional form, and in conceptual painting, one cross-section and two sides are used as objects in one concept to capture the multifaceted desire conceptuality of a morphological structure.

■ In "Choi Chul-joo's morning glory window", Choi Cheol-joo's theory of desire abstract art is repeated in abstraction to formalize the art theory of desire to convert images into meaning. This has the meaning of expressing the desire of others in painting by repeatedly applying the imagination system and the desire formula, and as a result of applying the desire art theory to painting, it gains the value of approaching the desire of others to the beauty of form.

■ "Choi Chul-joo's morning glory" is not the desire of the theme, but the spatial background of the other's desires. It is the same as a space of life that is consistent like the sky. It connects with Cartoon Review and Pop Art, which represent the space of life, but does not criticize and judge, but reproduces reality as news with photos of events. And the effect of conceptualizing the reality of the symbol object as the desire of others abstracts the realistic concept by structuring it in the shade of reversible light.

Conceptual artist Choi Chul-joo's Desireful Concept Abstraction Design is a return to painting as a realistic concept. In other words, it is a conceptual art design that is created as a painting work. Therefore, his contemporary conceptual art abstraction criticizes phenomenal images like current affairs commentary, but it refers to design value with painting.

In art, ready-made ready-made products cannot replace painterliness, and they refer to concepts created like Marcel Duchamp Duchamp, and messages according to philosophy that his sympathizer Joseph Kosuth Joseph Kosus said. 

On the other hand, Choi Chul-joo's conceptual art abstrac design, which is based on the concept of the desire of the infant imagination in desire art theory, contains a message in the realistic conceptual art abstraction image with current events. It sums up the life value of critical cartoon and abstract painting with a picture of the scene of the event. This goes beyond mathematical concepts and philosophically meaningful linguistic interpretations and combines life values through critical perspective and desire conceptual art abstraction design with a full review of the scene photo of the event. 

Here, desire conceptual art abstraction design refers to an abstract design that can instantly perceive the desire of others as a gaze rather than arbitrary philosophy. (ACN · 2022. 10. 7. 2:33 Choi Chul-joo Conceptual Art Abstract Design Interpretation)

Louis, Choi chuljoo, morning glory outside the window p36-6, a hand-painted picture on a computer, 2022 

Desireful modern abstraction, which replaces phenomenal positions with posters, can distinguish the positions of the figures and envisions the meaning behind interpreting the figures. The shape is abstract in color and size similar to the meaning of a conceptual structure to say another meaning, but in the imagination, the abstract meaning of conceptual art is identified with reality, and the image and abstract meaning of the object are identified as the same subject, and the subject internally forms a modified abstract meaning. 

This refers to the abstract meaning of shape, which defines an abstract space that can actually be reversible and refers to the design meaning of an abstract shape in which the shape changed by the actual changed movement of the shape is covered in shades.

Its meaning is designed as "morning glory outside the window", abstracted in symbolic language that symbolizes flowers that imitate the desires of others.

In the abstraction <Choi Chul-joo morning glory>, a figure representing the desire of the other is designed and reproduced as an abstract object as an object of desire (Louis Choi Chul-joo 2022 New York Exhibition Poster morning glory p36-6). In the perspective diagram, the object is abstracted as a different momentary gaze from the other's desire point of view revealed in the unconscious mind by creating a shaded place with reversible light in which the visual system is concealed.

Desire objects abstracted as conceptual art are transferred to "morning glory (outside the) window", forming a distorted flat image expressed through desire revealed in the oppressed unconsciousness of others to acquire artistry outside of generality as a design, creating objects in the shadow of formability with the desire of others as beings, and abstraction with a semantic existence structure.

The artistry that emerged from the object contains the formative value of the object as an autonomous choice of the other's desire by transforming the object's image into a meaning structure with a distorted flat image from the other's desire point of view.

And the small sculpture as the other's desire hidden in the background of the morning glory painterly shows a real abstract space that is reversible through the thought movement of the desire image that actually changes the shape. This is positioned as an abstract space where the other's desire can be actually reversed in the meaning of the existence of an abstract object. 

On the spot, it goes beyond the dimension of the non-realistic visual image of painting as a multifaceted object that matches the Picasso image. Therefore, the desire as a field of gaze, regardless of whether it is flat or solid, is abstracted into an image created by the desire of others in the art theory system.

This is an image transferred from a real subject to a new image and concept. Since its image is virtual, it is perceived as different from the real image through comparison with the real image. At this time, it makes us realize that the virtual image is an subject as reality, that is, an object as reality seen as a desire gaze separated from the subject of "morning glory window".  /Writing. Art critic Choi Chul-joo (Abstract Painter & Doctor of Cultural Design)

contemporary abstract artist Louis Choi Chul-joo