블루스 명곡 모음 Feel the Blues

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  Feel the Blues

블루스 명곡모음 앨범 전곡듣기  Feel the Blues Vol.Ⅱ-2
 

Greg Serrato - 06 - That Ain't Right

음악이 들리지 않으시면 제 네이버블로그 허무의미학에서 들으실 수 있습니다.

Chicago Bob & The SofaKings - 07 - Go Away Mister Blues

음악이 들리지 않으시면 제 네이버블로그 허무의미학에서 들으실 수 있습니다.

6V6 - 08 - One　　　 Dollar

음악이 들리지 않으시면 제 네이버블로그 허무의미학에서 들으실 수 있습니다.

Babe Ruth - 09 - Living A Lie

음악이 들리지 않으시면 제 네이버블로그 허무의미학에서 들으실 수 있습니다.

Son Seals - 10 - Arkansas Woman

음악이 들리지 않으시면 제 네이버블로그 허무의미학에서 들으실 수 있습니다.

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[참조]   ▒ ▒ ▒  Greg Serrato - Discography  ▒ ▒ ▒
 

Child of the Blues [1998년]	1 The Way I Look at You  3:12   2 Texas Walk  4:58   3 That Ain't Right  5:14   4 This Ol' Guitar  3:27   5 Back to California  2:46   6 Like a Tornado  3:19   7 Snake Skin Boots  4:32   8 Have You Ever  4:44   9 On Fire  2:33   10 Child of the Blues  4:28   11 Blue Serenity  4:58
Holy Smokes [1999년]	1 Cadillac Blues  3:49   2 That Ain't Right  6:32   3 Holy Smokes  2:41   4 Living on a High Wire  3:57   5 Crying Like a Fool  5:44   6 Going Insane  4:45   7 Val  5:56   8 Kids Have the Blues Too  2:56   9 Jump, Baby, Jump  3:37   10 Warrior of Peace  5:09   11 Cheatin' Hand  7:34
Live at the Coach House [2005년]	1  Backfire   5:26   2  Phil Billy Stomp   2:32   3  Like a Tornado   9:09   4  Something Fine   3:31   5  Hideaway   4:52   6  Life by the Drop   2:17   7  Your Guilty Conscience   8:29   8  All Along the Watch Tower   5:07   9  Funky Kenny/Drum Solo   3:57   10  Holy Smokes   4:45   11  Child of the Blues   5:15   12  Voodoo Child (Slight Return)   8:34   13  Before You Accuse Me   3:26   14  Locomotive Strat   2:07

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[참조]   ▒ ▒ ▒  Chicago Bob & The SofaKings - Discography  ▒ ▒ ▒

Chicago Bob & The Shadows - Just Your Fool [1987년]

Atlanta-based singer/harmonica man Chicago Bob originally released this album in 1987, backed by the Shadows, the house band at the popular Blind Willie's blues club. This was also Bob's first album after leaving the Heartfixers, which also featured guitarist Tinsley Ellis. Bob (real name Robert Lee Nelson) shows a fine flair for songwriting on "Call My Landlady," "Your Time to Choose," "Stop What You're Doing" and "Bogalusa Boogie," injecting verses that are a cut above your standard blues couplets and show a sharp eye for imagery. Bob also peppers the presentation with solid versions of J.B. Lenoir's "Mama Talk to Your Daughter," Jimmy Rogers' "In My Bed All Alone" and "Sloppy Drunk," Lazy Lester's "If You've Think I've Lost You," Jimmy Reed's "Little Rain," Little Walter's "Just a Feeling" and the title track. Of special interest is the soul-inflected "You Belong to Me" (not originally issued), a tune that Bob learned from Magic Sam but one　 that remained unrecorded until this session.

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[참조]   ▒ ▒ ▒  6V6 - Discography  ▒ ▒ ▒

Tube Rejuvenator [2004년]

1 5 O'Clock   3:47   2 What Am I Doin'   3:21   3 Blue Tears   4:12   4 Ain't Nobody's Business   3:35   5 Little Blue Pill   3:43   6 Empty Arms   2:47   7 Hey Good Lookin'   2:58   8 Miller Time   3:56   9 Bothering Me   4:01   10 Smoke! Smoke! Smoke!   4:12   11 3 A.M.   4:10

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[참조]   ▒ ▒ ▒  Babe Ruth  ▒ ▒ ▒

프로그레시브록을 표방했던 베이브 루쓰는 71년에 해트필드에서 결성된 밴드다. 이들은 원래 창단멤버인 앨런 쉐크록(Alan Shacklock, 기타)의 성을 딴 쉐크록(Shacklock)이란 이름으로 알려졌으나 데뷔앨범이 발매될 시기에 미국의 전설적인 야구선수인 베이브 루쓰의 이름을 빌어 밴드명을 바꾸었다.

베이브 루쓰의 데뷔작은 영국 내에선 그다지 호평 받지 못하였으나 캐나다에서는 골드를 따내는 성공을 거두었다. 두 번째 앨범부터는 피트 브라운(Pete Brown)의 밴드 ‘Piblokto' 출신인 에드 스페복(Ed Spevock, 드럼)이 가세했고 미국차트 75위를 기록했던 세 번째 앨범 [Babe Ruth]가 발매되기 직전엔 와일드 터키(Wild Turkey) 출신의 스티브 걸(Steve Gurl, 키보드)이 라인업에 편입되었다.

베이브 루쓰는 미국투어를 계획하기도 했으나 밴드의 창설자인 앨런 쉐크록이 탈퇴함으로써 최대의 위기상황에 봉착한다. 그 자리는 와일드 터키와 UFO 출신이었던 버니 마스덴(Bernie Marsden, 기타)이 대신하였고 영국 내에서 성공을 거두었던 앨범 [Stealin' Home] 이후 자니타 한(Janita 'Jenny' Hann, 보컬)과 데이브 히윗(Dave Hewitt, 베이스)이 밴드를 떠난다.

곧 엘리(Ellie)라는 밴드의 멤버였던 레이 노트(Ray Knott, 베이스)와 엘리 호프(Ellie Hope, 보컬)가 라인업에 참여했고 이 라인업으로 베이브 루쓰는 5집앨범 [Kid's Stuff]을 완성했으나 이 앨범은 밴드의 마지막 앨범이 된다. 이후 버니 마스덴은 화이트스네이크(Whitesnake)에 가입했으며 자니타 한은 스트라이더(Strider)에서 음악활동을 계속했다.

Progressive rock unit Babe Ruth was formed in Hertfordshire, England in 1971 by singer Janita "Jenny" Haan, guitarist Alan Shacklock (whose surname lent the group their original moniker), and bassist Dave Hewitt. Pianist Dave Punshon and drummer Dick Powell joined the lineup prior to the 1971 release of Babe Ruth's debut single, "Elusive"; the 1972 LP, First Base ? which credited the explosive Haan with "vocal power" generated the group's best-known song, the Shacklock-penned "Wells Fargo," and despite limited interest at home, the album earned a following on North American shores, going gold in Canada. Drummer Ed Spevock replaced Powell for the follow-up, 1973's Amar Caballero, while ex-Wild Turkey keyboardist Steve Gurl assumed Punshon's duties for Babe Ruth's self-titled third effort; the most pivotal blow, however, was the subsequent exit of Shacklock, with another Wild Turkey alum, guitarist Bernie Marsden, signing on for 1975's Stealin' Home. Though the album seemed poised to finally push the group into the British mainstream, Haan and Hewitt both resigned; singer Ellie Hope and bassist Ray Knott were tapped for 1976's Kid's Stuff, but without a single founding member remaining in the lineup, Babe Ruth disbanded months later. Marsden eventually resurfaced in Whitesnake.

[ 참  조 ]   ▒ ▒ ▒  Album Review ▒ ▒ ▒

First Base [1972년]	First Base was British hard rock group Babe Ruth's biggest success, both in terms of popular and critical acclaim. This LP defined an interesting junction between hard rock and progressive rock. The two driving forces behind this album were guitarist Alan Shackloc, who wrote most of the material, and vocalist Janita Haan, who came out as the perfect balance between Janis Joplin and Robert Plant. The album contained "The Mexican," the band's classic song which also includes a theme by western soundtrack composer Ennio Morricone ("Per Qualche Dollaro in Piu"). Other highlights include the powerful rock number "Wells Fargo," the sweet-and-sour "Black Dog" (with nice piano work by Dave Punshon), and a surprising rendition of Frank Zappa's "King Kong." The strings and oboe arrangements in "The Runaways" don't work as well, but at least they don't get pompous. With its long songs (six to eight minutes) and lush arrangements, First Base seduced both the hard rock and the progressive rock crowds. The album cover was painted by Roger Dean, who illustrated many Yes albums.
Amar Caballero [1973년]
Babe Ruth [1975년]	This self-titled disc from Babe Ruth shows them branching out of the progressive rock style of earlier discs and adding touches of soul, folk and movie theme music to their muse. By covering Curtis Mayfield's "We People Darker Than Blue" and Morricone's "A Fistful of Dollars," Babe Ruth show just how far they've come from their earlier days. Their originals also show this growth, and while nothing here is earth-shattering or new, Babe Ruth are accomplished enough to always turn out good product.
Stealin' Home [1975년]	Babe Ruth was formed in 1971 in Hatfield, England, and adopted their name after the legendary American baseball player. The band, lead by Alan Shacklock (guitars, vocals) and consisting of Dave Hewett (bass), Jenny Haan (vocals), and Ed Spevock (drums), was signed to the Harvest label and released their debut album, First Base, in 1972. The album didn't make much impression in England, but went gold in Canada and was a strong seller in the U.S. The band's second album, Amar Caballero, also released on Harvest in 1973, was a repeat of the debut and sold similarly well in North America, but not in England despite aggressive marketing. In 1975, the band went through some lineup changes and released the self-titled, album early in the year. Later in 1975, Shacklock left the band to be replaced by Bernis Marsden on guitars and vocals and the group recorded a second album that year, Stealin' Home. It was released on the U.S. Capitol Records label. This reissue on the British-based B.G.O label pairs the two 1975 albums together on a single CD. While both albums are not the band's strongest works, Babe Ruth contained some memorable moments, including a delightful version of Morricone's "Fistful of Dollars," as well as the hard rock song "Jack O'Lantern" that was a concert favorite. For the Stealin' Home album, the band moved away from the hard rock experimentation of their early works and into a more commercial driven hard rock blues based sound. The band would record one　　　 more album, Kids Stuff, in 1976 with yet another lineup before breaking up later that year. This set has been remastered from original master tapes, and the package contains an in-depth essay on the history of the band along with photos and reproductions of the original album graphics.
Kid's Stuff [1976년]	The end of the line for Babe Ruth. The hints of progressive rock and jazz that lurked within their previous albums are pretty much gone, as is their fine lead singer Jenny Haann, and the results are uninspiring. The sing-song lyrics of "Welcome to the Show" and the disco rhythm of "Since You Went Away" are no help, either. Without the power to sustain their old fans and the novelty to bring in new one　s, they've painted themselves into a corner. Still, the band manages a last hurrah by closing out with the rousing "Keep Your Distance" and the smoldering blues of "Living a Lie."
Greatest Hits [1981년]	1 Jack O'Lantern  3:24   2 The Mexican  5:47   3 We People Darker Than Blue  4:47   4 Lady  3:36   5 Tomorrow  5:06   6 Turquiose  3:13   7 Black Dog  7:58
First Base/Amar Caballero [1998년]	Babe Ruth was formed in 1971 in Hatfield, England, and adopted the name Babe Ruth after the legendary American baseball player. The band, lead by Alan Shacklock (guitars, vocals), and consisting of Dave Hewett (bass), Jenny Haan (vocals), and Ed Spevock (drums) was signed to the Harvest label and released their debut album, First Base, in 1972. The album contained six songs, half of which were covers while the remaining three were written by Shacklock. The cover songs were an odd assortment consisting of the Frank Zappa-written "King Kong," Jesse Winchester's "Black Dog," and an adaptation of the spaghetti western theme for For a Few Dollars More that incorporated the Shacklock-written song "The Mexican." The album didn't make much impression in England but went gold in Canada and was a strong seller in the U.S.A. It is also notable as the first album to have a cover designed by Roger Dean. The band's second album, Amar Caballero, was also released on Harvest in 1973. The style on this album was similar to that of the debut with even more Spanish influences, and it contained a horn section and orchestration. This time out the songs were entirely written by Shacklock with the exception of the song "Amar Caballero (Sin Ton Ni Son)" which dominated most of the second side of the album and incorporated an arrangement of a traditional Spanish folk song. The album sold well in North America but not in England despite aggressive marketing. This set by BGO Records contains both albums on a single CD. It has been remastered from original master tapes, and the package contains an in-depth essay on the history of the band along with photos and reproductions of the original album graphics.
An American Legend [2000년]

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[참조]   ▒ ▒ ▒  Son Seals  ▒ ▒ ▒

It all started with a phone call from Wesley Race, who was at the Flamingo Club on Chicago's South Side, to Alligator Records owner Bruce Iglauer. Race was raving about a new find, a young guitarist named Son Seals. He held the phone in the direction of the bandstand, so Iglauer could get an on-site report. It didn't take long for Iglauer to scramble into action. Alligator issued Seals' eponymous debut album in 1973, which was followed by six more.

Son Seals was born Frank Seals on August 13, 1942 in Osceola, Arkansas. His dad operated a juke joint called the Dipsy Doodle Club in Osceola where Sonny Boy Williamson, Robert Nighthawk, and Albert King cavorted upfront while little Frank listened intently in back. Drums were the youth's first instrument; he played them behind Nighthawk at age 13. But by the time he was 18, Son Seals turned his talents to guitar, fronting his own band in Little Rock.

While visiting his sister in Chicago, he hooked up with Earl Hooker's Roadmasters in 1963 for a few months, and there was a 1966 stint with Albert King that sent him behind the drumkit onc　e more. But with the death of his father in 1971, Seals returned to Chicago, this time for good. When Alligator signed him up, his days fronting a band at the Flamingo Club and the Expressway Lounge were numbered.

Seals' jagged, uncompromising guitar riffs and gruff vocals were showcased very effectively on that 1973 debut set, which contained his "Your Love Is like a Cancer" and a raging instrumental called "Hot Sauce." Midnight Son, his 1976 encore, was by comparison a much slicker affair, with tight horns, funkier grooves, and a set list that included "Telephone Angel" and "On My Knees." Seals cut a live LP in 1978 at Wise Fools Pub; another studio concoction, Chicago Fire, in 1980, and a solid set in 1984, Bad Axe, before having a disagreement with Iglauer that that was patched up in 1991 with the release of his sixth Alligator set, Living in the Danger Zone. Nothing But the Truth followed in 1994, sporting some of the worst cover art in CD history, but a stinging lineup of songs inside. Another live disc, Spontaneous Combustion, was recorded at Buddy Guy's Legends club and released in June of 1996. Over the years, Seals had his share of hardship, bad deals, unemployment, and rip-offs that go on in the music business. However, his personal life took two devastating blows in the late '90s. On January 5, 1997, during a domestic dispute, Seals was shot in the jaw by his former spouse. He miraculously recovered and continued touring. Two years later he had his left leg amputated as a result of diabetes. What would have surely forced most performers into retirement onl　　　y made Seals more dedicated to his music and audience. He came back in 2000, signing with Telarc Blues, and recorded Lettin' Go. Seals preferred to remain close to his Chicago home, holding his touring itinerary to an absolute minimum. Virtually every weekend he could be found somewhere on the Northside blues circuit, dishing up his raw-edged brand of bad blues axe to local followers. The blues ended for Son Seals on December 20, 2004; he passed away due to diabetes related complications.

[예 원]

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죽고플 정도 ,, 모베터블루스 , 척 멘지온 , 리 오스카 , 쳇 베이커 등등 .. 맘이 바뻐유 , 언제 다 듣는공 .. 행복의 고민입당 !! 캄 - - 솨를 !!! ＾0＾